''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 388 - and Marina. They get killed in wars and accidents, or commit suicide, putting an end to their "useless existence" in order to escape madness (Aqua) or out of thwarted love (Lucette). Dan dies a suitably hellish death, evidently still being under the impression which has haunted him for some time, namely "... that a devil combining the characteristics of a frog and a rodent desired to straddle him and ride him to the torture house of eternity" (435). This devil is to be found in the centre part of Bosch's triptych The Last Judgement42, exactly as Van describes him: "black, pale-bellied, with a black dorsal buckler shining like a dung beetle's back and with a knife in his raised forelimb" (435), and he is indeed seen straddling one of the poor lost souls. There is no suggestion that human relationships, with the exception of Van's and Ada's, provide any happiness to compensate for the deficiencies of (Anti) Terra and for the sufferings that people are subjected to on this planet. They are characterized by indifference; if there is ever any true feeling in them, they do not last, as Demon's and Marina's affair has shown. Love goes unrequitted and leads to misery or suicide. Affairs and frequent visits to the "floramors" provide poor substitutes for what is lacking. Considering this state of affairs, one cannot miss the irony (unintentional on his part) in Demon's suggestion that Van should not "deprive" Ada of "normal interests and a normal marriage" and of "normal amusements", and one cannot blame Van for his ironic answer:

- 38-9 - "Don't forget normal adultery" (442). Paradise, or what deranged minds mistook for it, does not exist, for (Anti) Terra is hell. Nor do some of the glimpses that Van allows the reader of the hereafter give rise to any hope that a better place may follow this "evil world" (301). Dan has only a dim vision of the hereafter as "the torture house of eternity" (435), but Van's ideas are more specific. Death, he knows, cannot be the end of everything: The mind of man, by nature a monist, cannot accept two nothings; he knows there has been one nothing, his biological inexistence in the infinite past, for his memory is utterly blank, and that nothingness, being, as it were, past, is not too hard to endure. But a second nothingness - which perhaps might not be so hard to bear either - is logically unacceptable. ... we simply cannot expect a second nothing, a second void, a second blank (314). What he imagines as following life is perhaps harder to face than this second "impossible" nothingness and blank, for it is nothing less than a continuation of the unhappiness and pain of life, experienced through some form of "disorganized consciousness" (314). To dying Mr Rack he says (mercifully only in thought): "... the only consciousness that persists in the hereafter is the consciousness of pain" (315), and he foresees for him ... tiny clusters of particles still , retaining Rack's personality, gathering here and there in the here-andthere-after, clinging to each other, somehow, somewhere, a web of Rack's toothaches here, a bundle of Rack's nightmares there - (315). ... He sees Lucette's death as followed by an eternity

-<br />

388<br />

-<br />

and Marina. They get killed in wars and accidents,<br />

or commit suicide, putting an end to their "useless<br />

existence" in order to escape madness (Aqua) or out<br />

of thwarted love (Lucette). Dan dies a suitably hellish<br />

death, evidently still being under the impression<br />

which has haunted him <strong>for</strong> some time, namely "... that<br />

a devil combining the characteristics of a frog and<br />

a rodent desired to straddle him and ride him to the<br />

torture house of eternity" (435). This devil is to<br />

be found in the centre part of Bosch's triptych The<br />

Last Judgement42, exactly as Van describes him:<br />

"black, pale-bellied, with a black dorsal buckler<br />

shining like a dung beetle's back and with a knife in<br />

his raised <strong>for</strong>elimb" (435), and he is indeed seen<br />

straddling one of the poor lost souls.<br />

There is no suggestion that human relationships,<br />

with the exception of Van's and Ada's, provide any<br />

happiness to compensate <strong>for</strong> the deficiencies of (Anti)<br />

Terra and <strong>for</strong> the sufferings that people are subjected<br />

to on this planet. They are characterized by indifference;<br />

if there is ever any true feeling in them,<br />

they do not last, as Demon's and Marina's affair has<br />

shown. Love goes unrequitted and leads to misery or<br />

suicide. Affairs and frequent visits to the "floramors"<br />

provide poor substitutes <strong>for</strong> what is lacking.<br />

Considering this state of affairs, one cannot miss<br />

the irony (unintentional on his part) in Demon's suggestion<br />

that Van should not "deprive" Ada of "normal<br />

interests and a normal marriage" and of "normal amusements",<br />

and one cannot blame Van <strong>for</strong> his ironic answer:

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