''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 392 - rience "paradise" and reality. These terms seem rather too chaste when applied to what looks simply like Van's and Ada's indefatigable and incestuous love-making, especially, to quote Alter, as "there is a much higher degree of descriptive specification about sexual matters here than anywhere else in Nabokov's fiction. 1145 In fact, their love has been much commented on and has caused critics to speak of 46, Van's and Ada's "sinister" love of their "guilt" from which they seek "redemption" through their work of art47, and of their "upside down (or abnormal) form of sexuality", of which Van's Mascodagama act is "a striking emblem. "48 Their love may seem "abnormal" and "unnatural", though hardly "sinister", but what they experience from early onwards is not simply the sexual act for its own sake as might appear, but perfect love, its "happiness", "tenderness", "gentleness", and its "fantastic joy" (123-124). Ada may be unfaithful to Van, but she knows that he is "her only true love" and "all her life" (192), and if van, during times of sep- aration, frequents brothels, it is "to seek, with what tenacious anguish, traces and tokens of my un- forgettable love" (104), who is "my whole life" (440), as he says to Demon, echoing Ada. Although mo- ments of physical love figure prominently in their memoir and crowd out others, they are not the only ones that they remember. Van experiences a "moment of total happiness", which he recalls many years later, just being aware of Ada by his side, of his love for

- 393 - her, and telling himself "that the most eccentric girl cannot help being faithful to one if she loves one as one loves her" (281). And there is the "immortal moment", which they experience together, when "they stood embraced in the hushed avenue, enjoying, as they had never enjoyed before, the 'happy-forever' feeling at the end of never-ending fairy-tales" (287). Such perfect love, as has been seen in Lolita, can only grow out of the true and complete knowledge and acceptance of another person. These are difficult to achieve, but they come to Ada and Van, for besides being brother and sister, sharing "demon blood", they are also to a certain degree each other's mirror images, which makes their incest appear like another 49 form of doubling. It is thus that the incest theme need not necessarily give rise to moral speculation and condemnation, but that it can be seen as perhaps the most essential element in the stylized pattern and structure of Ada. Being brother and sister, each other's mirror images, almost doubles, Ada and Van are created to be ideal lovers from the first. The mirroring is suggested by certain physical similarities. Their lips are similar; Van has the same small brown spot'on his right hand that Ada has on her left one; and in a book which Van (not quite unself- ishly) gives to Lucette, there is a drawing of his of "Ada-like Van" (146). The mirroring and doubling is underscored by Van's initial mirroring Ada's "A" and "embracing" it when, as happens on one occasion, it is printed upside-down: "V" (47). These are only the

- 393<br />

-<br />

her, and telling himself "that the most eccentric<br />

girl cannot help being faithful to one if she loves<br />

one as one loves her" (281). And there is the "immortal<br />

moment", which they experience together, when<br />

"they stood embraced in the hushed avenue, enjoying,<br />

as they had never enjoyed be<strong>for</strong>e, the 'happy-<strong>for</strong>ever'<br />

feeling at the end of never-ending fairy-tales" (287).<br />

Such perfect love, as has been seen in Lolita, can<br />

only grow out of the true and complete knowledge and<br />

acceptance of another person. These are difficult to<br />

achieve, but they come to Ada and Van, <strong>for</strong> besides<br />

being brother and sister, sharing "demon blood", they<br />

are also to a certain degree each other's mirror<br />

images, which makes their incest appear like another<br />

49<br />

<strong>for</strong>m of doubling. It is thus that the incest theme<br />

need not necessarily give rise to moral speculation<br />

and condemnation, but that it can be seen as perhaps<br />

the most essential element in the stylized pattern<br />

and structure of Ada. Being brother and sister, each<br />

other's mirror images, almost doubles, Ada and Van<br />

are created to be ideal lovers from the first.<br />

The mirroring is suggested by certain physical<br />

similarities. Their lips are similar; Van has the same<br />

small brown spot'on his right hand that Ada has on her<br />

left one; and in a book which Van (not quite unself-<br />

ishly) gives to Lucette, there is a drawing of his of<br />

"Ada-like Van" (146). The mirroring and doubling is<br />

underscored by Van's initial mirroring Ada's "A" and<br />

"embracing" it when, as happens on one occasion, it<br />

is printed upside-down: "V" (47). These are only the

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