no child left on his or her behind - Indiana Music Education ...
no child left on his or her behind - Indiana Music Education ... no child left on his or her behind - Indiana Music Education ...
YESH LANU TAISH [yaysh lah-
Grade 3 Introduction TT5sON AT A GTANCT Movement5lillObie(liv€ t)€'
- Page 1 and 2: NO CHILD LEFT ON HIS OR HER BEHIND:
- Page 3 and 4: ALOHA KAKAHIAKA (Hawai'i) "Good mor
- Page 5 and 6: DEBKY (Arabic) The debky is one of
- Page 7 and 8: GOOD OLD DAYS (U.S.A) This type of
- Page 9 and 10: THE GRAND MARCH (Processional from
- Page 11 and 12: Or finish it as a PARTNER DANCE (If
- Page 13 and 14: HIGHLIFE or PANDOGA (Ghana, West Af
- Page 15 and 16: HOE ANA (Rarotonga Islands/Tahiti)
- Page 17 and 18: HOW DO YOU DOO-TEE (Australia) This
- Page 19 and 20: I LOVE A RAINY NIGHT (Double-line U
- Page 21 and 22: THE PADDY O’FURNITURE JIG (sort o
- Page 23 and 24: SASHA (Russia—Germany) ―Sasha
- Page 25 and 26: Swing dancing, page 2 (b) Do <stron
- Page 27 and 28: Tokyo Dontaku, page 2 PART III. Mak
- Page 29: YAN or JEAN PETIT (Southern France)
- Page 33 and 34: ,) ' E'##:Ji [: i:, ;:::1,:: 3 t#;:
Grade 3<br />
Introducti<strong>on</strong><br />
TT5sON AT A GTANCT<br />
Movement5lillObie(liv€ t)€'<str<strong>on</strong>g>no</str<strong>on</strong>g>nrt.rtc(om{x,l.n.c rn<br />
.l I{'i|.1 t,, J \trna,, 1,. ol .'n.t r, ,.,.,r r, ,<br />
bloe5 ityte white pcrto<strong>on</strong>inq smalldrnnralr<br />
ge5turer<br />
X 4 Ddn.e st.ndard lf D,.m^r.\trdt- J., "rd, , i,, n,o.ir,J<br />
to a mustlatbeat<br />
Pht'i(il tdu(nri<strong>on</strong> Jlandard I Dcm<strong>on</strong>rrrdte l:ompet(,ncy<br />
rrr m<strong>or</strong><strong>or</strong> skitlr and nrovcmeni pnternj<br />
needed io rdofin a variety <strong>or</strong> plrysi:al<br />
aaUVtIres<br />
MATfRIATS<br />
. "Th. Croundhog Bkrer,,<br />
Tea.hcr's tditi<strong>on</strong>, Cr. l, p. I22<br />
Co 4 29, to<br />
. Pictur.i of groundhog5<br />
NtCORDIN6 ROUNNT<br />
hrtro (8 m.); vocalA (16 m.); vocarB (8 m ); intedude<br />
(8 m.); vocalE (8 m.); (odd(t m.)<br />
I- Ptuprr"<br />
Background<br />
"Thp Croundhoq 8lu.t," a s<strong>or</strong>)g in swinq \tyl.. r,<br />
baspd <strong>on</strong> tlre l^gpnd dbur,r uruundtru! Dry. (hot!<br />
\ludcnt\d pi, l"rF of d rrJltrounritr<strong>or</strong>t Oi,.u.\ llr^<br />
C.oundhog Day legend_ Traditi<strong>on</strong>all, in (otder<br />
climes, february 2 B the day to tell how much<br />
l<strong>on</strong>ger the winter will be_ ll it is a nrnny day and<br />
the groundhog (a furry rodent) emcrges fr<strong>or</strong>n il5<br />
burrow and secs it5 shadoW t<strong>his</strong> fireans t<strong>her</strong>e wjll<br />
be six nr<strong>or</strong>e wceks of winter. lf t<strong>her</strong>e i5 <str<strong>on</strong>g>no</str<strong>on</strong>g> \rrdoow,<br />
spring will come early.<br />
ASK Do you think t<strong>his</strong> ir true?<br />
Warm Up<br />
Play the rec<strong>or</strong>ding ol "lhc Cro<strong>on</strong>dhog BlueJ,,<br />
CD,l-29 and ask students to 5nap their finqers <strong>on</strong><br />
the otfbeat! ai they listen. T<strong>his</strong> will Lctp them<br />
get rnto the qroovc ol the music.<br />
2 Trt" Aeti<strong>on</strong><br />
f<strong>or</strong>mati<strong>on</strong> Have studcnts stand betide pa ners In a<br />
dngle (lrde, facing center partne. <strong>on</strong> the riglrt is l,<br />
partner <strong>on</strong> thc <str<strong>on</strong>g>left</str<strong>on</strong>g> is 2.<br />
Studen8 move 10 thc dilterenl nlusic !e.ti<strong>on</strong>s as follows.<br />
llave them praclice the stcpr in i5otati<strong>on</strong>, thcn<br />
put <strong>on</strong> the mu5ic and let them swin9.<br />
. Eart and rnrp, Srep fiqht fool ro riqlrr sirtc,<br />
rolr.h tdt foot nert to riqhl foot; 5tep le{t foot<br />
to tetl ,ide, r<strong>or</strong>lrh lqhl to<strong>or</strong> ncxt ro tett llrp<br />
.Ir thr l<strong>or</strong>jche, <strong>or</strong> of{ beils. Do t}ri, lh11rrIl<br />
6 trnrlr! in a .<br />
. Irnd pdrtner5<br />
takr 8 it!p I<strong>or</strong>ns in oppo\rte<br />
clrrecuo|n p.t(oer I tu r,lc) the figlrl in a full<br />
((W (ircle partner 2 trrrn5 ro the l;{t in a,utl<br />
CW Lircle. Now they each turn in the ot<strong>her</strong><br />
drrectr<strong>on</strong> in 8,teps, and 5top to ta.e rhe parl<br />
ner In,a ringle cift je Onc partncr i, Iacinq (W<br />
re ot<strong>her</strong> (CW Wa99le hrnd\ whjle circlrng<br />
Vocal A<br />
. Mearuret I and 2 parlners jojn two han{15 and<br />
do 4 5tep (l<strong>or</strong>er toward lhc cer)ter<br />
. Menrurel 3 and 4_partncrs do 4 rt€p (l<strong>or</strong>el j<br />
away lrom ccnter. \<br />
. Mearurer 5.nd 6-Repeathe g step closes.<br />
sAY Try moving in a btLrp.,y \tvt" by tc,rnilg d <strong>or</strong>r<br />
toward the djrecti<strong>on</strong> you are goinq<br />
. Mearurer 7 ind E_All turn away from panners<br />
In U 5tep5 to end facing aenter. partner I turnj<br />
to thc <str<strong>on</strong>g>left</str<strong>on</strong>g>, partner 2 to the rjght.<br />
. Mcarur€i 9 and l0_Ihrow both hands in the air<br />
(M)o<strong>or</strong>, point both rhumbs back ovrr own<br />
slroulders (Bo.t ro my /og), shade eyer wrtn<br />
holh lr.jnds dnd |.,rj r to tr{ e t,Jrtnp.<br />
. Mearurei ll and l2 loin two hands wurr parr<br />
ncr and repeat I step closes toward and then<br />
away from cente. tnd by facing center<br />
Vocal B<br />
. Ive got lhe groundhaq b/uej W.rlk to cente n<br />
4 steps, wagqling hand\<br />
. lL\ wintet ill co/dl_Stop, wrap arms around<br />
sel{, look in <strong>on</strong>e direcri<strong>on</strong> aod shiver (it,r<br />
ryirlcr), repcat to ot<strong>her</strong> dne.ti<strong>on</strong> (iL,s cotd!)<br />
. l've got rhe groundhog bft./er Walk bdcKwafo<br />
out ol center in 4 steps, waggling hands.<br />
. lt\ wittcr, it's cold! _jf'epeat the shivers.<br />
. I've 9oI lhe groundhog blues, it's winka, n \<br />
co/d/-Walk to (enter as above, ,epeat shivers.<br />
. I've got the groundhag blues. Brrr! /\ll twn,<br />
wdqqlinq hdld), l<strong>or</strong> 8 \'enr. pdrtncr I rurn\ t^<br />
thl. riqht, pdrrnc,, ro tJrp <str<strong>on</strong>g>left</str<strong>on</strong>g>. Lnd b) tJ( rn!<br />
partners with both hands toined.<br />
SAY On each repetiti<strong>on</strong>, make your shivers m<strong>or</strong>e<br />
dramatrc, saving a rcally biq shiver f<strong>or</strong> the last Srrrl<br />
lnterlude<br />
. Partners repeathe side,.lo5e! into the c€nter<br />
andout, as inVocalArneasures I 4. Repcat.<br />
Vocal B (reprise)<br />
. Repedt the ntove rents abovc, walking inlo<br />
the center and lhiverirlg. On the final Brrrl do<br />
a reatty big shivcr.<br />
3 Reflect<br />
Discussi<strong>on</strong><br />
ASK tlow would you describ€ the tect of thi,<br />
nruri(? Wa! it diffi(ult to keep the bcar att the<br />
way through the dance?