''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 388 - and Marina. They get killed in wars and accidents, or commit suicide, putting an end to their "useless existence" in order to escape madness (Aqua) or out of thwarted love (Lucette). Dan dies a suitably hellish death, evidently still being under the impression which has haunted him for some time, namely "... that a devil combining the characteristics of a frog and a rodent desired to straddle him and ride him to the torture house of eternity" (435). This devil is to be found in the centre part of Bosch's triptych The Last Judgement42, exactly as Van describes him: "black, pale-bellied, with a black dorsal buckler shining like a dung beetle's back and with a knife in his raised forelimb" (435), and he is indeed seen straddling one of the poor lost souls. There is no suggestion that human relationships, with the exception of Van's and Ada's, provide any happiness to compensate for the deficiencies of (Anti) Terra and for the sufferings that people are subjected to on this planet. They are characterized by indifference; if there is ever any true feeling in them, they do not last, as Demon's and Marina's affair has shown. Love goes unrequitted and leads to misery or suicide. Affairs and frequent visits to the "floramors" provide poor substitutes for what is lacking. Considering this state of affairs, one cannot miss the irony (unintentional on his part) in Demon's suggestion that Van should not "deprive" Ada of "normal interests and a normal marriage" and of "normal amusements", and one cannot blame Van for his ironic answer:
- 38-9 - "Don't forget normal adultery" (442). Paradise, or what deranged minds mistook for it, does not exist, for (Anti) Terra is hell. Nor do some of the glimpses that Van allows the reader of the hereafter give rise to any hope that a better place may follow this "evil world" (301). Dan has only a dim vision of the hereafter as "the torture house of eternity" (435), but Van's ideas are more specific. Death, he knows, cannot be the end of everything: The mind of man, by nature a monist, cannot accept two nothings; he knows there has been one nothing, his biological inexistence in the infinite past, for his memory is utterly blank, and that nothingness, being, as it were, past, is not too hard to endure. But a second nothingness - which perhaps might not be so hard to bear either - is logically unacceptable. ... we simply cannot expect a second nothing, a second void, a second blank (314). What he imagines as following life is perhaps harder to face than this second "impossible" nothingness and blank, for it is nothing less than a continuation of the unhappiness and pain of life, experienced through some form of "disorganized consciousness" (314). To dying Mr Rack he says (mercifully only in thought): "... the only consciousness that persists in the hereafter is the consciousness of pain" (315), and he foresees for him ... tiny clusters of particles still , retaining Rack's personality, gathering here and there in the here-andthere-after, clinging to each other, somehow, somewhere, a web of Rack's toothaches here, a bundle of Rack's nightmares there - (315). ... He sees Lucette's death as followed by an eternity
- Page 345 and 346: - 337 - clown (IB, 104-105). And th
- Page 347 and 348: - 339 - of the original still shine
- Page 349 and 350: - 341 - each of them. There is Mart
- Page 351 and 352: - 343 - "cleared his throat and sof
- Page 353 and 354: - 345 - and then perhaps we shall s
- Page 355 and 356: - 347 - our own world , and with it
- Page 357 and 358: - 349 - the river we see him fishin
- Page 359 and 360: - 351 - inspired by a picture on wh
- Page 361 and 362: - 353 - do not conceal them must di
- Page 363 and 364: - 355 - also the only one who can i
- Page 365 and 366: - 357 - (IB, 26) and only his doubl
- Page 367 and 368: - 359 - Cincinnatus no longer what
- Page 369 and 370: - 361 - He speculates about time in
- Page 371 and 372: - 363 - ADA Ada1 has more than any
- Page 373 and 374: - 365 - combine to form the surface
- Page 375 and 376: - 367 - ... a string of stock scene
- Page 377 and 378: - 369 - more confusing by the great
- Page 379 and 380: - 371 - of aspens; they embraced,..
- Page 381 and 382: - 373 - aux caprices de son age. «
- Page 383 and 384: - 375 - pipes into "borborygmic con
- Page 385 and 386: - 377 - Swann et la Lesbie de Catul
- Page 387 and 388: - 379 - in quite a new light and de
- Page 389 and 390: - 381 - of a comic strip cartoon [1
- Page 391 and 392: - 383 - and van's divans and cushio
- Page 393 and 394: - 385 - ernized barracks for misfit
- Page 395: - 387 - (385). Van himself is calle
- Page 399 and 400: - 391 - Ada have an equally profoun
- Page 401 and 402: - 393 - her, and telling himself "t
- Page 403 and 404: - 395 - agents from an alien countr
- Page 405 and 406: - 397 -. - cribed by Aristophanes i
- Page 407 and 408: - 399 - stored in their minds, of a
- Page 409 and 410: - 401 - Since nature was traditiona
- Page 411 and 412: - 403 and the Present. Like his cre
- Page 413 and 414: - 405 - way one may wish and try to
- Page 415 and 416: - 407 - liberated from "Numbers and
- Page 417 and 418: - 409 - his own memory of the Past,
- Page 419 and 420: - 411 - only meet again after twelv
- Page 421 and 422: - 413 - and Present are blended by
- Page 423 and 424: - 415 - of his publications as "buo
- Page 425 and 426: - 417 - tion. Pain and physical dea
- Page 427 and 428: - 418 - LOOKATTHEHARLEQUINS! "Look
- Page 429 and 430: - 420 - minor minds, and such vital
- Page 431 and 432: - 422 - Ada also appear in it: some
- Page 433 and 434: - 424 - he himself seems puzzled. I
- Page 435 and 436: - 426 - obvious anyway, is undersco
- Page 437 and 438: - 428 - intimately interwoven with
- Page 439 and 440: - 430 - ture of the author, one may
- Page 441 and 442: - 432 - was) I have gained some exp
- Page 443 and 444: Notes Bibliography
- Page 445 and 446: - 435 - 19 20 21 22 23 24 25 26 27
-<br />
388<br />
-<br />
and Marina. They get killed in wars and accidents,<br />
or commit suicide, putting an end to their "useless<br />
existence" in order to escape madness (Aqua) or out<br />
of thwarted love (Lucette). Dan dies a suitably hellish<br />
death, evidently still being under the impression<br />
which has haunted him <strong>for</strong> some time, namely "... that<br />
a devil combining the characteristics of a frog and<br />
a rodent desired to straddle him and ride him to the<br />
torture house of eternity" (435). This devil is to<br />
be found in the centre part of Bosch's triptych The<br />
Last Judgement42, exactly as Van describes him:<br />
"black, pale-bellied, with a black dorsal buckler<br />
shining like a dung beetle's back and with a knife in<br />
his raised <strong>for</strong>elimb" (435), and he is indeed seen<br />
straddling one of the poor lost souls.<br />
There is no suggestion that human relationships,<br />
with the exception of Van's and Ada's, provide any<br />
happiness to compensate <strong>for</strong> the deficiencies of (Anti)<br />
Terra and <strong>for</strong> the sufferings that people are subjected<br />
to on this planet. They are characterized by indifference;<br />
if there is ever any true feeling in them,<br />
they do not last, as Demon's and Marina's affair has<br />
shown. Love goes unrequitted and leads to misery or<br />
suicide. Affairs and frequent visits to the "floramors"<br />
provide poor substitutes <strong>for</strong> what is lacking.<br />
Considering this state of affairs, one cannot miss<br />
the irony (unintentional on his part) in Demon's suggestion<br />
that Van should not "deprive" Ada of "normal<br />
interests and a normal marriage" and of "normal amusements",<br />
and one cannot blame Van <strong>for</strong> his ironic answer: