Stereoviews catalogue.pdf - Sanders of Oxford
Stereoviews catalogue.pdf - Sanders of Oxford
Stereoviews catalogue.pdf - Sanders of Oxford
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<strong>Sanders</strong> <strong>of</strong> <strong>Oxford</strong><br />
RARE PRINTS & MAPS<br />
<strong>Oxford</strong> <strong>Stereoviews</strong> & Photographs<br />
Exhibition 27.07.2012 – 12.08.2012
Following our two previous <strong>Oxford</strong> in Photo exhibitions, this summer we present a<br />
further collection <strong>of</strong> <strong>Oxford</strong> photographs <strong>of</strong> interesting and unusual views <strong>of</strong> the city<br />
and colleges, alongside a large selection <strong>of</strong> stereoviews <strong>of</strong> <strong>Oxford</strong>. Amassed over the<br />
past year our collection <strong>of</strong> over 100 stereoviews includes examples from as early as<br />
the 1850s running into the 20 th century, including albumen and silver gelatin prints.<br />
Inherently magical, stereoviews are important records <strong>of</strong> places, events and <strong>of</strong> early<br />
photography prior to the moving image.<br />
By the middle <strong>of</strong> the 1860’s there were seventeen photographers working in <strong>Oxford</strong><br />
providing portraits, views, University sporting scenes and albums. One could buy<br />
individual photos, albums made to order, get one’s portrait done and commission<br />
group portraits. Photos could be purchased loose or mounted on card in a variety <strong>of</strong><br />
sizes. With an existing market <strong>of</strong> well to do gentleman with money to spend and an<br />
ever-increasing tourist trade, <strong>Oxford</strong> was one <strong>of</strong> the most lucrative places to be a<br />
photographer. Consequently the famous University city was one <strong>of</strong> the most<br />
photographed cities in England if not the world during the Victorian period.<br />
Photography in the nineteenth century became a pr<strong>of</strong>itable pr<strong>of</strong>ession for many;<br />
photographs held mass appeal, especially when technology increased their<br />
accessibility. Magic lantern shows and itinerate photographers travelled the country,<br />
as did the “new tourists” eager for souvenirs. Henry Taunt noted that when working<br />
for Edward Bracher, <strong>Oxford</strong>’s first commercial photographer, that “ many a night I<br />
have had to sit up a mount them [stereoscopic views] to supply the demand…”.<br />
<strong>Stereoviews</strong> (also known as stereoscopic views or stereocards) recreate the illusion <strong>of</strong><br />
depth by taking advantage <strong>of</strong> the binocularirty <strong>of</strong> human vision. As our eyes are set<br />
apart each one sends a slightly different image <strong>of</strong> the world to the brain. The brain<br />
then combines these images into one, a phenomenon that enables us to “see” ever so<br />
slightly, around the sides <strong>of</strong> objects, providing spatial depth and dimension.<br />
Stereoscopic views consist <strong>of</strong> two nearly twin photographs - one for the left eye, one<br />
for the right. When they are viewed through a special lens arrangement (a<br />
stereoscope) the brain combines the two flat images and we “see” the illusion <strong>of</strong><br />
three-dimensional objects.<br />
The production <strong>of</strong> binocular images preceded photography and examples <strong>of</strong> this can<br />
be seen as early as the late 16 th century. Giovanni Battista della Porta (1538-1615)<br />
created binocular drawings, whilst at about the same period Jacopo Chimenti da<br />
Empoli (1554-1640) produced sketches side by side, which clearly indicated his<br />
understanding <strong>of</strong> binocular vision. The first stereoscopic viewer (stereoscope) was<br />
patented in 1838 by Sir Charles Wheatstone. His device used mirrors to create and<br />
project a 3-dimensional image to the person looking into the device. It was rather<br />
bulky and ungainly, however, and could only be used to view drawings. In 1844, the<br />
art <strong>of</strong> taking stereoscopic photographs was first demonstrated in Germany, and David<br />
Brewster, in Scotland, created the first <strong>of</strong> the modern stereoscopic viewers. The most<br />
common process for making stereoscopic cards was through albumen photograph<br />
processing, daguerreotype images being very rare.<br />
The advent <strong>of</strong> photography catapulted stereoviews into the mainstream and after<br />
Queen Victoria and Prince Albert praised those on view at the 1851 Great Exhibition<br />
they exploded into popularity. This signalled the beginning <strong>of</strong> a huge trade in<br />
stereoscopes and stereocards. Much like the VCR at the end <strong>of</strong> the 20 th century at the<br />
end <strong>of</strong> the 19 th century it was the stereoscope that was the must-have item, with over a<br />
million homes estimated to have owned a stereoviewer by the mid eighteen-fifties.
Although stereoviews were produced <strong>of</strong> a wide range <strong>of</strong> subjects they really<br />
flourished within the tourism industry and it was the views <strong>of</strong> famous buildings,<br />
towns and street scenes that were by far the most popular. The views began to be<br />
printed with information about the image on the back and included in guidebooks <strong>of</strong><br />
various cities.<br />
Early stereoviews and most Victorian photographs were not signed or marked by their<br />
makers. As a result in many cases we have had to attribute makers based on the names<br />
pasted in albums and circa dates, as photos would have been reprinted over a number<br />
<strong>of</strong> years. We have used the types <strong>of</strong> paper and changes to buildings shown in the<br />
photos to assist us in the dating process.<br />
This collection is a good reflection <strong>of</strong> a range <strong>of</strong> photographers, manufacturers and<br />
subject matter. Although frequently depicting typical views <strong>of</strong> the tourist attractions<br />
<strong>of</strong> the city, some <strong>of</strong> the stereoviews and photographs in this collection focus on more<br />
unusual scenes and subject matter, providing a thorough and detailed record <strong>of</strong><br />
<strong>Oxford</strong> during the Victorian era.
STEREOVIEWS<br />
All Souls College<br />
Balliol College<br />
1. [The Reredos, All Souls, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 78 x 77 mm each mounted to a<br />
card 84 x 172 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> All<br />
Souls Chapel.<br />
Title written in ink on the front <strong>of</strong> the<br />
card in ink not affecting image. Stamp<br />
on verso which read P.H. Thomas,<br />
M.P.S. Chemist, 9 Oct 1966 6 High<br />
Street Purtob Tel 294. Purton is in<br />
Wiltshire.. [28680]<br />
£12<br />
3. [Balliol College Hall]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 70 x 63 mm mounted to a card<br />
83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Balliol College Hall.<br />
[28614]<br />
£18<br />
2. Chinese Towers, All Souls, <strong>Oxford</strong><br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> All Souls College.<br />
[28639]<br />
£15<br />
4. [The Gardens, Bailliol College]<br />
Albumen photograph<br />
W.H. Wheeler<br />
Wheeler, 106 High Street, <strong>Oxford</strong>. [c.<br />
1872]<br />
Image 69 x 69 mm each mounted to<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> The Gardens at<br />
Bailliol College. Manuscript title note<br />
on verso. Wheeler blind stamp on<br />
front. [28431]<br />
£15<br />
Brasenose College
5. 55.Brasenose College Quadrangle :<br />
Eastside<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 75 x 67 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
An excellent early stereoview <strong>of</strong><br />
Brasenose College Quadrangle.<br />
Small printed title and description label<br />
on purple paper on verso. [28674]<br />
£28<br />
6. [Brasenose College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 76 x 72 each mounted to a card<br />
83 x 174 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> Brasenose<br />
College. [28647]<br />
£28<br />
7. 30389 F <strong>Oxford</strong>, Brasenose<br />
College, and Dome <strong>of</strong> the Camera<br />
Bodleiana.<br />
Silver gelatin print<br />
Rotary Photo, E.C.<br />
London, c. 1920.<br />
Image 75 x 68 mm each, whole card<br />
measures 87 x 177 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Brasenose College<br />
where the whole card is one large<br />
silver gelatin print.<br />
[28450]<br />
£15<br />
Christ Church College<br />
8. 231. <strong>Oxford</strong>, Christchurch, Tom<br />
Gate<br />
Albumen photograph<br />
Anonymous<br />
c. 1880<br />
Image 77 x 144 mm mountedto a card<br />
83 x 177 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Tom Tower from St.<br />
Aldates. Title in image. [28458]<br />
£18<br />
9. [Broad Walk, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 74 x 134 mm mounted to a card<br />
83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the Broad Walk.<br />
[28622]<br />
£15<br />
10. [Christ Church Cathedral]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870
Image 78 x 66 mm mounted to a card<br />
83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Christ Church<br />
Cathedral from the gardens.<br />
Condition: Small loss to the bottom <strong>of</strong><br />
the right image. [28616]<br />
£15<br />
E/=G. +R./ 1857.11.30 with printed<br />
lable on verso. [28868]<br />
£20<br />
11. [Christ Church Cathedral,<br />
<strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 78 x 77 mm each mounted to a<br />
card 84 x 172 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> Christ<br />
Church Cathedral.<br />
Title written in ink on the front <strong>of</strong> the<br />
card in ink not affecting image. Stamp<br />
on verso which read P.H. Thomas,<br />
M.P.S. Chemist, 9 Oct 1966 6 High<br />
Street Purtob Tel 294. Purton is in<br />
Wiltshire. [28681]<br />
£12<br />
12. Christ Church, Quadrangle,<br />
<strong>Oxford</strong>.<br />
Albumen Photograph<br />
Anonymous<br />
c. 1857<br />
Image 74 x 63 mm each mounted to a<br />
card 85 x 170 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> Tom Quad with<br />
the Cathedral spire in the background.<br />
Initialed and date in ink on verso<br />
13. [Interior <strong>of</strong> Christ Church<br />
Cathedral]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 80 x 73 mm each mounted to a<br />
card 84 x 175 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> Christ<br />
Church Cathedral. [28584]<br />
£15<br />
14. [The Broad Walk]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 74 x 67 mm mounted to a card<br />
83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> The Broad Walk.<br />
[28617]<br />
£15<br />
15. [Christ Church, The Cloisters]<br />
Albumen Photograph<br />
A. L. Coke<br />
Published by F. Jones, London
Image 79 x 77 mm each mounted to a<br />
card 83 x 172 mm<br />
unmounted<br />
A stereoview <strong>of</strong> The Cloisters, Christ<br />
Church.<br />
[28385]<br />
£15<br />
16. Christ Church Cathedral, <strong>Oxford</strong>:<br />
The Latin Chapel and Shrine <strong>of</strong> St.<br />
Frideswide. No. 185<br />
Albumen Photograph<br />
Alexander Wilson<br />
Alexander Wilson, Photographer,<br />
Leamington<br />
Image 80 x 75 mm each mounted to a<br />
card 85 x 174 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> Christ<br />
Church Cathedral<br />
A printed paper lable on verso.<br />
[28679]<br />
£15<br />
17. The Cathdedral, <strong>Oxford</strong><br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> Christ<br />
Church Cathedral.<br />
[28624]<br />
£15<br />
18. The Cathedral, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> Christ<br />
Church Cathedral.<br />
[28630]<br />
£15<br />
19. [Christ Church]<br />
Albumen Photograph<br />
Hills & Saunders<br />
Hills & Saunders, c. 1870<br />
Image 80 x 76 mm each mounted to a<br />
card 84 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Christ Church by Hill<br />
and Saunders. Hills and Saunders<br />
blindstamp on front <strong>of</strong> the card.<br />
[28644]<br />
£20<br />
20. (20) Christ Church College,<br />
<strong>Oxford</strong>.<br />
Albumen Photograph<br />
Philip H. Delamotte
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the Catherdral tower<br />
and Spire from Tom Quadrangle.<br />
Printed lable on verso.<br />
[28437]<br />
£20<br />
A stereoview Tom Tower from St.<br />
Aldate’s.<br />
Printed lable on verso.<br />
[28438]<br />
£25<br />
21. (20) Christ Church College,<br />
<strong>Oxford</strong>.<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the Catherdral tower<br />
and Spire from Tom Quadrangle.<br />
Printed lable on verso.<br />
[28444]<br />
£20<br />
23. (56) Christ Church College,<br />
<strong>Oxford</strong>, West Front.<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview Tom Tower from St.<br />
Aldate’s.<br />
Prtinted lable on verso.<br />
[28439]<br />
£25<br />
Corpus Christi College<br />
22. (56) Christ Church College,<br />
<strong>Oxford</strong>, West Front.<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
24. [Corpus Christi College, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 74 x 67 mm mounted to a card<br />
83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Corpus Christi<br />
College.<br />
[28618]<br />
£18
25. (15) Corpus Christi College.<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview the first quadrangle<br />
looking towards the entrance gate.<br />
Printed lable on verso.<br />
[28446]<br />
£25<br />
Exeter College<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 77 x 70 each mm mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> Exeter<br />
College Chapel. [28623]<br />
£15<br />
28. Interior <strong>of</strong> Exeter Chapel, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> Exeter<br />
College Chapel.<br />
[28638]<br />
£15<br />
26. [Exeter College Chaple]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 79 x 68 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> Exeter<br />
College Chapel. [28583]<br />
£15<br />
27. [Interior <strong>of</strong> Exeter College<br />
Chapel, <strong>Oxford</strong>]<br />
29. [Interior Exeter College Chapel]<br />
Albumen photographs<br />
Robert Hills<br />
Hills, Photographer, <strong>Oxford</strong><br />
