''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 243 - it brings to mind the idea of a game of chess with its skillful combination of moves which the opponent does not understand before a certain moment, but which it is possible to trace back once they have 49 led to a specific result. Seen in this light, Kinbote's commentary acquires new meaning. What looked like the product of a bad, arrogant and mad scholar, now proves to "reflect the pattern in the game of life that Shade postulates in his poem" (III, 810-829), Luzhin's "game of the gods", and turns out to be a perfect illustration or: "a working model", says Stegner50, of Shade's theories on life, death, coincidence and pattern. Kinbote may be a bad scholar, he may be arrogant and even mad, but one cannot say of him, as Field does, that he "really does not know what is going on in 51 Shade's poem.,, His understanding of the poem goes even further and deeper. That he should prove his understanding of the poem and of Shade's theories, and of the pattern of existence through a highly fantastic story is somewhat surprising and unsatisfactory. The pat- tern does not look genuine enough , and an invented pattern superimposed on a real person's life cer- tainly cannot prove anything. However, it appears gradually from a multitude of clues that Kinbote's story has as its basis certain real events, and the clues also lead to an explanation of how and why Shade gets fatally caught up in them. Although Kinbote does not admit the truth of it, it

- 244 - emerges that the man whom he casts as Gradus is really one Jack Grey who has escaped from the Institute for the Criminal Insane. He wants to revenge himself on the judge who sent him there, mistakes 52 Shade for that judge and kills him. Kinbote talks of "crass banalities" (85), and "evil piffle" (294), when referring to this representation of the incidents that lead to Shade's death, but his own notes contain enough material to make it appear the most likely, in fact, the true, version of what happens. In this series of incidents, too, a pattern can be recognized: The judge (Goldsworth) is Shade's neighbour; he is away (in England); Kinbote has rented his house; Kinbote has sought Shade's friendship. On this particular day, Sybil happens to have gone out, Kinbote happens to have seen her go out, and has therefore invited Shade. They arrive at his house at precisely the same moment at which Grey also arrives with his gun. The pattern is complete down to the last detail: Grey does not fire at Kinbote, as Kinbote will have it, but aims deliberately at Shade: He has mistaken Shade for the judge, for Shade and the judge resemble each 53 other. Kinbote's version may look very different from the official one, with the melodramatic King of Zembla replacing the honourable judge, and the Zemblan Ex- tremist Gradus stepping into prosaic Grey's place; with, also , Gradus' slow and circuitous approach from abroad instead of Grey's direct and rather ordi- nary approach to Kinbote's house. Yet, the two ver-

-<br />

243<br />

-<br />

it brings to mind the idea of a game of chess with<br />

its skillful combination of moves which the opponent<br />

does not understand be<strong>for</strong>e a certain moment, but<br />

which it is possible to trace back once they have<br />

49<br />

led to a specific result.<br />

Seen in this light, Kinbote's commentary acquires<br />

new meaning. What looked like the product of a bad,<br />

arrogant and mad scholar, now proves to "reflect the<br />

pattern in the game of life that Shade postulates<br />

in his poem" (III, 810-829), Luzhin's "game of the<br />

gods", and turns out to be a perfect illustration or:<br />

"a working model", says Stegner50, of Shade's theories<br />

on life, death, coincidence and pattern. Kinbote<br />

may be a bad scholar, he may be arrogant and<br />

even mad, but one cannot say of him, as Field does,<br />

that he "really does not know what is going on in<br />

51<br />

Shade's poem.,,<br />

His understanding of the poem goes even further<br />

and deeper. That he should prove his understanding<br />

of the poem and of Shade's theories, and of the pattern<br />

of existence through a highly fantastic story<br />

is somewhat surprising and unsatisfactory. The pat-<br />

tern does not look genuine enough ,<br />

and an invented<br />

pattern superimposed on a real person's life cer-<br />

tainly cannot prove anything.<br />

However, it appears gradually from a multitude of<br />

clues that Kinbote's story has as its basis certain<br />

real events, and the clues also lead to an explanation<br />

of how and why Shade gets fatally caught up in them.<br />

Although Kinbote does not admit the truth of it, it

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