''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 192 - able to sleep because of an earthquake in China; but being what he was, he could not understand why these same people did not feel exactly the same spasm of rebellious grief when thinking of some similar calamity that had happened as many years ago as there were miles to China (62). He cannot understand them because that calamity is for him just as much of the present as an earth- quake happening in China today. His thinking is not of the single-track kind. His mind and perception are awake at all times, not only to individual sections of his surroundings, excluding all the rest, but to the whole variety of things: Most people live through the day with this or that part of their mind in a happy state of somnolence: but in ... my case all the shutters and lids and doors of the mind would be open at once at all times of the day. Most brains have their Sundays, mine was even refused a half-holiday (63-64; from Lost Property). He often feels "as if I were sitting among blind men and madmen" when he realizes how little aware others are even of their immediate surroundings, even of their fellow men (102). He misses nothing: The blind man's dog near Harrods or a pavement-artist's coloured chalks; brown leaves in a New Forest ride or a tin bath hanging outside on the black brick wall of a slum; a picture in Punch or a purple passage in Hamlet... (65; from Lost Property), everything crowds into his mind at once, all the time; things, too, that others might not think worth noticing acquire beauty in his eyes: ... a sundazzled window suddenly piercing the blue morning mist or beautiful black ... wires with suspended raindrops running along them (65; from Lost Property).
- 193 - The passages betray not only an awareness of things generally, but an acute awareness of opposites, of the cheerful and the sad, of the colourful and the drab, of funny things and of serious things. The two pictures in his flat show how very much aware he is of the side- by-side existence of extreme opposites: the impressions of cruelty and innocence could not be conveyed any better than through the two photographs, which V describes in curiously ill-chosen and incongruous terms: One was an enlarged snapshot of a Chinese stripped to the waist, in the act of being vigorously beheaded, the other was a banal photographic study of a curly child playing with a pup (38). Mysticism has been called "integrated thought" in that it brings things together in a new pattern, i. e. integrates them instead of, as in analytical thought, breaking them into parts. It thus relates them into a meaningful whole. 56 Sebastian sees no contradiction in the existence of opposites. Everything has meaning: Just as humble things, the raindrops on the wires, the brown leaves, the coloured chalks, or, in V's interpretation of The Doubtful Asphodel, "a cherry stone and its tiny shadow which lay on the painted wood of a tired bench" (168) have meaning and significance for those aware of them - the same significance as the "shining giants of our brain" (168; from The Doubtful Asphodel) - so, equally, sadness, ugliness, and cruelty belong into the pattern of existence. They all go together "to form a definite harmony, where I, too, had the shadow of a place" (65; from Lost Property). There may not even be a contradiction there. In Lost Property
- Page 147 and 148: - 141 - ous hallucination" (287). 6
- Page 149 and 150: - 143 - No hereafter is acceptable
- Page 151 and 152: - 145 - be possible for him to be t
- Page 153 and 154: - 147 - and it is also appropriate
- Page 155 and 156: - 149 - But Humbert's view of Lolit
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- Page 159 and 160: - 153 - part of it. Even with the i
- Page 161 and 162: - 155 - THE REAL LIFE OF SEBASTIAN
- Page 163 and 164: - 157. - consistent set of characte
- Page 165 and 166: - 159 - gathered from various sourc
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- Page 169 and 170: - 163 - tiously follows all the mov
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- Page 175 and 176: - 169 - What were the things that r
- Page 177 and 178: - 171 share", as a good biographer
- Page 179 and 180: - 173 - seems to him too colourless
- Page 181 and 182: 175 - parody of what Stegner calls
- Page 183 and 184: - 177 - that lead to it, he is sing
- Page 185 and 186: - 179 - the time during which he li
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- Page 189 and 190: - 183 - on the last page of the nov
- Page 191 and 192: - 185 - what he wants to find, that
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- Page 195 and 196: - 189 - he falls back on passages f
- Page 197: - 191 - ticism as one possible way
- Page 201 and 202: - 195 - This "mental jerk" grants k
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- Page 205 and 206: - 199 - initiated the insight. In l
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- Page 209 and 210: - 203 - novels of Sebastian Knight,
- Page 211 and 212: - 205 - All those that knew Sebasti
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- Page 215 and 216: - 209 - others as his remoteness an
- Page 217 and 218: - 210 - THEDEFENCE R. H. W. Dillard
- Page 219 and 220: - 212 - his own future, and it beco
- Page 221 and 222: - 214 - Unlike Shade, however, Luzh
- Page 223 and 224: - 216 - has recognized as the basic
- Page 225 and 226: - 218 - The sensitive reader dislik
- Page 227 and 228: - 220 - The individual parts have p
- Page 229 and 230: - 222 - for the overall comic effec
- Page 231 and 232: - 224 - Americans of today. "24 He
- Page 233 and 234: - 226 - learn anything, to wrap it
- Page 235 and 236: - 228 - exhausted. Kinbote uses it
- Page 237 and 238: - 230 - (24-25). He talks about how
- Page 239 and 240: - 232 - "Parents" (1,71), "my bedro
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-<br />
192 -<br />
able to sleep because of an earthquake<br />
in China; but being what he was, he could<br />
not understand why these same people did<br />
not feel exactly the same spasm of rebellious<br />
grief when thinking of some similar<br />
calamity that had happened as many years<br />
ago as there were miles to China (62).<br />
He cannot understand them because that calamity<br />
is <strong>for</strong> him just as much of the present as an earth-<br />
quake happening in China today.<br />
His thinking is not of the single-track kind.<br />
His mind and perception are awake at all times, not<br />
only to individual sections of his surroundings,<br />
excluding all the rest, but to the whole variety<br />
of<br />
things:<br />
Most people live through the day with this<br />
or that part of their mind in a happy state<br />
of somnolence: but in<br />
...<br />
my case all the<br />
shutters and lids and doors of the mind<br />
would be open at once at all times of the<br />
day. Most brains have their Sundays, mine<br />
was even refused a half-holiday (63-64;<br />
from Lost Property).<br />
He often feels "as if I were sitting among blind<br />
men and madmen" when he realizes how little aware<br />
others are even of their immediate surroundings,<br />
even of their fellow men (102). He misses nothing:<br />
The blind man's dog near Harrods or a pavement-artist's<br />
coloured chalks; brown leaves<br />
in a New Forest ride or a tin bath hanging<br />
outside on the black brick wall of a slum;<br />
a picture in Punch or a purple passage in<br />
Hamlet... (65; from Lost Property),<br />
everything crowds into his mind at once, all the<br />
time; things, too, that others might not think<br />
worth noticing acquire beauty in his eyes:<br />
... a sundazzled window suddenly piercing<br />
the blue morning mist or beautiful<br />
black<br />
...<br />
wires with suspended raindrops running<br />
along them (65; from Lost Property).