Image 77 x 71 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the Interior <strong>of</strong> Exeter<br />
College.<br />
This stereoview is blindstamped Hills<br />
Photographer <strong>Oxford</strong>, placing the date<br />
<strong>of</strong> this stereoview between 1856-1861.<br />
[28387]<br />
£15
Jesus College<br />
30. [Interior Exeter College Chapel]<br />
Albumen photographs<br />
Robert Hills<br />
Hills & Saunders, <strong>Oxford</strong>, c.1865.<br />
Image 77 x 71 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> Exeter<br />
College Chapel with Hills & Saunders,<br />
<strong>Oxford</strong>, blindstamp on forn Blue label<br />
n verso that reads Exeter College,<br />
<strong>Oxford</strong>. A.D. 1314. Dated 1865 in ink<br />
This stereoview is blindstamped Hills<br />
Photographer <strong>Oxford</strong>, placing the date<br />
<strong>of</strong> this stereoview between 1856-1861.<br />
[28388]<br />
£15<br />
32. [Jesus College, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Robert Hills<br />
Hills Photographer, <strong>Oxford</strong>. c. 1856<br />
Image 66 x 131 mm mounted to a card<br />
82 x 178 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> the exterior <strong>of</strong><br />
Jesus College looking south down Turl<br />
Street, mounted on blue card with gilt<br />
edges.<br />
This stereoview is blindstamped Hills<br />
Photographer <strong>Oxford</strong>, placing the date<br />
<strong>of</strong> this stereoview between 1856-1861.<br />
Condtion: Small loss to card on upper<br />
right not affecting images. [28853]<br />
£20<br />
Magdalen College<br />
31. 30389 I <strong>Oxford</strong>, Exeter College<br />
Chapel.<br />
Silver gelatin print<br />
Rotary Photo, E.C.<br />
London, c. 1920.<br />
Image 75 x 68 mm each, whole card<br />
measures 87 x 177 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Exeter College Chapel<br />
where the whole card is one large<br />
silver gelatin print.<br />
[28449]<br />
£15<br />
33. [Magdalen College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 78 x 66 mm mounted to a card<br />
83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Magdalen College<br />
Tower. [28615]<br />
£25
34. [Magdalen College from the<br />
Botanic Gardens]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 72 x 65 mm mounted on a card<br />
84 x 174 mm<br />
unmounted<br />
An early stereoview showing<br />
Magdalen College Tower from the<br />
Bontanic Gardens.<br />
Condition: some light soiling on the<br />
card [28586]<br />
£25<br />
35. [Magdalen College, from within<br />
the Cloisters]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 71 x 66 mm each mounted on a<br />
card 83 x 173 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> Magadalen<br />
Cloisters. Printed lable with<br />
description pasted to verso. [28603]<br />
£18<br />
Magdalen College Crest and motto<br />
affixed to the back <strong>of</strong> the card.<br />
[28620]<br />
£20<br />
37. [Magdalen College, Pugin’s Gate]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 70 x 59 mm each mounted to a<br />
card 84 x 174 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> Pugin’s Gate,<br />
Magdalen College. [28585]<br />
£20<br />
38. [Magdalen College, The Cloister<br />
Tower]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 71 x 68 mm each mounted on a<br />
card 83 x 173 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> Magadalen<br />
Cloister Tower. [28604]<br />
£18<br />
36. [Magdalen College, <strong>Oxford</strong><br />
Pugin’s Gate]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 68 x 131 mm mounted to a card<br />
83 x 173 mm<br />
unmounted<br />
An unusual early stereoview <strong>of</strong><br />
Magdalen College with an embossed<br />
39. [Magdalen Tower West, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860
Image 70 x 69 mm each mounted on a<br />
card 83 x 173 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> Magadalen<br />
Tower from the High Street. Title<br />
written on verso.<br />
Condition: Some fading to right image<br />
and two small marks in the same<br />
image. [28602]<br />
£18<br />
40. [The New Buildings, Magdalen<br />
College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 72 x 63 mm each mounted on a<br />
card 83 x 173 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> the New<br />
Buildings, Magdalen College. [28605]<br />
£18<br />
41. Addison’s Walk, Magdalen<br />
College, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Addison’s Walk,<br />
Magdalen College.<br />
[28625]<br />
£15<br />
42. Magdalen College from the<br />
Bridge, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Mgadalen College<br />
Tower from the bridge.<br />
[28628]<br />
£25<br />
43. Tower <strong>of</strong> Magdalen from the<br />
Bontaic Gardens, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the Tower <strong>of</strong><br />
Magdalen College from the Botanic<br />
Gardens.<br />
[28637]<br />
£20
44. Tower <strong>of</strong> Magdalen from Botanic<br />
Gardens, <strong>Oxford</strong><br />
Albumen Photograph<br />
Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Magdalen College<br />
Tower with a paper H. Alden lable on<br />
verso.<br />
[28460]<br />
£20<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the entrance<br />
Addison’s Walk, Magdalen College.<br />
Printed lable on verso.<br />
Condition: Title written in ink on front<br />
under images in a contemporary hand.<br />
[28669]<br />
£20<br />
45. (46) Entrance to Magdalen<br />
College<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
[Published by Spiers & Son, 102 &<br />
103 High Street, <strong>Oxford</strong>, Corner <strong>of</strong><br />
Oriel Street c. 1850]<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview Entrance to Magdalen<br />
College.<br />
Printed lable on verso.<br />
[28440]<br />
£25<br />
47. (58) Magdalen Tower, <strong>Oxford</strong>,<br />
from the River Cherwell<br />
Silver gelatine print<br />
Realistic Travels<br />
Realistic Travels, London, Cape Town,<br />
Bombay, Melbourne, Toronto [<br />
Image 81 x 77 each mounted on a card<br />
88 x 177 mm<br />
A stereoview <strong>of</strong> Magdalen Tower from<br />
the Cherwell.<br />
[28442]<br />
£20<br />
46. (49) Addison’s Walk, Magdalen<br />
College.<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
48. [Magdalen College Cloisters,<br />
<strong>Oxford</strong>]<br />
Albumen Photograph<br />
Robert Hills<br />
Hills Photographer, <strong>Oxford</strong>. c. 1856<br />
Image 69 x 132 mm mounted to a card<br />
82 x 178 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> the Magdalen<br />
College Cloisters on blue card with gilt<br />
edges. Blinstamped Hills<br />
Photographer <strong>Oxford</strong> on front.
This stereoview is blindstamped Hills<br />
Photographer <strong>Oxford</strong>, placing the date<br />
<strong>of</strong> this stereoview between 1856-1861.<br />
Condtion: Small loss to card on upper<br />
right not affecting images. [28850]<br />
£20<br />
Merton College<br />
49. Saint Mary Magdalene College,<br />
<strong>Oxford</strong><br />
Albumen Photograph<br />
S. Thompson<br />
Published by T. and G. Shrimpton,<br />
Broad Street, <strong>Oxford</strong>. [n.d. c. 1865]<br />
Image 76 x 68 mm each mounted on a<br />
card 84 x 175 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Magdalen College<br />
looking towards St. Clements. [28164]<br />
£20<br />
51. 36. Part <strong>of</strong> the Merton College,<br />
from the Meadows<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 77 x 67 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> the south front<br />
<strong>of</strong> Merton College from the Meadows.<br />
Small printed title and description label<br />
on purple paper on verso.<br />
Condtion: Images slightly faded.<br />
[28677]<br />
£20<br />
50. (2) Magdalen College, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Magdalen College<br />
Tower from the Botanic Gardens.<br />
Printed lable on verso.<br />
[28436]<br />
£20<br />
52. (35) South Front <strong>of</strong> Merton<br />
College; from the Meadows<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the South Front <strong>of</strong><br />
Merton College with a group <strong>of</strong><br />
students in the foreground.<br />
Printed lable on verso.<br />
Condition: Images slightly faded and<br />
card soiled. [28671]<br />
£20
53. [Merton College, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Robert Hills<br />
Hills Photographer, <strong>Oxford</strong>. c. 1856<br />
Image 71 x 127 mm mounted to a card<br />
82 x 178 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> the North face<br />
<strong>of</strong> Merton College along Merton<br />
Street, mounted on blue card with gilt<br />
edges. Blinstamped Hills<br />
Photographer <strong>Oxford</strong> on front.<br />
This stereoview is blindstamped Hills<br />
Photographer <strong>Oxford</strong>, placing the date<br />
<strong>of</strong> this stereoview between 1856-1861.<br />
Condtion: Small loss to card on upper<br />
right not affecting images. [28852]<br />
£20<br />
55. [New College Quadrangle]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 76 x 71 mm each mounted on a<br />
card 83 x 173 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> New<br />
CollegeQuadrangle [28607]<br />
£20<br />
New College<br />
54. [New College Gateway]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 75 x 66 mm each mounted on a<br />
card 82 x 174 mm<br />
unmounted<br />
A stunning early stereoview <strong>of</strong> New<br />
College Gateway.<br />
[28606]<br />
£25<br />
56. The Chapel, New College, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> New<br />
College Chapel, <strong>Oxford</strong>. [28629]<br />
£15<br />
57. The Chapel, New College, <strong>Oxford</strong><br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> exterior <strong>of</strong> the Chapel.<br />
Condition: slightly light image with a<br />
mark in the right image. [28641]<br />
£18<br />
58. The Chapel, New College, <strong>Oxford</strong><br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1869]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> exterior <strong>of</strong> the Chapel.<br />
Printed lable on verso. Date dedication<br />
in inkon verso.: Emma Hume from<br />
Julia R. Murray 1869.<br />
Condition: slightly light image with a<br />
mark in the right image. [28673]<br />
£18<br />
59. The Chapel, New College, <strong>Oxford</strong><br />
Albumen Photograph<br />
Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> New College Chapel<br />
with a paper H. Alden lable on verso.<br />
[28969]<br />
£14<br />
60. (13) New College, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the entrance to the<br />
Chapel and Warden’s Lodgings in<br />
New College.<br />
Printed lable on verso.<br />
Condition: Two diagonal creases<br />
through card and photos. [28435]<br />
£12<br />
61. (24) New College, <strong>Oxford</strong><br />
Albumen Photograph<br />
Philip H. Delamotte<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> a scholar in New<br />
College cloisters.<br />
Printed lable on verso.<br />
[28443]<br />
£25<br />
Oriel College<br />
62. Oriel College, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 76 x 144 mm mounted to a card<br />
84 x 174 mm
Unmounted<br />
An early stereoview <strong>of</strong> Queen’s<br />
College [28643]<br />
£28<br />
St. John’s College<br />
An early stereoview <strong>of</strong> the front <strong>of</strong><br />
Oriel College and part <strong>of</strong> Oriel Square.<br />
Paper title pasted to verso. [28648]<br />
£28<br />
63. (11) St. Mary’s Chrurch, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> St. Mary’s Tower and<br />
Spire from Oriel Square.<br />
Printed lable on verso.[28445]<br />
£25<br />
Queens College<br />
64. [High Street, <strong>Oxford</strong>, Queens<br />
College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 75 x 67 mm each<br />
unmounted<br />
65. [St. John’s College, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 72 x 63 mm mounted to a card<br />
83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the front <strong>of</strong> St. John’s<br />
College.<br />
[28619]<br />
£20<br />
66. Second Court, St. John’s <strong>Oxford</strong><br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the Second Court, St.<br />
John’s College.<br />
[28626]<br />
£18
67. [St. John’s College, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Robert Hills<br />
Hills Photographer, <strong>Oxford</strong>. c. 1856<br />
Image 71 x 127 mm mounted to a card<br />
82 x 178 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> the front <strong>of</strong> St.<br />
John’s College mounted on blue card<br />
with gilt edges. Blinstamped Hills<br />
Photographer <strong>Oxford</strong> on front.<br />
Condtion: Small loss to card on upper<br />
right not affecting images. [28851]<br />
£20<br />
unmounted<br />
A stereoview <strong>of</strong> the front University<br />
College.<br />
[28649]<br />
£30<br />
Wadham College<br />
Trinity College<br />
68. 30389 L <strong>Oxford</strong>, Trinity College,<br />
The President’s House and Chapel<br />
Silver gelatin print<br />
Rotary Photo, E.C.<br />
London, c. 1920.<br />
Image 75 x 68 mm each, whole card<br />
measures 87 x 177 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Trinity College where<br />
the whole card is one large silver<br />
gelatin print.<br />
[28453]<br />
£15<br />
70. (45) Front <strong>of</strong> Wadham College.<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview the front <strong>of</strong> Wadham<br />
College.<br />
Printed lable on verso.<br />
[28441]<br />
£25<br />
Worcester College<br />
University College<br />
69. University College, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
S. Thompson<br />
Published by T. and G. Shrimpton,<br />
Broad Street, <strong>Oxford</strong>.<br />
Image 71 x 63 mm each mounted to a<br />
card 84 x 173 mm<br />
71. [Worceter College, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Robert Hills<br />
Hills Photographer, <strong>Oxford</strong>. c. 1856<br />
Image 67 x 132 mm mounted to a card<br />
82 x 178 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> Worcester<br />
College, mounted on blue card with<br />
gilt edges. Blinstamped Hills<br />
Photographer <strong>Oxford</strong> on front.<br />
This stereoview is blindstamped Hills<br />
Photographer <strong>Oxford</strong>, placing the date<br />
<strong>of</strong> this stereoview between 1856-1861.
