''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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-. 176 - Looking Glass logic and arithmetic leave even V "flabbergasted" (124), finds out the information that V so urgently desires, but, unsubtle and awkward in his dealings with the Blauberg hotel manager (whose manners so resemble those of Carroll's caterpillar) did not obtain (114-115). Without much ado, the astonishing Silbermann provides a list of the names of four women among whom may be the one V is trying to find. Thus the tone is set, not to change until the end of V's quest. Logic, the very essence of detective stories, clearly has no part in it. V's proceedings are completely mechanical. He simply seeks out the four women in an order that seems to him the most convenient, and what he learns on the way is not the result of deduction but is offered to him by mere chance and coincidence, such as the unsought for name and address of Sebastian's first sweetheart. Another coincidence: after collecting from her "one of the most precious pages of Sebastian's life" (128): memories of some romantic summer days, he finds that the taxi driver taking him to the station is her brother, Sebastians former school mate. However, he is a disappointing witness, reluctant, even unwilling, to recall the past. The only statement V can coax from him is that Sebastian "was not very popular at school" (131). Even the last stroke, the discovery of the woman he has been hunting for, is not achieved through logic or combination on V's part. In fact, in all the events

- 177 - that lead to it, he is singularly obtuse. This begins in Rechnoy's flat. What should Mr Rechnoy hold in his hand when he admits V but a black chess knight, which furthermore serves him to point to an open door and whose head comes off and has to be screwed on again. Here is no subtle and ingenious clue to please the detective story addict and to test and strain V's perceptiveness and intelligence, but a solid broad hint, crying out for attention, not to be missed, one . should think. But V does miss it. And a good deal more escapes him. Otherwise, how could he possibly listen to Mme Lecerf ostensibly describing her friend, Helene von Graun, and not state more than "a slight family likeness" (152) between that woman and Nina Rechnoy? How could he repeatedly sit face to face with the woman he has been looking for, whose very name he once claimed he would recognize on a list of names (115), and not realize who she is, cold, capricious, insensitive, with all the attributes of a woman out of a "cheap novel" (137), as Rechnoy described her, including rare illnesses: "all flowers except pinks and daffodils withered if I touched them" (cp. pp. 137, 155), including also a "frog-faced, wheezing, black bulldog" (144): Sebastian also had a black bulldog when he was still living with Clare. V not only lacks all the typical qualities of a good detective, he lacks even intuition, and nothing short of another coincidence and another solid clue can at last open his eyes-t. o what is indeed so obvious: in the garden which makes him think of a murder and

-<br />

177<br />

-<br />

that lead to it, he is singularly obtuse. This begins<br />

in Rechnoy's flat. What should Mr Rechnoy hold in his<br />

hand when he admits V but a black chess knight, which<br />

furthermore serves him to point to an open door and<br />

whose head comes off and has to be screwed on again.<br />

Here is no subtle and ingenious clue to please the<br />

detective story addict and to test and strain V's<br />

perceptiveness and intelligence, but a solid broad<br />

hint, crying out <strong>for</strong> attention, not to be missed, one<br />

. should think. But V does miss it. And a good deal more<br />

escapes him. Otherwise, how could he possibly listen<br />

to Mme Lecerf ostensibly describing her friend, Helene<br />

von Graun, and not state more than "a slight family<br />

likeness" (152) between that woman and Nina Rechnoy?<br />

How could he repeatedly sit face to face with the<br />

woman he has been looking <strong>for</strong>, whose very name he<br />

once claimed he would recognize on a list of names<br />

(115), and not realize who she is, cold, capricious,<br />

insensitive, with all the attributes of a woman out<br />

of a "cheap novel" (137), as Rechnoy described her,<br />

including rare illnesses: "all flowers except pinks<br />

and daffodils withered if I touched them" (cp. pp. 137,<br />

155), including also a "frog-faced, wheezing, black<br />

bulldog" (144): Sebastian also had a black bulldog<br />

when he was still living with Clare.<br />

V not only lacks all the typical qualities of a<br />

good detective, he lacks even intuition, and nothing<br />

short of another coincidence and another solid clue<br />

can at last open his eyes-t. o what is indeed so obvious:<br />

in the garden which makes him think of a murder and

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