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2006 Racing Issue - UAW-Chrysler.com

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“Now, the muscle Charger is <strong>com</strong>ing<br />

back. It just makes sense to get back to<br />

our heritage and bring the Charger<br />

back to NASCAR.”<br />

A HERITAGE<br />

OF EXCELLENCE<br />

In the showroom, Dodge fans can get<br />

an SRT8 version of the Charger that<br />

takes the optional 5.7-liter Hemi and<br />

upgrades it to a 6.1. Then there are<br />

great wheels, tires, wings and other<br />

options Dodge owners love. “They get<br />

a car that reflects the muscle that’s on<br />

the track,” says Fernandez. “It’s a real<br />

performance machine.”<br />

On the track, Chargers remain true<br />

to their racing roots — but with a whole<br />

new world of technological precision.<br />

“<strong>Racing</strong> engineering has <strong>com</strong>e a long<br />

way, and the Chargers reflect that,”<br />

Fernandez says. “They pack more pure<br />

speed, with incredible aerodynamics<br />

and the development of chassis and tire<br />

sophistication.”<br />

Of course, Buddy Baker knows all<br />

about the fast part. His speed record of<br />

200.447 mph at Talladega on March 24,<br />

1970, ignited unprecedented buzz about<br />

the Dodge Charger. It remains a milestone<br />

in NASCAR history. “One of the<br />

first laps was 199.8 mph,” says Baker.<br />

“And that was just warming up.”<br />

The record-breaking No. 88 had<br />

modest beginnings. It began as a loaner<br />

vehicle, available to journalists looking<br />

CONTINUED ON PAGE 16<br />

Ralph Gilles, lead designer<br />

for the <strong>2006</strong> Charger.<br />

Ralph Gilles is a lot like the cars he<br />

creates — confident, daring and a bit<br />

risqué. As lead designer for the <strong>2006</strong><br />

Dodge Charger, he dusted off a racing<br />

gem with a legendary NASCAR past<br />

that has everybody talking — on and off<br />

the racetrack.<br />

“Design has to be polarizing,” says<br />

Gilles. “To <strong>com</strong>e up with vanilla is<br />

generic. But controversy, well executed,<br />

can work in your favor.”<br />

The 35-year-old Canadian-born<br />

designer has been polishing the<br />

<strong>Chrysler</strong> Group’s power image since<br />

his arrival in 1992. Credited with<br />

also leading the design on the Dodge<br />

Magnum and the <strong>Chrysler</strong> 300<br />

sedan, the wunderkind of Studio 3 at<br />

the Daimler<strong>Chrysler</strong> Technology<br />

Center is fearless in making creative<br />

statements.<br />

Gilles boasts that the design of the<br />

Charger is full of character and flavor —<br />

with an in-your-face attitude that only<br />

an American car can get away with.<br />

He’s referring to the distinguishing<br />

features like the “fender kick-up” at<br />

the side windows, the bold rear-fender<br />

detail and the furrow-browed front<br />

nose that accents the Charger’s<br />

aggressive posture.<br />

“We asked ourselves, ‘Are the lights<br />

too angry’? If we get un<strong>com</strong>fortable<br />

during design, that’s a good thing,” he<br />

says. “But that’s why I love<br />

this job, because we don’t<br />

shy away from risk-taking.”<br />

Sketching over old cars<br />

as a kid, Gilles had visions<br />

of future greatness. His<br />

parents were concerned<br />

that he spent too much time<br />

drawing and not enough<br />

thinking about a “real”<br />

career. But even while living<br />

in his parent’s basement<br />

with no job, Gilles was<br />

DESIGNER SETS<br />

FAST PACE<br />

set on designing <strong>Chrysler</strong> cars.<br />

“I fell in love with the Viper,” he says.<br />

“I saw this <strong>com</strong>pany <strong>com</strong>mitting a lot of<br />

capital to a new building and a new<br />

image, and I knew that design was still<br />

a very powerful tool for this <strong>com</strong>pany.”<br />

After graduating from Detroit’s<br />

College for Creative Studies, Gilles<br />

landed his dream job at <strong>Chrysler</strong> and<br />

watched his stock skyrocket as he<br />

became one of the top designers in the<br />

auto industry.<br />

Gilles’ achievements as an African<br />

American in a field dominated by white<br />

designers are noteworthy, but he<br />

downplays race as a barrier to his<br />

success. He prefers to let his track<br />

record speak for itself.<br />

“The doors aren’t closed to African<br />

American designers,” says Gilles. “It’s<br />

just the consciousness is not there.<br />

Sometimes it does help (being an<br />

African American). It makes people<br />

listen differently mainly because<br />

they’re intrigued. In hindsight, it has<br />

been more of a benefit.”<br />

Despite the kudos Gilles has gained<br />

for his three prize vehicles, he is quick<br />

to point to the <strong>com</strong>bined efforts of his<br />

team of designers and engineers.<br />

“I’m just one member of a really<br />

great team. In high school, it was easy<br />

being the best. You <strong>com</strong>e here, and<br />

everybody’s good.”<br />

Currently, Gilles is settling in to a<br />

new challenge — truck design. His<br />

latest creation is under a tight lid, but<br />

judging by his Charger credentials,<br />

NASCAR’s Craftsman Truck Series<br />

better watch out. A new racing icon<br />

might be waiting in the wings.<br />

— Tanisha Perez<br />

Read more about Ralph Gilles on<br />

the <strong>UAW</strong>-Daimler<strong>Chrysler</strong> NTC<br />

Web site at www.uawdcx.<strong>com</strong>/<br />

publications/tomorrow.cfm.<br />

TOMORROW SPECIAL RACING <strong>2006</strong> 15

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