Condtion: Small loss to card on upper<br />
right not affecting images. [28854]<br />
£20<br />
Broad Street<br />
Bodleian Library<br />
72. The Schools, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> The Schools.<br />
[28640]<br />
£18<br />
74. [Broad Street]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 74 x 136 mm mounted to a card<br />
85 x 175 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> Broad Street<br />
looking east showing the Calrendon<br />
Building, part <strong>of</strong> Exeter College, and<br />
the complex <strong>of</strong> buildings that now<br />
form Blackwell’s [28581]<br />
£30<br />
Botanic Garden<br />
73. Stereoscopic View <strong>of</strong> <strong>Oxford</strong>: 66 -<br />
Botanic Gardens. The Fern House<br />
Albumen Photograph<br />
F. York<br />
F. York, c. 1870-80<br />
Image 78 x 77 mm each mounted to<br />
card 84 x 172 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the intrior <strong>of</strong> the Fern<br />
House at the Botanic Garden with<br />
printed lable on the front. [28456]<br />
£15<br />
75. (8) Broad Street, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
Published by Spiers & Son, 102 & 103<br />
High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />
Street c. 1850<br />
Image 76 x 72 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the Broad Street.<br />
Printed lable on verso.<br />
Condition: Images faded. The right<br />
more faded than the left. [28670]<br />
£20
Divinity School<br />
76. The Divinity Schools, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> the<br />
Divinity Schools.<br />
[28627]<br />
£18<br />
77. The Divinity Schools, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> the<br />
Divinity Schools.<br />
[28672]<br />
£18<br />
78. The University Buildings, <strong>Oxford</strong>.<br />
Albumen photograph<br />
Hills & Saunders<br />
Hills & Saunders , Photographers to<br />
Her Majesty the Queen. 16,<br />
Cornmarket Street, <strong>Oxford</strong>, and at<br />
Cambridge, Eton, Harrow, and<br />
London.<br />
Image 83 x 73 each mounted to a card<br />
84 x 173 mm<br />
unmounted<br />
A very fine stereoview <strong>of</strong> The Divinity<br />
School with a wonderful printed lable<br />
on the verso. [28386]<br />
£20<br />
79. (59) <strong>Oxford</strong>. The Divinity School,<br />
where Parliment when driven from<br />
London by the Plague.<br />
Silver gelatine print<br />
Realistic Travels<br />
Realistic Travels, London, Cape Town,<br />
Bombay, Melbourne, Toronto [<br />
Image 81 x 77 each mounted on a card<br />
88 x 177 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the Divinity School.<br />
[28447]<br />
£20<br />
General Views<br />
80. [<strong>Oxford</strong>]<br />
Albumen Photograph<br />
Alfred R.Mowbray<br />
Photographed by Mowbray, 2, Corn<br />
Market Steet, <strong>Oxford</strong>.[n.d. c. 1865]<br />
Image 67 x 127 mm<br />
Unmounted
A stereoview <strong>of</strong> the <strong>Oxford</strong> skyline<br />
taken from a ro<strong>of</strong> near Carfax looking<br />
across towards the Radcliffe Camera,<br />
the Bodliean, New College and All<br />
Souls.<br />
[28167]<br />
£30<br />
[28434]<br />
£20<br />
81. [St. Aldate’s St.,<strong>Oxford</strong>]<br />
Albumen Photograph<br />
Robert Hills<br />
Hills Photographer, <strong>Oxford</strong>. c. 1856<br />
Image 67 x 132 mm mounted to a card<br />
82 x 178 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> St. Aldate’s<br />
Street looking towards Christ Church<br />
College, mounted on blue card with<br />
gilt edges. Blinstamped Hills<br />
Photographer <strong>Oxford</strong> on front.<br />
This stereoview is blindstamped Hills<br />
Photographer <strong>Oxford</strong>, placing the date<br />
<strong>of</strong> this stereoview between 1856-1861.<br />
Condtion: Small loss to card on upper<br />
right not affecting images. [28855]<br />
£25<br />
82. Parks Road, <strong>Oxford</strong><br />
Albumen photograph<br />
The London Stereoscopic Company<br />
The London Stereoscopic Compnay,<br />
54 Cheapside. [London, c. 1854-59]<br />
Image 71 x 69 mm mounted to a card<br />
83 x 173 mm.<br />
unmounted<br />
A scarce stereoview looking up Parks<br />
Road from Catte Street.<br />
The London Stereoscopic Company<br />
blind stamp on front. Title in<br />
manuscript on verso.<br />
83. [<strong>Oxford</strong> from Magdalen Tower]<br />
Albumen Photograph<br />
Wheeler & Day<br />
Wheeler & Day, <strong>Oxford</strong>. c. 1870<br />
Image 80 x 71 mm each mounted to a<br />
card 85 x 177 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the <strong>Oxford</strong> skyline.<br />
Wheeler & Day stamp printed on front<br />
<strong>of</strong> card. The intials T.E. stamped on<br />
verso.<br />
Conditon: Images faded. [28678]<br />
£25<br />
High Street<br />
84. 18. <strong>Oxford</strong> High Street<br />
Albumen Photograph<br />
Anonymous<br />
Image 79 x 78 mm each mounted on<br />
card 83 x 176 mm<br />
unmounted<br />
A stereoview <strong>of</strong> <strong>Oxford</strong> High Street.<br />
Condition: scuff on bottom <strong>of</strong> left<br />
image. [28165]<br />
£25<br />
85. [High Street, <strong>Oxford</strong>]
Albumen Photograph<br />
Anonymous<br />
c. 1850<br />
Image 81 x 66 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
A fantastic early stereoview <strong>of</strong> <strong>Oxford</strong><br />
High Street. [28642]<br />
£30<br />
This stereoview is blindstamped Hills<br />
Photographer <strong>Oxford</strong>, placing the date<br />
<strong>of</strong> this stereoview between 1856-1861.<br />
Condtion: Small loss to card on upper<br />
right not affecting images. [28867]<br />
Not for sale<br />
Martyrs’ Memorial<br />
86. (1) High Street, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
Philip H. Delamotte<br />
c. 1860<br />
Image 74 x 67 mm each mounted to a<br />
card 83 x 171 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the High Street.<br />
Printed lable on verso.<br />
[28646]<br />
£30<br />
88. 9. The Martyrs’ Memorial<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 77 x 67 mm each mounted to a<br />
card 83 x 173 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> the Martyrs’<br />
Memorial.<br />
Small printed title and description label<br />
on purple paper on verso. [28676]<br />
£15<br />
87. [High Street,<strong>Oxford</strong>]<br />
Albumen Photograph<br />
Robert Hills<br />
Hills Photographer, <strong>Oxford</strong>. c. 1856<br />
Image 67 x 132 mm mounted to a card<br />
82 x 178 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> the High Street<br />
taken from near the east end <strong>of</strong> St.<br />
Mary’s Church looking towards<br />
Carfax. You can see the shops along<br />
the south side <strong>of</strong> the High Street<br />
incluning 104 High Street. mounted on<br />
blue card with gilt edges. Blinstamped<br />
Hills Photographer <strong>Oxford</strong> on front.<br />
89. [Martyrs’ Memorial]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 70 x 69 mm each mounted on a<br />
card 83 x 173 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> the Martyrs’<br />
Memorial. [28601]<br />
£15
90. The Martyr’s Memorial, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> the<br />
Martyrs’ Memorial with the Taylorian<br />
in the background.<br />
[28636]<br />
£15<br />
92. [Martyrs’ Memorial, <strong>Oxford</strong>]<br />
Albumen photograph<br />
Wheeler & Day<br />
Wheeler & Day, 106 High Street,<br />
<strong>Oxford</strong>. [c. 1866-1871]<br />
Image 80 x 67 mm each mounted to<br />
card 83 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the Martyrs’ Memorial<br />
with a manuscript title note on verso.<br />
Wheeler & Day blind stamp on front.<br />
[28432]<br />
£15<br />
<strong>Oxford</strong> Churches<br />
91. The Martyr’s Memorial, <strong>Oxford</strong>.<br />
A.D. 1841<br />
Albumen Photograph<br />
Robert Hills<br />
Hills Photographer, <strong>Oxford</strong>. c. 1856-<br />
1861<br />
Image 69 x 64 mm each mounted to a<br />
card 85 x 165 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> the Martyrs’<br />
Memorial.<br />
Paper lable with title on verso.<br />
This stereoview is blindstamped Hills<br />
Photographer <strong>Oxford</strong>, placing the date<br />
<strong>of</strong> this stereoview between 1856-1861.<br />
Condtion: Small loss to card on upper<br />
right not affecting images.<br />
[28675]<br />
£18<br />
93. Church <strong>of</strong> St. Mary Magdalene,<br />
<strong>Oxford</strong>.<br />
Albumen Photograph<br />
Anonymous<br />
c. 1857<br />
Image 74 x 63 mm each mounted to a<br />
card 85 x 170 mm<br />
unmounted<br />
An early stereoview <strong>of</strong> St. Mary<br />
Magdalene Church with part <strong>of</strong><br />
Magdalen Street visible in the left <strong>of</strong><br />
the image. Initialed and date in ink on<br />
verso E/=G.+ R./ 1857.11.30 with<br />
printed lable on verso. [28869]<br />
£20
94. The Chancel, St. Mary’s Church,<br />
<strong>Oxford</strong><br />
Albumen Photograph<br />
attributed to Henry Alden<br />
Sold by H. Alden, Stationer & Music<br />
Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />
[c.1870]<br />
Image 78 x 73 mm each mounted to a<br />
card 84 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> St.<br />
Mary’s Church, <strong>Oxford</strong>. [28635]<br />
£15<br />
Image 80 x 75 mm each mounted to a<br />
card 88 x 178 mm<br />
unmounted<br />
A stereoview <strong>of</strong> St. Mary’s Church<br />
with a printed lable on the front with<br />
text that reas: Sold only by Underwood<br />
& Underwood, Liverpool, New York,<br />
Chicago, Toronto, Ottowa, Kas.-El<br />
Paso, Tex.<br />
[28448]<br />
£15<br />
<strong>Oxford</strong> Museums<br />
95. 30389 E <strong>Oxford</strong>, St. Mary’s<br />
Porch.<br />
Silver gelatin print<br />
Rotary Photo, E.C.<br />
London, c. 1920.<br />
Image 75 x 68 mm each, whole card<br />
measures 87 x 177 mm<br />
unmounted<br />
A stereoview <strong>of</strong> St. Mary’s Church<br />
The whole card is one large silver<br />
gelatin print.<br />
[28452]<br />
£15<br />
97. 240 <strong>Oxford</strong> New Museum<br />
Silver gelatin print<br />
Anonymous<br />
c. 1880<br />
Image 76 x 145 mm mounted to a card<br />
89 x 173 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the interior <strong>of</strong> the<br />
<strong>Oxford</strong> University Museum <strong>of</strong> Natural<br />
History.<br />
Condition: Some staining to card in<br />
lower right [28582]<br />
£25<br />
96. St. Mary’s Church, <strong>Oxford</strong>,<br />
England.<br />
Albumen Photograph<br />
Underwood & Underwood<br />
Strohmeyer & Wyman Publishers,<br />
New York, Copyright 1893.<br />
98. [Ashmolean Museum]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 82 x 77 mm each mounted to a<br />
card 88 x 178 mm<br />
unmounted<br />
An uncommon stereoview <strong>of</strong> the<br />
Ashmolean. [28621]<br />
£20
Radcliffe Camera<br />
Sheldonian Theatre<br />
99. The Schools, Etc.<br />
Albumen Photograph<br />
Anonymous<br />
Image 72 x 132 mm mounted to a card<br />
85 x 170 mm<br />
unmounted<br />
A stereoview <strong>of</strong> Cat Street with the<br />
bottom <strong>of</strong> the Radcliffe Camera on the<br />
left, All Souls on the right and the<br />
Bodliean in the background left. The<br />
card has a printed boarder and text.<br />
[28166]<br />
£25<br />
101. 30389 B <strong>Oxford</strong>. The Sheldonian<br />
Theater.<br />
Silver gelatin print<br />
Rotary Photo, E.C.<br />
London, c. 1920.<br />
Image 75 x 68 mm each, whole card<br />
measures 87 x 177 mm<br />
unmounted<br />
A stereoview <strong>of</strong> the Sheldonian where<br />
the whole card is one large silver<br />
gelatin print. [28454]<br />
£15<br />
Thames Views<br />
100. [Radcliffe Camera]<br />
Albumen Photograph<br />
Hills & Saunders<br />
Hills & Saunders, c. 1860<br />
Image 80 x 76 mm each mounted to a<br />
card 84 x 173 mm<br />
unmounted<br />
A early stereoview <strong>of</strong> the Radcliffe<br />
