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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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193<br />

-<br />

The passages betray not only an awareness of things<br />

generally, but an acute awareness of opposites, of<br />

the cheerful and the sad, of the colourful and the drab,<br />

of funny things and of serious things. The two pictures<br />

in his flat show how very much aware he is of the side-<br />

by-side existence of extreme opposites: the impressions<br />

of cruelty and innocence could not be conveyed any better<br />

than through the two photographs, which V describes in<br />

curiously ill-chosen and incongruous terms:<br />

One was an enlarged snapshot of a Chinese<br />

stripped to the waist, in the act of being<br />

vigorously beheaded, the other was a banal<br />

photographic study of a curly child playing<br />

with a pup (38).<br />

Mysticism has been called "integrated thought"<br />

in that it brings things together in a new<br />

pattern, i. e. integrates them instead of,<br />

as in analytical thought, breaking them into<br />

parts. It thus relates them into a meaningful<br />

whole.<br />

56<br />

Sebastian sees no contradiction in the existence of<br />

opposites. Everything has meaning: Just as humble<br />

things, the raindrops on the wires, the brown leaves,<br />

the coloured chalks, or, in V's interpretation of<br />

The Doubtful Asphodel, "a cherry stone and its tiny<br />

shadow which lay on the painted wood of a tired bench"<br />

(168) have meaning and significance <strong>for</strong> those aware<br />

of them - the same significance as the "shining giants<br />

of our brain" (168; from The Doubtful Asphodel)<br />

-<br />

so, equally, sadness, ugliness, and cruelty belong<br />

into the pattern of existence. They all go together<br />

"to <strong>for</strong>m a definite harmony, where I, too, had the<br />

shadow of a place" (65; from Lost Property). There<br />

may not even be a contradiction there. In Lost Property

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