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Stereoviews catalogue.pdf - Sanders of Oxford

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<strong>Sanders</strong> <strong>of</strong> <strong>Oxford</strong><br />

RARE PRINTS & MAPS<br />

<strong>Oxford</strong> <strong>Stereoviews</strong> & Photographs<br />

Exhibition 27.07.2012 – 12.08.2012


Following our two previous <strong>Oxford</strong> in Photo exhibitions, this summer we present a<br />

further collection <strong>of</strong> <strong>Oxford</strong> photographs <strong>of</strong> interesting and unusual views <strong>of</strong> the city<br />

and colleges, alongside a large selection <strong>of</strong> stereoviews <strong>of</strong> <strong>Oxford</strong>. Amassed over the<br />

past year our collection <strong>of</strong> over 100 stereoviews includes examples from as early as<br />

the 1850s running into the 20 th century, including albumen and silver gelatin prints.<br />

Inherently magical, stereoviews are important records <strong>of</strong> places, events and <strong>of</strong> early<br />

photography prior to the moving image.<br />

By the middle <strong>of</strong> the 1860’s there were seventeen photographers working in <strong>Oxford</strong><br />

providing portraits, views, University sporting scenes and albums. One could buy<br />

individual photos, albums made to order, get one’s portrait done and commission<br />

group portraits. Photos could be purchased loose or mounted on card in a variety <strong>of</strong><br />

sizes. With an existing market <strong>of</strong> well to do gentleman with money to spend and an<br />

ever-increasing tourist trade, <strong>Oxford</strong> was one <strong>of</strong> the most lucrative places to be a<br />

photographer. Consequently the famous University city was one <strong>of</strong> the most<br />

photographed cities in England if not the world during the Victorian period.<br />

Photography in the nineteenth century became a pr<strong>of</strong>itable pr<strong>of</strong>ession for many;<br />

photographs held mass appeal, especially when technology increased their<br />

accessibility. Magic lantern shows and itinerate photographers travelled the country,<br />

as did the “new tourists” eager for souvenirs. Henry Taunt noted that when working<br />

for Edward Bracher, <strong>Oxford</strong>’s first commercial photographer, that “ many a night I<br />

have had to sit up a mount them [stereoscopic views] to supply the demand…”.<br />

<strong>Stereoviews</strong> (also known as stereoscopic views or stereocards) recreate the illusion <strong>of</strong><br />

depth by taking advantage <strong>of</strong> the binocularirty <strong>of</strong> human vision. As our eyes are set<br />

apart each one sends a slightly different image <strong>of</strong> the world to the brain. The brain<br />

then combines these images into one, a phenomenon that enables us to “see” ever so<br />

slightly, around the sides <strong>of</strong> objects, providing spatial depth and dimension.<br />

Stereoscopic views consist <strong>of</strong> two nearly twin photographs - one for the left eye, one<br />

for the right. When they are viewed through a special lens arrangement (a<br />

stereoscope) the brain combines the two flat images and we “see” the illusion <strong>of</strong><br />

three-dimensional objects.<br />

The production <strong>of</strong> binocular images preceded photography and examples <strong>of</strong> this can<br />

be seen as early as the late 16 th century. Giovanni Battista della Porta (1538-1615)<br />

created binocular drawings, whilst at about the same period Jacopo Chimenti da<br />

Empoli (1554-1640) produced sketches side by side, which clearly indicated his<br />

understanding <strong>of</strong> binocular vision. The first stereoscopic viewer (stereoscope) was<br />

patented in 1838 by Sir Charles Wheatstone. His device used mirrors to create and<br />

project a 3-dimensional image to the person looking into the device. It was rather<br />

bulky and ungainly, however, and could only be used to view drawings. In 1844, the<br />

art <strong>of</strong> taking stereoscopic photographs was first demonstrated in Germany, and David<br />

Brewster, in Scotland, created the first <strong>of</strong> the modern stereoscopic viewers. The most<br />

common process for making stereoscopic cards was through albumen photograph<br />

processing, daguerreotype images being very rare.<br />

The advent <strong>of</strong> photography catapulted stereoviews into the mainstream and after<br />

Queen Victoria and Prince Albert praised those on view at the 1851 Great Exhibition<br />

they exploded into popularity. This signalled the beginning <strong>of</strong> a huge trade in<br />

stereoscopes and stereocards. Much like the VCR at the end <strong>of</strong> the 20 th century at the<br />

end <strong>of</strong> the 19 th century it was the stereoscope that was the must-have item, with over a<br />

million homes estimated to have owned a stereoviewer by the mid eighteen-fifties.


Although stereoviews were produced <strong>of</strong> a wide range <strong>of</strong> subjects they really<br />

flourished within the tourism industry and it was the views <strong>of</strong> famous buildings,<br />

towns and street scenes that were by far the most popular. The views began to be<br />

printed with information about the image on the back and included in guidebooks <strong>of</strong><br />

various cities.<br />

Early stereoviews and most Victorian photographs were not signed or marked by their<br />

makers. As a result in many cases we have had to attribute makers based on the names<br />

pasted in albums and circa dates, as photos would have been reprinted over a number<br />

<strong>of</strong> years. We have used the types <strong>of</strong> paper and changes to buildings shown in the<br />

photos to assist us in the dating process.<br />

This collection is a good reflection <strong>of</strong> a range <strong>of</strong> photographers, manufacturers and<br />

subject matter. Although frequently depicting typical views <strong>of</strong> the tourist attractions<br />

<strong>of</strong> the city, some <strong>of</strong> the stereoviews and photographs in this collection focus on more<br />

unusual scenes and subject matter, providing a thorough and detailed record <strong>of</strong><br />

<strong>Oxford</strong> during the Victorian era.


STEREOVIEWS<br />

All Souls College<br />

Balliol College<br />

1. [The Reredos, All Souls, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 78 x 77 mm each mounted to a<br />

card 84 x 172 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> All<br />

Souls Chapel.<br />

Title written in ink on the front <strong>of</strong> the<br />

card in ink not affecting image. Stamp<br />

on verso which read P.H. Thomas,<br />

M.P.S. Chemist, 9 Oct 1966 6 High<br />

Street Purtob Tel 294. Purton is in<br />

Wiltshire.. [28680]<br />

£12<br />

3. [Balliol College Hall]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 70 x 63 mm mounted to a card<br />

83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Balliol College Hall.<br />

[28614]<br />

£18<br />

2. Chinese Towers, All Souls, <strong>Oxford</strong><br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> All Souls College.<br />

[28639]<br />

£15<br />

4. [The Gardens, Bailliol College]<br />

Albumen photograph<br />

W.H. Wheeler<br />

Wheeler, 106 High Street, <strong>Oxford</strong>. [c.<br />

1872]<br />

Image 69 x 69 mm each mounted to<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> The Gardens at<br />

Bailliol College. Manuscript title note<br />

on verso. Wheeler blind stamp on<br />

front. [28431]<br />

£15<br />

Brasenose College


5. 55.Brasenose College Quadrangle :<br />

Eastside<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 75 x 67 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

An excellent early stereoview <strong>of</strong><br />

Brasenose College Quadrangle.<br />

Small printed title and description label<br />

on purple paper on verso. [28674]<br />

£28<br />

6. [Brasenose College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 76 x 72 each mounted to a card<br />

83 x 174 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> Brasenose<br />

College. [28647]<br />

£28<br />

7. 30389 F <strong>Oxford</strong>, Brasenose<br />

College, and Dome <strong>of</strong> the Camera<br />

Bodleiana.<br />

Silver gelatin print<br />

Rotary Photo, E.C.<br />

London, c. 1920.<br />

Image 75 x 68 mm each, whole card<br />

measures 87 x 177 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Brasenose College<br />

where the whole card is one large<br />

silver gelatin print.<br />

[28450]<br />

£15<br />

Christ Church College<br />

8. 231. <strong>Oxford</strong>, Christchurch, Tom<br />

Gate<br />

Albumen photograph<br />

Anonymous<br />

c. 1880<br />

Image 77 x 144 mm mountedto a card<br />

83 x 177 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Tom Tower from St.<br />

Aldates. Title in image. [28458]<br />

£18<br />

9. [Broad Walk, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 74 x 134 mm mounted to a card<br />

83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the Broad Walk.<br />

[28622]<br />

£15<br />

10. [Christ Church Cathedral]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870


Image 78 x 66 mm mounted to a card<br />

83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Christ Church<br />

Cathedral from the gardens.<br />

Condition: Small loss to the bottom <strong>of</strong><br />

the right image. [28616]<br />

£15<br />

E/=G. +R./ 1857.11.30 with printed<br />

lable on verso. [28868]<br />

£20<br />

11. [Christ Church Cathedral,<br />

<strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 78 x 77 mm each mounted to a<br />

card 84 x 172 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> Christ<br />

Church Cathedral.<br />

Title written in ink on the front <strong>of</strong> the<br />

card in ink not affecting image. Stamp<br />

on verso which read P.H. Thomas,<br />

M.P.S. Chemist, 9 Oct 1966 6 High<br />

Street Purtob Tel 294. Purton is in<br />

Wiltshire. [28681]<br />

£12<br />

12. Christ Church, Quadrangle,<br />

<strong>Oxford</strong>.<br />

Albumen Photograph<br />

Anonymous<br />

c. 1857<br />

Image 74 x 63 mm each mounted to a<br />

card 85 x 170 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> Tom Quad with<br />

the Cathedral spire in the background.<br />

Initialed and date in ink on verso<br />

13. [Interior <strong>of</strong> Christ Church<br />

Cathedral]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 80 x 73 mm each mounted to a<br />

card 84 x 175 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> Christ<br />

Church Cathedral. [28584]<br />

£15<br />

14. [The Broad Walk]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 74 x 67 mm mounted to a card<br />

83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> The Broad Walk.<br />

[28617]<br />

£15<br />

15. [Christ Church, The Cloisters]<br />

Albumen Photograph<br />

A. L. Coke<br />

Published by F. Jones, London


Image 79 x 77 mm each mounted to a<br />

card 83 x 172 mm<br />

unmounted<br />

A stereoview <strong>of</strong> The Cloisters, Christ<br />

Church.<br />

[28385]<br />

£15<br />

16. Christ Church Cathedral, <strong>Oxford</strong>:<br />

The Latin Chapel and Shrine <strong>of</strong> St.<br />

Frideswide. No. 185<br />

Albumen Photograph<br />

Alexander Wilson<br />

Alexander Wilson, Photographer,<br />

Leamington<br />

Image 80 x 75 mm each mounted to a<br />

card 85 x 174 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> Christ<br />

Church Cathedral<br />

A printed paper lable on verso.<br />

[28679]<br />

£15<br />

17. The Cathdedral, <strong>Oxford</strong><br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> Christ<br />

Church Cathedral.<br />

[28624]<br />

£15<br />

18. The Cathedral, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> Christ<br />

Church Cathedral.<br />

[28630]<br />

£15<br />

19. [Christ Church]<br />

Albumen Photograph<br />

Hills & Saunders<br />

Hills & Saunders, c. 1870<br />

Image 80 x 76 mm each mounted to a<br />

card 84 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Christ Church by Hill<br />

and Saunders. Hills and Saunders<br />

blindstamp on front <strong>of</strong> the card.<br />

[28644]<br />

£20<br />

20. (20) Christ Church College,<br />

<strong>Oxford</strong>.<br />

Albumen Photograph<br />

Philip H. Delamotte


Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the Catherdral tower<br />

and Spire from Tom Quadrangle.<br />

Printed lable on verso.<br />

[28437]<br />

£20<br />

A stereoview Tom Tower from St.<br />

Aldate’s.<br />

Printed lable on verso.<br />

[28438]<br />

£25<br />

21. (20) Christ Church College,<br />

<strong>Oxford</strong>.<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the Catherdral tower<br />

and Spire from Tom Quadrangle.<br />

Printed lable on verso.<br />

[28444]<br />

£20<br />

23. (56) Christ Church College,<br />

<strong>Oxford</strong>, West Front.<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview Tom Tower from St.<br />

Aldate’s.<br />

Prtinted lable on verso.<br />

[28439]<br />

£25<br />

Corpus Christi College<br />

22. (56) Christ Church College,<br />

<strong>Oxford</strong>, West Front.<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

24. [Corpus Christi College, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 74 x 67 mm mounted to a card<br />

83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Corpus Christi<br />

College.<br />

[28618]<br />

£18


25. (15) Corpus Christi College.<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview the first quadrangle<br />

looking towards the entrance gate.<br />

Printed lable on verso.<br />

[28446]<br />

£25<br />

Exeter College<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 77 x 70 each mm mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> Exeter<br />

