THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...
THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...
THE SOUNDSCORE TO heartBEAT: A NARRATIVE-FORM MUSIC ...
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8<br />
Presentational Level<br />
On a third level, the work concerns the medium of television. Suggestive at limes<br />
of such broadcast conventions as newscasts, dramatic series, gameshows and<br />
advertisements, <strong>heartBEAT</strong> communicates through the symbols and conventions of<br />
television. These elements range from specific programming and presentational cliches to<br />
the textural aspects of the medium. Texture is observable in television as the rhythmic<br />
effect generated by interuptions in television programming by advertisements, and<br />
includes the rapid editing styles of newscasts, advertisements, sports broadcasts and<br />
music videos. Graphic elements, such as window inserts and character generation, play a<br />
definitive role in the look and tone of television. Even the remote control device has<br />
contributed significantly to the textural aspect of the medium by encouraging<br />
programming changes by the viewer. By rapidly scanning through available<br />
programming, the viewer participates in a significant presentational aspect of television.<br />
Defamiliarization<br />
All of these features represent the "television-ness" of the medium. As a work of<br />
television art, <strong>heartBEAT</strong> utilizes and exploits the presentational aspects of television.<br />
Both the plot-narrative and the psychological levels of the work are communicated<br />
through the conventions and inherent qualities of the television medium. These<br />
presentational devices are rarely used in a literal way, but are defamiharized through a<br />
variety of structural techniques. Drawing various contextual relationships between<br />
familiar symbols is an important defamiliarizing device used in <strong>heartBEAT</strong>. Graphics<br />
crawl across the bottom of the screen in the manner of a severe weather bulletin, yet they<br />
read "YOU SPEND 2/3 OF YOUR LIFE IN UNDERWEAR." Larger interplays of<br />
context and convention are incorporated as well. Near the end of the piece, a man (the<br />
Ring Announcer) sits by a music stand, strumming the teetii of a handsaw as if it were a<br />
musical instrument. We hear the strumming of a microionally-tuned harp, while a \ oice<br />
reads:<br />
VOICE<br />
Turn out the lights.<br />
The party's over.<br />
All good things must end.<br />
But, tomorrow...<br />
(chuckle)<br />
The game starts again.