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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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12 -<br />

life with its hazards and incidents, or the events<br />

and complications of history. All of these are accessible<br />

to each of u-s, or, as Kinbote says, "to the<br />

communal eye". We take them in through our senses<br />

and through our intellects and seldom stop to consider<br />

whether what we are taking in has an absolute reality,<br />

or whether we even perceive things as they are in themselves.<br />

Philosophers, however, have raised certain doubts.<br />

Even by assuming that we perceive objects through the<br />

medium of "ideas" (Descartes)55, or "ideas of sensation"<br />

(Locke)56; while speaking of "our perceiving<br />

ideas and perceiving sensible qualities" (Berkeley)57,<br />

of "Vorstellungen" (Kant)58, of "sensations" (Mill)59,<br />

or "sense-data" (Moore and Russell)60, they indicate<br />

that it is their conviction that there is an element<br />

of subjectivity in the process of perception. While<br />

Descartes and Locke and Berkeley agree that ideas as<br />

objects of acts of sensing do in fact "not exist'independently<br />

of being perceived"61, Russell, <strong>for</strong> example,<br />

does grant his sense-data such an independent existence<br />

as "sensibilia", "objects 'of the same metaphysical<br />

and physical status as sense-data', with the difference<br />

that they [are] not actually sensed. "62 What is<br />

sensed, the sense-data, <strong>for</strong> which he later substituted<br />

"percepts"63, is "private to the observer whose mind<br />

[it] helps to constitute. "64 This statement implies<br />

that whatever we perceive may not in fact be what is<br />

objectively there. Russell gives a concrete example<br />

discussing the colour of a table which changes con-

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