Camera by Hill and Saunders. Hills<br />
and Saunders blindstamp on front <strong>of</strong><br />
the card and a paper title lable on the<br />
verso.<br />
[28645]<br />
£30<br />
102. [The Isis - June 1st 1867]<br />
Albumen Photograph<br />
Hills & Saunders<br />
<strong>Oxford</strong>, c. 1867<br />
Image 82 x 73 mm each mounted to 84<br />
x 174 mm card<br />
unmounted<br />
A stereoview <strong>of</strong> the Isis.<br />
[28163]<br />
£20
Stereo Viewers<br />
The “Perfecscope”<br />
H.C.White Co<br />
Trade Mark.<br />
U.S.A. Patent Oct.15.1895<br />
A beautifully decorated, velvet edged nineteenth century Stereo viewer in excellent<br />
condition.<br />
£95<br />
[Stereoscope Viewer]<br />
Manufactured by Underwood & underwood, New York. Patented U.S.A. June 11.<br />
1901<br />
A beautifully decorated, velvet edged Victorian Stereo viewer in excellent condition.<br />
£90<br />
[Stereoscope Viewer]<br />
c.1900<br />
A wood and leather Victorian Stereo viewer.<br />
Condition: Small piece <strong>of</strong> the eye guard missing, otherwise in good condition and full<br />
working order.<br />
£70
PHOTOGRAPHS<br />
All Souls College<br />
103. All Souls<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Photograph 58 x 89 mm, Watercolour<br />
boarder 125 x 150 mm 40 cm wide<br />
Mounted<br />
An early photograph showing the 18th<br />
century Hall with a highly decorative<br />
watercolour boarder [28745]<br />
£65<br />
A Victorian photograph <strong>of</strong> All Souls<br />
Quadrangle with the Radcliffe Camera<br />
in the background. [28820]<br />
£40<br />
Balliol College<br />
104. [All Souls College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 86 x 93 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> front <strong>of</strong> All<br />
Souls college taken from the High<br />
Street looking East. [28764]<br />
£20<br />
106. [Balliol College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 103 x 149 mm<br />
A Victorian photograph <strong>of</strong> Balliol<br />
College <strong>Oxford</strong>.<br />
Conditon: a crack inthe photo surface<br />
and two small areas <strong>of</strong> loss to image<br />
surface in lower centre <strong>of</strong> image.<br />
[28818]<br />
£20<br />
107. [Balliol College Chapel]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 157 x 122 mm<br />
mounted<br />
105. [All Souls Quad]<br />
Albumen Photograph<br />
Anonymous<br />
c.1880<br />
Image 122 x 194 mm
Brasenose College<br />
An early photograph <strong>of</strong> the exterior <strong>of</strong><br />
Balliol College Chapel. [28687]<br />
£50<br />
109. [Brasenose College, Front]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 89 x 90 mm<br />
mounted<br />
[28758]<br />
£20<br />
108. [Balliol College Front]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 117 x 156 mm<br />
mounted<br />
An early photograph <strong>of</strong> the exterior <strong>of</strong><br />
Balliol College Front. [28688]<br />
£50<br />
110. [Brasenose College, Old Quad]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 89 x 88 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Brasenose<br />
Old Quad showing the sundial and the<br />
Cain and Able statue. [28759]<br />
£15
111. [Brasenose College Quad]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
mounted<br />
A Victorian photograph <strong>of</strong> Brasenose<br />
Quad. [28819]<br />
£40<br />
113. [Brasenose Old Quad]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 90 x 88 mm<br />
Framed<br />
An interesting photograph <strong>of</strong><br />
Brasenose with showing men on<br />
scaffolding refacing and restoring the<br />
tower with the Radcliffe Camera<br />
behind. [28756]<br />
£50<br />
112. [Brasenose Old Quad]<br />
Albumen photograph and watercolour<br />
Anonymous<br />
c. 1860<br />
Photograph 58 x 88 mm, Watercolour<br />
boarder overall 160 x 158 mm and 32<br />
mm wide<br />
Framed<br />
An early photograph <strong>of</strong> Brasenose<br />
College Old Quad with a decorative<br />
watercolour boarder surrounding it.<br />
[28744]<br />
£70<br />
114. Brasenose College<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 103 x 169 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the Old<br />
Quad, Brasenose College by George P.<br />
Day.<br />
[28790]<br />
£45<br />
Christ Church College<br />
115. Christ Church College, <strong>Oxford</strong><br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 57 x 84 mm<br />
mounted
A Vixctorian photograph <strong>of</strong> Christ<br />
Church College looking south down<br />
St. Aldates. [28714]<br />
£20<br />
116. [Christ Church College, Tom<br />
Quad]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 148 x 200 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Tom Quad<br />
looking towards the Hall with the spire<br />
<strong>of</strong> the Cathedral in the background.<br />
[28821]<br />
£45<br />
118. [Tom Quad, Christ Church]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 205 x 268 mm<br />
mounted<br />
A large early photograph <strong>of</strong> Tom<br />
Quad, Christ Church College. [28738]<br />
£80<br />
117. [Christ Church Meadows]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 102 x 185 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the Christ<br />
Church Meadows walk. [28816]<br />
£35<br />
119. Tom Tower Christ Church<br />
College<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 238 x 192 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Tom Tower<br />
from [28778]<br />
£65
A Victorian photograph <strong>of</strong> the Broad<br />
Walk, Christ Church College by<br />
George P. Day.<br />
[28794]<br />
£40<br />
120. The Broad Walk “Summer”<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 162 x 116 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the Broad<br />
Walk, Christ Church College by<br />
George P. Day.<br />
[28793]<br />
£40<br />
122. Christ Church<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 98 x 167 mm<br />
mounted<br />
A Victorian photograph by George P.<br />
Day <strong>of</strong> the front <strong>of</strong> Christ Church<br />
College from St. Aldates looking<br />
south.<br />
[28783]<br />
£55<br />
123. Christ Church Canterbury Gate<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 96 x 166 mm<br />
mounted<br />
[28779]<br />
£45<br />
121. The Broad Walk “Winter”<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 162 x 118 mm<br />
mounted
124. Christ Church The Meadow Gate<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 163 x 117 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the<br />
Meadow Buildings, Christ Church<br />
College by George P. Day.<br />
[28792]<br />
£40<br />
126. [Corpus Christi College, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 208 x 262 mm<br />
mounted<br />
A large early photograph <strong>of</strong> the<br />
quadrangle <strong>of</strong> Corpus Christi College<br />
with a group <strong>of</strong> students around the<br />
Pelican Sundial. [28737]<br />
£100<br />
Corpus Christi College<br />
125. [Corpus Christi College Chapel]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 84 x 58 mm<br />
127. [Fellows’ Buildings, Corpus<br />
Christi College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 65 x 84 mm<br />
mounted<br />
An early photograph <strong>of</strong> the<br />
Fellows’Buildings. [28748]<br />
£15<br />
Mounted<br />
An early photograph <strong>of</strong> the interior <strong>of</strong><br />
Corpus Christi College Chapel.<br />
[28747]<br />
£12
128. Corpus Christi College.<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 103 x 169 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the<br />
quadrangle Corpus Christi College by<br />
George P. Day.<br />
[28791]<br />
£45<br />
Exeter College<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 88 x 60 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the interior<br />
<strong>of</strong> Exeter College Chapel.<br />
Condtion: Mark in upper portion <strong>of</strong><br />
image. [28718]<br />
£10<br />
131. [Exeter College and the Turl]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 121 x 191 mm<br />
129. [Exeter Chapel, looking East]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 88 x 60 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the interior<br />
<strong>of</strong> Exeter College Chapel.<br />
[28719]<br />
£15<br />
A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />
Exeter College and the length <strong>of</strong> Turl<br />
Street. [28777]<br />
£65<br />
132. [Exeter College, Broad Street,<br />
<strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 149 x 210 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />
Exeter College in Broad Street with the<br />
Old Ashmolean to its left. [28717]<br />
£60<br />
130. [Exeter Chapel, looking West]
c. 1880<br />
Image 150 x 211 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />
Exeter College in Turl Street with the<br />
Swiss Cottage in the foreground left.<br />
[28716]<br />
£60<br />
133. [Exeter College Hall, Gateway]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 65 x 62 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the entrance<br />
to Exeter College Hall. [28721]<br />
£12<br />
134. [Exeter College in the Broad]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 57 x 83 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />
Exeter College in Broad Street with the<br />
Sheldonian and Clarendon Buildings in<br />
the background. [28715]<br />
£20<br />
136. [The Hall, Exeter College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 64 x 60 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the interior<br />
<strong>of</strong> Exeter College Hall. [28720]<br />
£10<br />
135. [Exeter College in The Turl]<br />
Albumen Photograph<br />
Anonymous<br />
137. Exeter College Chapel East<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 162 x 117 mm<br />
mounted<br />
[28788]<br />
£40
138. Exeter College Chapel West<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 160 x 117 mm<br />
mounted<br />
[28789]<br />
£40<br />
Image 98 x 167 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the<br />
quadrangle Lincoln College by George<br />
P. Day.<br />
[28803]<br />
£55<br />
Magdalen College<br />
Jesus College<br />
139. Jesus College<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 100 x 169 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the<br />
quardrangle <strong>of</strong> Jesus College by<br />
George P. Day.<br />
[28799]<br />
£40<br />
Lincoln College<br />
140. Lincoln College<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
141. [Founders Tower, Magdalen<br />
College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 133 x 131 mm<br />
A Victorian photograph <strong>of</strong> the<br />
founders tower in the Cloiseters<br />
[28705]<br />
£40<br />
142. Magdalen College<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 64 x 76 mm<br />
Mounted
A Victorian photograph <strong>of</strong> Magadalen<br />
Tower taken from the High Street.<br />
[28708]<br />
£25<br />
144. [Magdalen College Tower from<br />
the Botanic Gardens]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 92 x 91 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Magdalen<br />
College Tower from the Botanic<br />
Gardens.<br />
Condition: Small tear in bottom centre.<br />
[28765]<br />
£20<br />
143. [Magdalen College from the<br />
Gardens]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 182 x 105 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Magdalen<br />
College from the gardens on the banks<br />
<strong>of</strong> the Cherwell. [28824]<br />
£35<br />
145. Magdalen from the Cherwell<br />
Albumen Photograph<br />
Anonymous<br />
c. 1875<br />
Image 130 x 202 mm<br />
mounted<br />
[28815]<br />
£65
146. [Open Air Pulpit]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 171 x 116 mm<br />
mounted<br />
An early photograph <strong>of</strong> the Open Air<br />
