''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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Edgar Allan Poe, William Wilson, in Tales of
Mystery and Imagination, (Everyman Paperback,
London, 1968), p. 19.
op. cit., P. B.
F. M. Dostojewski, Der Doppelgänger, (Fischer
Taschenbuch, Frankfurt am Main, 1975), p. 57.
Alfred Appel, Jr., "Lolita: The Springboard of
Parody", p. 132.
Loc. cit.
Page Stegner, Escape into Aesthetics, p. 104.
Alfred Appel, Jr., "Lolita: The Springboard of
Parody", p. 133.
72 Loc. cit.
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75
76
77
78
79
80
81
82
Joseph Gold, "The Morality of Lolita", p. 53.
Andrew Field, Nabokov, p. 343.
Douglas Fowler, Reading Nabokov, p. 155.
Alfred Appel, "Lolita: The Springboard of Parody",
p. 132.
Andrew Field, Nabokov, p. 349.
Douglas Fowler, Reading Nabokov, p. 154.
Lionel Trilling, "The Last Lover", p. 18.
Douglas Fowler, Reading Nabokov, p. 161.
The Shorter Oxford English Dictionary, Revised
and Edited by C. T. Onions, (Oxford, 1968).
Nymph: One of a class of semi-divine beings,
imagined as beautiful maidens inhabiting the sea,
rivers, fountains, hills, woods, or trees, or
attending on superior deities.
The Shorter Oxford English Dictionary.
Franz H. Link, Edgar Allan Poe, Ein Dichter zwischen
Romantik und Moderne, (Frankfurt/M., Bonn, 1968),
p. 16.
Edward Wagenknecht, Edgar Allan Poe: The Man Behind
the Legend, (New York, 1963). P-144.
Poe expresses a similar thought when he speaks
about music which, he says, affects us to tears
not "from 'excess of pleasure'; but through excess
of an impatient, petulant sorrow that, as mere
mortals, we are as yet in no condition to banquet
upon those supernal ecstasies of which the music
affords us merely a suggestive and indefinite
glimpse. "