''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 448 - 65 66 67 68 69 70 71 Edgar Allan Poe, William Wilson, in Tales of Mystery and Imagination, (Everyman Paperback, London, 1968), p. 19. op. cit., P. B. F. M. Dostojewski, Der Doppelgänger, (Fischer Taschenbuch, Frankfurt am Main, 1975), p. 57. Alfred Appel, Jr., "Lolita: The Springboard of Parody", p. 132. Loc. cit. Page Stegner, Escape into Aesthetics, p. 104. Alfred Appel, Jr., "Lolita: The Springboard of Parody", p. 133. 72 Loc. cit. 73 74 75 76 77 78 79 80 81 82 Joseph Gold, "The Morality of Lolita", p. 53. Andrew Field, Nabokov, p. 343. Douglas Fowler, Reading Nabokov, p. 155. Alfred Appel, "Lolita: The Springboard of Parody", p. 132. Andrew Field, Nabokov, p. 349. Douglas Fowler, Reading Nabokov, p. 154. Lionel Trilling, "The Last Lover", p. 18. Douglas Fowler, Reading Nabokov, p. 161. The Shorter Oxford English Dictionary, Revised and Edited by C. T. Onions, (Oxford, 1968). Nymph: One of a class of semi-divine beings, imagined as beautiful maidens inhabiting the sea, rivers, fountains, hills, woods, or trees, or attending on superior deities. The Shorter Oxford English Dictionary. Franz H. Link, Edgar Allan Poe, Ein Dichter zwischen Romantik und Moderne, (Frankfurt/M., Bonn, 1968), p. 16. Edward Wagenknecht, Edgar Allan Poe: The Man Behind the Legend, (New York, 1963). P-144. Poe expresses a similar thought when he speaks about music which, he says, affects us to tears not "from 'excess of pleasure'; but through excess of an impatient, petulant sorrow that, as mere mortals, we are as yet in no condition to banquet upon those supernal ecstasies of which the music affords us merely a suggestive and indefinite glimpse. "
- 449 - 83 84 85 86 87 88 89 90 91 92 93 Edgar Allan Poe, Music, in Selected Writings, (Penguin English Library, Harmondsworth, p. 433. Franz H. Link, Edgar Allan Poe, p. 17. Julian Moynahan, Vladimir Nabokov, p. 26. "1977), G. D. Josipovici, "Lolita: Parody and the Pursuit of Beauty", p. 46. Julian Moynahan, Vladimir Nabokov, p. 26. cp. Note 83. G. M. Hyde, Vladimir Nabokov, America's Russian Novelist, (London, 1977), pp. 62f. D. J. Hughes, "Reality and the Hero: 'Lolita' and 'Henderson the Rainking "', Modern Fiction Studies, Vol. 6, Nr. 1 (Spring 1960), p. 353. Julia Bader, Crystal Land, p. 75. The Shorter Oxford English Dictionary. Erich Fromm, Die Kunst des Liebens, übersetzt aus dem Amerikanischen von Günter Eichel, (Ulm, 1978), p. 48. Loc. cit. Erich Fromm, Die Kunst des Liebens, p. 49.
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''Vladimir Nabokov's Comic Quest fo
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Abstract Nabokov once said that "re
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Introduction
Page 7 and 8:
-2- granting that the Bolshevist an
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-4- consent, was motivated by the a
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-6- on the aspects of life that int
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-8- importance but its art, only it
Page 15 and 16:
- 10 - of. the novels, consist in t
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- 12 - life with its hazards and in
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- 14 - lives of individual persons,
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- 16 - is convinced to really know
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- 18 - hopeless, but Nabokov does n
Page 25 and 26:
- 20 - for the artist, is expressed
Page 27 and 28:
- 22 - a new, wholly artistic reali
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- 24 - way, and this knowledge and
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- 26 - internal evidence of Invitat
Page 33 and 34:
- 28 - Admittedly not all of Naboko
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- 30 - "tr. ue reality" in that it
Page 37 and 38:
- 32 - the manner in which the subj
Page 39 and 40:
- 34 - The case is quite similar in
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- 36 - lines of play 11120 will in
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- 38 - him knowledge surpassing tha
Page 45 and 46:
- 40 - the present. This act of rec
Page 47 and 48:
- 42 - design in the life of Martin
Page 49 and 50:
- 44 - Martin's mother of her son's
Page 51 and 52:
- 46 - is blind where his wife and
Page 53 and 54:
- 48 - serious and profound experie
Page 55 and 56:
I. The Eye Pnin Lolita; Laughter*in
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- 51 - novel. They illustrate how p
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- 53 - tearing the banknote into li
Page 61 and 62:
- 55 - have before: after the suici
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- 57 - imagination of Gretchen best
Page 65 and 66:
- 59 - deed been through an experie
Page 67 and 68:
- 61 - there must be some "model" a
Page 69 and 70:
- 63 - P NI N In their appreciation
Page 71 and 72:
- 65 - For the sake of convenience
Page 73 and 74:
- 67 - Pnin's appearance is comic,
Page 75 and 76:
- 69 - all-the time. He suffers an
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- 71 - existence" (13). In his pres
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- 73 - is going to give, on his per
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- 75 - exist in such big sea" (60).
