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The Books of Enoch, Aramaic Fragments of Qumran Cave 4

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330 THE BOOK OF GIANTS<br />

<strong>The</strong> origin <strong>of</strong> the 'midrash <strong>of</strong> Semhazai and 'Aza'el' remains very obscure;<br />

see, however, below, pp. 338-9. It is not at all certain that it was an excerpt<br />

from the Midrash 'Abkir (which disappeared after the fifteenth century),<br />

or that it formed part <strong>of</strong> the Chronicle <strong>of</strong> Yerahme'el, as Gaster accepts, in<br />

my opinion, somewhat arbitrarily. <strong>The</strong> existing information does not allow<br />

us to trace its origin back beyond the eleventh century, when Moses ha-<br />

Darsan <strong>of</strong> Narbonne composed his Genesis Rabba Maior, from which<br />

Bereshith Rabbati is derived. A Karaite writer <strong>of</strong> the tenth century, who was<br />

living in Jerusalem, mentions among the rabbinical works popular at that<br />

period, 'the book about 'Uzza and 'Azi'el, who, according to their mendacious<br />

assertions, had come down from heaven'.^ Another book mentioned by the<br />

same author and likewise by a Karaite <strong>of</strong> the ninth century, namely Razd<br />

Rabbd, 'the Great Mystery', was used in the twelfth century for the composition<br />

<strong>of</strong> the book Bahtr which is fundamental to the development <strong>of</strong><br />

Jewish mysticism in Provence.^ <strong>The</strong> two chiefs <strong>of</strong> the wicked angels, 'Uzza<br />

and 'Aza'el, are <strong>of</strong>ten quoted and described in Talmudic and cabbalistic<br />

texts, e.g. in Yoma 67 6, Pesiqta Rabbati, ch. 34, and, later, in the Zohar<br />

and in the Hebrew book <strong>of</strong> <strong>Enoch</strong>. However, they are not, at the very least<br />

formally, identical with Semhazai and 'Aza'el <strong>of</strong> our midrash.<br />

It is the motif <strong>of</strong> the virgin who escaped from the amorous adventures <strong>of</strong> an<br />

angel, or <strong>of</strong> two angels, and was transformed into a star (most <strong>of</strong>ten Venus),<br />

whilst the angel or the two angels were punished by hanging upside down,<br />

which has particularly attracted the attention <strong>of</strong> scholars.^<br />

In the midrash <strong>of</strong> Semhazai and 'Aza'el the girl is called 'Esterah ('Star'<br />

in Greek and Persian; in the latter occasionally 'Venus'), and she becomes<br />

a star <strong>of</strong> the Pleiades. This detail, peculiar to our narrative, is explained by<br />

^ J. Mann, Texts and Studies in Jewish vatat-AmSrStat*: Revue des itudes arminiennes.<br />

History and Literature, ii (i935), 82. vi (1926), 43-69; Sh. Spiegel, *Heyya and his<br />

^ Cf. G. Scholem, Ursprung und Anfdnge der Brother in Rabbinic and Moslem Legend*:<br />

Kabbala, 1962, pp. 29 ff. and 85 ff. L. Ginzberg Jubilee Volume, English Section,<br />

3 See especially the works <strong>of</strong> M. Grunbaum, 1945, pp. 341-55 CNoah, Danel, and Job.<br />

Gesammelte Aufsdtze zur Sprach- und Sagen- Touching on Canaanite Relics in the Legends<br />

kunde, 1910, pp. 59~8o and 442-8 (= ZDMG <strong>of</strong> the Jews', pp. 305-55); P- J- de Menasce,<br />

31 (1877), 224 ff.) and Neue Beitrdge zur semi- *Une legende indo-iranienne dans Tang^lolotischen<br />

Sagenkunde, 1893, pp. 73-5, 80, 261-2; gie jud6o-musulmane: a propos de Hardt et<br />

B. Heller, *La chute des anges Schemhazai, Mar

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