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Exhibition Catalog - Lawrence Technological University

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Photograph by Megan Smith<br />

Photograph by Megan Smith<br />

out water” – suggested further problems with the<br />

existing house. 65 Despite the considerable amount<br />

of work invested in the drawings, the Afflecks never<br />

followed through with construction of the Pergola<br />

House, and no extra rooms were ever added to the<br />

original structure.<br />

The reason for this increased need for space, in addition<br />

to the knowledge gained from living in the<br />

residence for a decade, seemed to have much to<br />

do with unexpected circumstances in the Afflecks’<br />

personal life. When they originally commissioned<br />

the house, the couple told Wright they had “only<br />

three persons in our family, our son is 15, and in a<br />

couple years there will only be two.” 66 So Wright no<br />

doubt designed the house to be used in the long<br />

term by only two people. But shortly after completion,<br />

Mary Ann’s arrival boosted the occupancy<br />

once more to three. And at almost the same<br />

time a tragic event occurred in young Gregor<br />

P.’s life when a chemical explosion nearly blinded<br />

him while a student at Olivet College. Years later,<br />

Gregor P., now in his mid-twenties, was still undergoing<br />

periodic surgeries to remove glass from his eye,<br />

was unable to drive a car, and was living with his<br />

parents. Gregor and Elizabeth therefore conceived<br />

the Pergola House with the knowledge that they still<br />

had a young girl to raise and a semi-incapacitated<br />

young man to house indefinitely.<br />

Despite the temporarily crowded conditions,<br />

Gregor and Elizabeth Affleck loved their house and<br />

spent the rest of their lives in it. But like many Wright<br />

homeowners, enjoyment of their house came at<br />

a price. As an object of curiosity, the house attracted<br />

a constant stream of visitors and trespassers<br />

eager to glimpse Wright’s work. The Afflecks<br />

good-naturedly accepted their role as stewards of<br />

a work of art. In the late 1970s, Gregor P. estimated<br />

that his father’s visitors’ register contained nearly<br />

10,000 names, while Mary Ann recalled the special<br />

circumstances of owning a landmark house: “As<br />

I was growing up that was probably the biggest<br />

drawback; we could never sleep in on Saturday<br />

mornings because of the likelihood that someone<br />

would want to see the bedrooms – and mother insisted<br />

the rooms be spotless. I think we had people<br />

visit from almost every country.” She also claimed<br />

that “mother and dad enjoyed the unusual. . . And<br />

dad liked nothing better than to have his puttering<br />

around interrupted by a visitor who wanted to talk<br />

about the house.” 67 Wright himself came by whenever<br />

he was in town or at Cranbrook and the Afflecks<br />

hosted him on more than one occasion.<br />

Gregor was particularly fond of mentioning his<br />

wife’s regard for the house. Less than a year after<br />

moving in, he related to Wright that “the house has<br />

changed her outlook on life a lot and we even<br />

24

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