College Chapel. [28623]<br />

£15<br />

28. Interior <strong>of</strong> Exeter Chapel, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> Exeter<br />

College Chapel.<br />

[28638]<br />

£15<br />

26. [Exeter College Chaple]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 79 x 68 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> Exeter<br />

College Chapel. [28583]<br />

£15<br />

27. [Interior <strong>of</strong> Exeter College<br />

Chapel, <strong>Oxford</strong>]<br />

29. [Interior Exeter College Chapel]<br />

Albumen photographs<br />

Robert Hills<br />

Hills, Photographer, <strong>Oxford</strong><br />

Image 77 x 71 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the Interior <strong>of</strong> Exeter<br />

College.<br />

This stereoview is blindstamped Hills<br />

Photographer <strong>Oxford</strong>, placing the date<br />

<strong>of</strong> this stereoview between 1856-1861.<br />

[28387]<br />

£15


Jesus College<br />

30. [Interior Exeter College Chapel]<br />

Albumen photographs<br />

Robert Hills<br />

Hills & Saunders, <strong>Oxford</strong>, c.1865.<br />

Image 77 x 71 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> Exeter<br />

College Chapel with Hills & Saunders,<br />

<strong>Oxford</strong>, blindstamp on forn Blue label<br />

n verso that reads Exeter College,<br />

<strong>Oxford</strong>. A.D. 1314. Dated 1865 in ink<br />

This stereoview is blindstamped Hills<br />

Photographer <strong>Oxford</strong>, placing the date<br />

<strong>of</strong> this stereoview between 1856-1861.<br />

[28388]<br />

£15<br />

32. [Jesus College, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Robert Hills<br />

Hills Photographer, <strong>Oxford</strong>. c. 1856<br />

Image 66 x 131 mm mounted to a card<br />

82 x 178 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> the exterior <strong>of</strong><br />

Jesus College looking south down Turl<br />

Street, mounted on blue card with gilt<br />

edges.<br />

This stereoview is blindstamped Hills<br />

Photographer <strong>Oxford</strong>, placing the date<br />

<strong>of</strong> this stereoview between 1856-1861.<br />

Condtion: Small loss to card on upper<br />

right not affecting images. [28853]<br />

£20<br />

Magdalen College<br />

31. 30389 I <strong>Oxford</strong>, Exeter College<br />

Chapel.<br />

Silver gelatin print<br />

Rotary Photo, E.C.<br />

London, c. 1920.<br />

Image 75 x 68 mm each, whole card<br />

measures 87 x 177 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Exeter College Chapel<br />

where the whole card is one large<br />

silver gelatin print.<br />

[28449]<br />

£15<br />

33. [Magdalen College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 78 x 66 mm mounted to a card<br />

83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Magdalen College<br />

Tower. [28615]<br />

£25


34. [Magdalen College from the<br />

Botanic Gardens]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 72 x 65 mm mounted on a card<br />

84 x 174 mm<br />

unmounted<br />

An early stereoview showing<br />

Magdalen College Tower from the<br />

Bontanic Gardens.<br />

Condition: some light soiling on the<br />

card [28586]<br />

£25<br />

35. [Magdalen College, from within<br />

the Cloisters]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 71 x 66 mm each mounted on a<br />

card 83 x 173 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> Magadalen<br />

Cloisters. Printed lable with<br />

description pasted to verso. [28603]<br />

£18<br />

Magdalen College Crest and motto<br />

affixed to the back <strong>of</strong> the card.<br />

[28620]<br />

£20<br />

37. [Magdalen College, Pugin’s Gate]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 70 x 59 mm each mounted to a<br />

card 84 x 174 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> Pugin’s Gate,<br />

Magdalen College. [28585]<br />

£20<br />

38. [Magdalen College, The Cloister<br />

Tower]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 71 x 68 mm each mounted on a<br />

card 83 x 173 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> Magadalen<br />

Cloister Tower. [28604]<br />

£18<br />

36. [Magdalen College, <strong>Oxford</strong><br />

Pugin’s Gate]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 68 x 131 mm mounted to a card<br />

83 x 173 mm<br />

unmounted<br />

An unusual early stereoview <strong>of</strong><br />

Magdalen College with an embossed<br />

39. [Magdalen Tower West, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860


Image 70 x 69 mm each mounted on a<br />

card 83 x 173 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> Magadalen<br />

Tower from the High Street. Title<br />

written on verso.<br />

Condition: Some fading to right image<br />

and two small marks in the same<br />

image. [28602]<br />

£18<br />

40. [The New Buildings, Magdalen<br />

College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 72 x 63 mm each mounted on a<br />

card 83 x 173 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> the New<br />

Buildings, Magdalen College. [28605]<br />

£18<br />

41. Addison’s Walk, Magdalen<br />

College, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Addison’s Walk,<br />

Magdalen College.<br />

[28625]<br />

£15<br />

42. Magdalen College from the<br />

Bridge, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Mgadalen College<br />

Tower from the bridge.<br />

[28628]<br />

£25<br />

43. Tower <strong>of</strong> Magdalen from the<br />

Bontaic Gardens, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the Tower <strong>of</strong><br />

Magdalen College from the Botanic<br />

Gardens.<br />

[28637]<br />

£20


44. Tower <strong>of</strong> Magdalen from Botanic<br />

Gardens, <strong>Oxford</strong><br />

Albumen Photograph<br />

Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Magdalen College<br />

Tower with a paper H. Alden lable on<br />

verso.<br />

[28460]<br />

£20<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the entrance<br />

Addison’s Walk, Magdalen College.<br />

Printed lable on verso.<br />

Condition: Title written in ink on front<br />

under images in a contemporary hand.<br />

[28669]<br />

£20<br />

45. (46) Entrance to Magdalen<br />

College<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

[Published by Spiers & Son, 102 &<br />

103 High Street, <strong>Oxford</strong>, Corner <strong>of</strong><br />

Oriel Street c. 1850]<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview Entrance to Magdalen<br />

College.<br />

Printed lable on verso.<br />

[28440]<br />

£25<br />

47. (58) Magdalen Tower, <strong>Oxford</strong>,<br />

from the River Cherwell<br />

Silver gelatine print<br />

Realistic Travels<br />

Realistic Travels, London, Cape Town,<br />

Bombay, Melbourne, Toronto [<br />

Image 81 x 77 each mounted on a card<br />

88 x 177 mm<br />

A stereoview <strong>of</strong> Magdalen Tower from<br />

the Cherwell.<br />

[28442]<br />

£20<br />

46. (49) Addison’s Walk, Magdalen<br />

College.<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

48. [Magdalen College Cloisters,<br />

<strong>Oxford</strong>]<br />

Albumen Photograph<br />

Robert Hills<br />

Hills Photographer, <strong>Oxford</strong>. c. 1856<br />

Image 69 x 132 mm mounted to a card<br />

82 x 178 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> the Magdalen<br />

College Cloisters on blue card with gilt<br />

edges. Blinstamped Hills<br />

Photographer <strong>Oxford</strong> on front.


This stereoview is blindstamped Hills<br />

Photographer <strong>Oxford</strong>, placing the date<br />

<strong>of</strong> this stereoview between 1856-1861.<br />

Condtion: Small loss to card on upper<br />

right not affecting images. [28850]<br />

£20<br />

Merton College<br />

49. Saint Mary Magdalene College,<br />

<strong>Oxford</strong><br />

Albumen Photograph<br />

S. Thompson<br />

Published by T. and G. Shrimpton,<br />

Broad Street, <strong>Oxford</strong>. [n.d. c. 1865]<br />

Image 76 x 68 mm each mounted on a<br />

card 84 x 175 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Magdalen College<br />

looking towards St. Clements. [28164]<br />

£20<br />

51. 36. Part <strong>of</strong> the Merton College,<br />

from the Meadows<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 77 x 67 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> the south front<br />

<strong>of</strong> Merton College from the Meadows.<br />

Small printed title and description label<br />

on purple paper on verso.<br />

Condtion: Images slightly faded.<br />

[28677]<br />

£20<br />

50. (2) Magdalen College, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Magdalen College<br />

Tower from the Botanic Gardens.<br />

Printed lable on verso.<br />

[28436]<br />

£20<br />

52. (35) South Front <strong>of</strong> Merton<br />

College; from the Meadows<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the South Front <strong>of</strong><br />

Merton College with a group <strong>of</strong><br />

students in the foreground.<br />

Printed lable on verso.<br />

Condition: Images slightly faded and<br />

card soiled. [28671]<br />

£20


53. [Merton College, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Robert Hills<br />

Hills Photographer, <strong>Oxford</strong>. c. 1856<br />

Image 71 x 127 mm mounted to a card<br />

82 x 178 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> the North face<br />

<strong>of</strong> Merton College along Merton<br />

Street, mounted on blue card with gilt<br />

edges. Blinstamped Hills<br />

Photographer <strong>Oxford</strong> on front.<br />

This stereoview is blindstamped Hills<br />

Photographer <strong>Oxford</strong>, placing the date<br />

<strong>of</strong> this stereoview between 1856-1861.<br />

Condtion: Small loss to card on upper<br />

right not affecting images. [28852]<br />

£20<br />

55. [New College Quadrangle]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 76 x 71 mm each mounted on a<br />

card 83 x 173 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> New<br />

CollegeQuadrangle [28607]<br />

£20<br />

New College<br />

54. [New College Gateway]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 75 x 66 mm each mounted on a<br />

card 82 x 174 mm<br />

unmounted<br />

A stunning early stereoview <strong>of</strong> New<br />

College Gateway.<br />

[28606]<br />

£25<br />

56. The Chapel, New College, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> New<br />

College Chapel, <strong>Oxford</strong>. [28629]<br />

£15<br />

57. The Chapel, New College, <strong>Oxford</strong><br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]


Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> exterior <strong>of</strong> the Chapel.<br />

Condition: slightly light image with a<br />

mark in the right image. [28641]<br />

£18<br />

58. The Chapel, New College, <strong>Oxford</strong><br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1869]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> exterior <strong>of</strong> the Chapel.<br />

Printed lable on verso. Date dedication<br />

in inkon verso.: Emma Hume from<br />

Julia R. Murray 1869.<br />

Condition: slightly light image with a<br />

mark in the right image. [28673]<br />

£18<br />

59. The Chapel, New College, <strong>Oxford</strong><br />

Albumen Photograph<br />

Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> New College Chapel<br />

with a paper H. Alden lable on verso.<br />

[28969]<br />

£14<br />

60. (13) New College, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the entrance to the<br />

Chapel and Warden’s Lodgings in<br />

New College.<br />

Printed lable on verso.<br />

Condition: Two diagonal creases<br />

through card and photos. [28435]<br />

£12<br />

61. (24) New College, <strong>Oxford</strong><br />

Albumen Photograph<br />

Philip H. Delamotte<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> a scholar in New<br />

College cloisters.<br />

Printed lable on verso.<br />

[28443]<br />

£25<br />

Oriel College<br />

62. Oriel College, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 76 x 144 mm mounted to a card<br />

84 x 174 mm


Unmounted<br />

An early stereoview <strong>of</strong> Queen’s<br />

College [28643]<br />

£28<br />

St. John’s College<br />

An early stereoview <strong>of</strong> the front <strong>of</strong><br />

Oriel College and part <strong>of</strong> Oriel Square.<br />

Paper title pasted to verso. [28648]<br />

£28<br />

63. (11) St. Mary’s Chrurch, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> St. Mary’s Tower and<br />

Spire from Oriel Square.<br />

Printed lable on verso.[28445]<br />

£25<br />

Queens College<br />

64. [High Street, <strong>Oxford</strong>, Queens<br />

College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 75 x 67 mm each<br />

unmounted<br />

65. [St. John’s College, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 72 x 63 mm mounted to a card<br />

83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the front <strong>of</strong> St. John’s<br />

College.<br />

[28619]<br />

£20<br />

66. Second Court, St. John’s <strong>Oxford</strong><br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the Second Court, St.<br />

John’s College.<br />

[28626]<br />

£18


67. [St. John’s College, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Robert Hills<br />

Hills Photographer, <strong>Oxford</strong>. c. 1856<br />

Image 71 x 127 mm mounted to a card<br />

82 x 178 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> the front <strong>of</strong> St.<br />

John’s College mounted on blue card<br />

with gilt edges. Blinstamped Hills<br />

Photographer <strong>Oxford</strong> on front.<br />

Condtion: Small loss to card on upper<br />

right not affecting images. [28851]<br />

£20<br />

unmounted<br />

A stereoview <strong>of</strong> the front University<br />

College.<br />

[28649]<br />

£30<br />

Wadham College<br />

Trinity College<br />

68. 30389 L <strong>Oxford</strong>, Trinity College,<br />

The President’s House and Chapel<br />

Silver gelatin print<br />

Rotary Photo, E.C.<br />

London, c. 1920.<br />

Image 75 x 68 mm each, whole card<br />

measures 87 x 177 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Trinity College where<br />

the whole card is one large silver<br />

gelatin print.<br />

[28453]<br />

£15<br />

70. (45) Front <strong>of</strong> Wadham College.<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview the front <strong>of</strong> Wadham<br />

College.<br />

Printed lable on verso.<br />

[28441]<br />

£25<br />

Worcester College<br />

University College<br />

69. University College, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

S. Thompson<br />

Published by T. and G. Shrimpton,<br />

Broad Street, <strong>Oxford</strong>.<br />

Image 71 x 63 mm each mounted to a<br />

card 84 x 173 mm<br />

71. [Worceter College, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Robert Hills<br />

Hills Photographer, <strong>Oxford</strong>. c. 1856<br />

Image 67 x 132 mm mounted to a card<br />

82 x 178 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> Worcester<br />

College, mounted on blue card with<br />

gilt edges. Blinstamped Hills<br />

Photographer <strong>Oxford</strong> on front.<br />

This stereoview is blindstamped Hills<br />

Photographer <strong>Oxford</strong>, placing the date<br />

<strong>of</strong> this stereoview between 1856-1861.


