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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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172<br />

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notice of Clare, and stopped talking to her. He received<br />

letters from some woman he had met at Blauberg,<br />

left England <strong>for</strong> months, and Clare drifted out of<br />

his life "as quietly as she had come" (104).<br />

All this V has learnt from Miss Pratt and Sheldon,<br />

friends of Clare's, but he is not satisfied with it:<br />

"I wrote it all down<br />

-<br />

but it was dead, dead" (72).<br />

He seems to be quite aware of a good biographer's<br />

duties: "I want to be scientifically precise" (62),<br />

he says, meaning to distinguish his book from<br />

Mr Goodman's, and: "... it would be ridiculous to discuss<br />

what no one can definitely assert" (98). Sometimes<br />

he is ridiculously strict about these theories:<br />

"Shall we try to guess what<br />

[Clare] asked Sebastian,<br />

and what he answered, and what she said then? I think<br />

we will not... " (103). His discretion concerning<br />

something so obvious is quite superfluous: it does<br />

not require much imagination to guess what a woman<br />

who suspects that her lover has found another woman<br />

may ask him. But then he neglects his theories sadly.<br />

Feeling that he is not obtaining very satisfactory<br />

results, he steps in and develops some new mannerisms<br />

that make of him a minor Kinbote. He falls victim<br />

to the "temptation... of adding to his narrative<br />

the colour of fiction and romance"26, a touch of the<br />

biographie romancee, which he himself denounces as<br />

"by far the worst kind of literature yet invented"<br />

(19), and parody appears again where the reader was<br />

tempted to feel on safe ground.<br />

He "improves" on the in<strong>for</strong>mation he gets where it

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