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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 442<br />

-<br />

NOTES to PNIN<br />

1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

7<br />

8<br />

9<br />

10<br />

11<br />

Vladimir Nabokov, Pnin, (Heinemann, London,<br />

31960).<br />

R. H. W. Dillard, "Not Text but Texture: The Novels<br />

of Vladimir Nabokov", The Hollins Critic, Vol. III,<br />

Nr. 3 (June 1966), p. 10.<br />

Douglas Fowler, Reading Nabokov, (London, 1974),<br />

p. 122.<br />

Page Stegner, Escape into Aesthetics: The Art of<br />

Vladimir Nabokov, (New York, 1966), p. 97.<br />

Andrew Field, Nabokov, His Life in Art,<br />

(London, 1967), p. 133.<br />

Page Stegner, Escape into Aesthetics, p. 101.<br />

Elder Olson, The Theory of Comedy, (Bloomington,<br />

London, 1968), p. 19.<br />

Op. cit., p. 64.<br />

Henri Bergson, Laughter: An Essay on the Meaning<br />

of the <strong>Comic</strong>, Authorized Translation by C. Brereton<br />

and F. Rothwell, (London, 1935), passim.<br />

Elder Olson, The Theory of Comedy, p. 13.<br />

Op. cit., p. 12.<br />

Op. cit., p. 20.<br />

12 Op. cit., p. 12.<br />

13 Op. cit., p. 20.<br />

14 Op. cit., p. 18.<br />

15<br />

16<br />

17<br />

18<br />

19<br />

20<br />

Andrew Field, Nabokov, pp. 139ff.<br />

Elder Olson, The Theory of Comedy, p. 64.<br />

Henri Bergson, Laughter, p. 14.<br />

Elder Olson, The Theory of Comedy, p. 64.<br />

An instance of what Bergson calls "inversion"<br />

in which a situation or the roles of persons are<br />

reversed.<br />

Henri Bergson, Laughter, p. 95.<br />

"... a comic character is generally comic in proportion<br />

to his ignorance of himself. "<br />

Henri Bergson, Laughter, p. 16.

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