''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 392 - rience "paradise" and reality. These terms seem rather too chaste when applied to what looks simply like Van's and Ada's indefatigable and incestuous love-making, especially, to quote Alter, as "there is a much higher degree of descriptive specification about sexual matters here than anywhere else in Nabokov's fiction. 1145 In fact, their love has been much commented on and has caused critics to speak of 46, Van's and Ada's "sinister" love of their "guilt" from which they seek "redemption" through their work of art47, and of their "upside down (or abnormal) form of sexuality", of which Van's Mascodagama act is "a striking emblem. "48 Their love may seem "abnormal" and "unnatural", though hardly "sinister", but what they experience from early onwards is not simply the sexual act for its own sake as might appear, but perfect love, its "happiness", "tenderness", "gentleness", and its "fantastic joy" (123-124). Ada may be unfaithful to Van, but she knows that he is "her only true love" and "all her life" (192), and if van, during times of sep- aration, frequents brothels, it is "to seek, with what tenacious anguish, traces and tokens of my un- forgettable love" (104), who is "my whole life" (440), as he says to Demon, echoing Ada. Although mo- ments of physical love figure prominently in their memoir and crowd out others, they are not the only ones that they remember. Van experiences a "moment of total happiness", which he recalls many years later, just being aware of Ada by his side, of his love for
- 393 - her, and telling himself "that the most eccentric girl cannot help being faithful to one if she loves one as one loves her" (281). And there is the "immortal moment", which they experience together, when "they stood embraced in the hushed avenue, enjoying, as they had never enjoyed before, the 'happy-forever' feeling at the end of never-ending fairy-tales" (287). Such perfect love, as has been seen in Lolita, can only grow out of the true and complete knowledge and acceptance of another person. These are difficult to achieve, but they come to Ada and Van, for besides being brother and sister, sharing "demon blood", they are also to a certain degree each other's mirror images, which makes their incest appear like another 49 form of doubling. It is thus that the incest theme need not necessarily give rise to moral speculation and condemnation, but that it can be seen as perhaps the most essential element in the stylized pattern and structure of Ada. Being brother and sister, each other's mirror images, almost doubles, Ada and Van are created to be ideal lovers from the first. The mirroring is suggested by certain physical similarities. Their lips are similar; Van has the same small brown spot'on his right hand that Ada has on her left one; and in a book which Van (not quite unself- ishly) gives to Lucette, there is a drawing of his of "Ada-like Van" (146). The mirroring and doubling is underscored by Van's initial mirroring Ada's "A" and "embracing" it when, as happens on one occasion, it is printed upside-down: "V" (47). These are only the
- Page 349 and 350: - 341 - each of them. There is Mart
- Page 351 and 352: - 343 - "cleared his throat and sof
- Page 353 and 354: - 345 - and then perhaps we shall s
- Page 355 and 356: - 347 - our own world , and with it
- Page 357 and 358: - 349 - the river we see him fishin
- Page 359 and 360: - 351 - inspired by a picture on wh
- Page 361 and 362: - 353 - do not conceal them must di
- Page 363 and 364: - 355 - also the only one who can i
- Page 365 and 366: - 357 - (IB, 26) and only his doubl
- Page 367 and 368: - 359 - Cincinnatus no longer what
- Page 369 and 370: - 361 - He speculates about time in
- Page 371 and 372: - 363 - ADA Ada1 has more than any
- Page 373 and 374: - 365 - combine to form the surface
- Page 375 and 376: - 367 - ... a string of stock scene
- Page 377 and 378: - 369 - more confusing by the great
- Page 379 and 380: - 371 - of aspens; they embraced,..
- Page 381 and 382: - 373 - aux caprices de son age. «
- Page 383 and 384: - 375 - pipes into "borborygmic con
- Page 385 and 386: - 377 - Swann et la Lesbie de Catul
- Page 387 and 388: - 379 - in quite a new light and de
- Page 389 and 390: - 381 - of a comic strip cartoon [1
- Page 391 and 392: - 383 - and van's divans and cushio
- Page 393 and 394: - 385 - ernized barracks for misfit
- Page 395 and 396: - 387 - (385). Van himself is calle
- Page 397 and 398: - 38-9 - "Don't forget normal adult
- Page 399: - 391 - Ada have an equally profoun
- Page 403 and 404: - 395 - agents from an alien countr
- Page 405 and 406: - 397 -. - cribed by Aristophanes i
- Page 407 and 408: - 399 - stored in their minds, of a
- Page 409 and 410: - 401 - Since nature was traditiona
- Page 411 and 412: - 403 and the Present. Like his cre
- Page 413 and 414: - 405 - way one may wish and try to
- Page 415 and 416: - 407 - liberated from "Numbers and
- Page 417 and 418: - 409 - his own memory of the Past,
- Page 419 and 420: - 411 - only meet again after twelv
- Page 421 and 422: - 413 - and Present are blended by
- Page 423 and 424: - 415 - of his publications as "buo
- Page 425 and 426: - 417 - tion. Pain and physical dea
- Page 427 and 428: - 418 - LOOKATTHEHARLEQUINS! "Look
- Page 429 and 430: - 420 - minor minds, and such vital
- Page 431 and 432: - 422 - Ada also appear in it: some
- Page 433 and 434: - 424 - he himself seems puzzled. I
- Page 435 and 436: - 426 - obvious anyway, is undersco
- Page 437 and 438: - 428 - intimately interwoven with
- Page 439 and 440: - 430 - ture of the author, one may
- Page 441 and 442: - 432 - was) I have gained some exp
- Page 443 and 444: Notes Bibliography
- Page 445 and 446: - 435 - 19 20 21 22 23 24 25 26 27
- Page 447 and 448: - 437 - 68 69 70 71 72 73 74 75 76
- Page 449 and 450: - 439 - 111 112 113 114 115 116 Nor
- 393<br />
-<br />
her, and telling himself "that the most eccentric<br />
girl cannot help being faithful to one if she loves<br />
one as one loves her" (281). And there is the "immortal<br />
moment", which they experience together, when<br />
"they stood embraced in the hushed avenue, enjoying,<br />
as they had never enjoyed be<strong>for</strong>e, the 'happy-<strong>for</strong>ever'<br />
feeling at the end of never-ending fairy-tales" (287).<br />
Such perfect love, as has been seen in Lolita, can<br />
only grow out of the true and complete knowledge and<br />
acceptance of another person. These are difficult to<br />
achieve, but they come to Ada and Van, <strong>for</strong> besides<br />
being brother and sister, sharing "demon blood", they<br />
are also to a certain degree each other's mirror<br />
images, which makes their incest appear like another<br />
49<br />
<strong>for</strong>m of doubling. It is thus that the incest theme<br />
need not necessarily give rise to moral speculation<br />
and condemnation, but that it can be seen as perhaps<br />
the most essential element in the stylized pattern<br />
and structure of Ada. Being brother and sister, each<br />
other's mirror images, almost doubles, Ada and Van<br />
are created to be ideal lovers from the first.<br />
The mirroring is suggested by certain physical<br />
similarities. Their lips are similar; Van has the same<br />
small brown spot'on his right hand that Ada has on her<br />
left one; and in a book which Van (not quite unself-<br />
ishly) gives to Lucette, there is a drawing of his of<br />
"Ada-like Van" (146). The mirroring and doubling is<br />
underscored by Van's initial mirroring Ada's "A" and<br />
"embracing" it when, as happens on one occasion, it<br />
is printed upside-down: "V" (47). These are only the