Page 83 and 84:
- 77 - directly from Pnin's peculia
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- 79 - them at least 10ok like his
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- 81 - indeed only the very thinnes
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- 83 - but the group of academics w
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- 85 - "schools and trends", and is
Page 93 and 94:
- 87 - which induces the reader to
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- 89 - and-smiles at, there emerges
Page 97 and 98:
- 91 - More depth and reality are a
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- 93 - cp. 180). The narrator also
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95 - being accurate in every point,
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- 97 - standing of a "truly human b
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- 99 - eternal beauty, and his conv
Page 107 and 108:
- 101 - One luckless early critic w
Page 109 and 110:
- 103 - says "well-read" Humbert Hu
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- 105 - surface, into the initial m
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- 107 - age. She was the "initial g
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- 109 - and implies in the parody t
Page 117 and 118:
- 111 - He is equally inaccurate in
Page 119 and 120:
- 113 - with Quilty; and, of course
Page 121 and 122:
- 115 - or to hold her on his knee
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- 117 - ations ) (98). And he descr
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- 119 - a strident, harsh high voic
Page 127 and 128:
- 121 - When Humbert talks of his d
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- 123 -- could victimize her poor d
Page 131 and 132:
- 125 - this twelve-year-old girl s
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- 127 - done her morning duty" (161
Page 135 and 136:
- 129 - experience, up to a certain
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- 131 - her: "... -a life full of t
Page 139 and 140:
- 133 - Looking at it for a moment
Page 141 and 142:
- 135 - and Axel Rex delightful. Bu
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- 137 - critics have made her, and
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- 139 - not record images of the sy
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- 141 - ous hallucination" (287). 6
Page 149 and 150:
- 143 - No hereafter is acceptable
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- 145 - be possible for him to be t
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- 147 - and it is also appropriate
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- 149 - But Humbert's view of Lolit
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- 151 - the truth of the theory dev
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- 153 - part of it. Even with the i
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- 155 - THE REAL LIFE OF SEBASTIAN
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- 157. - consistent set of characte
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- 159 - gathered from various sourc
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- 161 - a very close one, and it se
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- 163 - tiously follows all the mov
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- 165 - go about it), behaving as i
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- 167 - infinite trouble what he co
Page 175 and 176:
- 169 - What were the things that r
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- 171 share", as a good biographer
Page 179 and 180:
- 173 - seems to him too colourless
Page 181 and 182:
175 - parody of what Stegner calls
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- 177 - that lead to it, he is sing
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- 179 - the time during which he li
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- 181 - France. He is tormented by
Page 189 and 190:
- 183 - on the last page of the nov
Page 191 and 192:
- 185 - what he wants to find, that
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- 187 - would not see him. Somewhat
Page 195 and 196:
- 189 - he falls back on passages f
Page 197 and 198:
- 191 - ticism as one possible way
Page 199 and 200:
- 193 - The passages betray not onl
Page 201 and 202:
- 195 - This "mental jerk" grants k
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- 197 - clear, and the harmony and
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- 199 - initiated the insight. In l
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- 201 - himself, and in it V appear
Page 209 and 210:
- 203 - novels of Sebastian Knight,
Page 211 and 212:
- 205 - All those that knew Sebasti
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- 207 - in his opinion not have for
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- 209 - others as his remoteness an
Page 217 and 218:
- 210 - THEDEFENCE R. H. W. Dillard
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- 212 - his own future, and it beco
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- 214 - Unlike Shade, however, Luzh
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- 216 - has recognized as the basic
Page 225 and 226:
- 218 - The sensitive reader dislik
Page 227 and 228:
- 220 - The individual parts have p
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- 222 - for the overall comic effec
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- 224 - Americans of today. "24 He
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- 226 - learn anything, to wrap it
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- 228 - exhausted. Kinbote uses it
Page 237 and 238:
- 230 - (24-25). He talks about how
Page 239 and 240:
- 232 - "Parents" (1,71), "my bedro
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- 234 - commentary, and they also o
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- 236 - forbidden knowledge of whic
Page 245 and 246:
- 238 - than he thought it was46: B
Page 247 and 248:
- 240 - following the road of its r
Page 249 and 250:
- 242 - actually sees Kinbote, lose
Page 251 and 252:
- 244 - emerges that the man whom h
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- 246 - sions, shows that even the
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- 248 - superficially is about. He
Page 257 and 258:
- 250 - "really" Kinbote who has wr
Page 259 and 260:
- 252 - standing' of the poem do no
Page 261 and 262:
- 254 - Shade mentions a famous fil
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- 256 - is left-handed (180) and he
Page 265 and 266:
- 258 - The sea's a thief, whose li
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- 260 - much a person even on the l
Page 269 and 270:
- 262 - In the relationship between
Page 271 and 272:
- 264 - even for his own death. It
Page 273 and 274:
- 266 - TRANSPARENT THINGS An old N
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- 268 - the name as if it were simp
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- 270- Armande that has brought him
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- 272 - a conscious effort. Things
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- 274 - intention either to convey
Page 283 and 284:
- 276 - past with utmost precision
Page 285 and 286:
- 278 - Hugh Person ignores a vague
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- 280 - the wall which in his wakin
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- 282 - thus opening the view into
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- 284 - tain moments he positively
Page 293 and 294:
- 286 - We thought that he had in h
Page 295 and 296:
- 288 - The thought throws more lig
Page 297 and 298:
- 290 - That Nabokov does consider
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- 292 - which strangely prefigures
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- 294 - become no doubt a new bible
Page 303 and 304:
- 296 - It probably is Mr. R. 's ph
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- 298 - DESPAIR Despair1, though wr
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- 300 - rendering a certain sound t
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- 302 - I have grown much too used
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- 304 - dimensions of artistic crea
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- 306 - when he starts writing his
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- 308 - in its capability of photog
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- 310- next morning, none would bel
Page 319 and 320:
- 312 - To the end, then, he remain
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- 314 - tangible double of himself,
Page 323 and 324:
- 316 - this attack of his second s
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- 318 - ... the ruddy horror of my
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- 320 - only a limited number of su
Page 329 and 330:
- 321 - BENDSINISTER INVITATIONTOAB
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- 323 - the Dark Comedies of the Tw
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- 325 - and that one has first to p
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- 327 - the absurd fate he himself
Page 337 and 338:
- 329 - perhaps in some archaic let
Page 339 and 340:
- 331 - this fantasy with bits of L
Page 341 and 342:
- 333 - in the solution it offers.
Page 343 and 344:
- 335 - no more than the strange an
Page 345 and 346:
- 337 - clown (IB, 104-105). And th
Page 347 and 348:
- 339 - of the original still shine
Page 349 and 350:
- 341 - each of them. There is Mart
Page 351 and 352:
- 343 - "cleared his throat and sof
Page 353 and 354:
- 345 - and then perhaps we shall s
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- 347 - our own world , and with it
Page 357 and 358:
- 349 - the river we see him fishin
Page 359 and 360:
- 351 - inspired by a picture on wh
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- 353 - do not conceal them must di
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- 355 - also the only one who can i
Page 365 and 366:
- 357 - (IB, 26) and only his doubl
Page 367 and 368:
- 359 - Cincinnatus no longer what
Page 369 and 370:
- 361 - He speculates about time in
Page 371 and 372:
- 363 - ADA Ada1 has more than any
Page 373 and 374:
- 365 - combine to form the surface
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- 367 - ... a string of stock scene
Page 377 and 378:
- 369 - more confusing by the great
Page 379 and 380:
- 371 - of aspens; they embraced,..
