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Exhibition Catalog - Lawrence Technological University

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Gregor, who once described himself as a “total survival<br />

of the Protestant work ethic,” became a successful<br />

chemical engineer.5 He obtained a number<br />

of patents, including one in Canada for a process<br />

for cleaning paint spray booths and another in the<br />

United States for a method for recovering residual<br />

coating materials from the walls and air of spray<br />

chambers. He would later establish and operate<br />

the Colloidal Paint Products Company in Detroit, a<br />

chemical business for auto products and cosmetics.<br />

These endeavors earned Gregor a healthy income;<br />

as he later admitted, he had “discovered how to<br />

make money.” 6 In his spare time he pursued an interest<br />

in photography. Elizabeth enjoyed gardening<br />

and sewing and stayed at home to raise their son,<br />

Gregor Peter Affleck, born in 1925. By the late thirties<br />

the couple had purchased a Colonial Revival-styled<br />

home in Pleasant Ridge in the Detroit suburbs.<br />

2<br />

Photograph by Anon.<br />

Frank Lloyd Wright in 1940<br />

When the Afflecks first contacted Frank Lloyd Wright<br />

about designing a house in 1939, the architect was<br />

enjoying a professional renaissance at the ripe age<br />

of seventy-two. After extremely rough years in the<br />

late twenties and early thirties, things had begun<br />

to change for Wright in 1932. The Depression and<br />

changing tastes in architecture had hit him hard. In<br />

the previous six years he had been able to construct<br />

only seven projects, and two of those were for himself<br />

and one for a cousin. An important architectural<br />

exhibition at the Museum of Modern Art in New York,<br />

which gave birth to the phrase “International Style,”<br />

depicted Wright as a “half-modern” architect and<br />

an “individualist” whose inventive period had long<br />

passed. He had taken to writing and lecturing to support<br />

himself, while many believed him to have retired<br />

– or worse. “I have been reading my obituaries to a<br />

considerable extent over the past year or two, and<br />

think, with Mark Twain, the reports of my death greatly<br />

exaggerated,” Wright once wrote. 7<br />

But in 1932 a series of events occurred which would<br />

stimulate Wright’s architectural renewal. First, Wright<br />

founded the Taliesin Fellowship at Spring Green, Wisconsin,<br />

to train young architects in his philosophy of<br />

organic architecture and to provide a steady means<br />

of income through tuition payments. Despite the<br />

hard times Wright retained a certain amount of respect<br />

in the architectural world and had no trouble<br />

attracting students. The Taliesin Fellowship proved to<br />

be a key factor in the revitalization of Wright’s career<br />

by providing him with an inspiring atmosphere, similar<br />

to his Oak Park, Illinois, office in the early 1900s, where<br />

many of the Prairie School architects trained.<br />

Drawing by Taliesin, Photographs by Anon.<br />

Wright further established himself in the public eye with<br />

two books in 1932. The first was An Autobiography,<br />

which has been perceptively described as “a difficult,

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