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- 487 - A Book of Things about Vladimir Nabokov, (Ann Arbor, 1974), pp. 295-301. Ratcliffe, Michael, "The Young Nabokov", The Times, 18 February, 1971, p. 12. Reich-Ranicki, Marcel, "Der Dichter der Liebe", Frankfurter Allge- meine Zeitung, 5. Juli 1977. --- "Die Liebe, unsere Schriftsteller und Vladimir' Nabokov", Frankfurter Allgemeine Zeitung, 18. Dezember 1978. Rosenfield, Claire, "Despair and the Lust for Immortality", L. S. Dembo, ed., Nabokov, The Man and His Work, (Madison, 1967), pp. 66-84. Rowe, W. W., "Nabokovian Shimmers of Meaning", Carl R. Proffer, Ellendea Proffer, eds., Russian Literature TriQuar'Eerly, (Ann Arbor, 1977), pp. 49-58. --- "Nabokovian Superimposed and Alternative Realities", Carl R. Proffer, Ellendea Proffer, eds., Russian Literature TriQuar- terl , (Ann Arbor, 1977), pp. 59-66. --- "Pnin's Uncanny Looking Glass", Carl R. Proffer, ed., A Book of Things about Vladimir Nabokov, (Ann Arbor, 1974), pp. 182-192. " --- "The Honesty of Nabokovian Deception", Carl R. Proffer, ed., A Book of Things about Vladimir Nabokov, (Ann Arbor, 1974), pp. 171-181. "27 Footnotes to Nabokov's Innocence", Encounter, Vol. 40 (March 1973), pp. 78-79. Salehar, Anna Maria, "Nabokov's Gift: An Apprenticeship in Creativity", Carl R. Proffer, ed., A Book of Things about Vladimir Nabokov, (Ann
- 488 - Arbor, 1974), pp. 70-83. Skow, John, "Butterflies Are Free", Time, 7 October, 1974, p. E8. Sokolov, R. A., "The Nabokovian Universe", Newsweek, May 5,1969, pp. 110-111. Stegner, Page, "Editor's Introduction", Page Stegner, ed., Nabokov's Congeries, (New York, 1968), pp. IX-XXXIX. --- "The Immortality of Art, Vladimir Nabokov's The Real Life of Sebastian Knight", The Southern Review, Vol. II, New Series, Nr. 2 (April 1966), pp. 286-297. Struve, Gleb, "Notes on Nabokov as a Russian Writer", L. S. Dembo, ed., Nabokov, The Man and His Work, (Madison, 1967), pp. 45-56. Stuart, Dabney, "Laughter in the Dark: dimen- sions of parody", TriQuarterly, 17 (Winter 1970), pp. 72-95. --- "The Real Life of Sebastian Knight, Angles of Perception", Modern% Language Quarterly, 29 (1968), pp. 312-328. Suagee, Stephen, "An Artist's Memory Beats All Other Kinds: An Essay on Despair", Carl R. Proffer, ed., A Book of Things about Vladimir Nabokov, (AnnArbor, 1974), pp. 54-62. f Toynbee, Philip, "Nabokov, alas", The Observer Review, 21 February, 1971, p. 24. --- "Too much of a good thing", The Observer Review, 5 October, 1969, p. 34. Trilling, Lionel, "The Last Lovbr: Vladimir NabokOv's Lolita", Encounter, 11,4 (October 1958), pp. 9-19. "" Updike, John, "The Translucing of Hugh Person", The New Yorker, 13 December, 1972, p. 242-245.
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''Vladimir Nabokov's Comic Quest fo
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Abstract Nabokov once said that "re
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Introduction
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-2- granting that the Bolshevist an
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-4- consent, was motivated by the a
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-6- on the aspects of life that int
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-8- importance but its art, only it
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- 10 - of. the novels, consist in t
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- 12 - life with its hazards and in
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- 14 - lives of individual persons,
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- 16 - is convinced to really know
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- 18 - hopeless, but Nabokov does n
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- 20 - for the artist, is expressed
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- 22 - a new, wholly artistic reali
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- 24 - way, and this knowledge and
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- 26 - internal evidence of Invitat
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- 28 - Admittedly not all of Naboko
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- 30 - "tr. ue reality" in that it
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- 32 - the manner in which the subj
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- 34 - The case is quite similar in
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- 36 - lines of play 11120 will in
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- 38 - him knowledge surpassing tha
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- 40 - the present. This act of rec
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- 42 - design in the life of Martin
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- 44 - Martin's mother of her son's
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- 46 - is blind where his wife and
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- 48 - serious and profound experie
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I. The Eye Pnin Lolita; Laughter*in
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- 51 - novel. They illustrate how p
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- 53 - tearing the banknote into li
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- 55 - have before: after the suici
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- 57 - imagination of Gretchen best
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- 59 - deed been through an experie
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- 61 - there must be some "model" a
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- 63 - P NI N In their appreciation
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- 65 - For the sake of convenience
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- 67 - Pnin's appearance is comic,
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- 69 - all-the time. He suffers an
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- 71 - existence" (13). In his pres
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- 73 - is going to give, on his per
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- 75 - exist in such big sea" (60).
