THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...
THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...
THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...
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improvements over the Kurzweil system, including graphic editing capabilities and a<br />
direct time code lock witii video.<br />
15<br />
Materials<br />
Figure 1 below contains a comprehensive list of equipment used in the preparation<br />
of the <strong>heartBEAT</strong> score. Extensive technical information is available in manuals and<br />
related articles (see References), and no attempt is made here at a further contribution to<br />
this area.<br />
Structure<br />
Musical Form<br />
<strong>heartBEAT</strong> is a programmatic work, and numerous structural parameters were<br />
pre-determined by the visual portion of the artwork. For example, the lengths of<br />
individual sections, as well as the length of the entire piece, were fixed constants when<br />
compositional efforts began.<br />
The overall musical form was derived from the inherent structural dimensions of<br />
the video. Upon examining the video for structure, it became evident that a clear musical<br />
form was suggested: a prelude (exposition) is followed by four discrete, yet inten-elated<br />
inner movements (development). A closing section (recapitulation) leads directiy into a<br />
coda.<br />
Stmcmral Divisions<br />
Figure 2 below lists individual scenes and their respective lengths in seconds. This<br />
Hst also represents divisions in musical form.