''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 243 - it brings to mind the idea of a game of chess with its skillful combination of moves which the opponent does not understand before a certain moment, but which it is possible to trace back once they have 49 led to a specific result. Seen in this light, Kinbote's commentary acquires new meaning. What looked like the product of a bad, arrogant and mad scholar, now proves to "reflect the pattern in the game of life that Shade postulates in his poem" (III, 810-829), Luzhin's "game of the gods", and turns out to be a perfect illustration or: "a working model", says Stegner50, of Shade's theories on life, death, coincidence and pattern. Kinbote may be a bad scholar, he may be arrogant and even mad, but one cannot say of him, as Field does, that he "really does not know what is going on in 51 Shade's poem.,, His understanding of the poem goes even further and deeper. That he should prove his understanding of the poem and of Shade's theories, and of the pattern of existence through a highly fantastic story is somewhat surprising and unsatisfactory. The pat- tern does not look genuine enough , and an invented pattern superimposed on a real person's life cer- tainly cannot prove anything. However, it appears gradually from a multitude of clues that Kinbote's story has as its basis certain real events, and the clues also lead to an explanation of how and why Shade gets fatally caught up in them. Although Kinbote does not admit the truth of it, it
- 244 - emerges that the man whom he casts as Gradus is really one Jack Grey who has escaped from the Institute for the Criminal Insane. He wants to revenge himself on the judge who sent him there, mistakes 52 Shade for that judge and kills him. Kinbote talks of "crass banalities" (85), and "evil piffle" (294), when referring to this representation of the incidents that lead to Shade's death, but his own notes contain enough material to make it appear the most likely, in fact, the true, version of what happens. In this series of incidents, too, a pattern can be recognized: The judge (Goldsworth) is Shade's neighbour; he is away (in England); Kinbote has rented his house; Kinbote has sought Shade's friendship. On this particular day, Sybil happens to have gone out, Kinbote happens to have seen her go out, and has therefore invited Shade. They arrive at his house at precisely the same moment at which Grey also arrives with his gun. The pattern is complete down to the last detail: Grey does not fire at Kinbote, as Kinbote will have it, but aims deliberately at Shade: He has mistaken Shade for the judge, for Shade and the judge resemble each 53 other. Kinbote's version may look very different from the official one, with the melodramatic King of Zembla replacing the honourable judge, and the Zemblan Ex- tremist Gradus stepping into prosaic Grey's place; with, also , Gradus' slow and circuitous approach from abroad instead of Grey's direct and rather ordi- nary approach to Kinbote's house. Yet, the two ver-
- Page 199 and 200: - 193 - The passages betray not onl
- Page 201 and 202: - 195 - This "mental jerk" grants k
- Page 203 and 204: - 197 - clear, and the harmony and
- Page 205 and 206: - 199 - initiated the insight. In l
- Page 207 and 208: - 201 - himself, and in it V appear
- Page 209 and 210: - 203 - novels of Sebastian Knight,
- Page 211 and 212: - 205 - All those that knew Sebasti
- Page 213 and 214: - 207 - in his opinion not have for
- Page 215 and 216: - 209 - others as his remoteness an
- Page 217 and 218: - 210 - THEDEFENCE R. H. W. Dillard
- Page 219 and 220: - 212 - his own future, and it beco
- Page 221 and 222: - 214 - Unlike Shade, however, Luzh
- Page 223 and 224: - 216 - has recognized as the basic
- Page 225 and 226: - 218 - The sensitive reader dislik
- Page 227 and 228: - 220 - The individual parts have p
- Page 229 and 230: - 222 - for the overall comic effec
- Page 231 and 232: - 224 - Americans of today. "24 He
- Page 233 and 234: - 226 - learn anything, to wrap it
- Page 235 and 236: - 228 - exhausted. Kinbote uses it
- Page 237 and 238: - 230 - (24-25). He talks about how
- Page 239 and 240: - 232 - "Parents" (1,71), "my bedro
- Page 241 and 242: - 234 - commentary, and they also o
- Page 243 and 244: - 236 - forbidden knowledge of whic
- Page 245 and 246: - 238 - than he thought it was46: B
- Page 247 and 248: - 240 - following the road of its r
- Page 249: - 242 - actually sees Kinbote, lose
- Page 253 and 254: - 246 - sions, shows that even the
- Page 255 and 256: - 248 - superficially is about. He
- Page 257 and 258: - 250 - "really" Kinbote who has wr
- Page 259 and 260: - 252 - standing' of the poem do no
- Page 261 and 262: - 254 - Shade mentions a famous fil
- Page 263 and 264: - 256 - is left-handed (180) and he
- Page 265 and 266: - 258 - The sea's a thief, whose li
- Page 267 and 268: - 260 - much a person even on the l
- Page 269 and 270: - 262 - In the relationship between
- Page 271 and 272: - 264 - even for his own death. It
- Page 273 and 274: - 266 - TRANSPARENT THINGS An old N
- Page 275 and 276: - 268 - the name as if it were simp
- Page 277 and 278: - 270- Armande that has brought him
- Page 279 and 280: - 272 - a conscious effort. Things
- Page 281 and 282: - 274 - intention either to convey
- Page 283 and 284: - 276 - past with utmost precision
- Page 285 and 286: - 278 - Hugh Person ignores a vague
- Page 287 and 288: - 280 - the wall which in his wakin
- Page 289 and 290: - 282 - thus opening the view into
- Page 291 and 292: - 284 - tain moments he positively
- Page 293 and 294: - 286 - We thought that he had in h
- Page 295 and 296: - 288 - The thought throws more lig
- Page 297 and 298: - 290 - That Nabokov does consider
- Page 299 and 300: - 292 - which strangely prefigures
-<br />
243<br />
-<br />
it brings to mind the idea of a game of chess with<br />
its skillful combination of moves which the opponent<br />
does not understand be<strong>for</strong>e a certain moment, but<br />
which it is possible to trace back once they have<br />
49<br />
led to a specific result.<br />
Seen in this light, Kinbote's commentary acquires<br />
new meaning. What looked like the product of a bad,<br />
arrogant and mad scholar, now proves to "reflect the<br />
pattern in the game of life that Shade postulates<br />
in his poem" (III, 810-829), Luzhin's "game of the<br />
gods", and turns out to be a perfect illustration or:<br />
"a working model", says Stegner50, of Shade's theories<br />
on life, death, coincidence and pattern. Kinbote<br />
may be a bad scholar, he may be arrogant and<br />
even mad, but one cannot say of him, as Field does,<br />
that he "really does not know what is going on in<br />
51<br />
Shade's poem.,,<br />
His understanding of the poem goes even further<br />
and deeper. That he should prove his understanding<br />
of the poem and of Shade's theories, and of the pattern<br />
of existence through a highly fantastic story<br />
is somewhat surprising and unsatisfactory. The pat-<br />
tern does not look genuine enough ,<br />
and an invented<br />
pattern superimposed on a real person's life cer-<br />
tainly cannot prove anything.<br />
However, it appears gradually from a multitude of<br />
clues that Kinbote's story has as its basis certain<br />
real events, and the clues also lead to an explanation<br />
of how and why Shade gets fatally caught up in them.<br />
Although Kinbote does not admit the truth of it, it