''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 326 - a Beheading the comic elements have a double function. The same comic devices that deepen by contrast the depressing or the frightening sides of things also expose these same things, stress their absurdity, and hold them up to ridicule. For examples of this one needs only look at the political systems and some of the laws in Bend Sinister and Invitation to a Beheading. "... the utterly nonsensical is a natural and logical part of Paduk's rule" (BS, 78), old Maximov, who proves to be so much more clairvoyant with regard to Paduk than Krug, "the thinker" (BS, 168), neatly summarizes the total impression one gets when one looks at the various features of this rule and of the state, and old Maximov's words also apply to the state and the laws in Invitation to a Beheading. The utterly nonsensical shows for example in a certain "amusing new law" (BS, 159) that concerns public transport and that, instead of having positive effects, as a good law should, only serves to create complete chaos and confusion. It shows in the episode on the bridge, which, although one is acutely aware of Krug's desperate state of mind all the time, is nevertheless comic. In a series of incidents, it demonstrates the total absence of sense both in the regulations devised by the ruler and in the heads of the soldiers, who are clearly expected to maintain law and order but are just as clearly not intelligent enough to deal with even so uncomplicated a problem as someone wishing to cross the bridge. Officious but illiterate, they almost manage to realize for Krug
- 327 - the absurd fate he himself envisages as a result of their ill-timed pedantry and their stupidity: the fate of having "to walk back and forth on a bridge which has ceased to be one since neither end is really attainable" (BS, 14). These find their counterparts in such absurd laws as are in force in the state of Invitation to a Beheading; the law, for example in accordance with which "the death sentence was announced to Cincinnatus C. in a whisper" (IB, 9); that which insists "that on the eve of the execution its passive and active participants together make a brief farewell visit to each of the chief officials" (IB, 166). They are also mirrored in the absurd "eight rules for inmates" in Cincinnatus' prison cell (IB, 43-44). The best illustration of just how nonsensical the rules in the states of both novels are, is of course provided by the political system Paduk and his followers have forcibly introduced. Calling his schoolmates by anagrams of their names because "one should constantly bear in mind that all men consist of the same twenty-five letters variously mixed" (BS, 60) (one can assume that he does not count the "I"), Paduk is later fascinated by a theory called Ekwilism, the theory of one Fredrik Skotoma. This theory transfers the socialist ideal of uniformity from the econ-. omic level on to the intellectual plane and maintains that human consciousness should be distributed equally throughout the population of the world. According to Skotoma this can be done, just as the distribution of
- Page 283 and 284: - 276 - past with utmost precision
- Page 285 and 286: - 278 - Hugh Person ignores a vague
- Page 287 and 288: - 280 - the wall which in his wakin
- Page 289 and 290: - 282 - thus opening the view into
- Page 291 and 292: - 284 - tain moments he positively
- Page 293 and 294: - 286 - We thought that he had in h
- Page 295 and 296: - 288 - The thought throws more lig
- Page 297 and 298: - 290 - That Nabokov does consider
- Page 299 and 300: - 292 - which strangely prefigures
- Page 301 and 302: - 294 - become no doubt a new bible
- Page 303 and 304: - 296 - It probably is Mr. R. 's ph
- Page 305 and 306: - 298 - DESPAIR Despair1, though wr
- Page 307 and 308: - 300 - rendering a certain sound t
- Page 309 and 310: - 302 - I have grown much too used
- Page 311 and 312: - 304 - dimensions of artistic crea
- Page 313 and 314: - 306 - when he starts writing his
- Page 315 and 316: - 308 - in its capability of photog
- Page 317 and 318: - 310- next morning, none would bel
- Page 319 and 320: - 312 - To the end, then, he remain
- Page 321 and 322: - 314 - tangible double of himself,
- Page 323 and 324: - 316 - this attack of his second s
- Page 325 and 326: - 318 - ... the ruddy horror of my
- Page 327 and 328: - 320 - only a limited number of su
- Page 329 and 330: - 321 - BENDSINISTER INVITATIONTOAB
- Page 331 and 332: - 323 - the Dark Comedies of the Tw
- Page 333: - 325 - and that one has first to p
- Page 337 and 338: - 329 - perhaps in some archaic let
- Page 339 and 340: - 331 - this fantasy with bits of L
- Page 341 and 342: - 333 - in the solution it offers.
- Page 343 and 344: - 335 - no more than the strange an
- Page 345 and 346: - 337 - clown (IB, 104-105). And th
- Page 347 and 348: - 339 - of the original still shine
- Page 349 and 350: - 341 - each of them. There is Mart
- Page 351 and 352: - 343 - "cleared his throat and sof
- Page 353 and 354: - 345 - and then perhaps we shall s
- Page 355 and 356: - 347 - our own world , and with it
- Page 357 and 358: - 349 - the river we see him fishin
- Page 359 and 360: - 351 - inspired by a picture on wh
- Page 361 and 362: - 353 - do not conceal them must di
- Page 363 and 364: - 355 - also the only one who can i
- Page 365 and 366: - 357 - (IB, 26) and only his doubl
- Page 367 and 368: - 359 - Cincinnatus no longer what
- Page 369 and 370: - 361 - He speculates about time in
- Page 371 and 372: - 363 - ADA Ada1 has more than any
- Page 373 and 374: - 365 - combine to form the surface
- Page 375 and 376: - 367 - ... a string of stock scene
- Page 377 and 378: - 369 - more confusing by the great
- Page 379 and 380: - 371 - of aspens; they embraced,..
- Page 381 and 382: - 373 - aux caprices de son age. «
- Page 383 and 384: - 375 - pipes into "borborygmic con
-<br />
326<br />
-<br />
a Beheading the comic elements have a double function.<br />
The same comic devices that deepen by contrast the<br />
depressing or the frightening sides of things also<br />
expose these same things, stress their absurdity, and<br />
hold them up to ridicule. For examples of this one<br />
needs only look at the political systems and some of<br />
the laws in Bend Sinister and Invitation to a Beheading.<br />
"... the utterly nonsensical is a natural and logical<br />
part of Paduk's rule" (BS, 78), old Maximov, who<br />
proves to be so much more clairvoyant with regard to<br />
Paduk than Krug, "the thinker" (BS, 168), neatly summarizes<br />
the total impression one gets when one looks<br />
at the various features of this rule and of the state,<br />
and old Maximov's words also apply to the state and<br />
the laws in Invitation to a Beheading.<br />
The utterly nonsensical shows <strong>for</strong> example in a<br />
certain "amusing new law" (BS, 159) that concerns<br />
public transport and that, instead of having positive<br />
effects, as a good law should, only serves to create<br />
complete chaos and confusion. It shows in the episode<br />
on the bridge, which, although one is acutely aware<br />
of Krug's desperate state of mind all the time, is<br />
nevertheless comic. In a series of incidents, it demonstrates<br />
the total absence of sense both in the<br />
regulations devised by the ruler and in the heads of<br />
the soldiers, who are clearly expected to maintain<br />
law and order but are just as clearly not intelligent<br />
enough to deal with even so uncomplicated a problem<br />
as someone wishing to cross the bridge. Officious but<br />
illiterate, they almost manage to realize <strong>for</strong> Krug