no child left on his or her behind - Indiana Music Education ...
no child left on his or her behind - Indiana Music Education ...
no child left on his or her behind - Indiana Music Education ...
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YAN <strong>or</strong> JEAN PETIT<br />
(Sout<strong>her</strong>n France)<br />
"Yan/Jean Petit" (Little John in Catalan) was <strong>or</strong>iginally f<strong>or</strong> boys as a competitive exercise. It was introduced<br />
to U.S. folk dancers by Huig Hofman of Belgium. The cumulative pattern lends itself to modificati<strong>on</strong>; even Mr.<br />
Hofman changed it. It was <strong>or</strong>iginally taught to 7 th -grade French boys. The versi<strong>on</strong> below shows the <strong>or</strong>iginal<br />
plus a simplified <strong>on</strong>e in brackets arranged by Sanna L<strong>on</strong>gden.<br />
<strong>Music</strong>, Vid/DVD: <strong>Music</strong> can be found <strong>on</strong> Sanna's CD#1, Folk Dance <strong>Music</strong> f<strong>or</strong> Kids & Teac<strong>her</strong>s, and taught<br />
<strong>on</strong> <strong>her</strong> purple video/DVD, M<strong>or</strong>e Fav<strong>or</strong>ite Dances of Kids & Teac<strong>her</strong>s. Meter: 4/4<br />
F<strong>or</strong>mati<strong>on</strong>: Circle with hands joined (<strong>or</strong> <str<strong>on</strong>g>no</str<strong>on</strong>g>t).<br />
Introducti<strong>on</strong>: 8 counts<br />
Part I<br />
Skip <strong>or</strong> polka CCW 8 meas. [Sanna's: Side-close to R 8 times (<strong>or</strong> 4 to R and 4 to L) <strong>or</strong>, even easier, tap<br />
shoulders 8 beats, then march in place 8 beats.] Hold, clap 3 times<br />
Ch<strong>or</strong>us:<br />
Stamp R 3 times, hold; clap loudly <strong>on</strong>ce, then raise R hand high with finger pointing and circling; turn in place<br />
with 4 steps. [Sanna's: Raise <strong>on</strong>e arm to make a muscle, hold it <strong>on</strong> l<strong>on</strong>g <str<strong>on</strong>g>no</str<strong>on</strong>g>te <strong>or</strong> fermata. Turn in place 4 steps,<br />
<strong>or</strong> beat their chests 4 times.]<br />
Part II<br />
Repeat Part I, ending with 3 claps. Add "with the toe, toe, toe." [Or 3 stamps with <strong>on</strong>e foot.] Ch<strong>or</strong>us.<br />
Part III<br />
Repeat Part I + II. Add "with the knee, knee, knee," hitting (gently!) knee <strong>on</strong> flo<strong>or</strong>. Movements will c<strong>on</strong>tinue<br />
to get lower to ground. [3 hits with heel, leg extended to fr<strong>on</strong>t.] Ch<strong>or</strong>us.<br />
Part IV<br />
Repeat Parts I, II, III. Add "with the hip, hip, hip," touching <strong>on</strong>e hip to flo<strong>or</strong>. [3 "boxing" moti<strong>on</strong>s.] Ch<strong>or</strong>us.<br />
Part V<br />
Repeat Parts I, II, III, + IV. Add "with the seat, seat, seat." [Rock shoulders with thumbs proudly in<br />
"suspenders."] Ch<strong>or</strong>us.<br />
Part VI<br />
Repeat Parts I through V. Add "with the belly, belly, belly" (<strong>on</strong> flo<strong>or</strong>!). [3 pounds <strong>on</strong> thighs.] Ch<strong>or</strong>us.<br />
Part VII<br />
Repeat Parts I through VI. Add "with the head, head, head" (<strong>on</strong> flo<strong>or</strong>!). [3 shakes of fanny.]<br />
Final ch<strong>or</strong>us: spread feet and clap hands above head. [Make a muscle with both arms.]<br />
___________________________________________<br />
PRESENTED BY SANNA LONGDEN. Notes by Sanna L<strong>on</strong>gden © 2005.