Condtion: Small loss to card on upper<br />

right not affecting images. [28854]<br />

£20<br />

Broad Street<br />

Bodleian Library<br />

72. The Schools, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> The Schools.<br />

[28640]<br />

£18<br />

74. [Broad Street]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 74 x 136 mm mounted to a card<br />

85 x 175 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> Broad Street<br />

looking east showing the Calrendon<br />

Building, part <strong>of</strong> Exeter College, and<br />

the complex <strong>of</strong> buildings that now<br />

form Blackwell’s [28581]<br />

£30<br />

Botanic Garden<br />

73. Stereoscopic View <strong>of</strong> <strong>Oxford</strong>: 66 -<br />

Botanic Gardens. The Fern House<br />

Albumen Photograph<br />

F. York<br />

F. York, c. 1870-80<br />

Image 78 x 77 mm each mounted to<br />

card 84 x 172 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the intrior <strong>of</strong> the Fern<br />

House at the Botanic Garden with<br />

printed lable on the front. [28456]<br />

£15<br />

75. (8) Broad Street, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

Published by Spiers & Son, 102 & 103<br />

High Street, <strong>Oxford</strong>, Corner <strong>of</strong> Oriel<br />

Street c. 1850<br />

Image 76 x 72 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the Broad Street.<br />

Printed lable on verso.<br />

Condition: Images faded. The right<br />

more faded than the left. [28670]<br />

£20


Divinity School<br />

76. The Divinity Schools, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> the<br />

Divinity Schools.<br />

[28627]<br />

£18<br />

77. The Divinity Schools, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> the<br />

Divinity Schools.<br />

[28672]<br />

£18<br />

78. The University Buildings, <strong>Oxford</strong>.<br />

Albumen photograph<br />

Hills & Saunders<br />

Hills & Saunders , Photographers to<br />

Her Majesty the Queen. 16,<br />

Cornmarket Street, <strong>Oxford</strong>, and at<br />

Cambridge, Eton, Harrow, and<br />

London.<br />

Image 83 x 73 each mounted to a card<br />

84 x 173 mm<br />

unmounted<br />

A very fine stereoview <strong>of</strong> The Divinity<br />

School with a wonderful printed lable<br />

on the verso. [28386]<br />

£20<br />

79. (59) <strong>Oxford</strong>. The Divinity School,<br />

where Parliment when driven from<br />

London by the Plague.<br />

Silver gelatine print<br />

Realistic Travels<br />

Realistic Travels, London, Cape Town,<br />

Bombay, Melbourne, Toronto [<br />

Image 81 x 77 each mounted on a card<br />

88 x 177 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the Divinity School.<br />

[28447]<br />

£20<br />

General Views<br />

80. [<strong>Oxford</strong>]<br />

Albumen Photograph<br />

Alfred R.Mowbray<br />

Photographed by Mowbray, 2, Corn<br />

Market Steet, <strong>Oxford</strong>.[n.d. c. 1865]<br />

Image 67 x 127 mm<br />

Unmounted


A stereoview <strong>of</strong> the <strong>Oxford</strong> skyline<br />

taken from a ro<strong>of</strong> near Carfax looking<br />

across towards the Radcliffe Camera,<br />

the Bodliean, New College and All<br />

Souls.<br />

[28167]<br />

£30<br />

[28434]<br />

£20<br />

81. [St. Aldate’s St.,<strong>Oxford</strong>]<br />

Albumen Photograph<br />

Robert Hills<br />

Hills Photographer, <strong>Oxford</strong>. c. 1856<br />

Image 67 x 132 mm mounted to a card<br />

82 x 178 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> St. Aldate’s<br />

Street looking towards Christ Church<br />

College, mounted on blue card with<br />

gilt edges. Blinstamped Hills<br />

Photographer <strong>Oxford</strong> on front.<br />

This stereoview is blindstamped Hills<br />

Photographer <strong>Oxford</strong>, placing the date<br />

<strong>of</strong> this stereoview between 1856-1861.<br />

Condtion: Small loss to card on upper<br />

right not affecting images. [28855]<br />

£25<br />

82. Parks Road, <strong>Oxford</strong><br />

Albumen photograph<br />

The London Stereoscopic Company<br />

The London Stereoscopic Compnay,<br />

54 Cheapside. [London, c. 1854-59]<br />

Image 71 x 69 mm mounted to a card<br />

83 x 173 mm.<br />

unmounted<br />

A scarce stereoview looking up Parks<br />

Road from Catte Street.<br />

The London Stereoscopic Company<br />

blind stamp on front. Title in<br />

manuscript on verso.<br />

83. [<strong>Oxford</strong> from Magdalen Tower]<br />

Albumen Photograph<br />

Wheeler & Day<br />

Wheeler & Day, <strong>Oxford</strong>. c. 1870<br />

Image 80 x 71 mm each mounted to a<br />

card 85 x 177 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the <strong>Oxford</strong> skyline.<br />

Wheeler & Day stamp printed on front<br />

<strong>of</strong> card. The intials T.E. stamped on<br />

verso.<br />

Conditon: Images faded. [28678]<br />

£25<br />

High Street<br />

84. 18. <strong>Oxford</strong> High Street<br />

Albumen Photograph<br />

Anonymous<br />

Image 79 x 78 mm each mounted on<br />

card 83 x 176 mm<br />

unmounted<br />

A stereoview <strong>of</strong> <strong>Oxford</strong> High Street.<br />

Condition: scuff on bottom <strong>of</strong> left<br />

image. [28165]<br />

£25<br />

85. [High Street, <strong>Oxford</strong>]


Albumen Photograph<br />

Anonymous<br />

c. 1850<br />

Image 81 x 66 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

A fantastic early stereoview <strong>of</strong> <strong>Oxford</strong><br />

High Street. [28642]<br />

£30<br />

This stereoview is blindstamped Hills<br />

Photographer <strong>Oxford</strong>, placing the date<br />

<strong>of</strong> this stereoview between 1856-1861.<br />

Condtion: Small loss to card on upper<br />

right not affecting images. [28867]<br />

Not for sale<br />

Martyrs’ Memorial<br />

86. (1) High Street, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

Philip H. Delamotte<br />

c. 1860<br />

Image 74 x 67 mm each mounted to a<br />

card 83 x 171 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the High Street.<br />

Printed lable on verso.<br />

[28646]<br />

£30<br />

88. 9. The Martyrs’ Memorial<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 77 x 67 mm each mounted to a<br />

card 83 x 173 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> the Martyrs’<br />

Memorial.<br />

Small printed title and description label<br />

on purple paper on verso. [28676]<br />

£15<br />

87. [High Street,<strong>Oxford</strong>]<br />

Albumen Photograph<br />

Robert Hills<br />

Hills Photographer, <strong>Oxford</strong>. c. 1856<br />

Image 67 x 132 mm mounted to a card<br />

82 x 178 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> the High Street<br />

taken from near the east end <strong>of</strong> St.<br />

Mary’s Church looking towards<br />

Carfax. You can see the shops along<br />

the south side <strong>of</strong> the High Street<br />

incluning 104 High Street. mounted on<br />

blue card with gilt edges. Blinstamped<br />

Hills Photographer <strong>Oxford</strong> on front.<br />

89. [Martyrs’ Memorial]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 70 x 69 mm each mounted on a<br />

card 83 x 173 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> the Martyrs’<br />

Memorial. [28601]<br />

£15


90. The Martyr’s Memorial, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> the<br />

Martyrs’ Memorial with the Taylorian<br />

in the background.<br />

[28636]<br />

£15<br />

92. [Martyrs’ Memorial, <strong>Oxford</strong>]<br />

Albumen photograph<br />

Wheeler & Day<br />

Wheeler & Day, 106 High Street,<br />

<strong>Oxford</strong>. [c. 1866-1871]<br />

Image 80 x 67 mm each mounted to<br />

card 83 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the Martyrs’ Memorial<br />

with a manuscript title note on verso.<br />

Wheeler & Day blind stamp on front.<br />

[28432]<br />

£15<br />

<strong>Oxford</strong> Churches<br />

91. The Martyr’s Memorial, <strong>Oxford</strong>.<br />

A.D. 1841<br />

Albumen Photograph<br />

Robert Hills<br />

Hills Photographer, <strong>Oxford</strong>. c. 1856-<br />

1861<br />

Image 69 x 64 mm each mounted to a<br />

card 85 x 165 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> the Martyrs’<br />

Memorial.<br />

Paper lable with title on verso.<br />

This stereoview is blindstamped Hills<br />

Photographer <strong>Oxford</strong>, placing the date<br />

<strong>of</strong> this stereoview between 1856-1861.<br />

Condtion: Small loss to card on upper<br />

right not affecting images.<br />

[28675]<br />

£18<br />

93. Church <strong>of</strong> St. Mary Magdalene,<br />

<strong>Oxford</strong>.<br />

Albumen Photograph<br />

Anonymous<br />

c. 1857<br />

Image 74 x 63 mm each mounted to a<br />

card 85 x 170 mm<br />

unmounted<br />

An early stereoview <strong>of</strong> St. Mary<br />

Magdalene Church with part <strong>of</strong><br />

Magdalen Street visible in the left <strong>of</strong><br />

the image. Initialed and date in ink on<br />

verso E/=G.+ R./ 1857.11.30 with<br />

printed lable on verso. [28869]<br />

£20


94. The Chancel, St. Mary’s Church,<br />

<strong>Oxford</strong><br />

Albumen Photograph<br />

attributed to Henry Alden<br />

Sold by H. Alden, Stationer & Music<br />

Seller, 35 Corn-Market Street, <strong>Oxford</strong>.<br />

[c.1870]<br />

Image 78 x 73 mm each mounted to a<br />

card 84 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> St.<br />

Mary’s Church, <strong>Oxford</strong>. [28635]<br />

£15<br />

Image 80 x 75 mm each mounted to a<br />

card 88 x 178 mm<br />

unmounted<br />

A stereoview <strong>of</strong> St. Mary’s Church<br />

with a printed lable on the front with<br />

text that reas: Sold only by Underwood<br />

& Underwood, Liverpool, New York,<br />

Chicago, Toronto, Ottowa, Kas.-El<br />

Paso, Tex.<br />

[28448]<br />

£15<br />

<strong>Oxford</strong> Museums<br />

95. 30389 E <strong>Oxford</strong>, St. Mary’s<br />

Porch.<br />

Silver gelatin print<br />

Rotary Photo, E.C.<br />

London, c. 1920.<br />

Image 75 x 68 mm each, whole card<br />

measures 87 x 177 mm<br />

unmounted<br />

A stereoview <strong>of</strong> St. Mary’s Church<br />

The whole card is one large silver<br />

gelatin print.<br />

[28452]<br />

£15<br />

97. 240 <strong>Oxford</strong> New Museum<br />

Silver gelatin print<br />

Anonymous<br />

c. 1880<br />

Image 76 x 145 mm mounted to a card<br />

89 x 173 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the interior <strong>of</strong> the<br />

