''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 332 - a Beheading, on which, therefore, this chapter will concentrate, the apparently political contents gradually assume metaphysical dimensions, which demand that one should see these novels, too, in connection with Nabokov's quest for reality, and just as gradually the totalitarian theme is "converted into the stuff 19 of [fables] about art and artifice. " The metaphysical dimension of Invitation to a Beheading becomes obvious when one looks at what Cincinnatus' crime consists in. He is a riddle to the others, "a lone dark obstacle" (IB, 21) because he has thoughts that the others do not understand: he is not content to accept the world in which the others live quite happi. ly as in any way perfect or beautiful. The world which to them represents ultimate reality appears to him ridiculously unreal. It is a world of "ignorence" (IB, 22), composed of "senseless visions, bad dreams, dregs of delirium,, the drivel of nightmare" (IB, 32); it is peopled by "spectres, werewolves, parodies" (IB, 36); and it is governed by "calamity, horror, madness... " (IB, 82). This puts Invitation to a Beheading in a line with Transparent Things and Ada, which, in the last analysis, also question the reality of the world in which we find ourselves, and which are concerned with opening ways out of the irreality that surrounds, us and discovering means of coming to an understanding of the ultimate reality beyond human existence. Invitation to a Beheading rivals only Ada in the depressing picture it paints of life, and it resembles Transparent Things
- 333 - in the solution it offers. Cincinnatus has an intuitive knowledge that there is more behind things than the ordinary mind can grasp und put into words. He knows intuitively that the world he lives in is no more than a shabby reproduc- tion, "a clumsy copy" (IB, 84) of some wonderful orig- inal that exists somewhere and for which he longs: a realm of "stars" and "thoughts and sadness" (IB, 22), where "time takes shape according to one's pleasure, like a figured rug whose folds can be gathered in such a way that two designs will meet" (IB, 85), where "the gaze of men glows with inimitable understanding", where "everything strikes one by its bewitching evidence, by the simplicity of good", where "the freaks that are tortured here walk unmolested" (IB, 85). That is real- ity for Cincinnatus, not this "so-called world" (IB, 62), in which he finds himself only "through an error" (IB, 82). Cincinnatus had knowledge of. all this even as a child, perhaps an even better knowledge than now, for that place, where the beautiful originals of this world are, is the "native realm" of his soul (IB, 84). The mind and soul of the child was nearer its native realm, thus nearer reality, than the mind of the adult who has been worn down by "continual uneasiness, conceal- ment of my knowledge, pretence, fear" (I, 86). His dreams, however, bring him a knowledge of that world that can be said to equal the child's: ... ever since my childhood I have had dreams... In my dreams the world was ennobled, spiritualized; people whom in
- Page 289 and 290: - 282 - thus opening the view into
- Page 291 and 292: - 284 - tain moments he positively
- Page 293 and 294: - 286 - We thought that he had in h
- Page 295 and 296: - 288 - The thought throws more lig
- Page 297 and 298: - 290 - That Nabokov does consider
- Page 299 and 300: - 292 - which strangely prefigures
- Page 301 and 302: - 294 - become no doubt a new bible
- Page 303 and 304: - 296 - It probably is Mr. R. 's ph
- Page 305 and 306: - 298 - DESPAIR Despair1, though wr
- Page 307 and 308: - 300 - rendering a certain sound t
- Page 309 and 310: - 302 - I have grown much too used
- Page 311 and 312: - 304 - dimensions of artistic crea
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- Page 319 and 320: - 312 - To the end, then, he remain
- Page 321 and 322: - 314 - tangible double of himself,
- Page 323 and 324: - 316 - this attack of his second s
- Page 325 and 326: - 318 - ... the ruddy horror of my
- Page 327 and 328: - 320 - only a limited number of su
- Page 329 and 330: - 321 - BENDSINISTER INVITATIONTOAB
- Page 331 and 332: - 323 - the Dark Comedies of the Tw
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- Page 337 and 338: - 329 - perhaps in some archaic let
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- Page 345 and 346: - 337 - clown (IB, 104-105). And th
- Page 347 and 348: - 339 - of the original still shine
- Page 349 and 350: - 341 - each of them. There is Mart
- Page 351 and 352: - 343 - "cleared his throat and sof
- Page 353 and 354: - 345 - and then perhaps we shall s
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- Page 357 and 358: - 349 - the river we see him fishin
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- Page 367 and 368: - 359 - Cincinnatus no longer what
- Page 369 and 370: - 361 - He speculates about time in
- Page 371 and 372: - 363 - ADA Ada1 has more than any
- Page 373 and 374: - 365 - combine to form the surface
- Page 375 and 376: - 367 - ... a string of stock scene
- Page 377 and 378: - 369 - more confusing by the great
- Page 379 and 380: - 371 - of aspens; they embraced,..
- Page 381 and 382: - 373 - aux caprices de son age. «
- Page 383 and 384: - 375 - pipes into "borborygmic con
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333<br />
-<br />
in the solution it offers.<br />
Cincinnatus has an intuitive knowledge that there<br />
is more behind things than the ordinary mind can grasp<br />
und put into words. He knows intuitively that the<br />
world he lives in is no more than a shabby reproduc-<br />
tion, "a clumsy copy" (IB, 84) of some wonderful orig-<br />
inal that exists somewhere and <strong>for</strong> which he longs: a<br />
realm of "stars" and "thoughts and sadness" (IB, 22),<br />
where "time takes shape according to one's pleasure,<br />
like a figured rug whose folds can be gathered in such<br />
a way that two designs will meet" (IB, 85), where "the<br />
gaze of men glows with inimitable understanding", where<br />
"everything strikes one by its bewitching evidence,<br />
by the simplicity of good", where "the freaks that are<br />
tortured here walk unmolested" (IB, 85). That is real-<br />
ity <strong>for</strong> Cincinnatus, not this "so-called world" (IB, 62),<br />
in which he finds himself only "through an error"<br />
(IB, 82).<br />
Cincinnatus had knowledge of. all this even as a<br />
child, perhaps an even better knowledge than now, <strong>for</strong><br />
that place, where the beautiful originals of this world<br />
are, is the "native realm" of his soul (IB, 84). The<br />
mind and soul of the child was nearer its native realm,<br />
thus nearer reality, than the mind of the adult who<br />
has been worn down by "continual uneasiness, conceal-<br />
ment of my knowledge, pretence, fear" (I, 86).<br />
His dreams, however, bring him a knowledge of that<br />
world that can be said to equal the child's:<br />
... ever since my childhood I have had<br />
dreams... In my dreams the world was ennobled,<br />
spiritualized; people whom in