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The Books of Enoch, Aramaic Fragments of Qumran Cave 4

The Books of Enoch, Aramaic Fragments of Qumran Cave 4

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92 INTRODUCTION<br />

from the writings <strong>of</strong> the New Testament, the Gospels especially, beginning<br />

with the titles <strong>of</strong> the pre-existent Messiah: 'Son <strong>of</strong> Man' (Matt. 9: 6; lo: 23;<br />

12: 8; etc.) and 'Elect' (Luke 23: 35). However, it is not likely to be an early<br />

Christian work, since no quotation from it is recorded between the first and<br />

fourth centuries, that is, during the period in which quotations, allusions,<br />

and reminiscences <strong>of</strong> other works attributed to <strong>Enoch</strong> abound. In fact, the<br />

existence <strong>of</strong> the Greek Book <strong>of</strong> Parables is not attested until the early Middle<br />

Ages, and even then indirectly, by the stichometry <strong>of</strong> Nicephorus and by the<br />

Slavonic <strong>Enoch</strong> (see above, p. 77 and below, pp. 109-10). Finally, we must<br />

recall its absence from any early version (apart from the Ethiopic) and especially<br />

the absolute silence on this subject in Coptic literature. No discovery<br />

<strong>of</strong> Byzantine papyri in Egypt has provided a Greek or Coptic sample <strong>of</strong> it.<br />

Where its literary genre is concerned, the Book <strong>of</strong> Parables is most closely<br />

akin, in my opinion, to the Sibylline literature. Now, the Christian production<br />

<strong>of</strong> Sybilline Oracles flourished in the second to fourth centuries. Someone<br />

well acquainted with the Sibylline Oracles would doubtless have no<br />

diflficulty in translating the Ethiopic text <strong>of</strong> the Parables into hexameters<br />

and into a pseudo-Homeric dialect; the Greek original <strong>of</strong> this book was<br />

certainly composed in metrical poetry. <strong>The</strong> Parables share with the Sibyllines<br />

a clear division into sections ('parables', 'books') on the one hand but, on the<br />

other hand, they also share a confusion in the sequence <strong>of</strong> ideas—long and<br />

frequent repetitions, lacunae, a mixing up <strong>of</strong> historical and eschatological<br />

plans within each part. <strong>The</strong> contents <strong>of</strong> both include descriptions <strong>of</strong> past<br />

and future catastrophes, the punishment <strong>of</strong> sinners and the happiness <strong>of</strong> the<br />

just, and the interventions <strong>of</strong> God, <strong>of</strong> the immortal Messiah, <strong>of</strong> angels and<br />

demons; finally, both can be shown to have a common interest in astrological<br />

and magical subjects. It would be a simple task to draw up a list, and it<br />

would be a long one, <strong>of</strong> keywords, phrases, and expressions, <strong>of</strong> entire<br />

passages and ideas, which would prove a very close relationship between<br />

the Visions <strong>of</strong> <strong>Enoch</strong> and Noah and the Sibylline Oracles. I shall content<br />

myself with pointing out two striking parallels.<br />

<strong>The</strong> second book <strong>of</strong> the Sibyllines, composed essentially by Christian<br />

authors <strong>of</strong> the third century, describes the resurrection <strong>of</strong> souls and bodies,<br />

and judgement by the great immortal God. Five angels appear in it: BapaKLrjX<br />

'PafjLLTiX 0vpL7]X ZafiLrjX A^ai^X T€(Sib. ii. 215).^ <strong>The</strong> archangel Ouriel breaks<br />

open the doors <strong>of</strong> Hades and brings out for judgement the shades <strong>of</strong> the<br />

* In group 0 <strong>of</strong> the manuscripts (ed. J. Geffcken, GCS 8 (1902), 38) Me^a^A T€ FaPpiriX

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