<strong>Oxford</strong> University Museum <strong>of</strong> Natural<br />

History.<br />

Condition: Some staining to card in<br />

lower right [28582]<br />

£25<br />

96. St. Mary’s Church, <strong>Oxford</strong>,<br />

England.<br />

Albumen Photograph<br />

Underwood & Underwood<br />

Strohmeyer & Wyman Publishers,<br />

New York, Copyright 1893.<br />

98. [Ashmolean Museum]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 82 x 77 mm each mounted to a<br />

card 88 x 178 mm<br />

unmounted<br />

An uncommon stereoview <strong>of</strong> the<br />

Ashmolean. [28621]<br />

£20


Radcliffe Camera<br />

Sheldonian Theatre<br />

99. The Schools, Etc.<br />

Albumen Photograph<br />

Anonymous<br />

Image 72 x 132 mm mounted to a card<br />

85 x 170 mm<br />

unmounted<br />

A stereoview <strong>of</strong> Cat Street with the<br />

bottom <strong>of</strong> the Radcliffe Camera on the<br />

left, All Souls on the right and the<br />

Bodliean in the background left. The<br />

card has a printed boarder and text.<br />

[28166]<br />

£25<br />

101. 30389 B <strong>Oxford</strong>. The Sheldonian<br />

Theater.<br />

Silver gelatin print<br />

Rotary Photo, E.C.<br />

London, c. 1920.<br />

Image 75 x 68 mm each, whole card<br />

measures 87 x 177 mm<br />

unmounted<br />

A stereoview <strong>of</strong> the Sheldonian where<br />

the whole card is one large silver<br />

gelatin print. [28454]<br />

£15<br />

Thames Views<br />

100. [Radcliffe Camera]<br />

Albumen Photograph<br />

Hills & Saunders<br />

Hills & Saunders, c. 1860<br />

Image 80 x 76 mm each mounted to a<br />

card 84 x 173 mm<br />

unmounted<br />

A early stereoview <strong>of</strong> the Radcliffe<br />

Camera by Hill and Saunders. Hills<br />

and Saunders blindstamp on front <strong>of</strong><br />

the card and a paper title lable on the<br />

verso.<br />

[28645]<br />

£30<br />

102. [The Isis - June 1st 1867]<br />

Albumen Photograph<br />

Hills & Saunders<br />

<strong>Oxford</strong>, c. 1867<br />

Image 82 x 73 mm each mounted to 84<br />

x 174 mm card<br />

unmounted<br />

A stereoview <strong>of</strong> the Isis.<br />

[28163]<br />

£20


Stereo Viewers<br />

The “Perfecscope”<br />

H.C.White Co<br />

Trade Mark.<br />

U.S.A. Patent Oct.15.1895<br />

A beautifully decorated, velvet edged nineteenth century Stereo viewer in excellent<br />

condition.<br />

£95<br />

[Stereoscope Viewer]<br />

Manufactured by Underwood & underwood, New York. Patented U.S.A. June 11.<br />

1901<br />

A beautifully decorated, velvet edged Victorian Stereo viewer in excellent condition.<br />

£90<br />

[Stereoscope Viewer]<br />

c.1900<br />

A wood and leather Victorian Stereo viewer.<br />

Condition: Small piece <strong>of</strong> the eye guard missing, otherwise in good condition and full<br />

working order.<br />

£70


PHOTOGRAPHS<br />

All Souls College<br />

103. All Souls<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Photograph 58 x 89 mm, Watercolour<br />

boarder 125 x 150 mm 40 cm wide<br />

Mounted<br />

An early photograph showing the 18th<br />

century Hall with a highly decorative<br />

watercolour boarder [28745]<br />

£65<br />

A Victorian photograph <strong>of</strong> All Souls<br />

Quadrangle with the Radcliffe Camera<br />

in the background. [28820]<br />

£40<br />

Balliol College<br />

104. [All Souls College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 86 x 93 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> front <strong>of</strong> All<br />

Souls college taken from the High<br />

Street looking East. [28764]<br />

£20<br />

106. [Balliol College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 103 x 149 mm<br />

A Victorian photograph <strong>of</strong> Balliol<br />

College <strong>Oxford</strong>.<br />

Conditon: a crack inthe photo surface<br />

and two small areas <strong>of</strong> loss to image<br />

surface in lower centre <strong>of</strong> image.<br />

[28818]<br />

£20<br />

107. [Balliol College Chapel]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 157 x 122 mm<br />

mounted<br />

105. [All Souls Quad]<br />

Albumen Photograph<br />

Anonymous<br />

c.1880<br />

Image 122 x 194 mm


Brasenose College<br />

An early photograph <strong>of</strong> the exterior <strong>of</strong><br />

Balliol College Chapel. [28687]<br />

£50<br />

109. [Brasenose College, Front]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 89 x 90 mm<br />

mounted<br />

[28758]<br />

£20<br />

108. [Balliol College Front]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 117 x 156 mm<br />

mounted<br />

An early photograph <strong>of</strong> the exterior <strong>of</strong><br />

Balliol College Front. [28688]<br />

£50<br />

110. [Brasenose College, Old Quad]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 89 x 88 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Brasenose<br />

Old Quad showing the sundial and the<br />

Cain and Able statue. [28759]<br />

£15


111. [Brasenose College Quad]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

mounted<br />

A Victorian photograph <strong>of</strong> Brasenose<br />

Quad. [28819]<br />

£40<br />

113. [Brasenose Old Quad]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 90 x 88 mm<br />

Framed<br />

An interesting photograph <strong>of</strong><br />

Brasenose with showing men on<br />

scaffolding refacing and restoring the<br />

tower with the Radcliffe Camera<br />

behind. [28756]<br />

£50<br />

112. [Brasenose Old Quad]<br />

Albumen photograph and watercolour<br />

Anonymous<br />

c. 1860<br />

Photograph 58 x 88 mm, Watercolour<br />

boarder overall 160 x 158 mm and 32<br />

mm wide<br />

Framed<br />

An early photograph <strong>of</strong> Brasenose<br />

College Old Quad with a decorative<br />

watercolour boarder surrounding it.<br />

[28744]<br />

£70<br />

114. Brasenose College<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 103 x 169 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the Old<br />

Quad, Brasenose College by George P.<br />

Day.<br />

[28790]<br />

£45<br />

Christ Church College<br />

115. Christ Church College, <strong>Oxford</strong><br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 57 x 84 mm<br />

mounted


A Vixctorian photograph <strong>of</strong> Christ<br />

Church College looking south down<br />

St. Aldates. [28714]<br />

£20<br />

116. [Christ Church College, Tom<br />

Quad]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 148 x 200 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Tom Quad<br />

looking towards the Hall with the spire<br />

<strong>of</strong> the Cathedral in the background.<br />

[28821]<br />

£45<br />

118. [Tom Quad, Christ Church]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 205 x 268 mm<br />

mounted<br />

A large early photograph <strong>of</strong> Tom<br />

Quad, Christ Church College. [28738]<br />

£80<br />

117. [Christ Church Meadows]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 102 x 185 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the Christ<br />

Church Meadows walk. [28816]<br />

£35<br />

119. Tom Tower Christ Church<br />

College<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 238 x 192 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Tom Tower<br />

from [28778]<br />

£65


A Victorian photograph <strong>of</strong> the Broad<br />

Walk, Christ Church College by<br />

George P. Day.<br />

[28794]<br />

£40<br />

120. The Broad Walk “Summer”<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 162 x 116 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the Broad<br />

Walk, Christ Church College by<br />

George P. Day.<br />

[28793]<br />

£40<br />

122. Christ Church<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 98 x 167 mm<br />

mounted<br />

A Victorian photograph by George P.<br />

Day <strong>of</strong> the front <strong>of</strong> Christ Church<br />

College from St. Aldates looking<br />

south.<br />

[28783]<br />

£55<br />

123. Christ Church Canterbury Gate<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 96 x 166 mm<br />

mounted<br />

[28779]<br />

£45<br />

121. The Broad Walk “Winter”<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 162 x 118 mm<br />

mounted


124. Christ Church The Meadow Gate<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 163 x 117 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the<br />

Meadow Buildings, Christ Church<br />

College by George P. Day.<br />

[28792]<br />

£40<br />

126. [Corpus Christi College, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 208 x 262 mm<br />

mounted<br />

A large early photograph <strong>of</strong> the<br />

quadrangle <strong>of</strong> Corpus Christi College<br />

with a group <strong>of</strong> students around the<br />

Pelican Sundial. [28737]<br />

£100<br />

Corpus Christi College<br />

125. [Corpus Christi College Chapel]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 84 x 58 mm<br />

127. [Fellows’ Buildings, Corpus<br />

Christi College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 65 x 84 mm<br />

mounted<br />

An early photograph <strong>of</strong> the<br />

Fellows’Buildings. [28748]<br />

£15<br />

Mounted<br />

An early photograph <strong>of</strong> the interior <strong>of</strong><br />

Corpus Christi College Chapel.<br />

[28747]<br />

£12


128. Corpus Christi College.<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 103 x 169 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the<br />

quadrangle Corpus Christi College by<br />

George P. Day.<br />

[28791]<br />

£45<br />

Exeter College<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 88 x 60 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the interior<br />

<strong>of</strong> Exeter College Chapel.<br />

Condtion: Mark in upper portion <strong>of</strong><br />

image. [28718]<br />

£10<br />

131. [Exeter College and the Turl]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 121 x 191 mm<br />

129. [Exeter Chapel, looking East]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 88 x 60 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the interior<br />

<strong>of</strong> Exeter College Chapel.<br />

[28719]<br />

£15<br />

A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />

Exeter College and the length <strong>of</strong> Turl<br />

Street. [28777]<br />

£65<br />

132. [Exeter College, Broad Street,<br />

<strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 149 x 210 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />

Exeter College in Broad Street with the<br />

Old Ashmolean to its left. [28717]<br />

£60<br />

130. [Exeter Chapel, looking West]


c. 1880<br />

Image 150 x 211 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />

Exeter College in Turl Street with the<br />

Swiss Cottage in the foreground left.<br />

[28716]<br />

£60<br />

133. [Exeter College Hall, Gateway]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 65 x 62 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the entrance<br />

to Exeter College Hall. [28721]<br />

£12<br />

134. [Exeter College in the Broad]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 57 x 83 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />

Exeter College in Broad Street with the<br />

Sheldonian and Clarendon Buildings in<br />

the background. [28715]<br />

£20<br />

136. [The Hall, Exeter College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 64 x 60 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the interior<br />

<strong>of</strong> Exeter College Hall. [28720]<br />

£10<br />

135. [Exeter College in The Turl]<br />

Albumen Photograph<br />

Anonymous<br />

137. Exeter College Chapel East<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 162 x 117 mm<br />

mounted<br />

[28788]<br />

£40


138. Exeter College Chapel West<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 160 x 117 mm<br />

mounted<br />

[28789]<br />

£40<br />

Image 98 x 167 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the<br />

quadrangle Lincoln College by George<br />

P. Day.<br />

[28803]<br />

£55<br />

Magdalen College<br />

Jesus College<br />

139. Jesus College<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 100 x 169 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the<br />

quardrangle <strong>of</strong> Jesus College by<br />

George P. Day.<br />

[28799]<br />

£40<br />

Lincoln College<br />

140. Lincoln College<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

141. [Founders Tower, Magdalen<br />

College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 133 x 131 mm<br />

A Victorian photograph <strong>of</strong> the<br />

founders tower in the Cloiseters<br />

[28705]<br />

£40<br />

142. Magdalen College<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 64 x 76 mm<br />

Mounted


A Victorian photograph <strong>of</strong> Magadalen<br />

Tower taken from the High Street.<br />

[28708]<br />

£25<br />

144. [Magdalen College Tower from<br />

the Botanic Gardens]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 92 x 91 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Magdalen<br />

College Tower from the Botanic<br />

Gardens.<br />

Condition: Small tear in bottom centre.<br />

[28765]<br />

£20<br />

143. [Magdalen College from the<br />

Gardens]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 182 x 105 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Magdalen<br />

College from the gardens on the banks<br />

<strong>of</strong> the Cherwell. [28824]<br />

£35<br />

145. Magdalen from the Cherwell<br />

Albumen Photograph<br />

Anonymous<br />

c. 1875<br />

Image 130 x 202 mm<br />

mounted<br />

[28815]<br />

£65


146. [Open Air Pulpit]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 171 x 116 mm<br />

mounted<br />

An early photograph <strong>of</strong> the Open Air<br />

Pulpit in Mgadalen College. [28739]<br />

£35<br />

148. Magdalen College<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 104 x 172 mm<br />

mounted<br />

[28780]<br />

£55<br />

Magdalen College Grammar School<br />

149. [Old Grammar School,<br />

Magdalen College, <strong>Oxford</strong>.]<br />

Albumen Photograph<br />

attributed to Davis<br />

Davis’s Series, c. 1890<br />

Image 137 x 99 mm<br />

Mounted<br />

147. Magdalen Tower, <strong>Oxford</strong>.<br />

Albumen Photograph<br />

Davis<br />

Davis’s Series, c. 1890<br />

Image 135 x 116 mm<br />

mounted<br />

A Davis’s Series photograph <strong>of</strong><br />

Magdalen College Tower. [28724]<br />

£45<br />

A Davis’s Series photograph <strong>of</strong> the<br />

Old Magdalen College Grammar<br />

School. [28726]<br />

£45


Merton College<br />

150. [Merton College Chapel]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1864<br />

