''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 162 - stepmother). ... I knew he obtained good marks at school, read an astonishing number of books, was clean in his habits, insisted on taking a cold bath every morning although his lungs were none too strong -I knew all this and more, but he himself escaped me... " (29). She tells him a few facts about the first marriage of Sebastian's father, about a short meeting of nine-year-old Sebastian and his mother in an hotel, and about his father's death. She has something to say about Sebastian's upbringing and about Sebastian's adventure with the poet Alexis Pan and his wife. Apart from this she has always felt "that I never really knew Sebastian" and that he would always re- main "an enigma" (29). Undismayed, and urged by his love for his brother, V decides that information can surely be obtained from others, particularly from those persons who met Sebastian after he left for England and who lived with him, and he sets out to find it, making "exhaustive research, fairness and wisdom" (14) the three con- ditions under which alone his kind of quest can lead to correct results. Without any warning he involves the reader in his research and writes not the ex- pected biography of Sebastian, but, much in the man- ner of A. J. A. Symons12, "A Quest for Sebastian", an account of his investigations, interspersed with bits of information about Sebastian as he comes across it. In his quest he follows all the well-established methods of biographical research, and as he conscien-
- 163 - tiously follows all the moves they dictate, his ac- count soon takes on the complicated structure de- scribed above, which has striking similarities with that of Sebastian's own The Prismatic Bezel. That novel has methods of composition for heroes. V ex- plains: It is as if a painter said: look, here I'm going to show you not the painting of a landscape, but the painting of different ways of painting a certain landscape, and I trust their harmonious fusion will disclose the landscape as I intend you to see it (89). In much the same way the different methods of bi- 13 ography become the heroes of V's "twisted quest. " One suspects that the last sentence of this descrip- tion, too, will later turn out to have some signifi- - cance with regard to The Real Life of Sebastian Knight. One of the methods pursued throughout the book is that which tries to reconstruct the outward cir- cumstances of a person's life and relies on them for information about the person's character and mind. It advises the biographer not to neglect even "small and trivial facts" because they "may throw a sudden light on a hidden aspect of the personality"14, to include "any fact that adds to the physical know- ledge of the hero"15, and to realize that "for us, today, the most trivial habit will often suggest the interpretation for some major trait of character and [that] the accredited anecdote becomes an epi- gram. "16 Diaries, letters, "no source of information should be neglected. "17 To all appearances V behaves as a biographer should.
- Page 117 and 118: - 111 - He is equally inaccurate in
- Page 119 and 120: - 113 - with Quilty; and, of course
- Page 121 and 122: - 115 - or to hold her on his knee
- Page 123 and 124: - 117 - ations ) (98). And he descr
- Page 125 and 126: - 119 - a strident, harsh high voic
- Page 127 and 128: - 121 - When Humbert talks of his d
- Page 129 and 130: - 123 -- could victimize her poor d
- Page 131 and 132: - 125 - this twelve-year-old girl s
- Page 133 and 134: - 127 - done her morning duty" (161
- Page 135 and 136: - 129 - experience, up to a certain
- Page 137 and 138: - 131 - her: "... -a life full of t
- Page 139 and 140: - 133 - Looking at it for a moment
- Page 141 and 142: - 135 - and Axel Rex delightful. Bu
- Page 143 and 144: - 137 - critics have made her, and
- Page 145 and 146: - 139 - not record images of the sy
- Page 147 and 148: - 141 - ous hallucination" (287). 6
- Page 149 and 150: - 143 - No hereafter is acceptable
- Page 151 and 152: - 145 - be possible for him to be t
- Page 153 and 154: - 147 - and it is also appropriate
- Page 155 and 156: - 149 - But Humbert's view of Lolit
- Page 157 and 158: - 151 - the truth of the theory dev
- Page 159 and 160: - 153 - part of it. Even with the i
- Page 161 and 162: - 155 - THE REAL LIFE OF SEBASTIAN
- Page 163 and 164: - 157. - consistent set of characte
- Page 165 and 166: - 159 - gathered from various sourc
- Page 167: - 161 - a very close one, and it se
- Page 171 and 172: - 165 - go about it), behaving as i
- Page 173 and 174: - 167 - infinite trouble what he co
- Page 175 and 176: - 169 - What were the things that r
- Page 177 and 178: - 171 share", as a good biographer
- Page 179 and 180: - 173 - seems to him too colourless
- Page 181 and 182: 175 - parody of what Stegner calls
- Page 183 and 184: - 177 - that lead to it, he is sing
- Page 185 and 186: - 179 - the time during which he li
- Page 187 and 188: - 181 - France. He is tormented by
- Page 189 and 190: - 183 - on the last page of the nov
- Page 191 and 192: - 185 - what he wants to find, that
- Page 193 and 194: - 187 - would not see him. Somewhat
- Page 195 and 196: - 189 - he falls back on passages f
- Page 197 and 198: - 191 - ticism as one possible way
- Page 199 and 200: - 193 - The passages betray not onl
- Page 201 and 202: - 195 - This "mental jerk" grants k
- Page 203 and 204: - 197 - clear, and the harmony and
- Page 205 and 206: - 199 - initiated the insight. In l
- Page 207 and 208: - 201 - himself, and in it V appear
- Page 209 and 210: - 203 - novels of Sebastian Knight,
- Page 211 and 212: - 205 - All those that knew Sebasti
- Page 213 and 214: - 207 - in his opinion not have for
- Page 215 and 216: - 209 - others as his remoteness an
- Page 217 and 218: - 210 - THEDEFENCE R. H. W. Dillard
-<br />
162<br />
-<br />
stepmother).<br />
...<br />
I knew he obtained good marks at school,<br />
read an astonishing number of books, was<br />
clean in his habits, insisted on taking a<br />
cold bath every morning although his lungs<br />
were none too strong -I<br />
knew all this and<br />
more, but he himself escaped me... " (29).<br />
She tells him a few facts about the first marriage<br />
of Sebastian's father, about a short meeting of<br />
nine-year-old Sebastian and his mother in an hotel,<br />
and about his father's death. She has something to<br />
say about Sebastian's upbringing and about Sebastian's<br />
adventure with the poet Alexis Pan and his wife.<br />
Apart from this she has always felt "that I never<br />
really knew Sebastian" and that he would always re-<br />
main "an enigma" (29).<br />
Undismayed, and urged by his love <strong>for</strong> his brother,<br />
V decides that in<strong>for</strong>mation can surely be obtained<br />
from others, particularly from those persons who met<br />
Sebastian after he left <strong>for</strong> England and who lived with<br />
him, and he sets out to find it, making "exhaustive<br />
research, fairness and wisdom" (14) the three con-<br />
ditions under which alone his kind of quest can lead<br />
to correct results. Without any warning he involves<br />
the reader in his research and writes not the ex-<br />
pected biography of Sebastian, but, much in the man-<br />
ner of A. J. A. Symons12, "A <strong>Quest</strong> <strong>for</strong> Sebastian", an<br />
account of his investigations, interspersed with<br />
bits of in<strong>for</strong>mation about Sebastian as he comes across<br />
it.<br />
In his quest he follows all the well-established<br />
methods of biographical research, and as he conscien-