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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 451 -<br />

19<br />

20<br />

21<br />

22<br />

23<br />

24<br />

25<br />

26<br />

27<br />

28<br />

29<br />

Alan Rodway, The Truths of Fiction, (London,<br />

91970),<br />

p. 144.<br />

According to a Letter to the Editor of The Times<br />

(27 July 1978) it is still "correct <strong>for</strong>m and<br />

good etiquette <strong>for</strong> a gentleman to tuck his handkerchief<br />

into his sleeve... "<br />

Vladimir Nabokoff-Sirine, "Pouchkine ou le vrai<br />

et le vraisemblable, pp. 364-365.<br />

"I have not been able to obtain a picture of the<br />

house where Sebastian was born" (p. 6); "Whether<br />

this was mentioned by my mother<br />

I<br />

..., cannot say"<br />

(p. 8); "The task eludes me" (p. 16); "I do not know<br />

Nor<br />

...<br />

can I tell... " (p. 17); etc.<br />

Hester Chapman in James L. Clif<strong>for</strong>d, ed., Biography<br />

as an Art, p. 221.<br />

Sir Harold Nicolson, in Op. cit., p. 201.<br />

Virginia Woolf, in 0 p. cit., p. 134.<br />

Sir Harold Nicolson, in Op. cit., p. 201.<br />

Page Stegner, "The Immortality of Art, Vladimir<br />

<strong>Nabokov's</strong> The Real Life of Sebastian Knight",<br />

The Southern Review, Vol. II, New Series, Nr. 2<br />

(April 1966), p. 290.<br />

Julian Symons, Bloody Murder, From the Detective<br />

Story to the Crime Novel: A History, (London,<br />

1972), p. 9.<br />

30 Op. cit., p. 173.<br />

31 Op. cit., p. 38.<br />

32 Op. cit., pp. 101<br />

- 102.<br />

33 Andrew Field, Nabokov, His Life in Art, p. 14.<br />

34<br />

35<br />

Page Stegner, Escape into Aesthetics: The Art of<br />

Vladimir Nabokov, (New York, 1966), pp. 71,75.<br />

Op. cit., p. 74.<br />

36 Loc. cit. 4.<br />

37<br />

38<br />

39<br />

Page Stegner, Escape into Aesthetics, p. 75.<br />

T .,,. ,. 4 4-<br />

Page Stegner, Escape into Aesthetics, p. 72.

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