''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 162 - stepmother). ... I knew he obtained good marks at school, read an astonishing number of books, was clean in his habits, insisted on taking a cold bath every morning although his lungs were none too strong -I knew all this and more, but he himself escaped me... " (29). She tells him a few facts about the first marriage of Sebastian's father, about a short meeting of nine-year-old Sebastian and his mother in an hotel, and about his father's death. She has something to say about Sebastian's upbringing and about Sebastian's adventure with the poet Alexis Pan and his wife. Apart from this she has always felt "that I never really knew Sebastian" and that he would always re- main "an enigma" (29). Undismayed, and urged by his love for his brother, V decides that information can surely be obtained from others, particularly from those persons who met Sebastian after he left for England and who lived with him, and he sets out to find it, making "exhaustive research, fairness and wisdom" (14) the three con- ditions under which alone his kind of quest can lead to correct results. Without any warning he involves the reader in his research and writes not the ex- pected biography of Sebastian, but, much in the man- ner of A. J. A. Symons12, "A Quest for Sebastian", an account of his investigations, interspersed with bits of information about Sebastian as he comes across it. In his quest he follows all the well-established methods of biographical research, and as he conscien-

- 163 - tiously follows all the moves they dictate, his ac- count soon takes on the complicated structure de- scribed above, which has striking similarities with that of Sebastian's own The Prismatic Bezel. That novel has methods of composition for heroes. V ex- plains: It is as if a painter said: look, here I'm going to show you not the painting of a landscape, but the painting of different ways of painting a certain landscape, and I trust their harmonious fusion will disclose the landscape as I intend you to see it (89). In much the same way the different methods of bi- 13 ography become the heroes of V's "twisted quest. " One suspects that the last sentence of this descrip- tion, too, will later turn out to have some signifi- - cance with regard to The Real Life of Sebastian Knight. One of the methods pursued throughout the book is that which tries to reconstruct the outward cir- cumstances of a person's life and relies on them for information about the person's character and mind. It advises the biographer not to neglect even "small and trivial facts" because they "may throw a sudden light on a hidden aspect of the personality"14, to include "any fact that adds to the physical know- ledge of the hero"15, and to realize that "for us, today, the most trivial habit will often suggest the interpretation for some major trait of character and [that] the accredited anecdote becomes an epi- gram. "16 Diaries, letters, "no source of information should be neglected. "17 To all appearances V behaves as a biographer should.

-<br />

162<br />

-<br />

stepmother).<br />

...<br />

I knew he obtained good marks at school,<br />

read an astonishing number of books, was<br />

clean in his habits, insisted on taking a<br />

cold bath every morning although his lungs<br />

were none too strong -I<br />

knew all this and<br />

more, but he himself escaped me... " (29).<br />

She tells him a few facts about the first marriage<br />

of Sebastian's father, about a short meeting of<br />

nine-year-old Sebastian and his mother in an hotel,<br />

and about his father's death. She has something to<br />

say about Sebastian's upbringing and about Sebastian's<br />

adventure with the poet Alexis Pan and his wife.<br />

Apart from this she has always felt "that I never<br />

really knew Sebastian" and that he would always re-<br />

main "an enigma" (29).<br />

Undismayed, and urged by his love <strong>for</strong> his brother,<br />

V decides that in<strong>for</strong>mation can surely be obtained<br />

from others, particularly from those persons who met<br />

Sebastian after he left <strong>for</strong> England and who lived with<br />

him, and he sets out to find it, making "exhaustive<br />

research, fairness and wisdom" (14) the three con-<br />

ditions under which alone his kind of quest can lead<br />

to correct results. Without any warning he involves<br />

the reader in his research and writes not the ex-<br />

pected biography of Sebastian, but, much in the man-<br />

ner of A. J. A. Symons12, "A <strong>Quest</strong> <strong>for</strong> Sebastian", an<br />

account of his investigations, interspersed with<br />

bits of in<strong>for</strong>mation about Sebastian as he comes across<br />

it.<br />

In his quest he follows all the well-established<br />

methods of biographical research, and as he conscien-

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