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MEDIA LITERACY AND INTERCULTURAL DIALOGUE<br />

Strategies, Debates and Good Practices<br />

<br />

"The dilemma, however, is when and how to teach these "language" and<br />

"techniques". Skills cannot be taught permanently if they are not placed in the<br />

context where students need to use them to communicate meaning"<br />

(Buckingham, 2005: 209).<br />

3.2.1. Methodology<br />

Indeed it is desired that the issues raised lines before are organized so that<br />

boys and girls of the workshop admit them slowly, having understood and test<br />

them first.<br />

Therefore creates two class models that are developed in an oscillatory way<br />

throughout the course to promote learning that begins in the<br />

instinctive/empirical and then to the formal use of audio visual language to<br />

communicate fully. <br />

Chart 1. Class Types.<br />

Class Type A<br />

Class B Type<br />

• Metaphor Games.<br />

• Metaphor Games<br />

• Developing theoretical issue.<br />

• Appraisal of videos.<br />

• Recording<br />

• Group or Self review<br />

• Practice Exercises.<br />

• Group or Self Review<br />

"The addition of metaphors in educational discourse is a sound basis for an<br />

enhancement of the teaching-learning process. When connecting a concept<br />

with a preceding knowledge or prior experience, a good metaphor helps to<br />

discover a new reality or dimension from something known. It is therefore a<br />

privileged resource for a meaningful education" (Ferrés i Prats, 2008:123).<br />

Ludica´s methodology lies primarily in the use of games as the starting point of<br />

both kinds of classes Type A and Type B. Here the activities are the metaphor<br />

that unites the exploratory/ interpretive experience with the later given theory,<br />

legitimizing what the student initially has discovered. Let's look at the<br />

development of the education system.<br />

a. Class Type A<br />

The game is used for students to discover and understand the meaning of<br />

concepts empirically so that later these will be officially named in the theoretical<br />

section. For example, if we talk about music composition, the class will start<br />

with an activity that makes us all walk according to what the music tells us; if we<br />

speak of raccord or continuity, we will play "Treasure Hunt" identifying<br />

misplaced items, etc. With this vision, the teacher can question students what<br />

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