THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...
THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ... THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...
'CO cp -^ Document and Soundscore Copyright 1988, David Kneupper Text and Video Copyright 1988, Kim Smith Used with permission
FOREWORD The following document is submitted as supporting material to the soundscore of heartBEAT. Readers are encouraged to view the artwork in conjunction with an examination of this document. heartBEAT was a collaborative effort between the author and Dr. Kim Smith, Department of Art, Texas Tech University. Dr. Smith, executive producer of TV on TV. produced, wrote, and directed the work, and is the sole author of its text (included in its entirety in Appendix A). u
- Page 1: THE SOUNDSCORE TO heartBEAT: A NARR
- Page 5 and 6: CONTENTS FOREWORD ii ACKNOWLEDGMENT
- Page 7 and 8: CHAPTER I HISTORICAL PERSPECTIVE In
- Page 9 and 10: Clavicin Oculaire The first known c
- Page 11 and 12: 5 Television Immediacy. Television,
- Page 13 and 14: CHAPTER n STRUCTURAL DIMENSIONS hea
- Page 15 and 16: 9 Before this recitation ends, the
- Page 17 and 18: 11 The Spoken Text The spoken text
- Page 19 and 20: CHAPTER m METHODOLOGY AND MATERL\LS
- Page 21 and 22: improvements over the Kurzweil syst
- Page 23 and 24: 17 Microphones Neuman U87 ShureSM81
- Page 25 and 26: Closing Section (Recapitulation) Cp
- Page 27 and 28: ENDNOTES ^ Lowrie, R. H., "Psycholo
- Page 29 and 30: 23 regular columns and features by
- Page 31 and 32: Books and Scores 25 Manuals Appia,
- Page 33 and 34: APPENDED A: SPOKEN TEXT AND GRAPHIC
- Page 35 and 36: 29 4 THOUGHTS MR shaving. Classical
- Page 37 and 38: That's all. Just real surprised. 31
- Page 39 and 40: MR in batiiroom, checking the pulse
- Page 41 and 42: 35 Tub Dance. MS bathes. MR helps M
- Page 43 and 44: Trading lines. Graphic: MR&MS Witii
- Page 45 and 46: 39 SARA This brings us back to TV.
- Page 47 and 48: 41 DAVID Thank you. KIM As some of
'CO<br />
cp -^<br />
Document and Soundscore<br />
Copyright 1988, David Kneupper<br />
Text and Video<br />
Copyright 1988, Kim Smith<br />
Used with permission
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