''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 421 - resemblance, and although some of Vadim's novels seem to be simply reflections of Nabokov's, others are "serious distortions and even composites. "4 Richard Patteson has given a detailed analysis of the similarities and differences of which only a few shall be mentioned here to illustrate the point. Tamara seems to resemble Mary so closely as to be mistaken for it by an old bookseller, who also confuses Camera Lucida with Camera Obscura (Laughter in the Dark), but the remarks about Pawn Takes Queen indicate that in this novel a fusion has occurred between King, Queen, Knave and The Defence (58). The Red Tophat takes its title from a phrase in Invitation to a Beheading 5 and corresponds to that novel, and the cor- respondences seem to be equally clear between Esmeralda and Her Parandrus and Bend Sinister and their respective heroes Gurko and Krug. Dr. Olga Repnin echoes Pnin in its very title, and A Kingdom by the Sea recalls the title that Nabokov had originally planned to give to Lolita. But when somebody accuses Vadim of writing a book the contents of which is a vague version of Lolita, Vadim is "aware of the uncontrollable cloud of black fury growing within my brain" (218) before he puts this person right: "You are mis- taken. You are a somber imbecile. The novel I wrote, the novel I'm holding now, is A Kingdom by the Sea, you are talking of some other book altogether" (218), thus energetically and angrily denying any connection between the two books. Even so, the basic situation does resemble that of Lolita, but some elements from
- 422 - Ada also appear in it: somewhat like Van and Ada, the lovers "were to live to the combined age of 170 in absolute bliss" (194). The most amusing and most elaborate twist occurs in connection with See under Real which combines the basic situation of The Real Life of Sebastian Knight with the mechanics of Pale Fire. The "uninformed" and mediocre biography of "an English novelist, a brilliant and unique performer" is edited "by the indignant brother of the dead novelist", and in his edition "fraternal footnotes, half-a-dozen lines per page, then more, then much more, which started to question, then refute, then demolish by ridicule the would-be biographer's doctored anecdotes and vulgar inventions" (121) assume by and by the same prominence as Kinbote's critical apparatus in Pale Fire. Vadim's Ardis sounds similar enough to Ada to be identified with it: "a stylized memoir dealing with the arbored boyhood and ardent youth of a great thinker who by the end of the book tackles the itchiest of all noumenal mysteries" (231). They are, however, not quite identical, for the mystery tackled in Vadim's Ardis is "the Specter of Space" (231), whereas Van Veen is of course preoccupied with the Texture of Time. But parody soon leaves this somewhat superficial and obvious level and assumes profounder implications. Somewhat surprisingly for a Nabokov character, Vadim states that "the present memoir derives much of its value from its being a catalogue raisonne of the roots and origins and amusing birth canals of many images in my Russian and especially English fiction" (8),
- Page 379 and 380: - 371 - of aspens; they embraced,..
- Page 381 and 382: - 373 - aux caprices de son age. «
- Page 383 and 384: - 375 - pipes into "borborygmic con
- Page 385 and 386: - 377 - Swann et la Lesbie de Catul
- Page 387 and 388: - 379 - in quite a new light and de
- Page 389 and 390: - 381 - of a comic strip cartoon [1
- Page 391 and 392: - 383 - and van's divans and cushio
- Page 393 and 394: - 385 - ernized barracks for misfit
- Page 395 and 396: - 387 - (385). Van himself is calle
- Page 397 and 398: - 38-9 - "Don't forget normal adult
- Page 399 and 400: - 391 - Ada have an equally profoun
- Page 401 and 402: - 393 - her, and telling himself "t
