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Benjamin Franklin Scholars Seminar fnar 238/538 –401 ...

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Open Book, page 2<br />

p r e r e q u i s i t e s , e x p e c t a t i o n s , r e q u i r e m e n t s<br />

There are no prerequisites for this course.<br />

The class is intended for students who are strongly motivated to pursue a particular interest,<br />

and who can work independently—that means with plenty of feedback and support but little<br />

supervision.<br />

Because most of the work will be done outside of class, you will be expected to self-direct your<br />

work, both in terms of adhering to a (self-imposed) time schedule and in taking the initiative to<br />

find the resources you need.<br />

The freedom you will have in shaping your project might present difficulties different from a<br />

traditional classroom assignment. You will be engaged in a creative process which is, by nature,<br />

an open-ended endeavor; it comes with surprises and challenges.<br />

weekly presentations of work-in-progress<br />

Every Wednesday, we will discuss your project in class. You will present the progress you have<br />

made and receive feedback.<br />

From the very beginning, we will focus on articulating information visually, on keeping material<br />

records of one’s thinking process, on actually creating these records in cases in which we would<br />

normally forego the visual and rely on a (written or mental) note. You should get into the habit<br />

of drawing diagrams, visualizing abstract relationships, writing down ‘irrelevant’ thoughts, collecting<br />

seemingly unrelated artefacts and clippings, taking photographs, and collaging. In short,<br />

you should allow yourself to explore without the constant corrective of what is ‘relevant’ to your<br />

project. These visual records (preferably in the form of a bound sketchbook) will be part of your<br />

weekly presentation and should help you to convey your ideas more clearly.<br />

As we explore different media — computers, drawing, photography, letterpress, paper crafts, collage,<br />

typewriter, etc.— you will be expected to experiment with the newly acquired skills by applying<br />

them to in-progress models of your project. This might be a single letterpressed sheet, a digitally<br />

printed double-page spread of text and images, a paper dummy of an experimental binding<br />

method, etc.<br />

peer editing and feedback<br />

Students will be expected to engage with each other’s projects. This will involve—in addition to<br />

in-class discussions—reading fellow students’ work-in-progress and making editing suggestions.<br />

student slide presentations<br />

We will discuss traditional and alternative book forms and look at examples of book-related<br />

arts. During the semester, each student will be asked to make a 10–15 minute presentation<br />

accompanied by images (slides, powerpoint, etc.) on assigned topics. The presentation should<br />

include outline handouts.

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