Pulpit in Mgadalen College. [28739]<br />
£35<br />
148. Magdalen College<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 104 x 172 mm<br />
mounted<br />
[28780]<br />
£55<br />
Magdalen College Grammar School<br />
149. [Old Grammar School,<br />
Magdalen College, <strong>Oxford</strong>.]<br />
Albumen Photograph<br />
attributed to Davis<br />
Davis’s Series, c. 1890<br />
Image 137 x 99 mm<br />
Mounted<br />
147. Magdalen Tower, <strong>Oxford</strong>.<br />
Albumen Photograph<br />
Davis<br />
Davis’s Series, c. 1890<br />
Image 135 x 116 mm<br />
mounted<br />
A Davis’s Series photograph <strong>of</strong><br />
Magdalen College Tower. [28724]<br />
£45<br />
A Davis’s Series photograph <strong>of</strong> the<br />
Old Magdalen College Grammar<br />
School. [28726]<br />
£45
Merton College<br />
150. [Merton College Chapel]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1864<br />
Image 92 x 88 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Merton<br />
College Chapel exterior taken from the<br />
south with the scaffolding for the<br />
Grove Building just visible in the right<br />
<strong>of</strong> the image. [28771]<br />
£15<br />
152. [Merton College from the Fields]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1864<br />
Image 82 x 89 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Merton<br />
College showing the building <strong>of</strong> the<br />
Grove Building. [28760]<br />
£20<br />
151. [Merton College from the Fields]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 85 x 89 mm<br />
mounted<br />
A photograph <strong>of</strong> the the south front <strong>of</strong><br />
Merton College from the meadows.<br />
[28755]<br />
£15<br />
153. [Merton College Quad]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 87 x 85 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Merton<br />
College Quad. [28769]<br />
£15
154. [Merton College Quad]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 87 x 85 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Merton<br />
College Front Quad. [28770]<br />
£15<br />
156. [Merton Street]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 135 x 205 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Merton<br />
Street looking towards Corpus Christi<br />
College. [28825]<br />
£45<br />
155. [Merton Quad, Entrance to Hall]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 89 x 89 mm<br />
mounted<br />
[28757]<br />
£15<br />
157. Merton Chapel<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 161 x 104 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the exterior<br />
<strong>of</strong> Merton College Chapel by George<br />
P. Day.<br />
[28795]<br />
£40
New College<br />
158. Merton College from the Fields<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 98 x 165 mm<br />
Mounted.[28786]<br />
£55<br />
161. [New College Cloisters]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 58 x 77 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the East<br />
side <strong>of</strong> New College Cloisters, with a<br />
man reclining on the grass and the<br />
Chapel in the background.. [28711]<br />
£20<br />
159. Merton College from the<br />
Gardens<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 98 x 165 mm<br />
Mounted. [28781]<br />
£45<br />
160. Merton College from the<br />
Gardens<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 98 x 167 mm<br />
mounted<br />
[28782]<br />
£45<br />
162. [New College Quad]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 90 x 92 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> New<br />
College Quad looking towards the<br />
entrance to the Hall. [28775]<br />
£15
163. [New College Quad]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 87 x 97 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> New<br />
College Quad looking towards the<br />
Chapel. [28776]<br />
£15<br />
165. New College from the Gardens<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 98 x 167 mm<br />
mounted<br />
[28784]<br />
£55<br />
166. New College and Bell Tower,<br />
<strong>Oxford</strong> 4648. G.W.W.<br />
Photograph<br />
George Washington Wilson<br />
c. 1870<br />
Image 136 x 206 mm<br />
mounted<br />
[28812]<br />
£65<br />
164. New College Chapel<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 163 x 119 mm<br />
mounted<br />
[28785]<br />
£35<br />
167. New College Cloisters, Bell<br />
Tower, & Chapel, <strong>Oxford</strong> 3512<br />
G.W.W.<br />
Photograph<br />
George Washington Wilson
c. 1870<br />
Image 97 x 152 mm<br />
mounted<br />
[28811]<br />
£45<br />
168. New College, Old Entrance<br />
Platinum Print<br />
Gillman & Co.<br />
c. 1880<br />
Image 290 x 238 mm<br />
mounted<br />
A platinum print <strong>of</strong> New College Old<br />
Entrance. Blindstamped Gillman &<br />
Co, Photographers, St. Aldates.<br />
[28822]<br />
£120<br />
Oriel College<br />
170. [Oriel College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 87 x 63 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Oriel<br />
College Front Quadrangle. [28713]<br />
£15<br />
171. [Oriel College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 88 x 92 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />
Oriel College looking north towards<br />
Oriel lane. [28766]<br />
£20<br />
169. [Oriel College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 109 x 156 mm<br />
mounted<br />
Condition: Some loss to image lower<br />
left. [28686]<br />
£50
172. Oriel College<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 92 x 166 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Oriel<br />
College Quad by George P. Day.<br />
[28796]<br />
£45<br />
Framed<br />
A lovely early photo <strong>of</strong> Oriel College.<br />
[28685]<br />
£95<br />
Pembroke College<br />
173. [Oriel College]<br />
Albumen photograph<br />
W.A. Mansell & Co.<br />
c. 1875<br />
Image 100 x 168 mm<br />
mounted<br />
Blindstamped W.A. Mansell & Co.<br />
and numbered 152 in negative.<br />
Condition: Laid to an album page.<br />
[28683]<br />
£50<br />
175. Pembroke College<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 98 x 166 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the<br />
quardrangle <strong>of</strong> Pembroke College by<br />
George P. Day.<br />
[28800]<br />
£45<br />
Queens College<br />
174. [Oriel College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 156 x 118 mm<br />
176. [Queen’s College Library]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 86 x 84 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the interior<br />
<strong>of</strong> Queens College Library. [28762]<br />
£15
177. [Queens College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 117 x 147 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Queens<br />
College [28706]<br />
£50<br />
179. [Queens College Quad]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 88 x 93 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Queens<br />
College. [28763]<br />
£20<br />
178. [Queens College, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 87 x 64 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />
Queens College.<br />
[28712]<br />
£20<br />
180. Queen’s College<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 98 x 167 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />
Queen’s College by George P. Day.<br />
[28804]<br />
£55
St. John’s College<br />
181. [St. John’s College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 88 x 87 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> St. John’s<br />
College. [28754]<br />
£15<br />
183. [St. John’s College, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 138 x 110 mm<br />
mounted<br />
A lovely early photograph <strong>of</strong> St. John’s<br />
College, with its album page. [28749]<br />
£55<br />
182. [St. John’s College Chapel]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 90 x 90 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the interior<br />
<strong>of</strong> St. John’s College Chapel. [28768]<br />
£15<br />
184. [Garden Front <strong>of</strong> St. John’s<br />
College]<br />
Photograph<br />
attributed to George Washington<br />
Wilson<br />
c. 1870<br />
Image 127 x 200 mm<br />
mounted<br />
[28813]<br />
£45
A Victorian photograph <strong>of</strong> the interior<br />
<strong>of</strong> St. John’s College Chapel by<br />
George P. Day.<br />
[28798]<br />
£35<br />
Trinity College<br />
185. St. John’s College<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 160 x 117 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />
St. John’s College by George P. Day.<br />
[28797]<br />
£45<br />
187. Trinity College<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 98 x 165 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the<br />
quardrangle <strong>of</strong> Trinity College by<br />
George P. Day.<br />
[28801]<br />
£40<br />
University College<br />
186. St. John’s College Chapel<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 163 x 114 mm<br />
Mounted<br />
188. [University College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 82 x 84 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />
University College from the High<br />
Street looking east. [28774]<br />
£20
189. [University College Chapel]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 82 x 82 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> University<br />
College Chapel interior looking<br />
towards the chancel. [28773]<br />
£15<br />
191. [Photograph album by a<br />
University College Student]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1869 - 71<br />
4to<br />
A fascinating annotated album<br />
compiled by a student (possibly<br />
S.R.Osbourne) at University College<br />
<strong>Oxford</strong> recording his friends, travels<br />
and landmarks.<br />
190. [University College Quad]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 82 x 82 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> University<br />
College Front Quad. [28772]<br />
£20<br />
Page 1- Portraits <strong>of</strong> J.Mills, W.Mills,<br />
J.R.Mills, H.J.Mills, A.A.Mills,<br />
Page 2 - Cathedral<br />
Page 3 - Two portraits, Stonehenge<br />
Page 4 - Grasmere, Rifdal<br />
Westmoreland<br />
Page 5 - Portraits <strong>of</strong> S.A.Osborne,<br />
J.Shelley, H.Vaughan, P.L.Holland<br />
Page 6 - University College, <strong>Oxford</strong><br />
Page 7 - Portraits <strong>of</strong> E.L.Holland,<br />
H.C.Sturges, E.L.Elwes,<br />
P.A.Scratchley, H.Vaughan &<br />
S.R.Osbourne University College<br />
Page 8 - View from Magdalen Tower,<br />
<strong>Oxford</strong><br />
Page 9 - <strong>Oxford</strong> from Magdalen<br />
Tower,<br />
Page 10 - Blank
Page 11- The gateway <strong>of</strong> Magdalen<br />
College, <strong>Oxford</strong><br />
Page 12 - Shanklin Chine, Isle <strong>of</strong><br />
Wight (1869)<br />
Page 13 - Portraits <strong>of</strong> Mrs Theobald,<br />
Rev C.Theobald, Chale Rectory, Isle <strong>of</strong><br />
Wight.<br />
Page 14 - The Land’s End.visited 1869<br />
Page 15 - Four sports team group<br />
photographs<br />
Page 16 - The Cloisters, Magdalen<br />
College <strong>Oxford</strong>.<br />
Page 17 - Portraits <strong>of</strong> W.G.Robinson,<br />
W.C.Eaton, G.Brown, R.G de<br />
V.Thomas, S.Pelham.<br />
Page 18 - The new buildings &<br />
“Fellows Quadrangle”. University<br />
College <strong>Oxford</strong>.<br />
Page 19 - Portraits <strong>of</strong> J.F.Clerk<br />
(1870), H.C.Sturges, G.A.Holmes,<br />
R.S.Faber (1869), H.Bidder<br />
Page 20 - University College<br />
Page 21 - University College group,<br />
May 1869<br />
Page 22 - Trinity College <strong>Oxford</strong><br />
Page 23 - Portraits <strong>of</strong> Graham.T.Smith<br />
(Trin, Oxon), J.H - (Trin, Oxon),<br />
J.S.S.Mahou, J.H.H, J.R.E.Sumner<br />
Page 24 - University College Library.<br />
Page 25 - Portraits <strong>of</strong> C.F.Fellows,<br />
H.C.Sturges, E.L.Elwes (Alpine<br />
Climbers) & Two others.<br />
