''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 384 - existence of Terra is the subject of debate and accepted only by deranged minds "... in support and token of their own irrationality" (18). By and by, however, it turns out that the two worlds are closely related, and this is one of the facts that combine to make Ada, which has by one critic been called "... surely one of the sunniest works of fiction written in this century"39, and by another "the most happily loony work since Alice"40, a very sad work indeed: it appears from them that the abstruse and comic surface of the novel and the story of Ada and Van, "unreal" and abstract though it may seem, reflect indeed on factual reality, and that they are the artful and artistic disguise of what seems to be a very disenchanted view of life and of human existence. Terra the Fair, the "Other World" which in sick minds gets confused with the "Next World" and "the Real World in us and beyond us", and in which they imagine "a rainbow mist of angelic spirits" (21), is not really such a heavenly place at all. Ostensibly a piece of science fiction, Van's Letters from Terra, and the movie that is based on it, reflect twentieth century history: "a succession of wars and revolutions" (580), including the 1914-1918 World War and preparations for "a conflict on an even more spectacular scale" (581), and they feature among others "Athaulf the Future" ("Athaulf Hindler" in the film version) (581), "... [who] was said to be in the act of transforming a gingerbread Germany into a great country of speedways, immaculate soldiers, brass bands and mod-
- 385 - ernized barracks for misfits and their young" (341). Van, apparently, has not written his novel without a very distinct aim in mind: the ... purpose of the novel was to suggest that Terra cheated, that all was not paradise there, that perhaps in some ways human minds and human flesh underwent on that sibling planet worse torments than on our much maligned Demonia (341). A number of clues suggest what is later explicitly confirmed, namely that Terra is not only "a distortive glass of our distorted glebe" (18) ("glebe" referring to Antiterra) but that the two worlds are indeed identical. The first clear indication of this is sup- plied by some details in Van's notes on Terra: "... proper names often came out garbled, a chaotic cal- endar messed up the order of events but, on the whole, the colored dots did form a geomantic picture of sorts" (340). This can equally be applied to Antiterra whose peculiar calendar was mentioned above, whose geography is somewhat haphazard, and where there 'are place names like Le Bras d'Or, Acapulcovo, Goluba University, and Scoto Scandinavia. The movie based on Letters from Terra is produced in 1940 (Antiterra time), its action takes place in 1940 by the Terranian calendar, which corresponds to 1890 on Antiterra. But although this difference in dates is meant to support the fiction that "... our annals lagged by about half a century behind Terra's along the bridges of time... " (340-341), the reaction of the public to the film shows that they identify the fictional world of the film with their own:
- Page 341 and 342: - 333 - in the solution it offers.
- Page 343 and 344: - 335 - no more than the strange an
- Page 345 and 346: - 337 - clown (IB, 104-105). And th
- Page 347 and 348: - 339 - of the original still shine
- Page 349 and 350: - 341 - each of them. There is Mart
- Page 351 and 352: - 343 - "cleared his throat and sof
- Page 353 and 354: - 345 - and then perhaps we shall s
- Page 355 and 356: - 347 - our own world , and with it
- Page 357 and 358: - 349 - the river we see him fishin
- Page 359 and 360: - 351 - inspired by a picture on wh
- Page 361 and 362: - 353 - do not conceal them must di
- Page 363 and 364: - 355 - also the only one who can i
- Page 365 and 366: - 357 - (IB, 26) and only his doubl
- Page 367 and 368: - 359 - Cincinnatus no longer what
- Page 369 and 370: - 361 - He speculates about time in
- Page 371 and 372: - 363 - ADA Ada1 has more than any
- Page 373 and 374: - 365 - combine to form the surface
- Page 375 and 376: - 367 - ... a string of stock scene
- Page 377 and 378: - 369 - more confusing by the great
- Page 379 and 380: - 371 - of aspens; they embraced,..
- Page 381 and 382: - 373 - aux caprices de son age. «
- Page 383 and 384: - 375 - pipes into "borborygmic con
- Page 385 and 386: - 377 - Swann et la Lesbie de Catul
- Page 387 and 388: - 379 - in quite a new light and de
- Page 389 and 390: - 381 - of a comic strip cartoon [1
- Page 391: - 383 - and van's divans and cushio
- Page 395 and 396: - 387 - (385). Van himself is calle
- Page 397 and 398: - 38-9 - "Don't forget normal adult
- Page 399 and 400: - 391 - Ada have an equally profoun
- Page 401 and 402: - 393 - her, and telling himself "t
- Page 403 and 404: - 395 - agents from an alien countr
- Page 405 and 406: - 397 -. - cribed by Aristophanes i
- Page 407 and 408: - 399 - stored in their minds, of a
- Page 409 and 410: - 401 - Since nature was traditiona
- Page 411 and 412: - 403 and the Present. Like his cre
- Page 413 and 414: - 405 - way one may wish and try to
- Page 415 and 416: - 407 - liberated from "Numbers and
- Page 417 and 418: - 409 - his own memory of the Past,
- Page 419 and 420: - 411 - only meet again after twelv
- Page 421 and 422: - 413 - and Present are blended by
- Page 423 and 424: - 415 - of his publications as "buo
- Page 425 and 426: - 417 - tion. Pain and physical dea
- Page 427 and 428: - 418 - LOOKATTHEHARLEQUINS! "Look
- Page 429 and 430: - 420 - minor minds, and such vital
- Page 431 and 432: - 422 - Ada also appear in it: some
- Page 433 and 434: - 424 - he himself seems puzzled. I
- Page 435 and 436: - 426 - obvious anyway, is undersco
- Page 437 and 438: - 428 - intimately interwoven with
- Page 439 and 440: - 430 - ture of the author, one may
- Page 441 and 442: - 432 - was) I have gained some exp
-<br />
385<br />
-<br />
ernized barracks <strong>for</strong> misfits and their young" (341).<br />
Van, apparently, has not written his novel without a<br />
very distinct aim in mind:<br />
the<br />
... purpose of the novel was to suggest<br />
that Terra cheated, that all was not paradise<br />
there, that perhaps in some ways human minds<br />
and human flesh underwent on that sibling<br />
planet worse torments than on our much maligned<br />
Demonia (341).<br />
A number of clues suggest what is later explicitly<br />
confirmed, namely that Terra is not only "a distortive<br />
glass of our distorted glebe" (18) ("glebe" referring<br />
to Antiterra) but that the two worlds are indeed<br />
identical. The first clear indication of this is sup-<br />
plied by some details in Van's notes on Terra: "...<br />
proper names often came out garbled, a chaotic cal-<br />
endar messed up the order of events but, on the whole,<br />
the colored dots did <strong>for</strong>m a geomantic picture of<br />
sorts" (340). This can equally be applied to Antiterra<br />
whose peculiar calendar was mentioned above, whose<br />
geography is somewhat haphazard, and where there 'are<br />
place names like Le Bras d'Or, Acapulcovo, Goluba<br />
University, and Scoto Scandinavia.<br />
The movie based on Letters from Terra is produced<br />
in 1940 (Antiterra time), its action takes place in<br />
1940 by the Terranian calendar, which corresponds to<br />
1890 on Antiterra. But although this difference in<br />
dates is meant to support the fiction that "... our<br />
annals lagged by about half a century behind Terra's<br />
along the bridges of time... " (340-341), the reaction<br />
of the public to the film shows that they identify<br />
the fictional world of the film with their own: