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Exhibit 2-8: Country by origin of Evacomics Facebook Page fans<br />

2% 2% 1%<br />

1% 1%<br />

3%<br />

6%<br />

7%<br />

13%<br />

64%<br />

Singapore<br />

Malaysia<br />

Indonesia<br />

Japan<br />

USA<br />

Australia<br />

Thailand<br />

Taiwan<br />

Vietnam<br />

Philippines<br />

Weaknesses. Like any entrepreneur, the curse of funding woes will continue to plague<br />

unless fame is achieved. With funding, editors and translators can be hired and books published<br />

more easily. Assistants can also be hired to do the work of inking and coloring to speed up the<br />

delivery. Due to limited resources, the artist has to also handle all social media PR work and web<br />

design as well.<br />

Opportunities. Based on Evacomics’ objective of global expansion, opportunities must be<br />

accessed not just by their attractiveness but also ability to contribute towards the long-term goal.<br />

This includes targeting Japanese and foreigners who are either interested in Japanese culture or<br />

Singaporean culture. Each opportunity will be evaluated in chapter three.<br />

Threats. Evacomics might be the first kind of comics that do country comparison as a series<br />

but it is certainly not the first when it comes to experiences living in Japan. In fact, there are already<br />

comics published in Chinese about this so the threat of a new competitor to draw about his or her<br />

own experiences living in Japan exists constantly. There are also countless websites and Facebook<br />

pages that share information about traveling to Japan and cool Japanese products. Certain things<br />

only happen in Tokyo and not the whole nation so the artist has to be careful in quoting either<br />

“Tokyo” or “Japan” because netizens are quick in spotting discrepancies. Due to the nature of the<br />

comics (Exhibit 2-9) that touch on culture and make satirical jokes about it, there are a handful of<br />

16

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