- Page 403 and 404: - 395 - agents from an alien countr
- Page 405 and 406: - 397 -. - cribed by Aristophanes i
- Page 407 and 408: - 399 - stored in their minds, of a
- Page 409 and 410: - 401 - Since nature was traditiona
- Page 411 and 412: - 403 and the Present. Like his cre
- Page 413 and 414: - 405 - way one may wish and try to
- Page 415 and 416: - 407 - liberated from "Numbers and
- Page 417 and 418: - 409 - his own memory of the Past,
- Page 419 and 420: - 411 - only meet again after twelv
- Page 421 and 422: - 413 - and Present are blended by
- Page 423 and 424: - 415 - of his publications as "buo
- Page 425 and 426: - 417 - tion. Pain and physical dea
- Page 427 and 428: - 418 - LOOKATTHEHARLEQUINS! "Look
- Page 429: - 420 - minor minds, and such vital
- Page 433 and 434: - 424 - he himself seems puzzled. I
- Page 435 and 436: - 426 - obvious anyway, is undersco
- Page 437 and 438: - 428 - intimately interwoven with
- Page 439 and 440: - 430 - ture of the author, one may
- Page 441 and 442: - 432 - was) I have gained some exp
- Page 443 and 444: Notes Bibliography
- Page 445 and 446: - 435 - 19 20 21 22 23 24 25 26 27
- Page 447 and 448: - 437 - 68 69 70 71 72 73 74 75 76
- Page 449 and 450: - 439 - 111 112 113 114 115 116 Nor
- Page 451 and 452: - 441 - N0TES to THEEYE 1 Vladimir
- Page 453 and 454: - 443 - 21 22 23 24 25 26 27 28 29
- Page 455 and 456: - 445 - N0TES to LOLITA and LAUGHTE
- Page 457 and 458: - 447 - 44 45 46 47 48 49 50 Vladim
- Page 459 and 460: - 449 - 83 84 85 86 87 88 89 90 91
- Page 461 and 462: - 451 - 19 20 21 22 23 24 25 26 27
- Page 463 and 464: - 453 - 60 61 62 63 Vladimir Naboko
- Page 465 and 466: -. 455 - N0TESt0PALEFIRE 1 2 3 4 5
- Page 467 and 468: - 457 - 27 Andrew Field, Nabokov, H
- Page 469 and 470: - 459 - 56 57 58 59 60 Ibid., p. 72
- Page 471 and 472: - 461 - NOTESTOTRANSPARENTTHINGS 1
- Page 473 and 474: - 463 - NOTES to DESPAIR 1 . Vladim
- Page 475 and 476: - 465 - N0TES to BEND SINISTER and
- Page 477 and 478: - 467 - 38 G. M. Hyde, Vladimir Nab
- Page 479 and 480: - 469 - 24 25 26 27 28 29 Vladimir
-<br />
422 -<br />
Ada also appear in it: somewhat like Van and Ada, the<br />
lovers "were to live to the combined age of 170 in<br />
absolute bliss" (194). The most amusing and most elaborate<br />
twist occurs in connection with See under Real<br />
which combines the basic situation of The Real Life<br />
of Sebastian Knight with the mechanics of Pale Fire.<br />
The "unin<strong>for</strong>med" and mediocre biography of "an English<br />
novelist, a brilliant and unique per<strong>for</strong>mer" is edited<br />
"by the indignant brother of the dead novelist", and<br />
in his edition "fraternal footnotes, half-a-dozen lines<br />
per page, then more, then much more, which started to<br />
question, then refute, then demolish by ridicule the<br />
would-be biographer's doctored anecdotes and vulgar<br />
inventions" (121) assume by and by the same prominence<br />
as Kinbote's critical apparatus in Pale Fire. Vadim's<br />
Ardis sounds similar enough to Ada to be identified<br />
with it: "a stylized memoir dealing with the arbored<br />
boyhood and ardent youth of a great thinker who by the<br />
end of the book tackles the itchiest of all noumenal<br />
mysteries" (231). They are, however, not quite identical,<br />
<strong>for</strong> the mystery tackled in Vadim's Ardis is<br />
"the Specter of Space" (231), whereas Van Veen is of<br />
course preoccupied with the Texture of Time.<br />
But parody soon leaves this somewhat superficial<br />
and obvious level and assumes profounder implications.<br />
Somewhat surprisingly <strong>for</strong> a Nabokov character, Vadim<br />
states that "the present memoir derives much of its<br />
value from its being a catalogue raisonne of the roots<br />
and origins and amusing birth canals of many images<br />
in my Russian and especially English fiction" (8),