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The Satanic Bloodlines - WordPress.com

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that her descendants would always care for it (true, because the cat was a generational<br />

spirit).<br />

<strong>The</strong> cat is killed in the movie but can’t die. And Bette Midler as lead witch in her<br />

costume, which has some Mother-of-Darkness symbology on it, states as she gets<br />

ready to take the life force from an innocent girl, "We want to live forever, so we take<br />

children’s lives." This is wholesome entertainment for children? <strong>The</strong> Disney capacity for<br />

deception extends to its own workers. PR men recruit young people for its Disney<br />

College program. <strong>The</strong>y tell the young people what a great stepping stone it will be for<br />

their careers. <strong>The</strong>y have been known to make it sound like the greatest thing in your<br />

life. Kids <strong>com</strong>e from all over the country due to the slick recruiting tactics to work for<br />

Disney. <strong>The</strong>y are then housed in Disney housing, given menial jobs, and paid low<br />

wages. Most people in the College Program leave disillusioned. If the worker happens to<br />

think of a great idea, Disney officials have been known to steal the idea, and because<br />

the worker was working for Disney the worker will find that they are unable to get any<br />

credit or money for the idea that Disney steals and makes millions off of. One<br />

unaccredited creator of a Disney sale item said, ,, literally, they’re using everybody for<br />

everything." (Inside the Mouse, p. 239.)<br />

>>> Next, will be the script for how the Disney film Fantasia has been used as a<br />

standard programming tool since the 1940’s by the Illuminati.<br />

DETAILED SCRIPT ON HOW<br />

THE DISNEY FILM FANTASIA IS USED<br />

FOR PROGRAMMING TRAUMA-BASED<br />

MIND-CONTROLLED SLAVES.<br />

During the 1950’s, ‘60’s, and ‘70’s at least 90% of the Illuminati’s trauma-based mindcontrolled<br />

slaves were subjected to watching Disney’s Fantasia film in order for them to<br />

build the foundational imagery of the mind-control. Child mind-control victims had their<br />

eyes taped open, and then sat one-on-one with their primary programmers so that the<br />

programmers could give the scripts as the child watched Disney’s Fantasia over and<br />

over. What made Fantasia unique as a programming tool is that it had almost<br />

everything the programmers needed to create the foundational imagery for their<br />

trauma-based mind-control. To build a dependable alter system means that the worlds<br />

need a solid foundation. Fantasia has provided the means to get a solid foundation for<br />

the internal worlds that the Illuminati slaves build in their mind. It is also a masterpiece<br />

in coordinating color and music.<br />

<strong>The</strong> Disney film Fantasia which premiered on Nov. 13, 1940 (at Broadway <strong>The</strong>ater in<br />

NYC) was a financial disaster as a movie, but was an Illuminati programming<br />

masterpiece. <strong>The</strong> film was released to theaters in ‘40, ‘46, ‘56, ‘63, ‘69, ‘77, ‘82, ‘85,<br />

‘90 in order to catch every generation of children. <strong>The</strong> video was released in 1991.<br />

During programming much of the child slave’s mind will watch the film. One particular<br />

part (alter) will be forced to memorize everything in the film. This small part (small<br />

alter) is well hidden in each victim’s mind. This small alter, who has a vivid and total<br />

recall of the film Fantasia, is locked carefully away so that ONLY an access code will pull<br />

him/her up. Watching the videotape Fantasia is not going to pull this alter up. <strong>The</strong><br />

programmers pull this alter up when they have a clean slate alter. When they are<br />

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