''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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II. The Defence Pale Fire Transparent Things Despair

- 210 - THEDEFENCE R. H. W. Dillard, discussing Nabokov's novels, discovers in them close affinities to Russian litera- ture. One of its characteristics is, he says, that its world is ... one in which a coincidence is a controlled event and in which the creative freedom of man is involved in the discovery of the pattern of his destiny rather than in forming the future himself out of a chaos of possibilities. In various ways a number of Nabokov's novels illustrate the points Dillard makes about Russian literature. The early novel The Defence, and two novels which Nabokov wrote when he had long begun to consider himself an American writer: Pale Fire and Transparent Things, seem to continue the Russian tradition. Nabokov makes the "discovery of the pattern" part of his quest for "true reality". People do not normally see more than the "average reality", or even only the "thin veneer of immediate reality", of their lives: what they see appears to them chaotic. The events and incidents of their lives do not seem to them to be in any way logically connected but seem to follow each other haphazardly and without any recognizable design or purpose. None of the novels quoted, however, leaves any doubt about the fact that "a coincidence a con- `is trolled event". Behind the seemingly chaotic surface and "average reality" another (true) reality is re- vealed. In it each event and incident can be seen to have its function and purpose, and in it even the

-<br />

210<br />

-<br />

THEDEFENCE<br />

R. H. W. Dillard, discussing <strong>Nabokov's</strong> novels,<br />

discovers in them close affinities to Russian litera-<br />

ture. One of its characteristics is, he says, that<br />

its<br />

world<br />

is<br />

... one in which a coincidence is a<br />

controlled event and in which the creative<br />

freedom of man is involved in the<br />

discovery of the pattern of his destiny<br />

rather than in <strong>for</strong>ming the future himself<br />

out of a chaos of possibilities.<br />

In various ways a number of <strong>Nabokov's</strong> novels<br />

illustrate the points Dillard makes about Russian<br />

literature. The early novel The Defence, and two novels<br />

which Nabokov wrote when he had long begun to consider<br />

himself an American writer: Pale Fire and Transparent<br />

Things, seem to continue the Russian tradition.<br />

Nabokov makes the "discovery of the pattern" part of<br />

his quest <strong>for</strong> "true reality". People do not normally<br />

see more than the "average reality", or even only the<br />

"thin veneer of immediate reality", of their lives:<br />

what they see appears to them chaotic. The events<br />

and incidents of their lives do not seem to them to<br />

be in any way logically connected but seem to follow<br />

each other haphazardly and without any recognizable<br />

design or purpose.<br />

None of the novels quoted, however, leaves any<br />

doubt about the fact that "a coincidence<br />

a con-<br />

`is<br />

trolled event". Behind the seemingly chaotic surface<br />

and "average reality" another (true) reality is re-<br />

vealed. In it each event and incident can be seen to<br />

have its function and purpose, and in it even the

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