Image 92 x 88 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Merton<br />

College Chapel exterior taken from the<br />

south with the scaffolding for the<br />

Grove Building just visible in the right<br />

<strong>of</strong> the image. [28771]<br />

£15<br />

152. [Merton College from the Fields]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1864<br />

Image 82 x 89 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Merton<br />

College showing the building <strong>of</strong> the<br />

Grove Building. [28760]<br />

£20<br />

151. [Merton College from the Fields]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 85 x 89 mm<br />

mounted<br />

A photograph <strong>of</strong> the the south front <strong>of</strong><br />

Merton College from the meadows.<br />

[28755]<br />

£15<br />

153. [Merton College Quad]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 87 x 85 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Merton<br />

College Quad. [28769]<br />

£15


154. [Merton College Quad]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 87 x 85 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Merton<br />

College Front Quad. [28770]<br />

£15<br />

156. [Merton Street]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 135 x 205 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Merton<br />

Street looking towards Corpus Christi<br />

College. [28825]<br />

£45<br />

155. [Merton Quad, Entrance to Hall]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 89 x 89 mm<br />

mounted<br />

[28757]<br />

£15<br />

157. Merton Chapel<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 161 x 104 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the exterior<br />

<strong>of</strong> Merton College Chapel by George<br />

P. Day.<br />

[28795]<br />

£40


New College<br />

158. Merton College from the Fields<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 98 x 165 mm<br />

Mounted.[28786]<br />

£55<br />

161. [New College Cloisters]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 58 x 77 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the East<br />

side <strong>of</strong> New College Cloisters, with a<br />

man reclining on the grass and the<br />

Chapel in the background.. [28711]<br />

£20<br />

159. Merton College from the<br />

Gardens<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 98 x 165 mm<br />

Mounted. [28781]<br />

£45<br />

160. Merton College from the<br />

Gardens<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 98 x 167 mm<br />

mounted<br />

[28782]<br />

£45<br />

162. [New College Quad]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 90 x 92 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> New<br />

College Quad looking towards the<br />

entrance to the Hall. [28775]<br />

£15


163. [New College Quad]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 87 x 97 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> New<br />

College Quad looking towards the<br />

Chapel. [28776]<br />

£15<br />

165. New College from the Gardens<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 98 x 167 mm<br />

mounted<br />

[28784]<br />

£55<br />

166. New College and Bell Tower,<br />

<strong>Oxford</strong> 4648. G.W.W.<br />

Photograph<br />

George Washington Wilson<br />

c. 1870<br />

Image 136 x 206 mm<br />

mounted<br />

[28812]<br />

£65<br />

164. New College Chapel<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 163 x 119 mm<br />

mounted<br />

[28785]<br />

£35<br />

167. New College Cloisters, Bell<br />

Tower, & Chapel, <strong>Oxford</strong> 3512<br />

G.W.W.<br />

Photograph<br />

George Washington Wilson


c. 1870<br />

Image 97 x 152 mm<br />

mounted<br />

[28811]<br />

£45<br />

168. New College, Old Entrance<br />

Platinum Print<br />

Gillman & Co.<br />

c. 1880<br />

Image 290 x 238 mm<br />

mounted<br />

A platinum print <strong>of</strong> New College Old<br />

Entrance. Blindstamped Gillman &<br />

Co, Photographers, St. Aldates.<br />

[28822]<br />

£120<br />

Oriel College<br />

170. [Oriel College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 87 x 63 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Oriel<br />

College Front Quadrangle. [28713]<br />

£15<br />

171. [Oriel College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 88 x 92 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />

Oriel College looking north towards<br />

Oriel lane. [28766]<br />

£20<br />

169. [Oriel College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 109 x 156 mm<br />

mounted<br />

Condition: Some loss to image lower<br />

left. [28686]<br />

£50


172. Oriel College<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 92 x 166 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Oriel<br />

College Quad by George P. Day.<br />

[28796]<br />

£45<br />

Framed<br />

A lovely early photo <strong>of</strong> Oriel College.<br />

[28685]<br />

£95<br />

Pembroke College<br />

173. [Oriel College]<br />

Albumen photograph<br />

W.A. Mansell & Co.<br />

c. 1875<br />

Image 100 x 168 mm<br />

mounted<br />

Blindstamped W.A. Mansell & Co.<br />

and numbered 152 in negative.<br />

Condition: Laid to an album page.<br />

[28683]<br />

£50<br />

175. Pembroke College<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 98 x 166 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the<br />

quardrangle <strong>of</strong> Pembroke College by<br />

George P. Day.<br />

[28800]<br />

£45<br />

Queens College<br />

174. [Oriel College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 156 x 118 mm<br />

176. [Queen’s College Library]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 86 x 84 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the interior<br />

<strong>of</strong> Queens College Library. [28762]<br />

£15


177. [Queens College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 117 x 147 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Queens<br />

College [28706]<br />

£50<br />

179. [Queens College Quad]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 88 x 93 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Queens<br />

College. [28763]<br />

£20<br />

178. [Queens College, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 87 x 64 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />

Queens College.<br />

[28712]<br />

£20<br />

180. Queen’s College<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 98 x 167 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />

Queen’s College by George P. Day.<br />

[28804]<br />

£55


St. John’s College<br />

181. [St. John’s College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 88 x 87 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> St. John’s<br />

College. [28754]<br />

£15<br />

183. [St. John’s College, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 138 x 110 mm<br />

mounted<br />

A lovely early photograph <strong>of</strong> St. John’s<br />

College, with its album page. [28749]<br />

£55<br />

182. [St. John’s College Chapel]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 90 x 90 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the interior<br />

<strong>of</strong> St. John’s College Chapel. [28768]<br />

£15<br />

184. [Garden Front <strong>of</strong> St. John’s<br />

College]<br />

Photograph<br />

attributed to George Washington<br />

Wilson<br />

c. 1870<br />

Image 127 x 200 mm<br />

mounted<br />

[28813]<br />

£45


A Victorian photograph <strong>of</strong> the interior<br />

<strong>of</strong> St. John’s College Chapel by<br />

George P. Day.<br />

[28798]<br />

£35<br />

Trinity College<br />

185. St. John’s College<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 160 x 117 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />

St. John’s College by George P. Day.<br />

[28797]<br />

£45<br />

187. Trinity College<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 98 x 165 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the<br />

quardrangle <strong>of</strong> Trinity College by<br />

George P. Day.<br />

[28801]<br />

£40<br />

University College<br />

186. St. John’s College Chapel<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 163 x 114 mm<br />

Mounted<br />

188. [University College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 82 x 84 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />

University College from the High<br />

Street looking east. [28774]<br />

£20


189. [University College Chapel]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 82 x 82 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> University<br />

College Chapel interior looking<br />

towards the chancel. [28773]<br />

£15<br />

191. [Photograph album by a<br />

University College Student]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1869 - 71<br />

4to<br />

A fascinating annotated album<br />

compiled by a student (possibly<br />

S.R.Osbourne) at University College<br />

<strong>Oxford</strong> recording his friends, travels<br />

and landmarks.<br />

190. [University College Quad]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 82 x 82 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> University<br />

