''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 158 - The doubt with which one approaches The Real Life of Sebastian Knight turns out to be justified, for the truth about Sebastian and his real life proves to be extremely elusive. Even at the end, and even though the narrator finishes on a note of confidence and satisfaction, implying that he has indeed found what he has set out to find, the reader feels "that the promise made by the title has not been kept by the novel. "9 And throughout the novel one feels that perhaps one has missed something essential, failed to understand or see some revelation about Sebastian. In fact, one has the same feeling with regard to The Real Life of Sebastian Knight that the narrator has with regard to Sebastian's own novel The Doubtful Asphodel: I sometimes feel when I turn the pages of Sebastian's masterpiece that the 'absolute solution' is there, somewhere, concealed in some passage I have read too hastily, or that is intertwined with other words whose familiar guise deceived me. I don't know any other book that gives me this special sensation, and perhaps this was the author's special intention (169). This is not only due to the difficulty of the quest. It is also due. to the fact that what seems to promise in the title to be simply Sebastian's biography is not just that, but a complicated structure of many parts that mirror each other in various ways. It is, or so it seems, a book by one writer (Nabokov) about another writer (V), who writes about his brother (Sebastian), who in his turn wrote novels, some of them parodies of extant literary works. The book does- give some biographical information about Sebastian,

- 159 - gathered from various sources, and at the same time it tells us the story of how this information was come by. It contains bits of another biographical work about Sebastian and criticizes this work. It contains expositions of Sebastian's own novels and evaluates them. Careful reading reveals that each of Sebastian's novels has something in common with the book about him, and that his Doubtful Asphodel in particular mirrors, and is mirrored in, The Real Life of Sebastian Knight. It reveals furthermore that Sebastian's views and techniques correspond closely with those of Nabokov himself. One could compare the novel with that children's toy: a set of little boxes of ever diminishing size that fit into each other. And one should add that some of the walls of these boxes are transparent, so that all the boxes are visible at once, and that, furthermore, some of the walls act as mirrors to each other. To all this is added the confusion concerning identities. Are there really two persons, V and Sebastian, V writing about his half-brother? Or is The Real Life of Sebastian Knight another of Sebastian's own novels and V one of his fictitious characters? l° Is the whole Sebastian's own autobiography? Nabokov complains that "reviewers scurrying in search of more or less celebrated names for the pur- pose of passionate comparison" have "hurled" at him, among many others, "even Sebastian Knight. "11 This is not quite so absurd as he seems to imply, for, as

-<br />

158 -<br />

The doubt with which one approaches The Real Life<br />

of Sebastian Knight turns out to be justified, <strong>for</strong><br />

the truth about Sebastian and his real life proves<br />

to be extremely elusive. Even at the end, and even<br />

though the narrator finishes on a note of confidence<br />

and satisfaction, implying that he has indeed found<br />

what he has set out to find, the reader feels "that<br />

the promise made by the title has not been kept by<br />

the novel. "9 And throughout the novel one feels that<br />

perhaps one has missed something essential, failed<br />

to understand or see some revelation about Sebastian.<br />

In fact, one has the same feeling with regard to<br />

The Real Life of Sebastian Knight that the narrator<br />

has with regard to Sebastian's own novel The Doubtful<br />

Asphodel:<br />

I sometimes feel when I turn the pages of<br />

Sebastian's masterpiece that the 'absolute<br />

solution' is there, somewhere, concealed in<br />

some passage I have read too hastily, or<br />

that is intertwined with other words whose<br />

familiar guise deceived me. I don't know<br />

any other book that gives me this special<br />

sensation, and perhaps this was the author's<br />

special intention (169).<br />

This is not only due to the difficulty of the quest.<br />

It is also due. to the fact that what seems to promise<br />

in the title to be simply Sebastian's biography is<br />

not just that, but a complicated structure of many<br />

parts that mirror each other in various ways. It is,<br />

or so it seems, a book by one writer (Nabokov) about<br />

another writer (V), who writes about his brother<br />

(Sebastian), who in his turn wrote novels, some of<br />

them parodies of extant literary works. The book does-<br />

give some biographical in<strong>for</strong>mation<br />

about<br />

Sebastian,

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