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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 406-<br />

ladybird on my leg, this cannot be<br />

taken away, can it? ' (153)<br />

The mind remaining unchanged during these seconds,<br />

it can also become aware of its own being and nature.<br />

It can look at itself, so to speak, and grasp its own<br />

reality. This, again, is expressed perfectly in Van's<br />

and Ada's love-making, <strong>for</strong>, created as ideal lovers,<br />

as each other's mirror images, almost as twins (148),<br />

they not only know each other completely at the mo-<br />

ments of love, but, knowing each other, also attain<br />

knowledge of their own minds and selves.<br />

Bobbie Ann Mason, as was described above, contrasts<br />

the experience of Marvell's gardener with Van's and<br />

Ada's. Marvell's speaker, she says, seeks mystical<br />

insight, he seeks God; Van is worshipping his own<br />

image.<br />

No`attempt shall be made to pin Van's and Ada's<br />

experiences down as mystical experiences. It has<br />

emerged, though, that what Van describes amounts. to<br />

something more than Mason is prepared to see in it.<br />

Van's and Ada's Ardis, like Marvell's garden, is "a<br />

vision of bliss beyond the raging of physical<br />

passion. " 81<br />

Whatever one chooses to call their experiences,<br />

in their very transiency they liberate Ada and Van<br />

from "average reality". For a second or so they feel<br />

"safe" (220), liberated, that is, from all the things<br />

"average reality" is made of. They are liberated<br />

from clock time, from the constant succession and<br />

changes of things and events (possible only in time)<br />

and the suffering these bring with them. They are

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