College Front Quad. [28772]<br />

£20<br />

Page 1- Portraits <strong>of</strong> J.Mills, W.Mills,<br />

J.R.Mills, H.J.Mills, A.A.Mills,<br />

Page 2 - Cathedral<br />

Page 3 - Two portraits, Stonehenge<br />

Page 4 - Grasmere, Rifdal<br />

Westmoreland<br />

Page 5 - Portraits <strong>of</strong> S.A.Osborne,<br />

J.Shelley, H.Vaughan, P.L.Holland<br />

Page 6 - University College, <strong>Oxford</strong><br />

Page 7 - Portraits <strong>of</strong> E.L.Holland,<br />

H.C.Sturges, E.L.Elwes,<br />

P.A.Scratchley, H.Vaughan &<br />

S.R.Osbourne University College<br />

Page 8 - View from Magdalen Tower,<br />

<strong>Oxford</strong><br />

Page 9 - <strong>Oxford</strong> from Magdalen<br />

Tower,<br />

Page 10 - Blank


Page 11- The gateway <strong>of</strong> Magdalen<br />

College, <strong>Oxford</strong><br />

Page 12 - Shanklin Chine, Isle <strong>of</strong><br />

Wight (1869)<br />

Page 13 - Portraits <strong>of</strong> Mrs Theobald,<br />

Rev C.Theobald, Chale Rectory, Isle <strong>of</strong><br />

Wight.<br />

Page 14 - The Land’s End.visited 1869<br />

Page 15 - Four sports team group<br />

photographs<br />

Page 16 - The Cloisters, Magdalen<br />

College <strong>Oxford</strong>.<br />

Page 17 - Portraits <strong>of</strong> W.G.Robinson,<br />

W.C.Eaton, G.Brown, R.G de<br />

V.Thomas, S.Pelham.<br />

Page 18 - The new buildings &<br />

“Fellows Quadrangle”. University<br />

College <strong>Oxford</strong>.<br />

Page 19 - Portraits <strong>of</strong> J.F.Clerk<br />

(1870), H.C.Sturges, G.A.Holmes,<br />

R.S.Faber (1869), H.Bidder<br />

Page 20 - University College<br />

Page 21 - University College group,<br />

May 1869<br />

Page 22 - Trinity College <strong>Oxford</strong><br />

Page 23 - Portraits <strong>of</strong> Graham.T.Smith<br />

(Trin, Oxon), J.H - (Trin, Oxon),<br />

J.S.S.Mahou, J.H.H, J.R.E.Sumner<br />

Page 24 - University College Library.<br />

Page 25 - Portraits <strong>of</strong> C.F.Fellows,<br />

H.C.Sturges, E.L.Elwes (Alpine<br />

Climbers) & Two others.<br />

Page 26 - Christ-church College,<br />

<strong>Oxford</strong>.<br />

Page 27 - Portraits <strong>of</strong> H.G.Watkins and<br />

one other.<br />

Page 28 - The Masters Quadrangle,<br />

University College.<br />

Page 29 - Portraits <strong>of</strong> C.F.Fellows,<br />

Hon J.C.H.Gordon, C.E.Brooke,<br />

J.J.Greenham & two others.<br />

Page 30 - The Martyrs Memorial &<br />

Balliol College, <strong>Oxford</strong><br />

Page 31 - Portraits <strong>of</strong> T.Godolphin<br />

Rooper, B.Bosenquet, R.A.G.Tatton,<br />

J.R.Graham, C.B.Heloerden.<br />

Page 32 - The Eights, May 1870.<br />

Page 33 - University College group,<br />

June 1870.<br />

Page 34 - Lannion Bzelerenez fr: the<br />

Plouaret road, Bridge on the Guer,<br />

Lannion, Lannion in Brittany & Hotel<br />

de France, 1870.<br />

Page 35 - <strong>Oxford</strong> reading party at<br />

Hotel de France, 1871 featuring<br />

Hon.F.A.R.Russell (ch.ch): G.A.Hilme<br />

(Univ): A.G.Rickards (B.N.C)<br />

S.H.Woodhouse (Univ): Bickerstalt<br />

(ch.ch): J.S.Leadan (Univ). J.Hodgson<br />

(Univ). S.R.Osborne (Univ):<br />

A.Bickerstalt (ch.ch): Bruse (the dog)<br />

Page 36 & 37 - Photographic<br />

caricatures.<br />

Page 38 - Group portrait <strong>of</strong><br />

S.R.Osborne, Vaughan, H.Sturges.<br />

Page 39 - Group portrait <strong>of</strong> E.L.Elwes,<br />

Sturges, H.Vaughan, E.L.Holland,<br />

A.Lee, smaller vision <strong>of</strong> photo on<br />

previous page with Elwes replacing<br />

Osbourne, portrait <strong>of</strong> E.Sutton,<br />

W.B.Ingham.<br />

Page 40 - The Head <strong>of</strong> Windermere<br />

Lake - 1871.<br />

Page 41 - Skelwith Force [near<br />

Ambleside] on the Brathay.<br />

Page 42 - The Eights 1871.<br />

Page 43 - Portraits <strong>of</strong> S.H.Woodhouse<br />

(President <strong>of</strong> Vincent’s Club 1869),<br />

G.F.Boyd, W.T.Langford and one<br />

other.<br />

Page 44 - Middle Lake Killarney with<br />

the Tor Mountain infront and<br />

Mangerton Mt behind, Lower Lake,<br />

Killarney - Glena May 1871.<br />

Page 45 - Muckroaa Abbey, Holycross<br />

Abbey, Rock <strong>of</strong> Castle- Tipperary -<br />

Ireland.<br />

Page 46 - Blank.<br />

Page 47 - Group portrait <strong>of</strong> Boyd,<br />

Vaughan, Lee, Walker, Shelley, Faber,<br />

Elwes.<br />

Page 48 - Lucerne with Mt Polatas on<br />

front, Interlaken, the Jungfrau in the<br />

distance, Lake Geneva showing the<br />

Castle <strong>of</strong> Chillon and the Dent du<br />

Mede.<br />

Page 49- Valley <strong>of</strong> the Rhone - view<br />

from the Fardaz (Tete Noire)<br />

Page 50 - Church <strong>of</strong> Norton St<br />

Philip.Somerset.<br />

Page 51 - Portraits <strong>of</strong> E.H.M.W,<br />

Mr.A.Wightnan, V.W, Emily<br />

Wightman, F.O.W.<br />

Also enclosed loose:<br />

Printed handout commemorating the<br />

death <strong>of</strong> Herbert Court Sturges, Vicar<br />

<strong>of</strong> Bodenham, with extract from the


notice posted in the Guardian written<br />

by Rev.E.L.Elwes. Photograph <strong>of</strong> a<br />

flower covered grave possibly that <strong>of</strong><br />

Herbert Court Sturges. Photograph <strong>of</strong> a<br />

female with a horse. Photograph <strong>of</strong> a<br />

child on a horse with handler.<br />

Photograph <strong>of</strong> a seated male and<br />

female. Photograph <strong>of</strong> a large country<br />

house with family members in the<br />

foreground<br />

Condition: Lacking covers.<br />

[28899]<br />

£575<br />

A Victorian photograph <strong>of</strong> the<br />

quardrangle <strong>of</strong> the front <strong>of</strong> Wadham<br />

College by George P. Day.<br />

[28802]<br />

£45<br />

Worcester College<br />

Wadham College<br />

192. [Wadham College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 84 x 88 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />

Wadham College. [28767]<br />

£15<br />

194. [Worcester College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 86 x 87 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Worcester<br />

College. [28751]<br />

£15<br />

193. Wadham College<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 98 x 165 mm<br />

mounted<br />

195. [Worcester College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 11871<br />

Image 87 x 88 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Worcester<br />

College. [28753]<br />

£15


Bodleian Library<br />

196. [Worcester College Front]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 85 x 86 mm<br />

framed<br />

A Victorian photograph <strong>of</strong> the front <strong>of</strong><br />

Worcester College. [28752]<br />

£45<br />

198. [The Schools Tower]<br />

Photograph<br />

attributed to George Washington<br />

Wilson<br />

c. 1870<br />

Image 200 x 152 mm<br />

mounted<br />

[28814]<br />

£55<br />

197. [Worcester College, Old<br />

Buildings]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 87 x 91 mm<br />

mounted<br />

[28750]<br />

£15<br />

199. The Schools Tower<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875


Image 162 x 114 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the Schools<br />

Tower by George P. Day.<br />

[28805]<br />

£40<br />

Broad Street Views<br />

200. Broad Street: The Sheldonian,<br />

Exeter College<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 102 x 167 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Broad<br />

Street showing the Clarendon<br />

Building, the Sheldonian, the front <strong>of</strong><br />

Exeter College and 26 Broad Street.<br />

[28787]<br />

£55<br />

Albumen Photograph<br />

attributed to Davis<br />

Davis’s Series, c. 1890<br />

Image 154 x 101 mm<br />

The Carfax Conduit was a water<br />

conduit that supplied the city <strong>of</strong><br />

<strong>Oxford</strong> with water from 1617 until the<br />

19th century. The conduit ran in an<br />

underground lead pipe from a spring<br />

on the hillside above the village <strong>of</strong><br />

North Hinksey, beneath Seacourt<br />

Stream and the River Thames, to a<br />

building at Carfax in the centre <strong>of</strong><br />

<strong>Oxford</strong>. The system was built by Otto<br />

Nicholson, a London lawyer, to supply<br />

the citizens <strong>of</strong> <strong>Oxford</strong> with clean<br />

water. It replaced a system built by<br />

Osney Abbey between 1205 and 1221<br />

that had fallen into disrepair. In 1786<br />

it was removed because <strong>of</strong> traffic<br />

congestion and <strong>of</strong>fered to Lord<br />

Harcourt as feature for his park.<br />

[28731]<br />

£35<br />

Cornmarket Views<br />

Carfax Conduit<br />

201. [Carfax Conduit in Nuneham<br />

Park]<br />

202. [Cornmarket Street, <strong>Oxford</strong>]<br />

Silver gelatin print<br />

Henry Taunt<br />

c. 1885<br />

Image 147 x 198 mm<br />

Framed<br />

A photograph showing St Michaels<br />

Church, Cornmarket Street, <strong>Oxford</strong>,<br />

<strong>Oxford</strong>shire. Looking north along the<br />

commercial street toward the late 11th<br />

century tower with its distinctive twolight<br />

bell openings. It was just beyond<br />

this church that the medieval north gate<br />

<strong>of</strong> stood leading <strong>of</strong>f into St Giles.<br />

Condtion: laid to an album page<br />

[28740]<br />

£140


Divinity School<br />

General Views<br />

203. [Divinity School]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 84 x 57 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the interior<br />

<strong>of</strong> the Divinty School. [28707]<br />

£15<br />

205. [Christ Church Walks with<br />

Magdalen College in the distance]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 105 x 184 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Christ<br />

Church Meadows with Magdalen<br />

Tower in the background. [28808]<br />

£40<br />

204. The Divinity School<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 114x 170 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the Divinity<br />

School by George P. Day.<br />

[28807]<br />

£40<br />

206. [<strong>Oxford</strong> from Magdalen Tower]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 59 x 95 mm<br />

Framed<br />

A lovely small format Victorian<br />

photograph <strong>of</strong> <strong>Oxford</strong>. [28700]<br />

£65<br />

207. [<strong>Oxford</strong> from Magdalen Tower]<br />

Albumen Photograph


Anonymous<br />

c.1871<br />

Image 110 x 180 mm oval<br />

Framed<br />

A lovely rich Victorian photograph <strong>of</strong><br />

<strong>Oxford</strong> from Magadalen Tower.<br />

[28817]<br />

£145<br />

Condition: Laid to an album page<br />

[28697]<br />

£40<br />

High Street<br />

208. [View <strong>of</strong> <strong>Oxford</strong> from Trinity<br />

College]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 125 x 160 mm<br />

An unusual view <strong>of</strong> <strong>Oxford</strong> from<br />

Trinity College over the city showing<br />

the compleated Exeter College Chapel<br />

and the yet unchanged building at 26<br />

and 27 Broad Street, which were<br />

remoldeled in 1889. In the distance are<br />

the spires <strong>of</strong> The Schools, the<br />

Sheldonian, St. Mary’s, Merton<br />

Chaple, and All Saints. [28732]<br />

£80<br />

Godstow<br />

209. [The Trout Inn, Godstow]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 101 x 168 mm<br />

A Victorian photograph <strong>of</strong> The Trout<br />

Inn, at Godstow.<br />

210. [High Street, <strong>Oxford</strong>]<br />

Permenant photograph on glass<br />

W.H. Wheeler<br />

W.H. Wheeler’s 106 High Street<br />

<strong>Oxford</strong>, c. 1872 - 1880<br />

Image 360 x 445 mm<br />

framed<br />

A superb original and one <strong>of</strong> a kind<br />

Chromotype photograph <strong>of</strong> <strong>Oxford</strong><br />

High Street.<br />

The process for the permanent<br />

photograph on glass was patented by<br />

William Robert Ake in April 1871.<br />

The photograph would have been taken<br />

in the usual way by photosensitizing a<br />

glass plate with a bromide colloidon.<br />

The plate was then put into a silver<br />

bath and exposed to light. The plate<br />

would then be put into a bath <strong>of</strong><br />

pyrogallic acid or proto-sulphate, fixed<br />

by cyanide <strong>of</strong> potassium or<br />

hyposulphate <strong>of</strong> soda, wash and dried.<br />

To stain the picture permanently on<br />

glass the print was then placed in an<br />

airtight kiln until every part <strong>of</strong> the<br />

photo became dark brown. It was then<br />

cooled and washed. From Patents for<br />

Inventions Abridgments or<br />

Specifications relating to Photography,<br />

London, 1880.<br />

Photograph in its original frame.<br />

[28898]<br />

£750


211. [High Street, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1886-9<br />

Image 110 x 145 mm<br />

framed<br />

An atmospheric photo <strong>of</strong> <strong>Oxford</strong><br />

possibly taken on a foggy day, as there<br />

are no shadows on the ground.<br />

Scaffolding is just visible where<br />

Brasenose College is in the<br />

background The new facade <strong>of</strong> the<br />

college on the High Street was built in<br />

1886-9 by Jackson, placing the date <strong>of</strong><br />

this photograph in this time period.<br />

[28742]<br />

£80<br />

213. [<strong>Oxford</strong> High Street]<br />

Albumen Photograph and watercolour<br />

Anonymous<br />

c. 1860<br />

Photograph 58 x 92 mm, Watercolour<br />

boarder overall 157 x 220 mm<br />

diamond<br />

framed<br />

An early photograph <strong>of</strong> <strong>Oxford</strong> High<br />

Street with a a decorative boarder<br />

painted around it. [28746]<br />

£90<br />

212. [<strong>Oxford</strong> High Street]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 64 x 76 mm<br />

Framed<br />

A Victorian photograph <strong>of</strong> <strong>Oxford</strong><br />

High Street.<br />

[28704]<br />

£65<br />

214. [Old House High Street, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

attributed to Davis<br />

Davis’s Series, c. 1890<br />

Image 159 x 117 mm<br />

mounted<br />

No. 126 High Street dates from the<br />

fifteenth century, and has a late<br />

seventeenth-century façade. It is the<br />

only remaining example <strong>of</strong> this type <strong>of</strong><br />

architecture in <strong>Oxford</strong>. The structure <strong>of</strong><br />

the fifteenth-century house can be seen<br />

inside, and the cellar is probably


medieval. It is a Grade II listed<br />

building (ref. 1485/343).<br />

£75<br />

The first owner <strong>of</strong> this house was a<br />

bell-founder, and in 1350 it was owned<br />

by St Frideswide Abbey. It was<br />

refronted in the later seventeenth<br />

century, probably by Robert Pauling, a<br />

mercer who was Mayor in 1679.<br />

In 1772 a survey <strong>of</strong> every house in the<br />

city was taken in consequence <strong>of</strong> the<br />

Mileways Act <strong>of</strong> 1771. No. 126 was<br />

then in the occupation <strong>of</strong> a Mr Madge,<br />

and its frontage measured 6 yards 2<br />

feet 9inches.<br />

Sources:<br />

http://www.headington.org.uk/oxon/high/t<br />

our/south/126.htm<br />

[28728]<br />

£45<br />

215. [High Street, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Hall<br />

c.<br />

Image 155 x 200 mm<br />

mounted<br />

Condition: A repaired tear lower left<br />

through image [28734]<br />

£45<br />

217. [Iffley Lock]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 101 x 168 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> Iffley<br />

showing the tow path and gate on the<br />

left and the mill and lock in the<br />

distance on right.<br />

Condition: Laid to an album page<br />

[28696]<br />

£40<br />

Martyrs’ Memorial<br />

Iffley<br />

216. [Iffley]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 166 x 209 mm<br />

mounted<br />

A view <strong>of</strong> Iffley from the banks <strong>of</strong> the<br />

Thames with Iffley Church in the<br />

backrgound. [28699]


218. [Martyrs’ Memorial, <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 194 x 145 mm<br />

