CLIOwin 6.5 PCI User's Manual - Audiomatica Srl

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CTRL+P Swithces on and off the microphone power supply. Equivalent to SHIFT+F1 Enters the Mic settings dialog. Equivalent to SHIFT+F4 Enters the External Hardware control panel. Equivalent to 5.6.4 WINDOWS MENU The Windows Menu helps you manage all opened windows (i.e. measurement control panels) in a standardized way. You can Tile or Cascade the open windows or access each one directly. 5.6.5 HELP MENU Fig. 5.19 Windows Menu From the Help Menu you can access all the available help resources installed in your computer or available directly from Audiomatica over the internet. Fig. 5.20 Help Menu F1Invokes the On-Line Help. 52 Chapter 5 - CLIOwin basics
5.7 BASIC CONNECTIONS In order to correctly interface CLIO with the outer world you should always keep in mind the following electrical specifications: MAXIMUM INPUT VOLTAGE: MAXIMUM OUTPUT VOLTAGE: INPUT IMPEDANCE: OUTPUT IMPEDANCE: +40 dBV (283 V peak-to-peak) +12 dBu (3.1 Vrms) (sine) 64 kohm 150 ohm 5.7.1 CONNECTING THE CLIO BOX The CLIO Box has four RCA plugs that are used to connect it with the outside world (Fig. 5.21). The left ones are the two input, while the right ones are the output. The system is stereo and can simultaneously process two I/O channels which are named channel A and B. The output of channel B is driven in parallel with channel A output. CLIO AUDIOMATICA IN OUT A B A B Figure 5.21 The software is able to analyze either the signal present at channel A or channel B input in an unbalanced configuration or the combined A-B signal thus realizing a balanced input configuration (Fig. 5.18); in the first case the input connection can be realized with one simple RCA cable while in the latter case it is mandatory to realize a balanced probe that will connect channel A input (used as the positive or “hot”) to the first measuring point, channel B input (used as the negative or “cold”) to the second measuring point and ground. CLIO INPUT A INPUT B OUTPUT A OUTPUT B + G Figure 5.22 WARNING: Both CLIO inputs and outputs are referred to a common measuring ground. When you are making measurements in the normal configuration (channel A or B unbalanced), one of the two measuring points MUST be at ground potential! Problems may arise if one tries to use amplifiers with floating outputs; the connection with CLIO could cause damage to such an amplifier. Use the channel A-B balanced connection in such cases. Unless you are executing impedance measurements with the Internal Mode selected, one of CLIO outputs will usually be connected to an external power amplifier that will drive the loudspeaker, electronic apparatus, or other system under test. The output of the system under test will be connected to one of the CLIO input. Chapter 5 - CLIOwin basics 53
Page 1 and 2: ELECTRICAL & ACOUSTICAL TESTS User'
Page 3 and 4: CONTENTS 1 INTRODUCTION ...........
Page 5 and 6: 8.5.1 MEASURING AN INDUCTOR .......
