''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 158 - The doubt with which one approaches The Real Life of Sebastian Knight turns out to be justified, for the truth about Sebastian and his real life proves to be extremely elusive. Even at the end, and even though the narrator finishes on a note of confidence and satisfaction, implying that he has indeed found what he has set out to find, the reader feels "that the promise made by the title has not been kept by the novel. "9 And throughout the novel one feels that perhaps one has missed something essential, failed to understand or see some revelation about Sebastian. In fact, one has the same feeling with regard to The Real Life of Sebastian Knight that the narrator has with regard to Sebastian's own novel The Doubtful Asphodel: I sometimes feel when I turn the pages of Sebastian's masterpiece that the 'absolute solution' is there, somewhere, concealed in some passage I have read too hastily, or that is intertwined with other words whose familiar guise deceived me. I don't know any other book that gives me this special sensation, and perhaps this was the author's special intention (169). This is not only due to the difficulty of the quest. It is also due. to the fact that what seems to promise in the title to be simply Sebastian's biography is not just that, but a complicated structure of many parts that mirror each other in various ways. It is, or so it seems, a book by one writer (Nabokov) about another writer (V), who writes about his brother (Sebastian), who in his turn wrote novels, some of them parodies of extant literary works. The book does- give some biographical information about Sebastian,
- 159 - gathered from various sources, and at the same time it tells us the story of how this information was come by. It contains bits of another biographical work about Sebastian and criticizes this work. It contains expositions of Sebastian's own novels and evaluates them. Careful reading reveals that each of Sebastian's novels has something in common with the book about him, and that his Doubtful Asphodel in particular mirrors, and is mirrored in, The Real Life of Sebastian Knight. It reveals furthermore that Sebastian's views and techniques correspond closely with those of Nabokov himself. One could compare the novel with that children's toy: a set of little boxes of ever diminishing size that fit into each other. And one should add that some of the walls of these boxes are transparent, so that all the boxes are visible at once, and that, furthermore, some of the walls act as mirrors to each other. To all this is added the confusion concerning identities. Are there really two persons, V and Sebastian, V writing about his half-brother? Or is The Real Life of Sebastian Knight another of Sebastian's own novels and V one of his fictitious characters? l° Is the whole Sebastian's own autobiography? Nabokov complains that "reviewers scurrying in search of more or less celebrated names for the pur- pose of passionate comparison" have "hurled" at him, among many others, "even Sebastian Knight. "11 This is not quite so absurd as he seems to imply, for, as
- Page 113 and 114: - 107 - age. She was the "initial g
- Page 115 and 116: - 109 - and implies in the parody t
- Page 117 and 118: - 111 - He is equally inaccurate in
- Page 119 and 120: - 113 - with Quilty; and, of course
- Page 121 and 122: - 115 - or to hold her on his knee
- Page 123 and 124: - 117 - ations ) (98). And he descr
- Page 125 and 126: - 119 - a strident, harsh high voic
- Page 127 and 128: - 121 - When Humbert talks of his d
- Page 129 and 130: - 123 -- could victimize her poor d
- Page 131 and 132: - 125 - this twelve-year-old girl s
- Page 133 and 134: - 127 - done her morning duty" (161
- Page 135 and 136: - 129 - experience, up to a certain
- Page 137 and 138: - 131 - her: "... -a life full of t
- Page 139 and 140: - 133 - Looking at it for a moment
- Page 141 and 142: - 135 - and Axel Rex delightful. Bu
- Page 143 and 144: - 137 - critics have made her, and
- Page 145 and 146: - 139 - not record images of the sy
- Page 147 and 148: - 141 - ous hallucination" (287). 6
- Page 149 and 150: - 143 - No hereafter is acceptable
- Page 151 and 152: - 145 - be possible for him to be t
- Page 153 and 154: - 147 - and it is also appropriate
- Page 155 and 156: - 149 - But Humbert's view of Lolit
- Page 157 and 158: - 151 - the truth of the theory dev
- Page 159 and 160: - 153 - part of it. Even with the i
- Page 161 and 162: - 155 - THE REAL LIFE OF SEBASTIAN
- Page 163: - 157. - consistent set of characte
- Page 167 and 168: - 161 - a very close one, and it se
- Page 169 and 170: - 163 - tiously follows all the mov
- Page 171 and 172: - 165 - go about it), behaving as i
- Page 173 and 174: - 167 - infinite trouble what he co
- Page 175 and 176: - 169 - What were the things that r
- Page 177 and 178: - 171 share", as a good biographer
- Page 179 and 180: - 173 - seems to him too colourless
- Page 181 and 182: 175 - parody of what Stegner calls
- Page 183 and 184: - 177 - that lead to it, he is sing
- Page 185 and 186: - 179 - the time during which he li
- Page 187 and 188: - 181 - France. He is tormented by
- Page 189 and 190: - 183 - on the last page of the nov
- Page 191 and 192: - 185 - what he wants to find, that
- Page 193 and 194: - 187 - would not see him. Somewhat
- Page 195 and 196: - 189 - he falls back on passages f
- Page 197 and 198: - 191 - ticism as one possible way
- Page 199 and 200: - 193 - The passages betray not onl
- Page 201 and 202: - 195 - This "mental jerk" grants k
- Page 203 and 204: - 197 - clear, and the harmony and
- Page 205 and 206: - 199 - initiated the insight. In l
- Page 207 and 208: - 201 - himself, and in it V appear
- Page 209 and 210: - 203 - novels of Sebastian Knight,
- Page 211 and 212: - 205 - All those that knew Sebasti
- Page 213 and 214: - 207 - in his opinion not have for
-<br />
158 -<br />
The doubt with which one approaches The Real Life<br />
of Sebastian Knight turns out to be justified, <strong>for</strong><br />
the truth about Sebastian and his real life proves<br />
to be extremely elusive. Even at the end, and even<br />
though the narrator finishes on a note of confidence<br />
and satisfaction, implying that he has indeed found<br />
what he has set out to find, the reader feels "that<br />
the promise made by the title has not been kept by<br />
the novel. "9 And throughout the novel one feels that<br />
perhaps one has missed something essential, failed<br />
to understand or see some revelation about Sebastian.<br />
In fact, one has the same feeling with regard to<br />
The Real Life of Sebastian Knight that the narrator<br />
has with regard to Sebastian's own novel The Doubtful<br />
Asphodel:<br />
I sometimes feel when I turn the pages of<br />
Sebastian's masterpiece that the 'absolute<br />
solution' is there, somewhere, concealed in<br />
some passage I have read too hastily, or<br />
that is intertwined with other words whose<br />
familiar guise deceived me. I don't know<br />
any other book that gives me this special<br />
sensation, and perhaps this was the author's<br />
special intention (169).<br />
This is not only due to the difficulty of the quest.<br />
It is also due. to the fact that what seems to promise<br />
in the title to be simply Sebastian's biography is<br />
not just that, but a complicated structure of many<br />
parts that mirror each other in various ways. It is,<br />
or so it seems, a book by one writer (Nabokov) about<br />
another writer (V), who writes about his brother<br />
(Sebastian), who in his turn wrote novels, some of<br />
them parodies of extant literary works. The book does-<br />
give some biographical in<strong>for</strong>mation<br />
about<br />
Sebastian,