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''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

''Vladimir Nabokov's Comic Quest for Reality' - Nottingham eTheses

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- 120 -<br />

himself admits that "mentally I found her to be a<br />

disgustingly conventional little girl", and her "list<br />

of beloved things" goes a good way towards explaining<br />

what he means: "Sweet hot jazz, square dancing, gooey<br />

fudge sundaes, musicals, movie magazines and so <strong>for</strong>th -<br />

...<br />

" (146). She consumes comic-books insatiably and<br />

uncritically, she believes their advertisements and<br />

advice, she piously follows road signs directing her<br />

to gift shops, ads are directed to her, she is "the<br />

ideal consumer, the subject and object of every foul<br />

poster" (146). Clare Quilty is her idol. She is "just<br />

another one of the 'wholesome children' who, even<br />

be<strong>for</strong>e adolescence, think and feel only in terms of<br />

outwardly inspired stereotypes. " 38<br />

Humbert's culture need not be proved; it speaks<br />

from every line he writes. The discrepancy between<br />

their minds is comically underscored at one point<br />

when Humbert loses himself in the contemplation of<br />

the scenery through which they travel and finds himself<br />

reminded of Claude Lorrain and El Greco paintings,<br />

whereas Lolita "not only had... no eye <strong>for</strong> scenery"<br />

but-resents having it pointed out to her, and is more<br />

charmed by toilet signs (149-150).<br />

Altogether it is hard to see eye to-eye with Humbert<br />

who calls her "a gaspingly adorable pubescent pet"<br />

(168), and the idea of him literally craKling on his<br />

knees to her chair (188) verges on the grotesque. By<br />

the time he has been reduced to this, their relation-<br />

ship has become grotesque altogether. One hardly knows<br />

what to call it unless one talks in terms of parody.

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