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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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460 -<br />

77/ Page Stegner, Escape into Aesthetics, pp. 125f.<br />

78<br />

Nina Berberova, "The Mechanics of Pale Fire",<br />

For Nabokov on his seventieth birthday,<br />

TriQuarterly, 17 (Winter 1970), pp. 154f.<br />

79<br />

80<br />

81<br />

82<br />

83<br />

84<br />

85<br />

86<br />

cp. Andrew Field: "... the title as it appears<br />

in the Shakespeare phrase is meant to refer...<br />

to the less evident factor of the bonds and<br />

interplay of light and reflection between the<br />

novel's disparate bodies... "<br />

Andrew Field, "Pale Fire, the labyrinth of a<br />

great novel", pp. 18-19.<br />

There are other such parallels: Charles gets<br />

married on the same day as Shade (though thirty<br />

years later), and the date of his arrival in<br />

America coincides with the date of Shade's<br />

heart attack (17th October 1959).<br />

Vladimir Nabokov in an Interview conducted by<br />

Alfred Appel, Jr., Nabokov, The Man and His Work,<br />

p. 29.<br />

He is called "a clockwork man" (152) and "our<br />

automatic man" (279).<br />

cp. p. 135: "We feel doom, in the image of Gradus,<br />

eating away miles and miles of 'feigned remoteness'<br />

between him and poor Shade. "<br />

Andrew Field, "Pale Fire, The labyrinth of a<br />

great novel", p. 32.<br />

Loc. cit.<br />

Page Stegner, Escape into Aesthetics, p. 128.<br />

87 Loc. cit.<br />

88<br />

Vladimir Nabokov in an Interview with Allene<br />

Talmey, Vogue, Christmas number 1969, reprinted<br />

in Vladimir Nabokov, Strong Opinions, p. 154.<br />

16.

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