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- 77 - directly from Pnin's peculia
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- 79 - them at least 10ok like his
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- 81 - indeed only the very thinnes
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- 83 - but the group of academics w
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- 85 - "schools and trends", and is
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- 87 - which induces the reader to
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- 89 - and-smiles at, there emerges
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- 91 - More depth and reality are a
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- 93 - cp. 180). The narrator also
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95 - being accurate in every point,
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- 97 - standing of a "truly human b
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- 99 - eternal beauty, and his conv
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- 101 - One luckless early critic w
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- 103 - says "well-read" Humbert Hu
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- 105 - surface, into the initial m
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- 107 - age. She was the "initial g
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- 109 - and implies in the parody t
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- 111 - He is equally inaccurate in
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- 113 - with Quilty; and, of course
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- 115 - or to hold her on his knee
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- 117 - ations ) (98). And he descr
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- 119 - a strident, harsh high voic
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- 121 - When Humbert talks of his d
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- 123 -- could victimize her poor d
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- 125 - this twelve-year-old girl s
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- 127 - done her morning duty" (161
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- 129 - experience, up to a certain
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- 131 - her: "... -a life full of t
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- 133 - Looking at it for a moment
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- 135 - and Axel Rex delightful. Bu
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- 137 - critics have made her, and
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- 139 - not record images of the sy
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- 141 - ous hallucination" (287). 6
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- 143 - No hereafter is acceptable
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- 145 - be possible for him to be t
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- 147 - and it is also appropriate
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- 149 - But Humbert's view of Lolit
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- 151 - the truth of the theory dev
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- 153 - part of it. Even with the i
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- 155 - THE REAL LIFE OF SEBASTIAN
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- 157. - consistent set of characte
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- 159 - gathered from various sourc
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- 161 - a very close one, and it se
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- 163 - tiously follows all the mov
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- 165 - go about it), behaving as i
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- 167 - infinite trouble what he co
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- 169 - What were the things that r
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- 171 share", as a good biographer
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- 173 - seems to him too colourless
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175 - parody of what Stegner calls
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- 177 - that lead to it, he is sing
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- 179 - the time during which he li
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- 181 - France. He is tormented by
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- 183 - on the last page of the nov
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- 185 - what he wants to find, that
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- 187 - would not see him. Somewhat
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- 189 - he falls back on passages f
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- 191 - ticism as one possible way
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- 193 - The passages betray not onl
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- 195 - This "mental jerk" grants k
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- 197 - clear, and the harmony and
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- 199 - initiated the insight. In l
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- 201 - himself, and in it V appear
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- 203 - novels of Sebastian Knight,
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- 205 - All those that knew Sebasti
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- 207 - in his opinion not have for
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- 209 - others as his remoteness an
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- 210 - THEDEFENCE R. H. W. Dillard
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- 212 - his own future, and it beco
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- 214 - Unlike Shade, however, Luzh
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- 216 - has recognized as the basic
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- 218 - The sensitive reader dislik
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- 220 - The individual parts have p
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- 222 - for the overall comic effec
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- 224 - Americans of today. "24 He
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- 226 - learn anything, to wrap it
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- 228 - exhausted. Kinbote uses it
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- 230 - (24-25). He talks about how
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- 232 - "Parents" (1,71), "my bedro
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- 234 - commentary, and they also o
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- 236 - forbidden knowledge of whic
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- 238 - than he thought it was46: B
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- 240 - following the road of its r
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- 242 - actually sees Kinbote, lose
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- 244 - emerges that the man whom h
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- 246 - sions, shows that even the
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- 248 - superficially is about. He
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- 250 - "really" Kinbote who has wr
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- 252 - standing' of the poem do no
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- 254 - Shade mentions a famous fil
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- 256 - is left-handed (180) and he
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- 258 - The sea's a thief, whose li
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- 260 - much a person even on the l
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- 262 - In the relationship between
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- 264 - even for his own death. It
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- 266 - TRANSPARENT THINGS An old N
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- 268 - the name as if it were simp
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- 270- Armande that has brought him
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- 272 - a conscious effort. Things
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- 274 - intention either to convey
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- 276 - past with utmost precision
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- 278 - Hugh Person ignores a vague
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- 280 - the wall which in his wakin
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- 282 - thus opening the view into
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- 284 - tain moments he positively
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- 286 - We thought that he had in h
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- 288 - The thought throws more lig
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- 290 - That Nabokov does consider
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- 292 - which strangely prefigures
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- 294 - become no doubt a new bible
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- 296 - It probably is Mr. R. 's ph
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- 298 - DESPAIR Despair1, though wr
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- 300 - rendering a certain sound t
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- 302 - I have grown much too used
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- 304 - dimensions of artistic crea
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- 306 - when he starts writing his
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- 308 - in its capability of photog
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- 310- next morning, none would bel
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- 312 - To the end, then, he remain
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- 314 - tangible double of himself,
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- 316 - this attack of his second s
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- 318 - ... the ruddy horror of my
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- 320 - only a limited number of su
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- 321 - BENDSINISTER INVITATIONTOAB
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- 323 - the Dark Comedies of the Tw
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- 325 - and that one has first to p
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- 327 - the absurd fate he himself
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- 329 - perhaps in some archaic let
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- 331 - this fantasy with bits of L
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- 333 - in the solution it offers.