Page 26 - Christ-church College,<br />
<strong>Oxford</strong>.<br />
Page 27 - Portraits <strong>of</strong> H.G.Watkins and<br />
one other.<br />
Page 28 - The Masters Quadrangle,<br />
University College.<br />
Page 29 - Portraits <strong>of</strong> C.F.Fellows,<br />
Hon J.C.H.Gordon, C.E.Brooke,<br />
J.J.Greenham & two others.<br />
Page 30 - The Martyrs Memorial &<br />
Balliol College, <strong>Oxford</strong><br />
Page 31 - Portraits <strong>of</strong> T.Godolphin<br />
Rooper, B.Bosenquet, R.A.G.Tatton,<br />
J.R.Graham, C.B.Heloerden.<br />
Page 32 - The Eights, May 1870.<br />
Page 33 - University College group,<br />
June 1870.<br />
Page 34 - Lannion Bzelerenez fr: the<br />
Plouaret road, Bridge on the Guer,<br />
Lannion, Lannion in Brittany & Hotel<br />
de France, 1870.<br />
Page 35 - <strong>Oxford</strong> reading party at<br />
Hotel de France, 1871 featuring<br />
Hon.F.A.R.Russell (ch.ch): G.A.Hilme<br />
(Univ): A.G.Rickards (B.N.C)<br />
S.H.Woodhouse (Univ): Bickerstalt<br />
(ch.ch): J.S.Leadan (Univ). J.Hodgson<br />
(Univ). S.R.Osborne (Univ):<br />
A.Bickerstalt (ch.ch): Bruse (the dog)<br />
Page 36 & 37 - Photographic<br />
caricatures.<br />
Page 38 - Group portrait <strong>of</strong><br />
S.R.Osborne, Vaughan, H.Sturges.<br />
Page 39 - Group portrait <strong>of</strong> E.L.Elwes,<br />
Sturges, H.Vaughan, E.L.Holland,<br />
A.Lee, smaller vision <strong>of</strong> photo on<br />
previous page with Elwes replacing<br />
Osbourne, portrait <strong>of</strong> E.Sutton,<br />
W.B.Ingham.<br />
Page 40 - The Head <strong>of</strong> Windermere<br />
Lake - 1871.<br />
Page 41 - Skelwith Force [near<br />
Ambleside] on the Brathay.<br />
Page 42 - The Eights 1871.<br />
Page 43 - Portraits <strong>of</strong> S.H.Woodhouse<br />
(President <strong>of</strong> Vincent’s Club 1869),<br />
G.F.Boyd, W.T.Langford and one<br />
other.<br />
Page 44 - Middle Lake Killarney with<br />
the Tor Mountain infront and<br />
Mangerton Mt behind, Lower Lake,<br />
Killarney - Glena May 1871.<br />
Page 45 - Muckroaa Abbey, Holycross<br />
Abbey, Rock <strong>of</strong> Castle- Tipperary -<br />
Ireland.<br />
Page 46 - Blank.<br />
Page 47 - Group portrait <strong>of</strong> Boyd,<br />
Vaughan, Lee, Walker, Shelley, Faber,<br />
Elwes.<br />
Page 48 - Lucerne with Mt Polatas on<br />
front, Interlaken, the Jungfrau in the<br />
distance, Lake Geneva showing the<br />
Castle <strong>of</strong> Chillon and the Dent du<br />
Mede.<br />
Page 49- Valley <strong>of</strong> the Rhone - view<br />
from the Fardaz (Tete Noire)<br />
Page 50 - Church <strong>of</strong> Norton St<br />
Philip.Somerset.<br />
Page 51 - Portraits <strong>of</strong> E.H.M.W,<br />
Mr.A.Wightnan, V.W, Emily<br />
Wightman, F.O.W.<br />
Also enclosed loose:<br />
Printed handout commemorating the<br />
death <strong>of</strong> Herbert Court Sturges, Vicar<br />
<strong>of</strong> Bodenham, with extract from the
notice posted in the Guardian written<br />
by Rev.E.L.Elwes. Photograph <strong>of</strong> a<br />
flower covered grave possibly that <strong>of</strong><br />
Herbert Court Sturges. Photograph <strong>of</strong> a<br />
female with a horse. Photograph <strong>of</strong> a<br />
child on a horse with handler.<br />
Photograph <strong>of</strong> a seated male and<br />
female. Photograph <strong>of</strong> a large country<br />
house with family members in the<br />
foreground<br />
Condition: Lacking covers.<br />
[28899]<br />
£575<br />
A Victorian photograph <strong>of</strong> the<br />
quardrangle <strong>of</strong> the front <strong>of</strong> Wadham<br />
College by George P. Day.<br />
[28802]<br />
£45<br />
Worcester College<br />
Wadham College<br />
192. [Wadham College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 84 x 88 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />
Wadham College. [28767]<br />
£15<br />
194. [Worcester College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 86 x 87 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Worcester<br />
College. [28751]<br />
£15<br />
193. Wadham College<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 98 x 165 mm<br />
mounted<br />
195. [Worcester College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 11871<br />
Image 87 x 88 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Worcester<br />
College. [28753]<br />
£15
Bodleian Library<br />
196. [Worcester College Front]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 85 x 86 mm<br />
framed<br />
A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />
Worcester College. [28752]<br />
£45<br />
198. [The Schools Tower]<br />
Photograph<br />
attributed to George Washington<br />
Wilson<br />
c. 1870<br />
Image 200 x 152 mm<br />
mounted<br />
[28814]<br />
£55<br />
197. [Worcester College, Old<br />
Buildings]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 87 x 91 mm<br />
mounted<br />
[28750]<br />
£15<br />
199. The Schools Tower<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875
Image 162 x 114 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the Schools<br />
Tower by George P. Day.<br />
[28805]<br />
£40<br />
Broad Street Views<br />
200. Broad Street: The Sheldonian,<br />
Exeter College<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 102 x 167 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Broad<br />
Street showing the Clarendon<br />
Building, the Sheldonian, the front <strong>of</strong><br />
Exeter College and 26 Broad Street.<br />
[28787]<br />
£55<br />
Albumen Photograph<br />
attributed to Davis<br />
Davis’s Series, c. 1890<br />
Image 154 x 101 mm<br />
The Carfax Conduit was a water<br />
conduit that supplied the city <strong>of</strong><br />
<strong>Oxford</strong> with water from 1617 until the<br />
19th century. The conduit ran in an<br />
underground lead pipe from a spring<br />
on the hillside above the village <strong>of</strong><br />
North Hinksey, beneath Seacourt<br />
Stream and the River Thames, to a<br />
building at Carfax in the centre <strong>of</strong><br />
<strong>Oxford</strong>. The system was built by Otto<br />
Nicholson, a London lawyer, to supply<br />
the citizens <strong>of</strong> <strong>Oxford</strong> with clean<br />
water. It replaced a system built by<br />
Osney Abbey between 1205 and 1221<br />
that had fallen into disrepair. In 1786<br />
it was removed because <strong>of</strong> traffic<br />
congestion and <strong>of</strong>fered to Lord<br />
Harcourt as feature for his park.<br />
[28731]<br />
£35<br />
Cornmarket Views<br />
Carfax Conduit<br />
201. [Carfax Conduit in Nuneham<br />
Park]<br />
202. [Cornmarket Street, <strong>Oxford</strong>]<br />
Silver gelatin print<br />
Henry Taunt<br />
c. 1885<br />
Image 147 x 198 mm<br />
Framed<br />
A photograph showing St Michaels<br />
Church, Cornmarket Street, <strong>Oxford</strong>,<br />
<strong>Oxford</strong>shire. Looking north along the<br />
commercial street toward the late 11th<br />
century tower with its distinctive twolight<br />
bell openings. It was just beyond<br />
this church that the medieval north gate<br />
<strong>of</strong> stood leading <strong>of</strong>f into St Giles.<br />
Condtion: laid to an album page<br />
[28740]<br />
£140
Divinity School<br />
General Views<br />
203. [Divinity School]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 84 x 57 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the interior<br />
<strong>of</strong> the Divinty School. [28707]<br />
£15<br />
205. [Christ Church Walks with<br />
Magdalen College in the distance]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 105 x 184 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Christ<br />
Church Meadows with Magdalen<br />
Tower in the background. [28808]<br />
£40<br />
204. The Divinity School<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 114x 170 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the Divinity<br />
School by George P. Day.<br />
[28807]<br />
£40<br />
206. [<strong>Oxford</strong> from Magdalen Tower]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 59 x 95 mm<br />
Framed<br />
A lovely small format Victorian<br />
photograph <strong>of</strong> <strong>Oxford</strong>. [28700]<br />
£65<br />
207. [<strong>Oxford</strong> from Magdalen Tower]<br />
Albumen Photograph
Anonymous<br />
c.1871<br />
Image 110 x 180 mm oval<br />
Framed<br />
A lovely rich Victorian photograph <strong>of</strong><br />
<strong>Oxford</strong> from Magadalen Tower.<br />
[28817]<br />
£145<br />
Condition: Laid to an album page<br />
[28697]<br />
£40<br />
High Street<br />
208. [View <strong>of</strong> <strong>Oxford</strong> from Trinity<br />
College]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 125 x 160 mm<br />
An unusual view <strong>of</strong> <strong>Oxford</strong> from<br />
Trinity College over the city showing<br />
the compleated Exeter College Chapel<br />
and the yet unchanged building at 26<br />
and 27 Broad Street, which were<br />
remoldeled in 1889. In the distance are<br />
the spires <strong>of</strong> The Schools, the<br />
Sheldonian, St. Mary’s, Merton<br />
Chaple, and All Saints. [28732]<br />
£80<br />
Godstow<br />
209. [The Trout Inn, Godstow]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 101 x 168 mm<br />
A Victorian photograph <strong>of</strong> The Trout<br />
Inn, at Godstow.<br />
210. [High Street, <strong>Oxford</strong>]<br />
Permenant photograph on glass<br />
W.H. Wheeler<br />
W.H. Wheeler’s 106 High Street<br />
<strong>Oxford</strong>, c. 1872 - 1880<br />
Image 360 x 445 mm<br />
framed<br />
A superb original and one <strong>of</strong> a kind<br />
Chromotype photograph <strong>of</strong> <strong>Oxford</strong><br />
High Street.<br />
The process for the permanent<br />
photograph on glass was patented by<br />
William Robert Ake in April 1871.<br />
The photograph would have been taken<br />
in the usual way by photosensitizing a<br />
glass plate with a bromide colloidon.<br />
The plate was then put into a silver<br />
bath and exposed to light. The plate<br />
would then be put into a bath <strong>of</strong><br />
pyrogallic acid or proto-sulphate, fixed<br />
by cyanide <strong>of</strong> potassium or<br />
hyposulphate <strong>of</strong> soda, wash and dried.<br />
To stain the picture permanently on<br />
glass the print was then placed in an<br />
airtight kiln until every part <strong>of</strong> the<br />
photo became dark brown. It was then<br />
cooled and washed. From Patents for<br />
Inventions Abridgments or<br />
Specifications relating to Photography,<br />
London, 1880.<br />
Photograph in its original frame.<br />
[28898]<br />
£750
211. [High Street, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1886-9<br />
Image 110 x 145 mm<br />
framed<br />
An atmospheric photo <strong>of</strong> <strong>Oxford</strong><br />
possibly taken on a foggy day, as there<br />
are no shadows on the ground.<br />
Scaffolding is just visible where<br />
Brasenose College is in the<br />
background The new facade <strong>of</strong> the<br />
college on the High Street was built in<br />
1886-9 by Jackson, placing the date <strong>of</strong><br />
this photograph in this time period.<br />
[28742]<br />
£80<br />
213. [<strong>Oxford</strong> High Street]<br />
Albumen Photograph and watercolour<br />
Anonymous<br />
c. 1860<br />
Photograph 58 x 92 mm, Watercolour<br />
boarder overall 157 x 220 mm<br />
diamond<br />
framed<br />
An early photograph <strong>of</strong> <strong>Oxford</strong> High<br />
Street with a a decorative boarder<br />
painted around it. [28746]<br />
£90<br />
212. [<strong>Oxford</strong> High Street]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 64 x 76 mm<br />
Framed<br />
A Victorian photograph <strong>of</strong> <strong>Oxford</strong><br />
High Street.<br />
[28704]<br />
£65<br />
214. [Old House High Street, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
attributed to Davis<br />
Davis’s Series, c. 1890<br />
Image 159 x 117 mm<br />
mounted<br />
