The Satanic Bloodlines - WordPress.com

113. min. An opening, a vertical sliver of light comes from what appears to be doors
opening up. There is a mirror effect in the way the doors open, which will facilitate
making mirror image front worlds. A whole new world opens up, which will be the front
system’s world. Both the front alters and the deeper ones will be told to forget the
movie. Later when a system is better programmed, the programmers will pull up the
front alters and have them walk through these doors into the light. When they are
hypnotically taken through these doors into the light and away from the fear and
darkness of the Kingdom of Satan, they are hypnotically told to close those doors and
never look back. The Kingdom of Satan has been shown in detail and in great length.
The Kingdom of Satan has been shown as powerful and fearful. Satan is shown as a
mighty power that is to be feared. The Kingdom of Light is only shown as a peace, as a
refuge from evil. It is not shown to be good. It is not shown to have power or
intelligence. It is simply a place to go to escape the fear of Satan’s power. This is all the
programmers really want the church to be. It will be a stabilizing balance to let the
mind recuperate from the hell of the programming, but it is not intended to be seen as
greater than Satan and his Kingdom.
115 min. The film ends with a peaceful gaze at heaven. The child is being told in the
last few minutes "THAT WORLD BELONGS TO YOU. IT’S A BEAUTIFUL WORLD. IT’S THE
WORLD WE WANT YOU TO LIVE IN. IT’S BEAUTIFUL." After all the hell that is
eventually dumped on the child, and the scare that Satan gives them in this Fantasia
film, the child is only too happy to create a beautiful world to live in.
** * * * * ***** ******** ****** ******** **********
The effectiveness of Disney’s Fantasia is that it is used to communicate to & build the
unconscious structures within the child’s mind. The unconscious mind is the seat of our
creative abilities. Then the conscious mind makes adaptations upon this unconscious
thinking.
SUMMARY
Now that the reader has covered so much, the following quotes (with bold emphasis’s
added) take on even deeper meaning:
Joe Flower in Prince of the Magic Kingdom, ,, Walt Disney was obsessed with creation,
driven to build magical worlds not, as many artists are, out of paint and canvas, or
words, or even film, but physically, out of concrete, wires, smoke, electricity, and
highly programmed employees." (p. 23)
Julian Halevy in Nation decries Disney taking this nation into a "drift to fantasy." He
adds, "...one feels our whole culture heading up the dark river to the source--that heart
of darkness where Mr. Disney traffics in pastel trinketed evil for gold and ivory." For
those who understand programming Aubrey Menen comments about Disney’s success
are profoundly appropriate, "the strongest desire an artist knows...to create a world of
his own where everything is just as he imagines it." John Ciardi was not so nice, he
termed Walt Disney as "the shyster in the backroom of illusion." Eliot said, "While his
filmed fairy tales
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