''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 315 - of his mental struggle, and new failure, and collapse. From the moment that the existence of a second "I" has been established for Hermann, his sense of his own identity is shaken. Embarrassingly trivial things have to help him restore it for the moment when he gets back to the hotel after the first encounter with Felix. In the mirror in the hotel room he sees not himself but Felix, and I remember that the small marks of conscious existence such as the dust in my nose, the black dirt between the heel and the shank of one shoe, hunger, and presently the rough brown taste tinged with lemon of a large, flat veal cutlet in the grillroom, strangely absorbed my attention as if I were looking for, and finding (and still doubting a little) proofs that I was I, and that this I... was really at a hotel... and had nothing in common with a certain tramp who, at the moment, was lolling under a bush (24-25). But he never succeeds in restoring his identity for good. For a little while, back in Berlin, his memory of Felix heals up, but then he starts having visions: Out of the darkness, straight towards me, with jaw protruding and eyes looking straight into mine, came Felix (60). He writes to him, he meets him again, once again he succeeds in freeing himself from his influence: "Felix, my double, seemed no more than a harmless curio". (113). But then a chance incident, a misunderstanding, throws him back into the state which he is struggling to es- cape. He impetuously commands the maid to dismiss the man he thinks is Felix: Then tell him to go to hell!... Let him be gone at once, I'm not at home, I'm not in town, I'm not in this world,... only to rush after the man the next moment (120). From

- 316 - this attack of his second self he hever recovers: I could not quite make out at the time what was going on in me - but now I know what it was: my passion for my double was surging anew with a muffled but formidable violence which soon escaped all conctrol (124). Hermann's peace of mind and secure sense of identity can only be regained if one of his selves is destroyed. The murder of Felix, which has on one level a purely practical function (getting hold of the insurance money) is to do this for him: "... if you think that my prompter's name was Gain - capital G not C- then you are mightily mistaken" (100). But the crime is also to fulfill another function. Felix is murdered, but he is then dressed in Hermann's clothes. The murder is made to look like a suicide. Hermann puts on Felix's clothes and assumes his role. The purpose of the crime is not only to dispose of one of Hermann's selves and enable him to re-establish one identity for himself; Hermann also hopes that the crime will enable him to discard his own old un- happy self, and to slip into a new and completely different, and happy identity. However, he finds that he cannot do either. He can- not completely resume his old identity: "Try as I may I do not succeed in getting back into my original en- velope, let alone making myself comfortable in my old self" (29). But he cannot completely discard his old self either. He is still conscious of it, so much so that he tries to hide it by growing a beard: "... that beard of mine has done jolly well, and in such a short time too! I am disguised so perfectly, as to be in-

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316<br />

-<br />

this attack of his second self he hever recovers:<br />

I could not quite make out at the time what<br />

was going on in me - but now I know what it<br />

was: my passion <strong>for</strong> my double was surging<br />

anew with a muffled but <strong>for</strong>midable violence<br />

which soon escaped all conctrol (124).<br />

Hermann's peace of mind and secure sense of identity<br />

can only be regained if one of his selves is destroyed.<br />

The murder of Felix, which has on one level a purely<br />

practical function (getting hold of the insurance<br />

money) is to do this <strong>for</strong> him: "... if you think that my<br />

prompter's name was Gain - capital G not C- then you<br />

are mightily mistaken" (100).<br />

But the crime is also to fulfill another function.<br />

Felix is murdered, but he is then dressed in Hermann's<br />

clothes. The murder is made to look like a suicide.<br />

Hermann puts on Felix's clothes and assumes his role.<br />

The purpose of the crime is not only to dispose of one<br />

of Hermann's selves and enable him to re-establish<br />

one identity <strong>for</strong> himself; Hermann also hopes that<br />

the crime will enable him to discard his own old un-<br />

happy self, and to slip into a new and completely<br />

different, and happy identity.<br />

However, he finds that he cannot do either. He can-<br />

not completely resume his old identity: "Try as I may<br />

I do not succeed in getting back into my original en-<br />

velope, let alone making myself com<strong>for</strong>table in my old<br />

self" (29). But he cannot completely discard his old<br />

self either. He is still conscious of it, so much so<br />

that he tries to hide it by growing a beard: "... that<br />

beard of mine has done jolly well, and in such a short<br />

time too! I am disguised so perfectly, as to be in-

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