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- 335 - no more than the strange an
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- 337 - clown (IB, 104-105). And th
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- 339 - of the original still shine
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- 341 - each of them. There is Mart
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- 343 - "cleared his throat and sof
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- 345 - and then perhaps we shall s
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- 347 - our own world , and with it
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- 349 - the river we see him fishin
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- 351 - inspired by a picture on wh
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- 353 - do not conceal them must di
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- 355 - also the only one who can i
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- 357 - (IB, 26) and only his doubl
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- 359 - Cincinnatus no longer what
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Page 369 and 370:
- 361 - He speculates about time in
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- 363 - ADA Ada1 has more than any
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- 365 - combine to form the surface
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- 367 - ... a string of stock scene
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- 369 - more confusing by the great
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- 371 - of aspens; they embraced,..
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- 373 - aux caprices de son age. «
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- 375 - pipes into "borborygmic con
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- 377 - Swann et la Lesbie de Catul
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- 379 - in quite a new light and de
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- 381 - of a comic strip cartoon [1
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- 383 - and van's divans and cushio
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- 385 - ernized barracks for misfit
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- 387 - (385). Van himself is calle
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- 38-9 - "Don't forget normal adult
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- 391 - Ada have an equally profoun
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- 393 - her, and telling himself "t
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- 395 - agents from an alien countr
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- 397 -. - cribed by Aristophanes i
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- 399 - stored in their minds, of a
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- 401 - Since nature was traditiona
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- 403 and the Present. Like his cre
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- 405 - way one may wish and try to
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- 407 - liberated from "Numbers and
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- 409 - his own memory of the Past,
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- 411 - only meet again after twelv
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- 413 - and Present are blended by
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- 415 - of his publications as "buo
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- 417 - tion. Pain and physical dea
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- 418 - LOOKATTHEHARLEQUINS! "Look
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- 420 - minor minds, and such vital
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- 422 - Ada also appear in it: some
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- 424 - he himself seems puzzled. I
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- 426 - obvious anyway, is undersco
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Page 437 and 438:
- 428 - intimately interwoven with
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Page 439 and 440:
- 430 - ture of the author, one may
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- 432 - was) I have gained some exp
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Notes Bibliography
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Page 445 and 446:
- 435 - 19 20 21 22 23 24 25 26 27
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Page 447 and 448:
- 437 - 68 69 70 71 72 73 74 75 76
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Page 449 and 450:
- 439 - 111 112 113 114 115 116 Nor
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Page 451 and 452:
- 441 - N0TES to THEEYE 1 Vladimir
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Page 453 and 454:
- 443 - 21 22 23 24 25 26 27 28 29
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Page 455 and 456:
- 445 - N0TES to LOLITA and LAUGHTE
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Page 457 and 458:
- 447 - 44 45 46 47 48 49 50 Vladim
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Page 459 and 460:
- 449 - 83 84 85 86 87 88 89 90 91
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Page 461 and 462:
- 451 - 19 20 21 22 23 24 25 26 27
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Page 463 and 464:
- 453 - 60 61 62 63 Vladimir Naboko
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-. 455 - N0TESt0PALEFIRE 1 2 3 4 5
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- 457 - 27 Andrew Field, Nabokov, H
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- 459 - 56 57 58 59 60 Ibid., p. 72
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Page 471 and 472:
- 461 - NOTESTOTRANSPARENTTHINGS 1
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Page 473 and 474:
- 463 - NOTES to DESPAIR 1 . Vladim
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Page 475 and 476:
- 465 - N0TES to BEND SINISTER and
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- 467 - 38 G. M. Hyde, Vladimir Nab
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- 469 - 24 25 26 27 28 29 Vladimir
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- 471 - 71 Op. cit., pp. 147-148. 7
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BIBL10GRAPHY I. Primary Sources 1.
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Page 485 and 486:
- 474 - Nabokov, Vladimir, Pale Fir
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Page 487 and 488:
- 476 - "Vladimir Nabokov on His Li
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-- 478 - II. Reference Bryer, Jacks
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Page 491 and 492:
- 480 - Stuart, Dabney, Nabokov, Th
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Page 493 and 494:
- 482 - Dembo, L. S., "Vladimir Nab
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Page 495 and 496:
- 484 - Hyman, Stanley Edgar, "The
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Page 497:
- 48ti-. - (Autumn, 1968), pp. 655-
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Page 501 and 502:
- 490 - Heidsieck, Arnold, Das Grot
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Page 503:
- 492 - Shelston, Alan, Biography,
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