''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 429 - instance, are to a large extent based on the experience of his emigre existence in Berlin, and parts of Mary are based on some youthful romance. Some of the main events in the life of Sebastian Knight resemble events in Nabokov's own life, and the same has been found to be true of Vadim. Persons Nabokov knew reappear in his fiction. Thus one can see his own Mademoiselle, described in Speak, Memory, as the model for V's and Sebastian's old Swiss Mademoiselle in The Real Life of Sebastian Knight. In connection with Pale Fire it was said that thousands of daily trivia have found their way into Nabokov's novels. One may try and trace everything. One may trace the obvious parallels between the events in Nabokov's life and those events in the lives of his characters that resemble them. One may include into one's knowledge of the author such views as he gave to his "more responsible" characters. But all of this will not help one to know the author. The chapters on The Real Life of Sebastian Knight'and Pale Fire have shown that such autobiographical elements as are there, are taken out of their original contexts, combined with other elements, even with invented ones, and introduced into the novels for purely artistic purposes. Look at the Harlequins! is another example to illus- trate the point. j6 If one does not pay attention to this, and if one does not or cannot make the proper distinction between real and invented, but insists on putting all the elements together and reconstruct from them the pic-
- 430 - ture of the author, one may well end up with the "macabre doll" that Nabokov sees as the product of such an undertaking, or with a parody such as Vadim, whom Nabokov seems to have invented for the very purpose of discouraging the reader from any such enterprise. From behind the playful f agade of the novel emerges as serious warning addressed to the reader not to do what Vadim seems to be suggesting at the beginning, and a definite refutation of any attempt to search the works of an author for any authentic information about him. His "reality" and identity cannot be "ferreted out". They are his own and ought to be left alone. At the end of one's preoccupation with Nabokov's novels, and however well one may know them, one is therefore left with an author whose own reality escapes one and whom one does not know. Once more, and as in all the other novels, parody - this time the parodistic treatment of the author's own life and person - serves a serious purpose. In many respects Look at the Harlequins: looks like a conscious and deliberate summing-up on the part of the author of what he has done and said in all his earlier novels.. This goes well beyond the playful and parodistic recapitulation of their titles and plots. Throughout the novel Vadim is preoccupied with time, in the guise of space. His affliction, which he has given to a character in Ardis, consists in an inability to "cope with the abstraction of direction in space" (85). In actual, physical life I can turn as
- Page 387 and 388: - 379 - in quite a new light and de
- Page 389 and 390: - 381 - of a comic strip cartoon [1
- Page 391 and 392: - 383 - and van's divans and cushio
- Page 393 and 394: - 385 - ernized barracks for misfit
- Page 395 and 396: - 387 - (385). Van himself is calle
- Page 397 and 398: - 38-9 - "Don't forget normal adult
- Page 399 and 400: - 391 - Ada have an equally profoun
- Page 401 and 402: - 393 - her, and telling himself "t
- Page 403 and 404: - 395 - agents from an alien countr
- Page 405 and 406: - 397 -. - cribed by Aristophanes i
- Page 407 and 408: - 399 - stored in their minds, of a
- Page 409 and 410: - 401 - Since nature was traditiona
- Page 411 and 412: - 403 and the Present. Like his cre
- Page 413 and 414: - 405 - way one may wish and try to
- Page 415 and 416: - 407 - liberated from "Numbers and
- Page 417 and 418: - 409 - his own memory of the Past,
- Page 419 and 420: - 411 - only meet again after twelv
- Page 421 and 422: - 413 - and Present are blended by
- Page 423 and 424: - 415 - of his publications as "buo
- Page 425 and 426: - 417 - tion. Pain and physical dea
- Page 427 and 428: - 418 - LOOKATTHEHARLEQUINS! "Look
- Page 429 and 430: - 420 - minor minds, and such vital
- Page 431 and 432: - 422 - Ada also appear in it: some
- Page 433 and 434: - 424 - he himself seems puzzled. I
- Page 435 and 436: - 426 - obvious anyway, is undersco
- Page 437: - 428 - intimately interwoven with
- Page 441 and 442: - 432 - was) I have gained some exp
- Page 443 and 444: Notes Bibliography
- Page 445 and 446: - 435 - 19 20 21 22 23 24 25 26 27
- Page 447 and 448: - 437 - 68 69 70 71 72 73 74 75 76
- Page 449 and 450: - 439 - 111 112 113 114 115 116 Nor
- Page 451 and 452: - 441 - N0TES to THEEYE 1 Vladimir
- Page 453 and 454: - 443 - 21 22 23 24 25 26 27 28 29
- Page 455 and 456: - 445 - N0TES to LOLITA and LAUGHTE
- Page 457 and 458: - 447 - 44 45 46 47 48 49 50 Vladim
- Page 459 and 460: - 449 - 83 84 85 86 87 88 89 90 91
- Page 461 and 462: - 451 - 19 20 21 22 23 24 25 26 27
- Page 463 and 464: - 453 - 60 61 62 63 Vladimir Naboko
- Page 465 and 466: -. 455 - N0TESt0PALEFIRE 1 2 3 4 5
- Page 467 and 468: - 457 - 27 Andrew Field, Nabokov, H
- Page 469 and 470: - 459 - 56 57 58 59 60 Ibid., p. 72
- Page 471 and 472: - 461 - NOTESTOTRANSPARENTTHINGS 1
- Page 473 and 474: - 463 - NOTES to DESPAIR 1 . Vladim
- Page 475 and 476: - 465 - N0TES to BEND SINISTER and
- Page 477 and 478: - 467 - 38 G. M. Hyde, Vladimir Nab
- Page 479 and 480: - 469 - 24 25 26 27 28 29 Vladimir
- Page 481 and 482: - 471 - 71 Op. cit., pp. 147-148. 7
- Page 483 and 484: BIBL10GRAPHY I. Primary Sources 1.
- Page 485 and 486: - 474 - Nabokov, Vladimir, Pale Fir
- Page 487 and 488: - 476 - "Vladimir Nabokov on His Li
-<br />
429<br />
-<br />
instance, are to a large extent based on the experience<br />
of his emigre existence in Berlin, and parts of Mary<br />
are based on some youthful romance. Some of the main<br />
events in the life of Sebastian Knight resemble events<br />
in <strong>Nabokov's</strong> own life, and the same has been found to<br />
be true of Vadim. Persons Nabokov knew reappear in<br />
his fiction. Thus one can see his own Mademoiselle,<br />
described in Speak, Memory, as the model <strong>for</strong> V's and<br />
Sebastian's old Swiss Mademoiselle in The Real Life<br />
of Sebastian Knight. In connection with Pale Fire it<br />
was said that thousands of daily trivia have found<br />
their way into <strong>Nabokov's</strong> novels.<br />
One may try and trace everything. One may trace the<br />
obvious parallels between the events in <strong>Nabokov's</strong><br />
life and those events in the lives of his characters<br />
that resemble them. One may include into one's knowledge<br />
of the author such views as he gave to his "more<br />
responsible" characters. But all of this will not help<br />
one to know the author. The chapters on The Real<br />
Life of Sebastian Knight'and Pale Fire have shown<br />
that such autobiographical elements as are there, are<br />
taken out of their original contexts, combined with<br />
other elements, even with invented ones, and introduced<br />
into the novels <strong>for</strong> purely artistic purposes.<br />
Look at the Harlequins! is another example to illus-<br />
trate the point.<br />
j6<br />
If one does not pay attention to this, and if one<br />
does not or cannot make the proper distinction between<br />
real and invented, but insists on putting all the<br />
elements together and reconstruct from them the pic-