Page 9: 1 INTRODUCTION 1.1 ABOUT THIS MANUA
Page 12 and 13: 12 Chapter 1 - Introduction
Page 14 and 15: 2.1 THE PB-4281 PC BOARD AND SC-01
Page 16 and 17: 2.2.3 THE MIC-01 (OR MIC-02) FREQUE
Page 18 and 19: 2.4 THE QCBOX MODEL 4 AMPLIFIER & S
Page 20 and 21: Figure 3.1 2) 2 x Stereo mini jack
Page 22 and 23: 3.3 HARDWARE REGISTRATION WITH WIND
Page 24 and 25: 3.3.2 HARDWARE REGISTRATION UNDER W
Page 26 and 27: 3.3.3 HARDWARE REGISTRATION UNDER W
Page 28 and 29: Figure 3.21 Let's now verify that t
Page 30 and 31: 3.4 SOFTWARE INSTALLATION This para
Page 32 and 33: 3.6 RUNNING CLIOWIN FOR THE FIRST T
Page 34 and 35: 3.7.1 CALIBRATION VALIDATION Figure
Page 36 and 37: 36 Chapter 3 - Installation
Page 38 and 39: 38 Chapter 4 - Troubleshooting CLIO
Page 40 and 41: 5.3 CLIOWIN DESKTOP The CLIOwin des
Page 42 and 43: It is possible to generate the foll
Page 44 and 45: Fig.5.5 Microphone sensitivity dial
Page 46 and 47: 5.5.2 CONTROLLING A TURNTABLE Fig.5
Page 48 and 49: 5.6.2 ANALYSIS MENU The Analysis me
Page 50 and 51: H Enables the Hold function. Equiva
Page 54 and 55: 5.7.2 CONNECTING A MICROPHONE For a
Page 56 and 57: 56 Chapter 5 - CLIOwin basics
Page 58 and 59: When you find a CLIOwin data file i
Page 60 and 61: Enters the Notes dialog where it is
Page 62 and 63: 6.3.5 CALIBRATION File > Calibratio
Page 64 and 65: 6.3.7 STARTUP OPTIONS AND GLOBAL SE
Page 66 and 67: 7.3 BUTTONS AND CHECKBOXES Moves (s
Page 68 and 69: 7.6 THE MLS TIME DOMAIN DISPLAY Whe
Page 70 and 71: 8.2.1 TOOLBAR BUTTONS Starts the me
Page 72 and 73: This operating mode is very useful;
Page 74 and 75: Figure 8.7 With the Multi-meter run
Page 76 and 77: 76 Chapter 8 - Multi-Meter
Page 78 and 79: 9.2.1 TOOLBAR BUTTONS Starts an FFT
Page 80 and 81: 9.4 FFT AND RTA OPERATION The FFT a
Page 82 and 83: 9.5 AVERAGING Averaging plays a ver
Page 84 and 85: 9.6 TIME DATA DISPLAY (OSCILLOSCOPE
Page 86 and 87: 10.2.1 TOOLBAR BUTTONS Starts an ML
Page 88 and 89: 10.2.4 MLS POST-PROCESSING TOOLS Lo
Page 90 and 91: 10.4 MEASURING FREQUENCY RESPONSE I
Page 92 and 93: 150.0 CLIO 180.0 150.0 CLIO 180.0 O
Page 94 and 95: MLS Menu, select dBSPL as Y scale u
Page 96 and 97: 10.4.4 PHASE & GROUP DELAY We used
Page 98 and 99: 110.0 CLIO 7.50 dBSPL ms 100.0 6.00
Page 100 and 101: 10.5 OTHER TIME DOMAIN INFORMATION
Page 102 and 103:
utton. Any process you execute can
Page 104 and 105:
104 Chapter 10 - MLS
Page 106 and 107:
11.2.1 TOOLBAR BUTTONS Starts the s
Page 108 and 109:
Stepped is also not checked. Typica
Page 110 and 111:
11.3 A BRIEF DESCRIPTION ON SETTING
Page 112 and 113:
11.3.3 GATING Enabling Gating allow
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11.4 DISTORTION AND SETTINGS Sinuso
Page 116 and 117:
Finally Fig.11.12 shows the distort
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12.3 WATERFALL BASICS Figure 12.2 W
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12.4 MAKING A CUMULATIVE SPECTRAL D
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Let's now change the CSD aspect aga
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Figure 12.11 12.5.3 TAKING THE MEAS
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Figure 12.17 The final result for o
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If you are novice in using CLIO or
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-10.0 CLIO dBV -30.0 -50.0 -70.0 -9
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13.4 I SENSE Requires Audiomatica C
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Figure 13.12 Lets proceed now with
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The figure shows us we are going to
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13.7 THIELE & SMALL PARAMETERS 13.7
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L 1kHz L 10kHz Inductance at 10kHz
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Now we can save our complete result
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[19] M.O. Hawksford, “Digital Sig
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