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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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-<br />

154<br />

-<br />

I stood listening to that musical vibration<br />

from my lofty slope, to those flashes of<br />

separate cries with a kind of demure murmur<br />

<strong>for</strong> background, and then I knew that the<br />

hopelessly poignant thing was not Lolita's<br />

absence from my side, but the absence of<br />

her voice from that concord (299).<br />

But all that Humbert has done to her has not de-<br />

stroyed her essential human nature (nor has Quilty<br />

been able to do that: unlike Margot who stays with<br />

Rex, Lolita leaves her film maker), and just as the<br />

Young Poet in the playlet (The Enchanted Hunters)<br />

is eventually in<strong>for</strong>med by his Diana that she is not<br />

his invention, not "a poet's fancy, but a rustic,<br />

down-to-brown-earth lass" (197), Humbert is awakened<br />

by Lolita herself to the fact that she is a human<br />

being, not his nymphet, and it is as a human being<br />

that he comes to accept her in the end, and to love<br />

her.<br />

t

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