No. 126 High Street dates from the<br />
fifteenth century, and has a late<br />
seventeenth-century façade. It is the<br />
only remaining example <strong>of</strong> this type <strong>of</strong><br />
architecture in <strong>Oxford</strong>. The structure <strong>of</strong><br />
the fifteenth-century house can be seen<br />
inside, and the cellar is probably
medieval. It is a Grade II listed<br />
building (ref. 1485/343).<br />
£75<br />
The first owner <strong>of</strong> this house was a<br />
bell-founder, and in 1350 it was owned<br />
by St Frideswide Abbey. It was<br />
refronted in the later seventeenth<br />
century, probably by Robert Pauling, a<br />
mercer who was Mayor in 1679.<br />
In 1772 a survey <strong>of</strong> every house in the<br />
city was taken in consequence <strong>of</strong> the<br />
Mileways Act <strong>of</strong> 1771. No. 126 was<br />
then in the occupation <strong>of</strong> a Mr Madge,<br />
and its frontage measured 6 yards 2<br />
feet 9inches.<br />
Sources:<br />
http://www.headington.org.uk/oxon/high/t<br />
our/south/126.htm<br />
[28728]<br />
£45<br />
215. [High Street, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Hall<br />
c.<br />
Image 155 x 200 mm<br />
mounted<br />
Condition: A repaired tear lower left<br />
through image [28734]<br />
£45<br />
217. [Iffley Lock]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 101 x 168 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> Iffley<br />
showing the tow path and gate on the<br />
left and the mill and lock in the<br />
distance on right.<br />
Condition: Laid to an album page<br />
[28696]<br />
£40<br />
Martyrs’ Memorial<br />
Iffley<br />
216. [Iffley]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 166 x 209 mm<br />
mounted<br />
A view <strong>of</strong> Iffley from the banks <strong>of</strong> the<br />
Thames with Iffley Church in the<br />
backrgound. [28699]
218. [Martyrs’ Memorial, <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 194 x 145 mm<br />
A nice largeVictorian photograph <strong>of</strong><br />
the <strong>Oxford</strong> Martyrs’ Memorial with the<br />
facade <strong>of</strong> Balliol College in the<br />
background. [28722]<br />
£50<br />
Image 118 x 163 mm<br />
Mounted<br />
Nixon’s Free Grammar School had<br />
been founded in 1658 for the sons <strong>of</strong><br />
freemen <strong>of</strong> <strong>Oxford</strong> by John Nixon (or<br />
Nickson) (1588–1662), a mercer who<br />
was three times Mayor <strong>of</strong> <strong>Oxford</strong>. The<br />
city council had first considered<br />
founding such a school in 1576, but<br />
only took action when Nixon <strong>of</strong>fered<br />
£30 a year to pay a master’s stipend,<br />
provided that the city provided a<br />
suitable schoolroom. It was situated in<br />
the Town Hall Yard. It survived for<br />
235 years until 1894, when it was<br />
closed, despite opposition by the<br />
<strong>Oxford</strong> freemen, following bad reports<br />
by the government inspector. [28727]<br />
£45<br />
<strong>Oxford</strong> Churches<br />
219. The Martyrs’ Memorial<br />
Albumen Photograph<br />
George P. Day<br />
c. 1875<br />
Image 160 x 114 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the<br />
Martyrs’ Memorial with the Randolf<br />
Hotel and the Ashmolean Musuem in<br />
the background by George P. Day.<br />
[28806]<br />
£40<br />
Nixon’s School<br />
220. [Nixon’s School]<br />
Albumen Photograph<br />
attributed to Davis<br />
Davis’s Series, c. 1890<br />
221. [West End, Iffley Church]<br />
Albumen Photograph<br />
attributed to Davis<br />
Davis’s Series, c. 1890<br />
Image 154 x 101 mm<br />
mounted<br />
A late Victorian Photograph <strong>of</strong> Iffley<br />
Church.<br />
[28730]<br />
£35
A scarce early view <strong>of</strong> the college<br />
barges on the Thames on Commeration<br />
Day.<br />
Condtion: Small loss to image in the<br />
upper left. [28735]<br />
£180<br />
Randolf Hotel<br />
222. St. Michael’s Church, <strong>Oxford</strong><br />
Albumen Photograph<br />
Hills & Saunders<br />
Hills & Saunders, <strong>Oxford</strong>, c. 1881<br />
Image 200 x 129 mm<br />
mounted<br />
Hills & Saunders stamp on verso.<br />
[28741]<br />
£40<br />
224. [The Randolf Hotel]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 102 x 150 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the Randolf<br />
Hotel [28810]<br />
£50<br />
St.Clement’s<br />
<strong>Oxford</strong> Sports<br />
223. [Commemoration day <strong>Oxford</strong>]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1860<br />
Image 212 x 280 mm<br />
Framed<br />
225. [St. Clement’s Toll Gate]<br />
Photograph<br />
Anonymous<br />
c.1860<br />
Image 150 x 190 mm<br />
mounted<br />
A view <strong>of</strong> St. Clement’s Toll Gate as<br />
seen from Magdalen Bridge. The old<br />
Toll Gate, built in 1818, was<br />
demolished in 1874 to make way for<br />
the Victoria Fountain. Paid for by the
owners <strong>of</strong> Morell’s Brewery in <strong>Oxford</strong>,<br />
the fountain was formally opened by<br />
Princess Louise, Queen Victoria’s<br />
daughter on 25 May, 1899. [28381]<br />
£50<br />
A Victorian photograph <strong>of</strong> the Isis<br />
from the boat yard looking across to<br />
the College barges. [28702]<br />
£85<br />
226. [St. Clement’s Toll Gate from<br />
Magdalen Bridge]<br />
Photograph<br />
Anonymous<br />
c.1860<br />
Image 150 x 190 mm<br />
mounted<br />
A view <strong>of</strong> St. Clement’s Toll Gate as<br />
seen from Magdalen Bridge. The old<br />
Toll Gate, built in 1818, was<br />
demolished in 1874 to make way for<br />
the Victoria Fountain. Paid for by the<br />
owners <strong>of</strong> Morell’s Brewery in <strong>Oxford</strong>,<br />
the fountain was formally opened by<br />
Princess Louise, Queen Victoria’s<br />
daughter on 25 May, 1899. [28380]<br />
£50<br />
228. [The College Barges]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1871<br />
Image 105 x 184 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the College<br />
Barges from the South bank <strong>of</strong> the<br />
Thames with Folly Bridge in the<br />
distance left. [28809]<br />
£45<br />
Thames Views<br />
227. [The College Barges]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 111 x 188 mm<br />
Mounted<br />
229. [The Isis]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 70 x 88 mm<br />
mounted<br />
A view <strong>of</strong> the Thames at Folly Bridge<br />
looking out from the boat yard towards<br />
the College barges.<br />
[28701]<br />
£45
With printed title pasted below image.<br />
[28684] £45<br />
230. [The River Isis]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1870<br />
Image 101 x 180 mm<br />
mounted<br />
A Victorian photograph <strong>of</strong> the College<br />
Barges on the Thames. [28823]<br />
£45<br />
<strong>Oxford</strong>shire<br />
231. Abingdon, distant View from<br />
S.W.<br />
Albumen Photograph<br />
Anonymous<br />
Image 117 x 181 mm<br />
mounted<br />
232. [Nuneham Bridge and Cottage]<br />
Albumen Photograph<br />
Anonymous<br />
c. 1880<br />
Image 100 x 168 mm<br />
A Victorian photograph <strong>of</strong> the bridge<br />
and cottage at Nuneham<br />
The rustic wooden bridge, built by<br />
Capability Brown during his<br />
landscaping <strong>of</strong> the gardens in 1779-82,<br />
with the thatched ro<strong>of</strong> <strong>of</strong> the lockkeepers<br />
cottage beyond. On Tuesdays<br />
and Thursdays during the season,<br />
picnic parties were allowed to land at<br />
the bridge, which stood in the parkland<br />
<strong>of</strong> the Harcourt Family. The estate<br />
cottages were built in 1832 by W S<br />
Gilpin on the site <strong>of</strong> the old village.<br />
[28698]<br />
£20
Photographers, Printers & Publishers Biographies.<br />
In order <strong>of</strong> <strong>catalogue</strong> appearance<br />
STEREOVIEWS:<br />
Henry Alden<br />
Henry Alden, Printer, bookseller, stationer and music seller, depot <strong>of</strong> British and Foreign<br />
Bible Society and English and Foreign Library Co. Ltd is at 35 Cornmarket 1867-1928.<br />
Known as Alden & Co., Printers, publishers, stationers & booksellers by 1890. In 1911, “The<br />
Isis (Alden & Co. Limited, printers, booksellers &c)” is added.<br />
W.H. Wheeler<br />
W.H. Wheeler worked with Henry Taunt at 106 High Street from at least 1861 when it was<br />
Wheeler James. By 1866, the firm was known as Wheeler & Day and became W.H.<br />
Wheeler’s in 1872.<br />
Rotary Photographic Company<br />
Rotary Photographic Company London was a branch <strong>of</strong> NPG Germany,10&11 Austinfriars<br />
99, Berlin. Cards made by this company have been found dated as early as 1908 into the mid<br />
1920s. A young East Prussian, Arthur Schwarz, founded NPG in 1894, renting a building in<br />
Schöneberg near Berlin. He marketed photographs and supplies, including stereoscopes.<br />
Within three years NPG had outgrown its rented quarters and Schwarz purchased a spacious<br />
complex in Berlin-Steglitz. At its peak, the company was a pioneer in color photography, had<br />
more than 1000 employees, and included subsidiary <strong>of</strong>fices in London, Paris, Rome, and New<br />
York. Due to the impact <strong>of</strong> the war, NPG closed the Steglitz plant in the winter <strong>of</strong> 1921-22,<br />
and its name passed to a firm in Dresden.<br />
Alexander Washington Wilson<br />
The illegitimate son <strong>of</strong> George Washington Wilson, Alexander was born in 1842. His mother,<br />
Isabella Johnstone, was a farmer’s daughter who refused to marry the boy’s father. Wilson<br />
père took full responsibility for the boy throughout his upbringing and taught him everything<br />
he knew about photography During the 1860’s, Alexander moved to Leamington Spa where,<br />
with capital from his father, he established himself as a photographer and a bookseller. [Roger<br />
Taylor, George Washington Wilson: Artist and Photographer, 1981].<br />
Hills and Saunders<br />
Hills and Saunders is one <strong>of</strong> the longest- established names in photography and is in operation<br />
today. Robert Hills and his brother-in-law Henry Saunders were hairdressers and wig<br />
makers in <strong>Oxford</strong>, but quickly realized the potential photography had as a new form <strong>of</strong> artistic<br />
expression and commercial venture. They opened their first studio in Harrow-On-The- Hill in<br />
1852. Over the years they opened studios in <strong>Oxford</strong>, Cambridge, Harrow, Eton, Sandhurst,<br />
Aldershot and Rugby. Robert Hills formally established his first commercial photographic<br />
premises in <strong>Oxford</strong> at 16 Cornmarket Street in 1856, <strong>Oxford</strong>, and was trading as Hills &<br />
Saunders from at least 1861. They became one <strong>of</strong> the key photographers <strong>of</strong> Victorian society<br />
and several <strong>of</strong> their images are on display in the National Portrait Gallery. Robert Hills and<br />
John Henry Saunders were appointed as photographers to Edward Prince <strong>of</strong> Wales in 1863<br />
while he was at <strong>Oxford</strong> University shortly followed by the opening <strong>of</strong> their <strong>Oxford</strong><br />
Photographic Gallery in Eton in around 1863. From then on their business flourished, and<br />
they were in constant demand when the Court was in residence at Windsor, proudly receiving<br />
their first Royal Warrant from HRH Queen Victoria in 1867.<br />
Philip H. Delamotte<br />
Philip H. Delamotte (1821 - 1889) Philip Delamotte was a calotype photographer, and one <strong>of</strong><br />
the first to use photography for documentary purposes. Delamotte was commissioned to<br />
document Crystal Palace and in 1855 he published his two volume work entitled<br />
"Photographic Views <strong>of</strong> the Progress <strong>of</strong> the Crystal Palace, Sydenham", containing 160<br />
architectural photographs.
