''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
-. 176 - Looking Glass logic and arithmetic leave even V "flabbergasted" (124), finds out the information that V so urgently desires, but, unsubtle and awkward in his dealings with the Blauberg hotel manager (whose manners so resemble those of Carroll's caterpillar) did not obtain (114-115). Without much ado, the astonishing Silbermann provides a list of the names of four women among whom may be the one V is trying to find. Thus the tone is set, not to change until the end of V's quest. Logic, the very essence of detective stories, clearly has no part in it. V's proceedings are completely mechanical. He simply seeks out the four women in an order that seems to him the most convenient, and what he learns on the way is not the result of deduction but is offered to him by mere chance and coincidence, such as the unsought for name and address of Sebastian's first sweetheart. Another coincidence: after collecting from her "one of the most precious pages of Sebastian's life" (128): memories of some romantic summer days, he finds that the taxi driver taking him to the station is her brother, Sebastians former school mate. However, he is a disappointing witness, reluctant, even unwilling, to recall the past. The only statement V can coax from him is that Sebastian "was not very popular at school" (131). Even the last stroke, the discovery of the woman he has been hunting for, is not achieved through logic or combination on V's part. In fact, in all the events
- 177 - that lead to it, he is singularly obtuse. This begins in Rechnoy's flat. What should Mr Rechnoy hold in his hand when he admits V but a black chess knight, which furthermore serves him to point to an open door and whose head comes off and has to be screwed on again. Here is no subtle and ingenious clue to please the detective story addict and to test and strain V's perceptiveness and intelligence, but a solid broad hint, crying out for attention, not to be missed, one . should think. But V does miss it. And a good deal more escapes him. Otherwise, how could he possibly listen to Mme Lecerf ostensibly describing her friend, Helene von Graun, and not state more than "a slight family likeness" (152) between that woman and Nina Rechnoy? How could he repeatedly sit face to face with the woman he has been looking for, whose very name he once claimed he would recognize on a list of names (115), and not realize who she is, cold, capricious, insensitive, with all the attributes of a woman out of a "cheap novel" (137), as Rechnoy described her, including rare illnesses: "all flowers except pinks and daffodils withered if I touched them" (cp. pp. 137, 155), including also a "frog-faced, wheezing, black bulldog" (144): Sebastian also had a black bulldog when he was still living with Clare. V not only lacks all the typical qualities of a good detective, he lacks even intuition, and nothing short of another coincidence and another solid clue can at last open his eyes-t. o what is indeed so obvious: in the garden which makes him think of a murder and
- Page 131 and 132: - 125 - this twelve-year-old girl s
- Page 133 and 134: - 127 - done her morning duty" (161
- Page 135 and 136: - 129 - experience, up to a certain
- Page 137 and 138: - 131 - her: "... -a life full of t
- Page 139 and 140: - 133 - Looking at it for a moment
- Page 141 and 142: - 135 - and Axel Rex delightful. Bu
- Page 143 and 144: - 137 - critics have made her, and
- Page 145 and 146: - 139 - not record images of the sy
- Page 147 and 148: - 141 - ous hallucination" (287). 6
- Page 149 and 150: - 143 - No hereafter is acceptable
- Page 151 and 152: - 145 - be possible for him to be t
- Page 153 and 154: - 147 - and it is also appropriate
- Page 155 and 156: - 149 - But Humbert's view of Lolit
- Page 157 and 158: - 151 - the truth of the theory dev
- Page 159 and 160: - 153 - part of it. Even with the i
- Page 161 and 162: - 155 - THE REAL LIFE OF SEBASTIAN
- Page 163 and 164: - 157. - consistent set of characte
- Page 165 and 166: - 159 - gathered from various sourc
- Page 167 and 168: - 161 - a very close one, and it se
- Page 169 and 170: - 163 - tiously follows all the mov
- Page 171 and 172: - 165 - go about it), behaving as i
- Page 173 and 174: - 167 - infinite trouble what he co
- Page 175 and 176: - 169 - What were the things that r
- Page 177 and 178: - 171 share", as a good biographer
- Page 179 and 180: - 173 - seems to him too colourless
- Page 181: 175 - parody of what Stegner calls
- Page 185 and 186: - 179 - the time during which he li
- Page 187 and 188: - 181 - France. He is tormented by
- Page 189 and 190: - 183 - on the last page of the nov
- Page 191 and 192: - 185 - what he wants to find, that
- Page 193 and 194: - 187 - would not see him. Somewhat
- Page 195 and 196: - 189 - he falls back on passages f
- Page 197 and 198: - 191 - ticism as one possible way
- Page 199 and 200: - 193 - The passages betray not onl
- Page 201 and 202: - 195 - This "mental jerk" grants k
- Page 203 and 204: - 197 - clear, and the harmony and
- Page 205 and 206: - 199 - initiated the insight. In l
- Page 207 and 208: - 201 - himself, and in it V appear
- Page 209 and 210: - 203 - novels of Sebastian Knight,
- Page 211 and 212: - 205 - All those that knew Sebasti
- Page 213 and 214: - 207 - in his opinion not have for
- Page 215 and 216: - 209 - others as his remoteness an
- Page 217 and 218: - 210 - THEDEFENCE R. H. W. Dillard
- Page 219 and 220: - 212 - his own future, and it beco
- Page 221 and 222: - 214 - Unlike Shade, however, Luzh
- Page 223 and 224: - 216 - has recognized as the basic
- Page 225 and 226: - 218 - The sensitive reader dislik
- Page 227 and 228: - 220 - The individual parts have p
- Page 229 and 230: - 222 - for the overall comic effec
- Page 231 and 232: - 224 - Americans of today. "24 He
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177<br />
-<br />
that lead to it, he is singularly obtuse. This begins<br />
in Rechnoy's flat. What should Mr Rechnoy hold in his<br />
hand when he admits V but a black chess knight, which<br />
furthermore serves him to point to an open door and<br />
whose head comes off and has to be screwed on again.<br />
Here is no subtle and ingenious clue to please the<br />
detective story addict and to test and strain V's<br />
perceptiveness and intelligence, but a solid broad<br />
hint, crying out <strong>for</strong> attention, not to be missed, one<br />
. should think. But V does miss it. And a good deal more<br />
escapes him. Otherwise, how could he possibly listen<br />
to Mme Lecerf ostensibly describing her friend, Helene<br />
von Graun, and not state more than "a slight family<br />
likeness" (152) between that woman and Nina Rechnoy?<br />
How could he repeatedly sit face to face with the<br />
woman he has been looking <strong>for</strong>, whose very name he<br />
once claimed he would recognize on a list of names<br />
(115), and not realize who she is, cold, capricious,<br />
insensitive, with all the attributes of a woman out<br />
of a "cheap novel" (137), as Rechnoy described her,<br />
including rare illnesses: "all flowers except pinks<br />
and daffodils withered if I touched them" (cp. pp. 137,<br />
155), including also a "frog-faced, wheezing, black<br />
bulldog" (144): Sebastian also had a black bulldog<br />
when he was still living with Clare.<br />
V not only lacks all the typical qualities of a<br />
good detective, he lacks even intuition, and nothing<br />
short of another coincidence and another solid clue<br />
can at last open his eyes-t. o what is indeed so obvious:<br />
in the garden which makes him think of a murder and