''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 390 - of unhappiness and loneliness: As she began losing track of herself, she thought it proper to inform a series of receding Lucettes - telling them to pass it on and on in a trick-crystal regression - that what death amounted to was only a more complete assortment of the infinite fractions of solitude (494). Van and Ada have found their own individual ways of at least trying to survive and to preserve their sanity in this depressing world which is hell. "... independent and original minds", says Van, "must cling to things or pull things apart to ward off madness or death... " (220). This need explains what Sissela Bok sees in'a purely negative light and what she calls ... the disturbances in the attitudes of both Van and Ada: their desire to take and collect life, in the form of plants or insects, to preserve them and their beauty; to collect, to classify, to attempt to grasp all of creation for themselves. 43 Earlier on Van's and Ada's various interests and passions were discussed; they are indeed comprehensive and in some points seem to confirm what Sissela Bok says about them. There is Ada's profound curiosity and knowledge about insects and birds and plants which is almost an obsession with her. She has a posi- tive mania for analysis and pedantic specification when talking about them; she has a perfectionist dream of "a special Institute of Fritillary larvae and violets - all the special violets they breed on" (57); she copies in minute detail or, on paper, com- bines in "unrecorded but possible" ways , different species of orchids with each other (99). Both Van and
- 391 - Ada have an equally profound knowledge of and critical insight into works of art, both paintings and works of literature, and their interests extend beyond the "normal" aspects of life to its aberrations and more unusual and abstruse sides. But all this can hardly be taken as indicative of a "disturbance" and a desire to "grasp all of creation to themselves", nor, on the other hand, as simply an expression of their delight in "the particulars of this world" [which they] "observe and recall... with tender meticulous care. "44 For Nabokov, precise science and art are the two means by which reality can be at least approached, and in some of the foregoing chapters art has been seen to be even superior to science in that the artistic mind can see parallels and relations and patterns which remain invisible to other minds. It is in this connection that Ada's and Van's interests can be seen. Their curiosity about all the phenomena of life and their scientific and artistic ways of approaching them are for them the means in an attempt to get through to, and understand, at least part of creation and reality; to experience something lasting and "real" behind all the "ghost things" and "fogs" which have been seen to dominate the world, causing unhappiness, despair and madness in others and making the world h@11 to live in. According to Van, however, it is their love which grants them the profoundest experiences and liberates them from the horrors of their world. It also allows them to escape from the hell around them and to expe-
- Page 347 and 348: - 339 - of the original still shine
- Page 349 and 350: - 341 - each of them. There is Mart
- Page 351 and 352: - 343 - "cleared his throat and sof
- Page 353 and 354: - 345 - and then perhaps we shall s
- Page 355 and 356: - 347 - our own world , and with it
- Page 357 and 358: - 349 - the river we see him fishin
- Page 359 and 360: - 351 - inspired by a picture on wh
- Page 361 and 362: - 353 - do not conceal them must di
- Page 363 and 364: - 355 - also the only one who can i
- Page 365 and 366: - 357 - (IB, 26) and only his doubl
- Page 367 and 368: - 359 - Cincinnatus no longer what
- Page 369 and 370: - 361 - He speculates about time in
- Page 371 and 372: - 363 - ADA Ada1 has more than any
- Page 373 and 374: - 365 - combine to form the surface
- Page 375 and 376: - 367 - ... a string of stock scene
- Page 377 and 378: - 369 - more confusing by the great
- Page 379 and 380: - 371 - of aspens; they embraced,..
- Page 381 and 382: - 373 - aux caprices de son age. «
- Page 383 and 384: - 375 - pipes into "borborygmic con
- Page 385 and 386: - 377 - Swann et la Lesbie de Catul
- Page 387 and 388: - 379 - in quite a new light and de
- Page 389 and 390: - 381 - of a comic strip cartoon [1
- Page 391 and 392: - 383 - and van's divans and cushio
- Page 393 and 394: - 385 - ernized barracks for misfit
- Page 395 and 396: - 387 - (385). Van himself is calle
- Page 397: - 38-9 - "Don't forget normal adult
- Page 401 and 402: - 393 - her, and telling himself "t
- Page 403 and 404: - 395 - agents from an alien countr
- Page 405 and 406: - 397 -. - cribed by Aristophanes i
- Page 407 and 408: - 399 - stored in their minds, of a
- Page 409 and 410: - 401 - Since nature was traditiona
- Page 411 and 412: - 403 and the Present. Like his cre
- Page 413 and 414: - 405 - way one may wish and try to
- Page 415 and 416: - 407 - liberated from "Numbers and
- Page 417 and 418: - 409 - his own memory of the Past,
- Page 419 and 420: - 411 - only meet again after twelv
- Page 421 and 422: - 413 - and Present are blended by
- Page 423 and 424: - 415 - of his publications as "buo
- Page 425 and 426: - 417 - tion. Pain and physical dea
- Page 427 and 428: - 418 - LOOKATTHEHARLEQUINS! "Look
- Page 429 and 430: - 420 - minor minds, and such vital
- Page 431 and 432: - 422 - Ada also appear in it: some
- Page 433 and 434: - 424 - he himself seems puzzled. I
- Page 435 and 436: - 426 - obvious anyway, is undersco
- Page 437 and 438: - 428 - intimately interwoven with
- Page 439 and 440: - 430 - ture of the author, one may
- Page 441 and 442: - 432 - was) I have gained some exp
- Page 443 and 444: Notes Bibliography
- Page 445 and 446: - 435 - 19 20 21 22 23 24 25 26 27
- Page 447 and 448: - 437 - 68 69 70 71 72 73 74 75 76
-<br />
390 -<br />
of unhappiness and loneliness:<br />
As she began losing track of herself,<br />
she thought it proper to in<strong>for</strong>m a series<br />
of receding Lucettes - telling them to<br />
pass it on and on in a trick-crystal<br />
regression - that what death amounted<br />
to was only a more complete assortment<br />
of the infinite fractions of solitude<br />
(494).<br />
Van and Ada have found their own individual ways<br />
of at least trying to survive and to preserve their<br />
sanity in this depressing world which is hell. "...<br />
independent and original minds", says Van, "must cling<br />
to things or pull things apart to ward off madness or<br />
death... " (220). This need explains what Sissela Bok<br />
sees in'a purely negative light and what she calls<br />
...<br />
the disturbances in the attitudes of<br />
both Van and Ada: their desire to take<br />
and collect life, in the <strong>for</strong>m of plants<br />
or insects, to preserve them and their<br />
beauty; to collect, to classify, to attempt<br />
to grasp all of creation <strong>for</strong> themselves.<br />
43<br />
Earlier on Van's and Ada's various interests and<br />
passions were discussed; they are indeed comprehensive<br />
and in some points seem to confirm what Sissela Bok<br />
says about them. There is Ada's profound curiosity<br />
and knowledge about insects and birds and plants<br />
which is almost an obsession with her. She has a posi-<br />
tive mania <strong>for</strong> analysis and pedantic specification<br />
when talking about them; she has a perfectionist<br />
dream of "a special Institute of Fritillary larvae<br />
and violets - all the special violets they breed on"<br />
(57); she copies in minute detail or, on paper, com-<br />
bines in "unrecorded but possible" ways<br />
,<br />
different<br />
species of orchids with each other (99). Both Van and