Joseph Cundall<br />
Joseph Cundall was Delamotte's publisher, and it was at his house that one <strong>of</strong> the first<br />
commercial photographic exhibitions took place, with some 350 photographs available for<br />
sale. Together with Roger Fenton he founded the Calotype Club in London. He taught<br />
drawing to members <strong>of</strong> the Royal Family, and later he was appointed Pr<strong>of</strong>essor <strong>of</strong> Drawing at<br />
King's College, London. Delamotte also wrote a book entitled "The practice <strong>of</strong> photography:<br />
a manual for students" - a work which went into its third edition.<br />
Spiers & Son<br />
Spiers & Son were stationers, desk & dressing-case makers, and had general fancy warehouse<br />
in 102 & 103 High Street from 1834-1890.<br />
Realistic Travels<br />
Realistic Travels was founded by H. D. Girdwood and produced high quality stereographs for<br />
British audiences. They made set <strong>of</strong> stereoviews <strong>of</strong> 600, 500, 400 300, 200, and 100 views,<br />
with sub sets <strong>of</strong> 25 and 32 images. The company was known to be in operation from 1908 to<br />
1916, but cards were produced into the 1920s under the name Realistic Travels.<br />
S. Thompson<br />
Little is know about Thompson and only five views <strong>of</strong> England by Stephen Thompson are<br />
recorded by Treadwell - they are exceptionally rare. Thompson worked with a team <strong>of</strong><br />
photographers that included William Russell Sedgfield and lead by photographer William<br />
England, on a series <strong>of</strong> 350 stereoviews <strong>of</strong> the 1862 International Exhibition.<br />
Thomas Shrimpton<br />
Thomas Shrimpton was a book and print seller and publisher whose shop was at 23 & 24<br />
Broad Street, <strong>Oxford</strong>.<br />
Alfred R. Mowbray<br />
Alfred R. Mowbray was a photographer and bookseller who operated from No. 2 Cornmarket<br />
Street, <strong>Oxford</strong> c. 1859-1867. A R Mowbray and Co<br />
Founded in <strong>Oxford</strong> in 1858 by Alfred R Mowbray (1824-75) as religious booksellers and<br />
suppliers <strong>of</strong> ecclesiastical fittings and perquisites <strong>of</strong> all kinds (including glass), the firm’s<br />
works and shop were there. A London branch, opened in 1873, was for many years in<br />
Margaret Street. Their work continued almost unchanged well into the C20, as a <strong>catalogue</strong> <strong>of</strong><br />
their wares <strong>of</strong> 1926 shows and they supplied mainly churches <strong>of</strong> an Anglo-Catholic<br />
persuasion. The ecclesiastical fittings business was taken over by J Wippell and Co in the<br />
1970s, but the name survives as a separate entity for religious works within Hatchard's<br />
bookshop in Piccadilly, like Mowbray’s now part <strong>of</strong> the Waterstones chain. In later years<br />
they did not design the goods they sold, but commissioned others, though few can be credited<br />
to a name. Among designers <strong>of</strong> glass they used A L Ward.<br />
The London Stereoscopic and Photographic Company<br />
The London Stereoscopic and Photographic Company began in 1854 as the London<br />
Stereoscope Company (LSC),u nder the leadership <strong>of</strong> Managing Partner George Swan<br />
Nottage from 1856 was known as the London Stereoscopic Company and was operating from<br />
54 Cheapside, and from May 1859 as the London Stereoscopic and Photographic Company. It<br />
closed in 1922.<br />
Underwood & Underwood<br />
The Underwood & Underwood Company started in 1882 in Ottawa, Texas, when two<br />
brothers, Elmer and Bert Underwood, started a business <strong>of</strong> house-to-house distribution <strong>of</strong><br />
stereoviews. Within a few years, they had a distribution network covering most <strong>of</strong> the United<br />
States and later included subjects from around the world. In the early 1890s Bert Underwood,<br />
who had never taken a photograph, took lessons in photography, which allowed him to<br />
introduce a high standard <strong>of</strong> quality in the choice <strong>of</strong> subjects and in photography composition<br />
and interest. By 1901, Underwood & Underwood was by far the largest publisher, with a<br />
production <strong>of</strong> 25,000 stereoviews per day and 300,000 stereoviewers per year. The total<br />
number <strong>of</strong> titles issued is estimated to be between 30,000 and 40,000. In 1902, they bought<br />
the Strohmeyer and Wyman publishing company, which had been publishing views with
Underwood & Underwood copyright. In 1912, Underwood sold the rights to most <strong>of</strong> its<br />
negatives to Keystone, and few titles were published after that date. In 1923, the remaining<br />
stock were transferred to Keystone and Underwood ceased all stereoscopic activities.<br />
Most Underwood views were published on tan mount, although later views used harder dark<br />
gray mounts, which had been introduced by Keystone. This view was published by<br />
Strohmeyer and Wyman with Underwood & Underwood copyright are included in this<br />
section <strong>of</strong> the catalog. Aside from the publisher's name they are indistinguishable in style,<br />
presentation and captions. Many views were published under both names. Most Underwood<br />
views were not numbered.<br />
In terms <strong>of</strong> subject coverage, Underwood is eclectic and strong in all areas. The focus is on<br />
quality and interest <strong>of</strong> the photography, with no particular area <strong>of</strong> specialization. The whole<br />
range <strong>of</strong> civilian and military topics is covered in all their details, from city views, rivers and<br />
harbors, rural scenes and people to American soldiers, shooting and battle scenes, prisoners,<br />
dead soldiers and hospitals. As is typical <strong>of</strong> the time, many captions are condescending and<br />
sometimes outrageously arrogant or racist. Captions <strong>of</strong> military views are nationalistic and<br />
praise the valor <strong>of</strong> American soldiers, and tend to belittle the Insurrectos.<br />
PHOTOGRAPHS:<br />
George P. Day<br />
George P. Day operated from 1872-1876 in 95 High Street (presumably breaking away from<br />
Wheeler & Day). Wheeler & Day operated from 1866-1871 at 106 High Street after they<br />
bought Edward Bracher’s business . In 1872, they appear to have split into two separate<br />
businesses, with Wheeler remaining at 106 and Day moving into 95 High Street<br />
George Washington Wilson<br />
George Washington Wilson (7 February 1823 - 9 March 1893) was a pioneering Scottish<br />
photographer. Pioneering the development <strong>of</strong> techniques for photography outside <strong>of</strong> the<br />
studio and the mass production <strong>of</strong> photographic prints, he moved increasingly from<br />
portraiture to landscape photography in the 1860s. He also produced stereoscopic pictures<br />
whose main characteristic was that exposures were very short. By 1864 he claimed to have<br />
sold over half a million prints. At the time <strong>of</strong> his death in 1893 (he had handed over the<br />
business to his sons, Charles, Louis and John Hay Wilson in 1888) the firm employed 40 staff<br />
and was one <strong>of</strong> the largest publishers <strong>of</strong> photographic prints in the world, competing with<br />
James Valentine, who was also a prolific photographer, with a large company in Dundee. The<br />
business survived until 1908, when it was wound up at auction.<br />
George Walker<br />
George Walker, stationer, bookseller and friend <strong>of</strong> Wilson tells us that in 1855 'stereoscopic<br />
views began to appear at this time, and Wilson experimented. Early views by Wilson,<br />
although his technique was not perfected, found a ready market at 2/- (15 cents) each. This<br />
was the period when the railways were opening up what until then had been far-flung areas to<br />
tourism, and one <strong>of</strong> the first regions to feel the benefit <strong>of</strong> a vast influx <strong>of</strong> tourists (all wanting<br />
photograpic souveniers) was the Trossachs and Loch Katrine immortalized by Sir Walter<br />
Scott in his epic work 'The Lady <strong>of</strong> the Lake'.<br />
Gillman & Co<br />
Gillman & Co, eventually to become Gillman and Soame, were another major photographic<br />
company that is still operating today. Charles Gillman first had his shop in 1882 at 107 St.<br />
Aldate's. The first mention <strong>of</strong> Gillman and Co. is in 1880. In 1891, Gillman & Co received<br />
royal recognition with their appointment to HRH The Prince <strong>of</strong> Wales. In 1931, they<br />
incorporated George Leslie's photographic studios and were based at 16 Cornmarket Street.<br />
In 1932, they incorporated Hills and Saunders and by 1938 they were based in 56 High Street<br />
and 30 Cornmarket. The company specialised in group portraits and sporting scenes.<br />
W.A. Mansell & Co<br />
W.A. Mansell & Co. were photographers and fine art publishers in London on <strong>Oxford</strong> Street.
Henry Taunt<br />
Henry Taunt was born William Henry Taunt in St Ebbe's, <strong>Oxford</strong>, in 1842, the son <strong>of</strong> a<br />
plumber and a domestic servant, he reversed the order <strong>of</strong> his forenames in adult life and<br />
became Henry William. His schooling was brief and he worked for several years before<br />
joining the <strong>Oxford</strong> photographer, Edward Bracher, in 1856. He set up his own photographic<br />
business Taunt & Co in 1868 and ran it until his death at the age <strong>of</strong> 80 in 1922. His firm took<br />
more than 60,000 photographs during that time, creating an unrivalled record <strong>of</strong> Victorian and<br />
Edwardian <strong>Oxford</strong> and <strong>Oxford</strong>shire and the River Thames from source to sea.<br />
Henry Taunt's black and white photographs consist primarily <strong>of</strong> views <strong>of</strong> <strong>Oxford</strong>, (together<br />
with surrounding counties) and the River Thames. The producer <strong>of</strong> the first ever guide book<br />
<strong>of</strong> the Thames to be illustrated with photographs Taunt played a vital part in establisihing the<br />
river as an area for recreation after the Thames above London lost most <strong>of</strong> its freight traffic to<br />
the increasing rail network. Jerome K. Jerome's novel, 'Three Men in a Boat', reflects this<br />
change from haulage to leisure which Taunt help establish through his photographs, books<br />
and illustrated lectures.<br />
Photographing the river, or indeed anywhere, in the 1860's was an extremely complex task.<br />
The wet collodion process, invented by Frederick Scott Archer, was the best means to capture<br />
negative images on glass until the end <strong>of</strong> the 1870s and required the plates to be prepared,<br />
exposed and processed while the emulsion was still damp. The process required Taunt to row<br />
his skiff to a location, set up his dark tent, set up his camera and tripod, sensitise and coat the<br />
glass plate, immediately make the two or three second exposures, develop and fix the images,<br />
wash them in river water, dry them and then row back to his lodgings or set up camp with his<br />
assistants. Henry Taunt was at the cutting edge <strong>of</strong> Victorian location photographic<br />
technology.<br />
In Henry Taunt's life-time the population <strong>of</strong> <strong>Oxford</strong> grew from around 24,000 to 57,000. It<br />
was a period <strong>of</strong> momentus change <strong>of</strong> which Taunt was there to document. Brought up in St.<br />
Ebbe's, he had a real interest in recording the less picturesque corners <strong>of</strong> <strong>Oxford</strong>; as a<br />
commercial photographer proud <strong>of</strong> his city, he also responded to the growing demand for<br />
photographs and later postcard views <strong>of</strong> <strong>Oxford</strong>'s architectural treasures.<br />
A prolific local historian, he published over 50 books on <strong>Oxford</strong> and its surrounding area.<br />
Interestingly Taunt was well aware <strong>of</strong> the value <strong>of</strong> his work as a historical record: "All<br />
photographs have some limited historical value; those taken today will many <strong>of</strong> them be much<br />
wanted in fifty years time" (1918, quoted in S Read, Berkshire in Camera). In 1893 he was<br />
elected Fellow <strong>of</strong> the Royal Geographical Society, possibly in belated recognition <strong>of</strong> his New<br />
Map <strong>of</strong> the Thames first published 20 years earlier.<br />
Taunt dedicated his life to photography, but his numerous publications demonstrate his varied<br />
interests. He was typical self made Victorian, rising from humble begginings to become a true<br />
entrepreneur. A brilliant self-publicist and showman, he gave his occupation in the 1891<br />
census, while resident in Broad Street as 'Artist in water colours, photographer, author,<br />
designer, lecturer, lantern-slide maker, picture-frame maker, gold-blocker and printer,<br />
publisher, mount cutter, ornmamental card maker, entertainer, gilder'<br />
Glossary <strong>of</strong> Terms<br />
Albumen paper, called so because it was prepared with egg whites, became the most popular<br />
printing material after its invention in 1850 by Louis-Desire Blanquart-Evrard and it remained<br />
in general use until about 1895. The paper was coated in egg white that was dissolved in<br />
potassium bromide and acetic acid. When dry the paper was floated in a solution <strong>of</strong> silver<br />
nitrate and then dried. It could be bought partly prepared, i.e. coated with a thin film <strong>of</strong> white<br />
<strong>of</strong> egg and was then sensitized with silver nitrate solution by the photographer. Manufacturers<br />
sold readied coated paper. The number <strong>of</strong> eggs being used by albumen paper manufactures<br />
was enormous; girls in factories did nothing all day but separate the whites from the yolks. It<br />
was stated that the Dresden Albumizing Company, the largest in the world, used 60,000 eggs<br />
a day (Newhall 196).
Prints on albumen paper were made by contact printing negatives. After the paper had been<br />
exposed and developed it was toned a rich gold brown in gold chloride and then fixed in<br />
hypochloride. Toning with chloride <strong>of</strong> gold checked fading and produced a sepia effect,<br />
avoiding the unattractive reddening to which the paper was prone. The popularity <strong>of</strong> this<br />
paper is demonstrated in the work in this <strong>catalogue</strong> as the majority <strong>of</strong> the prints in this show<br />
are albumen prints. (Phaidon.1997)<br />
Gelatin silver print, The standard contemporary monochrome print. The paper, first<br />
introduced in 1882, is treated with the same process as the gelatin dry-plate process.<br />
Following the introduction <strong>of</strong> the gelatin silver print in 1882, the demand for albumen prints<br />
slowed down and by 1895 they had been replaced by this faster and more flexible method <strong>of</strong><br />
printing.<br />
Bibliography<br />
Diprose, Graham and Jeff Robins. The River Thames Revisited: In the Footsteps <strong>of</strong> Henry<br />
Taunt. Francis Lincoln Limited, 2007.<br />
Graham, Malcolm. Henry Taunt <strong>of</strong> <strong>Oxford</strong>: A Victorian Photographer. The <strong>Oxford</strong> Illustrated<br />
Press, 1973.<br />
Graham, Malcolm. “<strong>Oxford</strong> in the 1850’s: Reminiscences <strong>of</strong> Henry Taunt.” Topoxon, vol.<br />
18, pages 11-18, 1973.<br />
Jeffery, Ian. The Photography Book. Phaidon Press Ltd, 2000.<br />
Newhall, Beaumont. The History <strong>of</strong> Photography. The Musuem <strong>of</strong> Modern Art, 1982.<br />
Williams, Val and Susan Bright. How We Are Photographing Britain: From the 1840s to the<br />
Present, Tate Publishing, 2007.<br />
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