''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 174 - In the degree in which V's search concentrates for a while not so much on Sebastian but on the mysterious Russian woman from whom he expects revelations about his brother, the detective elements in V's account become more and more prominent. In detective stories, the detective almost invariably deals with murder cases. He looks into the circumstances that led to the murder, and his aim, always brilliantly achieved, is the hunting down of the murderer. V's is obviously not a murder case, but all the elements are there to give to his further work the basic pattern of a detective story: "One corpse, one investigator, some obscure photographs and burned letters, a mysterious woman..., faint clues dropped here and there.. . 1127 To find the mysterious woman, V says, is "a scientific necessity", for she is "the missing link in [Sebastian's] evolution" (112). V himself now makes allusions to the detective qualities of his work: "The question is how, not why", he pronounces, quite in the manner of a professional detective, in answer to one of Mr Silbermann's questions (120), and prides himself on a "Sherlock Holmes stratagem" on another occasion (143). But whatever he may think of his detective talents, it becomes ever more apparent that they are minimal. And just as V can in no way be said to be a match for the classical detective with whom he compares himself, all the other detective elements soon turn out to be only superficially like their models. Parody now takes over completely,

175 - parody of what Stegner calls the "detective story formula. " 28 The main fascination of the detective story should lie in the solution of a problem by processes of de- duction. 29 The detective is set going and kept going by clues. These should be, and in good detective stories are, of the faintest, subtlest and most ingenious kind. They give a mere shadow of a hint and would go unnoticed by any ordinary mortal. But the detective is no ordinary mortal. He is more perceptive than others. Nothing is lost on him. He is a "keen observer"30, he never misses a clue and he lets his "brilliant intelligence"31 work and shine, drawing from them the logical and, to him, perfectly obvious conclusions. One thing is ruled out in detective stories, namely "conclusions reached purely by in- stinct, through accident or through coincidence, [for they show] a failure on the part of the author and [are] unfair to the reader. "32 The episode with Mr Silbermann is indicative of the quality of this part of V's quest and of his account. On his way back from Blauberg V meets Mr Silbermann on the train, a funny little man who has mysteriously stepped into life (or: back into life? ) out of Sebastian's The Back of the Moon, complete with "bushy eyebrows", "small moustache",. "big shiny nose" and. all the other physical characteristics of Mr Silier in Sebastian's story, and who even alludes to his own literary background (123). Absurdly this little man, who speaks queer English and whose

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174 -<br />

In the degree in which V's search concentrates<br />

<strong>for</strong> a while not so much on Sebastian but on the mysterious<br />

Russian woman from whom he expects revelations<br />

about his brother, the detective elements in V's account<br />

become more and more prominent. In detective<br />

stories, the detective almost invariably deals with<br />

murder cases. He looks into the circumstances that<br />

led to the murder, and his aim, always brilliantly<br />

achieved, is the hunting down of the murderer. V's<br />

is obviously not a murder case, but all the elements<br />

are there to give to his further work the basic pattern<br />

of a detective story: "One corpse, one investigator,<br />

some obscure photographs and burned letters,<br />

a mysterious woman..., faint clues dropped here and<br />

there.. . 1127<br />

To find the mysterious woman, V says, is "a scientific<br />

necessity", <strong>for</strong> she is "the missing link in<br />

[Sebastian's]<br />

evolution" (112). V himself now makes<br />

allusions to the detective qualities of his work:<br />

"The question is how, not why", he pronounces, quite<br />

in the manner of a professional detective, in answer<br />

to one of Mr Silbermann's questions (120), and prides<br />

himself on a "Sherlock Holmes stratagem" on another<br />

occasion (143). But whatever he may think of his detective<br />

talents, it becomes ever more apparent that<br />

they are minimal. And just as V can in no way be<br />

said to be a match <strong>for</strong> the classical detective with<br />

whom he compares himself, all the other detective<br />

elements soon turn out to be only superficially like<br />

their models. Parody now takes over completely,

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