''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 174 - In the degree in which V's search concentrates for a while not so much on Sebastian but on the mysterious Russian woman from whom he expects revelations about his brother, the detective elements in V's account become more and more prominent. In detective stories, the detective almost invariably deals with murder cases. He looks into the circumstances that led to the murder, and his aim, always brilliantly achieved, is the hunting down of the murderer. V's is obviously not a murder case, but all the elements are there to give to his further work the basic pattern of a detective story: "One corpse, one investigator, some obscure photographs and burned letters, a mysterious woman..., faint clues dropped here and there.. . 1127 To find the mysterious woman, V says, is "a scientific necessity", for she is "the missing link in [Sebastian's] evolution" (112). V himself now makes allusions to the detective qualities of his work: "The question is how, not why", he pronounces, quite in the manner of a professional detective, in answer to one of Mr Silbermann's questions (120), and prides himself on a "Sherlock Holmes stratagem" on another occasion (143). But whatever he may think of his detective talents, it becomes ever more apparent that they are minimal. And just as V can in no way be said to be a match for the classical detective with whom he compares himself, all the other detective elements soon turn out to be only superficially like their models. Parody now takes over completely,
175 - parody of what Stegner calls the "detective story formula. " 28 The main fascination of the detective story should lie in the solution of a problem by processes of de- duction. 29 The detective is set going and kept going by clues. These should be, and in good detective stories are, of the faintest, subtlest and most ingenious kind. They give a mere shadow of a hint and would go unnoticed by any ordinary mortal. But the detective is no ordinary mortal. He is more perceptive than others. Nothing is lost on him. He is a "keen observer"30, he never misses a clue and he lets his "brilliant intelligence"31 work and shine, drawing from them the logical and, to him, perfectly obvious conclusions. One thing is ruled out in detective stories, namely "conclusions reached purely by in- stinct, through accident or through coincidence, [for they show] a failure on the part of the author and [are] unfair to the reader. "32 The episode with Mr Silbermann is indicative of the quality of this part of V's quest and of his account. On his way back from Blauberg V meets Mr Silbermann on the train, a funny little man who has mysteriously stepped into life (or: back into life? ) out of Sebastian's The Back of the Moon, complete with "bushy eyebrows", "small moustache",. "big shiny nose" and. all the other physical characteristics of Mr Silier in Sebastian's story, and who even alludes to his own literary background (123). Absurdly this little man, who speaks queer English and whose
- Page 129 and 130: - 123 -- could victimize her poor d
- Page 131 and 132: - 125 - this twelve-year-old girl s
- Page 133 and 134: - 127 - done her morning duty" (161
- Page 135 and 136: - 129 - experience, up to a certain
- Page 137 and 138: - 131 - her: "... -a life full of t
- Page 139 and 140: - 133 - Looking at it for a moment
- Page 141 and 142: - 135 - and Axel Rex delightful. Bu
- Page 143 and 144: - 137 - critics have made her, and
- Page 145 and 146: - 139 - not record images of the sy
- Page 147 and 148: - 141 - ous hallucination" (287). 6
- Page 149 and 150: - 143 - No hereafter is acceptable
- Page 151 and 152: - 145 - be possible for him to be t
- Page 153 and 154: - 147 - and it is also appropriate
- Page 155 and 156: - 149 - But Humbert's view of Lolit
- Page 157 and 158: - 151 - the truth of the theory dev
- Page 159 and 160: - 153 - part of it. Even with the i
- Page 161 and 162: - 155 - THE REAL LIFE OF SEBASTIAN
- Page 163 and 164: - 157. - consistent set of characte
- Page 165 and 166: - 159 - gathered from various sourc
- Page 167 and 168: - 161 - a very close one, and it se
- Page 169 and 170: - 163 - tiously follows all the mov
- Page 171 and 172: - 165 - go about it), behaving as i
- Page 173 and 174: - 167 - infinite trouble what he co
- Page 175 and 176: - 169 - What were the things that r
- Page 177 and 178: - 171 share", as a good biographer
- Page 179: - 173 - seems to him too colourless
- Page 183 and 184: - 177 - that lead to it, he is sing
- Page 185 and 186: - 179 - the time during which he li
- Page 187 and 188: - 181 - France. He is tormented by
- Page 189 and 190: - 183 - on the last page of the nov
- Page 191 and 192: - 185 - what he wants to find, that
- Page 193 and 194: - 187 - would not see him. Somewhat
- Page 195 and 196: - 189 - he falls back on passages f
- Page 197 and 198: - 191 - ticism as one possible way
- Page 199 and 200: - 193 - The passages betray not onl
- Page 201 and 202: - 195 - This "mental jerk" grants k
- Page 203 and 204: - 197 - clear, and the harmony and
- Page 205 and 206: - 199 - initiated the insight. In l
- Page 207 and 208: - 201 - himself, and in it V appear
- Page 209 and 210: - 203 - novels of Sebastian Knight,
- Page 211 and 212: - 205 - All those that knew Sebasti
- Page 213 and 214: - 207 - in his opinion not have for
- Page 215 and 216: - 209 - others as his remoteness an
- Page 217 and 218: - 210 - THEDEFENCE R. H. W. Dillard
- Page 219 and 220: - 212 - his own future, and it beco
- Page 221 and 222: - 214 - Unlike Shade, however, Luzh
- Page 223 and 224: - 216 - has recognized as the basic
- Page 225 and 226: - 218 - The sensitive reader dislik
- Page 227 and 228: - 220 - The individual parts have p
- Page 229 and 230: - 222 - for the overall comic effec
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174 -<br />
In the degree in which V's search concentrates<br />
<strong>for</strong> a while not so much on Sebastian but on the mysterious<br />
Russian woman from whom he expects revelations<br />
about his brother, the detective elements in V's account<br />
become more and more prominent. In detective<br />
stories, the detective almost invariably deals with<br />
murder cases. He looks into the circumstances that<br />
led to the murder, and his aim, always brilliantly<br />
achieved, is the hunting down of the murderer. V's<br />
is obviously not a murder case, but all the elements<br />
are there to give to his further work the basic pattern<br />
of a detective story: "One corpse, one investigator,<br />
some obscure photographs and burned letters,<br />
a mysterious woman..., faint clues dropped here and<br />
there.. . 1127<br />
To find the mysterious woman, V says, is "a scientific<br />
necessity", <strong>for</strong> she is "the missing link in<br />
[Sebastian's]<br />
evolution" (112). V himself now makes<br />
allusions to the detective qualities of his work:<br />
"The question is how, not why", he pronounces, quite<br />
in the manner of a professional detective, in answer<br />
to one of Mr Silbermann's questions (120), and prides<br />
himself on a "Sherlock Holmes stratagem" on another<br />
occasion (143). But whatever he may think of his detective<br />
talents, it becomes ever more apparent that<br />
they are minimal. And just as V can in no way be<br />
said to be a match <strong>for</strong> the classical detective with<br />
whom he compares himself, all the other detective<br />
elements soon turn out to be only superficially like<br />
their models. Parody now takes over completely,