''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 192 - able to sleep because of an earthquake in China; but being what he was, he could not understand why these same people did not feel exactly the same spasm of rebellious grief when thinking of some similar calamity that had happened as many years ago as there were miles to China (62). He cannot understand them because that calamity is for him just as much of the present as an earth- quake happening in China today. His thinking is not of the single-track kind. His mind and perception are awake at all times, not only to individual sections of his surroundings, excluding all the rest, but to the whole variety of things: Most people live through the day with this or that part of their mind in a happy state of somnolence: but in ... my case all the shutters and lids and doors of the mind would be open at once at all times of the day. Most brains have their Sundays, mine was even refused a half-holiday (63-64; from Lost Property). He often feels "as if I were sitting among blind men and madmen" when he realizes how little aware others are even of their immediate surroundings, even of their fellow men (102). He misses nothing: The blind man's dog near Harrods or a pavement-artist's coloured chalks; brown leaves in a New Forest ride or a tin bath hanging outside on the black brick wall of a slum; a picture in Punch or a purple passage in Hamlet... (65; from Lost Property), everything crowds into his mind at once, all the time; things, too, that others might not think worth noticing acquire beauty in his eyes: ... a sundazzled window suddenly piercing the blue morning mist or beautiful black ... wires with suspended raindrops running along them (65; from Lost Property).

- 193 - The passages betray not only an awareness of things generally, but an acute awareness of opposites, of the cheerful and the sad, of the colourful and the drab, of funny things and of serious things. The two pictures in his flat show how very much aware he is of the side- by-side existence of extreme opposites: the impressions of cruelty and innocence could not be conveyed any better than through the two photographs, which V describes in curiously ill-chosen and incongruous terms: One was an enlarged snapshot of a Chinese stripped to the waist, in the act of being vigorously beheaded, the other was a banal photographic study of a curly child playing with a pup (38). Mysticism has been called "integrated thought" in that it brings things together in a new pattern, i. e. integrates them instead of, as in analytical thought, breaking them into parts. It thus relates them into a meaningful whole. 56 Sebastian sees no contradiction in the existence of opposites. Everything has meaning: Just as humble things, the raindrops on the wires, the brown leaves, the coloured chalks, or, in V's interpretation of The Doubtful Asphodel, "a cherry stone and its tiny shadow which lay on the painted wood of a tired bench" (168) have meaning and significance for those aware of them - the same significance as the "shining giants of our brain" (168; from The Doubtful Asphodel) - so, equally, sadness, ugliness, and cruelty belong into the pattern of existence. They all go together "to form a definite harmony, where I, too, had the shadow of a place" (65; from Lost Property). There may not even be a contradiction there. In Lost Property

-<br />

192 -<br />

able to sleep because of an earthquake<br />

in China; but being what he was, he could<br />

not understand why these same people did<br />

not feel exactly the same spasm of rebellious<br />

grief when thinking of some similar<br />

calamity that had happened as many years<br />

ago as there were miles to China (62).<br />

He cannot understand them because that calamity<br />

is <strong>for</strong> him just as much of the present as an earth-<br />

quake happening in China today.<br />

His thinking is not of the single-track kind.<br />

His mind and perception are awake at all times, not<br />

only to individual sections of his surroundings,<br />

excluding all the rest, but to the whole variety<br />

of<br />

things:<br />

Most people live through the day with this<br />

or that part of their mind in a happy state<br />

of somnolence: but in<br />

...<br />

my case all the<br />

shutters and lids and doors of the mind<br />

would be open at once at all times of the<br />

day. Most brains have their Sundays, mine<br />

was even refused a half-holiday (63-64;<br />

from Lost Property).<br />

He often feels "as if I were sitting among blind<br />

men and madmen" when he realizes how little aware<br />

others are even of their immediate surroundings,<br />

even of their fellow men (102). He misses nothing:<br />

The blind man's dog near Harrods or a pavement-artist's<br />

coloured chalks; brown leaves<br />

in a New Forest ride or a tin bath hanging<br />

outside on the black brick wall of a slum;<br />

a picture in Punch or a purple passage in<br />

Hamlet... (65; from Lost Property),<br />

everything crowds into his mind at once, all the<br />

time; things, too, that others might not think<br />

worth noticing acquire beauty in his eyes:<br />

... a sundazzled window suddenly piercing<br />

the blue morning mist or beautiful<br />

black<br />

...<br />

wires with suspended raindrops running<br />

along them (65; from Lost Property).

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