Page 381 and 382:
- 373 - aux caprices de son age. «
Page 383 and 384:
- 375 - pipes into "borborygmic con
Page 385 and 386:
- 377 - Swann et la Lesbie de Catul
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- 379 - in quite a new light and de
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- 381 - of a comic strip cartoon [1
Page 391 and 392:
- 383 - and van's divans and cushio
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- 385 - ernized barracks for misfit
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- 387 - (385). Van himself is calle
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- 38-9 - "Don't forget normal adult
Page 399 and 400:
- 391 - Ada have an equally profoun
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- 393 - her, and telling himself "t
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- 395 - agents from an alien countr
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- 397 -. - cribed by Aristophanes i
Page 407 and 408: - 399 - stored in their minds, of a
Page 409 and 410: - 401 - Since nature was traditiona
Page 411 and 412: - 403 and the Present. Like his cre
Page 413 and 414: - 405 - way one may wish and try to
Page 415 and 416: - 407 - liberated from "Numbers and
Page 417 and 418: - 409 - his own memory of the Past,
Page 419 and 420: - 411 - only meet again after twelv
Page 421 and 422: - 413 - and Present are blended by
Page 423 and 424: - 415 - of his publications as "buo
Page 425 and 426: - 417 - tion. Pain and physical dea
Page 427 and 428: - 418 - LOOKATTHEHARLEQUINS! "Look
Page 429 and 430: - 420 - minor minds, and such vital
Page 431 and 432: - 422 - Ada also appear in it: some
Page 433 and 434: - 424 - he himself seems puzzled. I
Page 435 and 436: - 426 - obvious anyway, is undersco
Page 437 and 438: - 428 - intimately interwoven with
Page 439 and 440: - 430 - ture of the author, one may
Page 441 and 442: - 432 - was) I have gained some exp
Page 443 and 444: Notes Bibliography
Page 445 and 446: - 435 - 19 20 21 22 23 24 25 26 27
Page 447 and 448: - 437 - 68 69 70 71 72 73 74 75 76
Page 449 and 450: - 439 - 111 112 113 114 115 116 Nor
Page 451 and 452: - 441 - N0TES to THEEYE 1 Vladimir
Page 453 and 454: - 443 - 21 22 23 24 25 26 27 28 29
Page 455 and 456: - 445 - N0TES to LOLITA and LAUGHTE
Page 457: - 447 - 44 45 46 47 48 49 50 Vladim
Page 461 and 462: - 451 - 19 20 21 22 23 24 25 26 27
Page 463 and 464: - 453 - 60 61 62 63 Vladimir Naboko
Page 465 and 466: -. 455 - N0TESt0PALEFIRE 1 2 3 4 5
Page 467 and 468: - 457 - 27 Andrew Field, Nabokov, H
Page 469 and 470: - 459 - 56 57 58 59 60 Ibid., p. 72
Page 471 and 472: - 461 - NOTESTOTRANSPARENTTHINGS 1
Page 473 and 474: - 463 - NOTES to DESPAIR 1 . Vladim
Page 475 and 476: - 465 - N0TES to BEND SINISTER and
Page 477 and 478: - 467 - 38 G. M. Hyde, Vladimir Nab
Page 479 and 480: - 469 - 24 25 26 27 28 29 Vladimir
Page 481 and 482: - 471 - 71 Op. cit., pp. 147-148. 7
Page 483 and 484: BIBL10GRAPHY I. Primary Sources 1.
Page 485 and 486: - 474 - Nabokov, Vladimir, Pale Fir
Page 487 and 488: - 476 - "Vladimir Nabokov on His Li
Page 489 and 490: -- 478 - II. Reference Bryer, Jacks
Page 491 and 492: - 480 - Stuart, Dabney, Nabokov, Th
Page 493 and 494: - 482 - Dembo, L. S., "Vladimir Nab
Page 495 and 496: - 484 - Hyman, Stanley Edgar, "The
Page 497 and 498: - 48ti-. - (Autumn, 1968), pp. 655-
Page 499 and 500: - 488 - Arbor, 1974), pp. 70-83. Sk
Page 501 and 502: - 490 - Heidsieck, Arnold, Das Grot
Page 503: - 492 - Shelston, Alan, Biography,
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