A nice largeVictorian photograph <strong>of</strong><br />

the <strong>Oxford</strong> Martyrs’ Memorial with the<br />

facade <strong>of</strong> Balliol College in the<br />

background. [28722]<br />

£50<br />

Image 118 x 163 mm<br />

Mounted<br />

Nixon’s Free Grammar School had<br />

been founded in 1658 for the sons <strong>of</strong><br />

freemen <strong>of</strong> <strong>Oxford</strong> by John Nixon (or<br />

Nickson) (1588–1662), a mercer who<br />

was three times Mayor <strong>of</strong> <strong>Oxford</strong>. The<br />

city council had first considered<br />

founding such a school in 1576, but<br />

only took action when Nixon <strong>of</strong>fered<br />

£30 a year to pay a master’s stipend,<br />

provided that the city provided a<br />

suitable schoolroom. It was situated in<br />

the Town Hall Yard. It survived for<br />

235 years until 1894, when it was<br />

closed, despite opposition by the<br />

<strong>Oxford</strong> freemen, following bad reports<br />

by the government inspector. [28727]<br />

£45<br />

<strong>Oxford</strong> Churches<br />

219. The Martyrs’ Memorial<br />

Albumen Photograph<br />

George P. Day<br />

c. 1875<br />

Image 160 x 114 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the<br />

Martyrs’ Memorial with the Randolf<br />

Hotel and the Ashmolean Musuem in<br />

the background by George P. Day.<br />

[28806]<br />

£40<br />

Nixon’s School<br />

220. [Nixon’s School]<br />

Albumen Photograph<br />

attributed to Davis<br />

Davis’s Series, c. 1890<br />

221. [West End, Iffley Church]<br />

Albumen Photograph<br />

attributed to Davis<br />

Davis’s Series, c. 1890<br />

Image 154 x 101 mm<br />

mounted<br />

A late Victorian Photograph <strong>of</strong> Iffley<br />

Church.<br />

[28730]<br />

£35


A scarce early view <strong>of</strong> the college<br />

barges on the Thames on Commeration<br />

Day.<br />

Condtion: Small loss to image in the<br />

upper left. [28735]<br />

£180<br />

Randolf Hotel<br />

222. St. Michael’s Church, <strong>Oxford</strong><br />

Albumen Photograph<br />

Hills & Saunders<br />

Hills & Saunders, <strong>Oxford</strong>, c. 1881<br />

Image 200 x 129 mm<br />

mounted<br />

Hills & Saunders stamp on verso.<br />

[28741]<br />

£40<br />

224. [The Randolf Hotel]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 102 x 150 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the Randolf<br />

Hotel [28810]<br />

£50<br />

St.Clement’s<br />

<strong>Oxford</strong> Sports<br />

223. [Commemoration day <strong>Oxford</strong>]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1860<br />

Image 212 x 280 mm<br />

Framed<br />

225. [St. Clement’s Toll Gate]<br />

Photograph<br />

Anonymous<br />

c.1860<br />

Image 150 x 190 mm<br />

mounted<br />

A view <strong>of</strong> St. Clement’s Toll Gate as<br />

seen from Magdalen Bridge. The old<br />

Toll Gate, built in 1818, was<br />

demolished in 1874 to make way for<br />

the Victoria Fountain. Paid for by the


owners <strong>of</strong> Morell’s Brewery in <strong>Oxford</strong>,<br />

the fountain was formally opened by<br />

Princess Louise, Queen Victoria’s<br />

daughter on 25 May, 1899. [28381]<br />

£50<br />

A Victorian photograph <strong>of</strong> the Isis<br />

from the boat yard looking across to<br />

the College barges. [28702]<br />

£85<br />

226. [St. Clement’s Toll Gate from<br />

Magdalen Bridge]<br />

Photograph<br />

Anonymous<br />

c.1860<br />

Image 150 x 190 mm<br />

mounted<br />

A view <strong>of</strong> St. Clement’s Toll Gate as<br />

seen from Magdalen Bridge. The old<br />

Toll Gate, built in 1818, was<br />

demolished in 1874 to make way for<br />

the Victoria Fountain. Paid for by the<br />

owners <strong>of</strong> Morell’s Brewery in <strong>Oxford</strong>,<br />

the fountain was formally opened by<br />

Princess Louise, Queen Victoria’s<br />

daughter on 25 May, 1899. [28380]<br />

£50<br />

228. [The College Barges]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1871<br />

Image 105 x 184 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the College<br />

Barges from the South bank <strong>of</strong> the<br />

Thames with Folly Bridge in the<br />

distance left. [28809]<br />

£45<br />

Thames Views<br />

227. [The College Barges]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 111 x 188 mm<br />

Mounted<br />

229. [The Isis]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 70 x 88 mm<br />

mounted<br />

A view <strong>of</strong> the Thames at Folly Bridge<br />

looking out from the boat yard towards<br />

the College barges.<br />

[28701]<br />

£45


With printed title pasted below image.<br />

[28684] £45<br />

230. [The River Isis]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1870<br />

Image 101 x 180 mm<br />

mounted<br />

A Victorian photograph <strong>of</strong> the College<br />

Barges on the Thames. [28823]<br />

£45<br />

<strong>Oxford</strong>shire<br />

231. Abingdon, distant View from<br />

S.W.<br />

Albumen Photograph<br />

Anonymous<br />

Image 117 x 181 mm<br />

mounted<br />

232. [Nuneham Bridge and Cottage]<br />

Albumen Photograph<br />

Anonymous<br />

c. 1880<br />

Image 100 x 168 mm<br />

A Victorian photograph <strong>of</strong> the bridge<br />

and cottage at Nuneham<br />

The rustic wooden bridge, built by<br />

Capability Brown during his<br />

landscaping <strong>of</strong> the gardens in 1779-82,<br />

with the thatched ro<strong>of</strong> <strong>of</strong> the lockkeepers<br />

cottage beyond. On Tuesdays<br />

and Thursdays during the season,<br />

picnic parties were allowed to land at<br />

the bridge, which stood in the parkland<br />

<strong>of</strong> the Harcourt Family. The estate<br />

cottages were built in 1832 by W S<br />

Gilpin on the site <strong>of</strong> the old village.<br />

[28698]<br />

£20


Photographers, Printers & Publishers Biographies.<br />

In order <strong>of</strong> <strong>catalogue</strong> appearance<br />

STEREOVIEWS:<br />

Henry Alden<br />

Henry Alden, Printer, bookseller, stationer and music seller, depot <strong>of</strong> British and Foreign<br />

Bible Society and English and Foreign Library Co. Ltd is at 35 Cornmarket 1867-1928.<br />

Known as Alden & Co., Printers, publishers, stationers & booksellers by 1890. In 1911, “The<br />

Isis (Alden & Co. Limited, printers, booksellers &c)” is added.<br />

W.H. Wheeler<br />

W.H. Wheeler worked with Henry Taunt at 106 High Street from at least 1861 when it was<br />

Wheeler James. By 1866, the firm was known as Wheeler & Day and became W.H.<br />

Wheeler’s in 1872.<br />

Rotary Photographic Company<br />

Rotary Photographic Company London was a branch <strong>of</strong> NPG Germany,10&11 Austinfriars<br />

99, Berlin. Cards made by this company have been found dated as early as 1908 into the mid<br />

1920s. A young East Prussian, Arthur Schwarz, founded NPG in 1894, renting a building in<br />

Schöneberg near Berlin. He marketed photographs and supplies, including stereoscopes.<br />

Within three years NPG had outgrown its rented quarters and Schwarz purchased a spacious<br />

complex in Berlin-Steglitz. At its peak, the company was a pioneer in color photography, had<br />

more than 1000 employees, and included subsidiary <strong>of</strong>fices in London, Paris, Rome, and New<br />

York. Due to the impact <strong>of</strong> the war, NPG closed the Steglitz plant in the winter <strong>of</strong> 1921-22,<br />

and its name passed to a firm in Dresden.<br />

Alexander Washington Wilson<br />

The illegitimate son <strong>of</strong> George Washington Wilson, Alexander was born in 1842. His mother,<br />

Isabella Johnstone, was a farmer’s daughter who refused to marry the boy’s father. Wilson<br />

père took full responsibility for the boy throughout his upbringing and taught him everything<br />

he knew about photography During the 1860’s, Alexander moved to Leamington Spa where,<br />

with capital from his father, he established himself as a photographer and a bookseller. [Roger<br />

Taylor, George Washington Wilson: Artist and Photographer, 1981].<br />

Hills and Saunders<br />

Hills and Saunders is one <strong>of</strong> the longest- established names in photography and is in operation<br />

today. Robert Hills and his brother-in-law Henry Saunders were hairdressers and wig<br />

makers in <strong>Oxford</strong>, but quickly realized the potential photography had as a new form <strong>of</strong> artistic<br />

expression and commercial venture. They opened their first studio in Harrow-On-The- Hill in<br />

1852. Over the years they opened studios in <strong>Oxford</strong>, Cambridge, Harrow, Eton, Sandhurst,<br />

Aldershot and Rugby. Robert Hills formally established his first commercial photographic<br />

premises in <strong>Oxford</strong> at 16 Cornmarket Street in 1856, <strong>Oxford</strong>, and was trading as Hills &<br />

Saunders from at least 1861. They became one <strong>of</strong> the key photographers <strong>of</strong> Victorian society<br />

and several <strong>of</strong> their images are on display in the National Portrait Gallery. Robert Hills and<br />

John Henry Saunders were appointed as photographers to Edward Prince <strong>of</strong> Wales in 1863<br />

while he was at <strong>Oxford</strong> University shortly followed by the opening <strong>of</strong> their <strong>Oxford</strong><br />

Photographic Gallery in Eton in around 1863. From then on their business flourished, and<br />

they were in constant demand when the Court was in residence at Windsor, proudly receiving<br />

their first Royal Warrant from HRH Queen Victoria in 1867.<br />

Philip H. Delamotte<br />

Philip H. Delamotte (1821 - 1889) Philip Delamotte was a calotype photographer, and one <strong>of</strong><br />

the first to use photography for documentary purposes. Delamotte was commissioned to<br />

document Crystal Palace and in 1855 he published his two volume work entitled<br />

"Photographic Views <strong>of</strong> the Progress <strong>of</strong> the Crystal Palace, Sydenham", containing 160<br />

architectural photographs.


Joseph Cundall<br />

Joseph Cundall was Delamotte's publisher, and it was at his house that one <strong>of</strong> the first<br />

commercial photographic exhibitions took place, with some 350 photographs available for<br />

sale. Together with Roger Fenton he founded the Calotype Club in London. He taught<br />

drawing to members <strong>of</strong> the Royal Family, and later he was appointed Pr<strong>of</strong>essor <strong>of</strong> Drawing at<br />

King's College, London. Delamotte also wrote a book entitled "The practice <strong>of</strong> photography:<br />

a manual for students" - a work which went into its third edition.<br />

Spiers & Son<br />

Spiers & Son were stationers, desk & dressing-case makers, and had general fancy warehouse<br />

in 102 & 103 High Street from 1834-1890.<br />

Realistic Travels<br />

Realistic Travels was founded by H. D. Girdwood and produced high quality stereographs for<br />

British audiences. They made set <strong>of</strong> stereoviews <strong>of</strong> 600, 500, 400 300, 200, and 100 views,<br />

with sub sets <strong>of</strong> 25 and 32 images. The company was known to be in operation from 1908 to<br />

1916, but cards were produced into the 1920s under the name Realistic Travels.<br />

S. Thompson<br />

Little is know about Thompson and only five views <strong>of</strong> England by Stephen Thompson are<br />

recorded by Treadwell - they are exceptionally rare. Thompson worked with a team <strong>of</strong><br />

photographers that included William Russell Sedgfield and lead by photographer William<br />

England, on a series <strong>of</strong> 350 stereoviews <strong>of</strong> the 1862 International Exhibition.<br />

Thomas Shrimpton<br />

Thomas Shrimpton was a book and print seller and publisher whose shop was at 23 & 24<br />

Broad Street, <strong>Oxford</strong>.<br />

Alfred R. Mowbray<br />

Alfred R. Mowbray was a photographer and bookseller who operated from No. 2 Cornmarket<br />

Street, <strong>Oxford</strong> c. 1859-1867. A R Mowbray and Co<br />

Founded in <strong>Oxford</strong> in 1858 by Alfred R Mowbray (1824-75) as religious booksellers and<br />

suppliers <strong>of</strong> ecclesiastical fittings and perquisites <strong>of</strong> all kinds (including glass), the firm’s<br />

works and shop were there. A London branch, opened in 1873, was for many years in<br />

Margaret Street. Their work continued almost unchanged well into the C20, as a <strong>catalogue</strong> <strong>of</strong><br />

their wares <strong>of</strong> 1926 shows and they supplied mainly churches <strong>of</strong> an Anglo-Catholic<br />

persuasion. The ecclesiastical fittings business was taken over by J Wippell and Co in the<br />

