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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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-<br />

323 -<br />

the Dark Comedies of the Twentieth Century, the Absurd<br />

Plays, to which particularly Invitation to a Bedeading<br />

bears a striking resemblance, both in individual scenes<br />

and in the general tone. Here and there, and partly<br />

in Bend Sinister, the most depressing truths about man,<br />

human society, and life, the most disquieting problems,<br />

and the most shattering experiences man can have, are<br />

expressed in comic terms and with the help of comic<br />

devices, and in each case the effect of this blatant<br />

incongruity is very disturbing.<br />

One of the most painful scenes from Bend Sinister,<br />

which may stand as a first example, is that which<br />

gradually brings home to Krug' what has happened to his<br />

little boy. Naboköv, who never allows himself to miss<br />

a single chance of ridiculing modern psychological<br />

experiments,, [holds] up a glass in which [their]<br />

worst potentialities are seen realized"8 by giving a<br />

parodistic account of one - the most gruesome one<br />

imaginable<br />

-<br />

in which a child is used as a "release-<br />

instrument" <strong>for</strong> children with criminal records (BS,<br />

195ff. ). This account is clothed in a curious mixture<br />

of pseudo-scientific terminology, which includes the<br />

astonishing "pure 'egg' (common extract of egos)"<br />

(BS, 196-197), and completely inappropriate language,<br />

which of course has a comic effect.<br />

Moreover, the scene in which Krug is shown parts<br />

of the film about the experiment is a perfectly comic<br />

one. The whole staff of the institute are in such a<br />

state of panic that the director loses his command<br />

of language, which gives the author an opportunity of

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