''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses ''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses
- 152 - him "hopelessly worn at seventeen" (270), he accepts her for the first time as a human being, and as she ; s, and loves her for what she is: ... there she was with her ruined looks and her adult, rope-veined narrow hands and her goose-flesh white arms, and her shallow ears, and her unkempt armpits, ... and I looked and looked at her, and knew as clearly as 1 know I am to die, that I loved her more than anything I had ever seen or imagined on earth, or hoped for anywhere else (270). He overcomes at this moment both his perverse sexual passion and his metaphysical yearning that was part of it, or was even at the root of it. Lolita is hardly recognizable as the nymphet she was, or that he saw in her: "She was only the faint violet whiff and dead leaf echo of the nymphet" (270), and it is not this echo that he now loves but "this Lolita", as she is before him, "pale and polluted, and big with another's child" (271), and he loves her more than anything he "had hoped for anywhere else", more, that is, than even that abstract beauty and perfection he had hoped and longed to find in her and through her. It is curious that a "message", and from Quilty's play, too, should sum up Humbert's experience at that moment: "mirage and reality merge in love" (197): Our "average reality" may contain reflections and echoes of the superior realm of "true reality", and through them it may be possible to apprehend that realm. But this is as near as man can get to it. What- ever belongs to it will never actually become part of our "average reality", nor can anyone make it become
- 153 - part of it. Even with the intuition or knowledge of something superior man must live in, and react to, the world in which we find ourselves so as not to lose touch with this world. This, however, has happened to Humbert. He has been enabled to apprehend through Lolita's beauty and loveliness that "infinite perfection", that "immaterial, pure, eternal, unchanging beauty". But seeing in her a nymphet, a semi-divine creature, and thus trying to make what he has apprehended part of his own world and of "average reality", he has been deluded. This is what he becomes aware of when he sees her before him "hopelessly worn at seventeen". His Lolita, the nymphet, was a mirage with no reality except in his own mind. Onto this mirage is now superimposed what Humbert has never wanted to accept until now, and what he has in fact hardly ever been aware of: the image of the human being that Lolita essentially and really is. "Reality" in the quotation from Quilty's play must certainly be taken as meaning Lolita's essentially and unchangeably human nature. And as these images are superimposed one upon the other, they also blend and become indistinguishable. They blend in Humbert's mind, and they blend and merge in his love. Humbert has certainly destroyed Lolita's childhood, and for this he suffers in his mind. Looking down on a small town one day, he hears its sounds rising, And soon I realized that all these sounds were of one nature,... What I heard was but the melody of children at play, nothing but that...
- Page 107 and 108: - 101 - One luckless early critic w
- Page 109 and 110: - 103 - says "well-read" Humbert Hu
- Page 111 and 112: - 105 - surface, into the initial m
- Page 113 and 114: - 107 - age. She was the "initial g
- Page 115 and 116: - 109 - and implies in the parody t
- Page 117 and 118: - 111 - He is equally inaccurate in
- Page 119 and 120: - 113 - with Quilty; and, of course
- Page 121 and 122: - 115 - or to hold her on his knee
- Page 123 and 124: - 117 - ations ) (98). And he descr
- Page 125 and 126: - 119 - a strident, harsh high voic
- Page 127 and 128: - 121 - When Humbert talks of his d
- Page 129 and 130: - 123 -- could victimize her poor d
- Page 131 and 132: - 125 - this twelve-year-old girl s
- Page 133 and 134: - 127 - done her morning duty" (161
- Page 135 and 136: - 129 - experience, up to a certain
- Page 137 and 138: - 131 - her: "... -a life full of t
- Page 139 and 140: - 133 - Looking at it for a moment
- Page 141 and 142: - 135 - and Axel Rex delightful. Bu
- Page 143 and 144: - 137 - critics have made her, and
- Page 145 and 146: - 139 - not record images of the sy
- Page 147 and 148: - 141 - ous hallucination" (287). 6
- Page 149 and 150: - 143 - No hereafter is acceptable
- Page 151 and 152: - 145 - be possible for him to be t
- Page 153 and 154: - 147 - and it is also appropriate
- Page 155 and 156: - 149 - But Humbert's view of Lolit
- Page 157: - 151 - the truth of the theory dev
- Page 161 and 162: - 155 - THE REAL LIFE OF SEBASTIAN
- Page 163 and 164: - 157. - consistent set of characte
- Page 165 and 166: - 159 - gathered from various sourc
- Page 167 and 168: - 161 - a very close one, and it se
- Page 169 and 170: - 163 - tiously follows all the mov
- Page 171 and 172: - 165 - go about it), behaving as i
- Page 173 and 174: - 167 - infinite trouble what he co
- Page 175 and 176: - 169 - What were the things that r
- Page 177 and 178: - 171 share", as a good biographer
- Page 179 and 180: - 173 - seems to him too colourless
- Page 181 and 182: 175 - parody of what Stegner calls
- Page 183 and 184: - 177 - that lead to it, he is sing
- Page 185 and 186: - 179 - the time during which he li
- Page 187 and 188: - 181 - France. He is tormented by
- Page 189 and 190: - 183 - on the last page of the nov
- Page 191 and 192: - 185 - what he wants to find, that
- Page 193 and 194: - 187 - would not see him. Somewhat
- Page 195 and 196: - 189 - he falls back on passages f
- Page 197 and 198: - 191 - ticism as one possible way
- Page 199 and 200: - 193 - The passages betray not onl
- Page 201 and 202: - 195 - This "mental jerk" grants k
- Page 203 and 204: - 197 - clear, and the harmony and
- Page 205 and 206: - 199 - initiated the insight. In l
- Page 207 and 208: - 201 - himself, and in it V appear
- 153 -<br />
part of it. Even with the intuition or knowledge of<br />
something superior man must live in, and react to,<br />
the world in which we find ourselves so as not to<br />
lose touch with this world. This, however, has happened<br />
to<br />
Humbert.<br />
He has been enabled to apprehend through Lolita's<br />
beauty and loveliness that "infinite perfection",<br />
that "immaterial, pure, eternal, unchanging beauty".<br />
But seeing in her a nymphet, a semi-divine creature,<br />
and thus trying to make what he has apprehended part<br />
of his own world and of "average reality", he has<br />
been deluded. This is what he becomes aware of when he<br />
sees her be<strong>for</strong>e him "hopelessly worn at seventeen".<br />
His Lolita, the nymphet, was a mirage with no<br />
reality except in his own mind.<br />
Onto this mirage is now superimposed what Humbert<br />
has never wanted to accept until now, and what he<br />
has in fact hardly ever been aware of: the image of<br />
the human being that Lolita essentially and really is.<br />
"Reality" in the quotation from Quilty's play must<br />
certainly be taken as meaning Lolita's essentially<br />
and unchangeably human nature. And as these images<br />
are superimposed one upon the other, they also blend<br />
and become indistinguishable. They blend in Humbert's<br />
mind, and they blend and merge in his love.<br />
Humbert has certainly destroyed Lolita's childhood,<br />
and <strong>for</strong> this he suffers in his mind. Looking down on<br />
a small town one day, he hears its sounds rising,<br />
And soon I realized that all these sounds<br />
were of one nature,... What I heard was but<br />
the melody of children at play, nothing<br />
but that...