1970s, but the name survives as a separate entity for religious works within Hatchard's<br />

bookshop in Piccadilly, like Mowbray’s now part <strong>of</strong> the Waterstones chain. In later years<br />

they did not design the goods they sold, but commissioned others, though few can be credited<br />

to a name. Among designers <strong>of</strong> glass they used A L Ward.<br />

The London Stereoscopic and Photographic Company<br />

The London Stereoscopic and Photographic Company began in 1854 as the London<br />

Stereoscope Company (LSC),u nder the leadership <strong>of</strong> Managing Partner George Swan<br />

Nottage from 1856 was known as the London Stereoscopic Company and was operating from<br />

54 Cheapside, and from May 1859 as the London Stereoscopic and Photographic Company. It<br />

closed in 1922.<br />

Underwood & Underwood<br />

The Underwood & Underwood Company started in 1882 in Ottawa, Texas, when two<br />

brothers, Elmer and Bert Underwood, started a business <strong>of</strong> house-to-house distribution <strong>of</strong><br />

stereoviews. Within a few years, they had a distribution network covering most <strong>of</strong> the United<br />

States and later included subjects from around the world. In the early 1890s Bert Underwood,<br />

who had never taken a photograph, took lessons in photography, which allowed him to<br />

introduce a high standard <strong>of</strong> quality in the choice <strong>of</strong> subjects and in photography composition<br />

and interest. By 1901, Underwood & Underwood was by far the largest publisher, with a<br />

production <strong>of</strong> 25,000 stereoviews per day and 300,000 stereoviewers per year. The total<br />

number <strong>of</strong> titles issued is estimated to be between 30,000 and 40,000. In 1902, they bought<br />

the Strohmeyer and Wyman publishing company, which had been publishing views with


Underwood & Underwood copyright. In 1912, Underwood sold the rights to most <strong>of</strong> its<br />

negatives to Keystone, and few titles were published after that date. In 1923, the remaining<br />

stock were transferred to Keystone and Underwood ceased all stereoscopic activities.<br />

Most Underwood views were published on tan mount, although later views used harder dark<br />

gray mounts, which had been introduced by Keystone. This view was published by<br />

Strohmeyer and Wyman with Underwood & Underwood copyright are included in this<br />

section <strong>of</strong> the catalog. Aside from the publisher's name they are indistinguishable in style,<br />

presentation and captions. Many views were published under both names. Most Underwood<br />

views were not numbered.<br />

In terms <strong>of</strong> subject coverage, Underwood is eclectic and strong in all areas. The focus is on<br />

quality and interest <strong>of</strong> the photography, with no particular area <strong>of</strong> specialization. The whole<br />

range <strong>of</strong> civilian and military topics is covered in all their details, from city views, rivers and<br />

harbors, rural scenes and people to American soldiers, shooting and battle scenes, prisoners,<br />

dead soldiers and hospitals. As is typical <strong>of</strong> the time, many captions are condescending and<br />

sometimes outrageously arrogant or racist. Captions <strong>of</strong> military views are nationalistic and<br />

praise the valor <strong>of</strong> American soldiers, and tend to belittle the Insurrectos.<br />

PHOTOGRAPHS:<br />

George P. Day<br />

George P. Day operated from 1872-1876 in 95 High Street (presumably breaking away from<br />

Wheeler & Day). Wheeler & Day operated from 1866-1871 at 106 High Street after they<br />

bought Edward Bracher’s business . In 1872, they appear to have split into two separate<br />

businesses, with Wheeler remaining at 106 and Day moving into 95 High Street<br />

George Washington Wilson<br />

George Washington Wilson (7 February 1823 - 9 March 1893) was a pioneering Scottish<br />

photographer. Pioneering the development <strong>of</strong> techniques for photography outside <strong>of</strong> the<br />

studio and the mass production <strong>of</strong> photographic prints, he moved increasingly from<br />

portraiture to landscape photography in the 1860s. He also produced stereoscopic pictures<br />

whose main characteristic was that exposures were very short. By 1864 he claimed to have<br />

sold over half a million prints. At the time <strong>of</strong> his death in 1893 (he had handed over the<br />

business to his sons, Charles, Louis and John Hay Wilson in 1888) the firm employed 40 staff<br />

and was one <strong>of</strong> the largest publishers <strong>of</strong> photographic prints in the world, competing with<br />

James Valentine, who was also a prolific photographer, with a large company in Dundee. The<br />

business survived until 1908, when it was wound up at auction.<br />

George Walker<br />

George Walker, stationer, bookseller and friend <strong>of</strong> Wilson tells us that in 1855 'stereoscopic<br />

views began to appear at this time, and Wilson experimented. Early views by Wilson,<br />

although his technique was not perfected, found a ready market at 2/- (15 cents) each. This<br />

was the period when the railways were opening up what until then had been far-flung areas to<br />

tourism, and one <strong>of</strong> the first regions to feel the benefit <strong>of</strong> a vast influx <strong>of</strong> tourists (all wanting<br />

photograpic souveniers) was the Trossachs and Loch Katrine immortalized by Sir Walter<br />

Scott in his epic work 'The Lady <strong>of</strong> the Lake'.<br />

Gillman & Co<br />

Gillman & Co, eventually to become Gillman and Soame, were another major photographic<br />

company that is still operating today. Charles Gillman first had his shop in 1882 at 107 St.<br />

Aldate's. The first mention <strong>of</strong> Gillman and Co. is in 1880. In 1891, Gillman & Co received<br />

royal recognition with their appointment to HRH The Prince <strong>of</strong> Wales. In 1931, they<br />

incorporated George Leslie's photographic studios and were based at 16 Cornmarket Street.<br />

In 1932, they incorporated Hills and Saunders and by 1938 they were based in 56 High Street<br />

and 30 Cornmarket. The company specialised in group portraits and sporting scenes.<br />

W.A. Mansell & Co<br />

W.A. Mansell & Co. were photographers and fine art publishers in London on <strong>Oxford</strong> Street.


Henry Taunt<br />

Henry Taunt was born William Henry Taunt in St Ebbe's, <strong>Oxford</strong>, in 1842, the son <strong>of</strong> a<br />

plumber and a domestic servant, he reversed the order <strong>of</strong> his forenames in adult life and<br />

became Henry William. His schooling was brief and he worked for several years before<br />

joining the <strong>Oxford</strong> photographer, Edward Bracher, in 1856. He set up his own photographic<br />

business Taunt & Co in 1868 and ran it until his death at the age <strong>of</strong> 80 in 1922. His firm took<br />

more than 60,000 photographs during that time, creating an unrivalled record <strong>of</strong> Victorian and<br />

Edwardian <strong>Oxford</strong> and <strong>Oxford</strong>shire and the River Thames from source to sea.<br />

Henry Taunt's black and white photographs consist primarily <strong>of</strong> views <strong>of</strong> <strong>Oxford</strong>, (together<br />

with surrounding counties) and the River Thames. The producer <strong>of</strong> the first ever guide book<br />

<strong>of</strong> the Thames to be illustrated with photographs Taunt played a vital part in establisihing the<br />

river as an area for recreation after the Thames above London lost most <strong>of</strong> its freight traffic to<br />

the increasing rail network. Jerome K. Jerome's novel, 'Three Men in a Boat', reflects this<br />

change from haulage to leisure which Taunt help establish through his photographs, books<br />

and illustrated lectures.<br />

Photographing the river, or indeed anywhere, in the 1860's was an extremely complex task.<br />

The wet collodion process, invented by Frederick Scott Archer, was the best means to capture<br />

negative images on glass until the end <strong>of</strong> the 1870s and required the plates to be prepared,<br />

exposed and processed while the emulsion was still damp. The process required Taunt to row<br />

his skiff to a location, set up his dark tent, set up his camera and tripod, sensitise and coat the<br />

glass plate, immediately make the two or three second exposures, develop and fix the images,<br />

wash them in river water, dry them and then row back to his lodgings or set up camp with his<br />

assistants. Henry Taunt was at the cutting edge <strong>of</strong> Victorian location photographic<br />

technology.<br />

In Henry Taunt's life-time the population <strong>of</strong> <strong>Oxford</strong> grew from around 24,000 to 57,000. It<br />

was a period <strong>of</strong> momentus change <strong>of</strong> which Taunt was there to document. Brought up in St.<br />

Ebbe's, he had a real interest in recording the less picturesque corners <strong>of</strong> <strong>Oxford</strong>; as a<br />

commercial photographer proud <strong>of</strong> his city, he also responded to the growing demand for<br />

photographs and later postcard views <strong>of</strong> <strong>Oxford</strong>'s architectural treasures.<br />

A prolific local historian, he published over 50 books on <strong>Oxford</strong> and its surrounding area.<br />

Interestingly Taunt was well aware <strong>of</strong> the value <strong>of</strong> his work as a historical record: "All<br />

photographs have some limited historical value; those taken today will many <strong>of</strong> them be much<br />

wanted in fifty years time" (1918, quoted in S Read, Berkshire in Camera). In 1893 he was<br />

elected Fellow <strong>of</strong> the Royal Geographical Society, possibly in belated recognition <strong>of</strong> his New<br />

Map <strong>of</strong> the Thames first published 20 years earlier.<br />

Taunt dedicated his life to photography, but his numerous publications demonstrate his varied<br />

interests. He was typical self made Victorian, rising from humble begginings to become a true<br />

entrepreneur. A brilliant self-publicist and showman, he gave his occupation in the 1891<br />

census, while resident in Broad Street as 'Artist in water colours, photographer, author,<br />

designer, lecturer, lantern-slide maker, picture-frame maker, gold-blocker and printer,<br />

publisher, mount cutter, ornmamental card maker, entertainer, gilder'<br />

Glossary <strong>of</strong> Terms<br />

Albumen paper, called so because it was prepared with egg whites, became the most popular<br />

printing material after its invention in 1850 by Louis-Desire Blanquart-Evrard and it remained<br />

in general use until about 1895. The paper was coated in egg white that was dissolved in<br />

potassium bromide and acetic acid. When dry the paper was floated in a solution <strong>of</strong> silver<br />

nitrate and then dried. It could be bought partly prepared, i.e. coated with a thin film <strong>of</strong> white<br />

<strong>of</strong> egg and was then sensitized with silver nitrate solution by the photographer. Manufacturers<br />

sold readied coated paper. The number <strong>of</strong> eggs being used by albumen paper manufactures<br />

was enormous; girls in factories did nothing all day but separate the whites from the yolks. It<br />

was stated that the Dresden Albumizing Company, the largest in the world, used 60,000 eggs<br />

a day (Newhall 196).


Prints on albumen paper were made by contact printing negatives. After the paper had been<br />

exposed and developed it was toned a rich gold brown in gold chloride and then fixed in<br />

hypochloride. Toning with chloride <strong>of</strong> gold checked fading and produced a sepia effect,<br />

avoiding the unattractive reddening to which the paper was prone. The popularity <strong>of</strong> this<br />

paper is demonstrated in the work in this <strong>catalogue</strong> as the majority <strong>of</strong> the prints in this show<br />

are albumen prints. (Phaidon.1997)<br />

Gelatin silver print, The standard contemporary monochrome print. The paper, first<br />

introduced in 1882, is treated with the same process as the gelatin dry-plate process.<br />

Following the introduction <strong>of</strong> the gelatin silver print in 1882, the demand for albumen prints<br />

slowed down and by 1895 they had been replaced by this faster and more flexible method <strong>of</strong><br />

printing.<br />

Bibliography<br />

Diprose, Graham and Jeff Robins. The River Thames Revisited: In the Footsteps <strong>of</strong> Henry<br />

Taunt. Francis Lincoln Limited, 2007.<br />

Graham, Malcolm. Henry Taunt <strong>of</strong> <strong>Oxford</strong>: A Victorian Photographer. The <strong>Oxford</strong> Illustrated<br />

Press, 1973.<br />

Graham, Malcolm. “<strong>Oxford</strong> in the 1850’s: Reminiscences <strong>of</strong> Henry Taunt.” Topoxon, vol.<br />

18, pages 11-18, 1973.<br />

Jeffery, Ian. The Photography Book. Phaidon Press Ltd, 2000.<br />

Newhall, Beaumont. The History <strong>of</strong> Photography. The Musuem <strong>of</strong> Modern Art, 1982.<br />

Williams, Val and Susan Bright. How We Are Photographing Britain: From the 1840s to the<br />

Present, Tate Publishing, 2007.<br />

<strong>Sanders</strong> <strong>of</strong> <strong>Oxford</strong><br />

Salutation House, 104 High Street<br />

<strong>Oxford</strong>. OX1 4BW<br />

01865 242590<br />

info@sanders<strong>of</strong>oxford.com<br />

www.sanders<strong>of</strong>oxford.com

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