''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 390 - of unhappiness and loneliness: As she began losing track of herself, she thought it proper to inform a series of receding Lucettes - telling them to pass it on and on in a trick-crystal regression - that what death amounted to was only a more complete assortment of the infinite fractions of solitude (494). Van and Ada have found their own individual ways of at least trying to survive and to preserve their sanity in this depressing world which is hell. "... independent and original minds", says Van, "must cling to things or pull things apart to ward off madness or death... " (220). This need explains what Sissela Bok sees in'a purely negative light and what she calls ... the disturbances in the attitudes of both Van and Ada: their desire to take and collect life, in the form of plants or insects, to preserve them and their beauty; to collect, to classify, to attempt to grasp all of creation for themselves. 43 Earlier on Van's and Ada's various interests and passions were discussed; they are indeed comprehensive and in some points seem to confirm what Sissela Bok says about them. There is Ada's profound curiosity and knowledge about insects and birds and plants which is almost an obsession with her. She has a posi- tive mania for analysis and pedantic specification when talking about them; she has a perfectionist dream of "a special Institute of Fritillary larvae and violets - all the special violets they breed on" (57); she copies in minute detail or, on paper, com- bines in "unrecorded but possible" ways , different species of orchids with each other (99). Both Van and

- 391 - Ada have an equally profound knowledge of and critical insight into works of art, both paintings and works of literature, and their interests extend beyond the "normal" aspects of life to its aberrations and more unusual and abstruse sides. But all this can hardly be taken as indicative of a "disturbance" and a desire to "grasp all of creation to themselves", nor, on the other hand, as simply an expression of their delight in "the particulars of this world" [which they] "observe and recall... with tender meticulous care. "44 For Nabokov, precise science and art are the two means by which reality can be at least approached, and in some of the foregoing chapters art has been seen to be even superior to science in that the artistic mind can see parallels and relations and patterns which remain invisible to other minds. It is in this connection that Ada's and Van's interests can be seen. Their curiosity about all the phenomena of life and their scientific and artistic ways of approaching them are for them the means in an attempt to get through to, and understand, at least part of creation and reality; to experience something lasting and "real" behind all the "ghost things" and "fogs" which have been seen to dominate the world, causing unhappiness, despair and madness in others and making the world h@11 to live in. According to Van, however, it is their love which grants them the profoundest experiences and liberates them from the horrors of their world. It also allows them to escape from the hell around them and to expe-

-<br />

390 -<br />

of unhappiness and loneliness:<br />

As she began losing track of herself,<br />

she thought it proper to in<strong>for</strong>m a series<br />

of receding Lucettes - telling them to<br />

pass it on and on in a trick-crystal<br />

regression - that what death amounted<br />

to was only a more complete assortment<br />

of the infinite fractions of solitude<br />

(494).<br />

Van and Ada have found their own individual ways<br />

of at least trying to survive and to preserve their<br />

sanity in this depressing world which is hell. "...<br />

independent and original minds", says Van, "must cling<br />

to things or pull things apart to ward off madness or<br />

death... " (220). This need explains what Sissela Bok<br />

sees in'a purely negative light and what she calls<br />

...<br />

the disturbances in the attitudes of<br />

both Van and Ada: their desire to take<br />

and collect life, in the <strong>for</strong>m of plants<br />

or insects, to preserve them and their<br />

beauty; to collect, to classify, to attempt<br />

to grasp all of creation <strong>for</strong> themselves.<br />

43<br />

Earlier on Van's and Ada's various interests and<br />

passions were discussed; they are indeed comprehensive<br />

and in some points seem to confirm what Sissela Bok<br />

says about them. There is Ada's profound curiosity<br />

and knowledge about insects and birds and plants<br />

which is almost an obsession with her. She has a posi-<br />

tive mania <strong>for</strong> analysis and pedantic specification<br />

when talking about them; she has a perfectionist<br />

dream of "a special Institute of Fritillary larvae<br />

and violets - all the special violets they breed on"<br />

(57); she copies in minute detail or, on paper, com-<br />

bines in "unrecorded but possible" ways<br />

,<br />

different<br />

species of orchids with each other (99). Both Van and

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