no child left on his or her behind - Indiana Music Education ...

no child left on his or her behind - Indiana Music Education ... no child left on his or her behind - Indiana Music Education ...

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PENGUIN DANCE (The Penguin People of Antarctica) This dance originated in the Australian Antarctic Territory by the Penguin People as they observed the Southern Hemisphere research station scientists at their recreational activities. As most of the scientists were from Australia and the British Isles, the figures of this dance may seem familiar to those kong>noong>wledgeable about Anglo-American arts. Now it has become a pan-Penguin dance, popular among all of the family Spheniscidae. Music, DVD/video: On Sanna’s CD #4 and DVD/video#7, both Volume 2 in her Dances of the Seven Continents (blue and white). Recorded here is the Shenanigan’s ―Lobster Quadrille,‖ with permission by Gary King. Meter: 4/4 Formation: Longways formation for 3 to 5 pairs of Penguins. Styling: Move as though you had a nice round tummy, little flippered feet, a sharp beak, and long flexible pointed wings. Meas. Dance Pattern INTRODUCTION: The ship’s bell calls the Penguins to the dance and the accordion plays a measure. PART I, A music (forward and backward) 1 – 2 Move toward partner in 4 walks (cts 1-4), then pat flippers on partner’s flipper 3 times in a ti-ti-ta rhythm (cts 5-8). 3 – 4 Move away from partner in 4 walks (cts 1-4); stomp little legs 3 times (cts 5-8). Clap own flippers together, if desired, on stomps (heavy steps). 5 – 8 Repeat above forward and backward movements. PART II, A1 music (flipper turns and do-si-dos) 1 –4 Hooking R flippers with partner, walk around for 8 cts; repeat with L flippers. 5 – 8 Do R-shoulder do-si-do with partner (8 beats), then repeat with L shoulder. PART III, B music (peel the shrimp and make a bridge) 1 – 8 Top two Penguins scuttle apart and down the hall to lead the others in a castoff or peel the shrimp. When they reach the bottom, they make a two-flipper bridge for the other Penguin pairs to come through and up to the top (16 cts). Repeat the above pattern two more times. At the coda, dip beaks to partners and audience, then flop off toward the ocean. ______________________________________ PRESENTED BY SANNA LONGDEN. Dance & description by Sanna Longden ©2006.

SASHA (Russia—Germany) ―Sasha‖ is the nickname for Russian boys named Alexander, and for Russian girls named Alexandra or Alexandria, and it is a terrific dance. It may ong>noong>t be really Russian (Bob Dalsemer, of the John C. Campbell Folk School, learned this from a Danish teacher who learned it from aong>noong>ther Danish teacher who got it from a German folk dance leader). Whatever its origin, it is an immediate hit with ong>childong>ren and adults alike. Music: On Sanna’s CD-1-1/2 as well as John C. Campbell Folk School (1-800-FOLK-SCH), and Marian Rose’s CD-book package, ―Step Lively #1 (marian@istar.ca). Meter: 4/4 Formation: Pairs standing anywhere in the dance space. Start by partners facing. Dance Pattern I. “Sasha!” Partners shake index fingers at each other while saying, ―Sasha! Sasha! One-two-three!‖ It’s even better to count in Russian: ―Rahss-dvah-tree‖ (roll those ―r’s‖). II. Clapping sequence Partners clap: Right hands three times—right-right-right Left hands three times—ong>leftong>-ong>leftong>-ong>leftong> Both hands—both-both-both Pat knees—knees-knees-knees III. Elbow turns Partners hook right elbows and walk/swing in a clockwise circle 8 steps. On 8 th , give a sharp ―hey!‖ and switch to ong>leftong> elbows. Walk/swing counterclockwise with 8 steps and a ―hey!‖ IV. Promenade alone Walk around the dance space alone, in any direction, until it’s time to start the pattern again with a new partner. Face someone nearby (ong>noong> fair reserving partners ahead of time) and begin again with ―Sasha! Sasha!‖ PRESENTED BY SANNA LONGDEN. Notes by Sanna Longden © 2006, based on those of Bob Dalsemer, Marian Rose, and first observance at a contra dance party in 1997.

SASHA<br />

(Russia—Germany)<br />

―Sasha‖ is the nickname f<strong>or</strong> Russian boys named Alexander, and f<strong>or</strong> Russian girls named<br />

Alexandra <strong>or</strong> Alexandria, and it is a terrific dance. It may <str<strong>on</strong>g>no</str<strong>on</strong>g>t be really Russian (Bob<br />

Dalsemer, of the John C. Campbell Folk School, learned t<strong>his</strong> from a Danish teac<strong>her</strong> who<br />

learned it from a<str<strong>on</strong>g>no</str<strong>on</strong>g>t<strong>her</strong> Danish teac<strong>her</strong> who got it from a German folk dance leader).<br />

Whatever its <strong>or</strong>igin, it is an immediate hit with <str<strong>on</strong>g>child</str<strong>on</strong>g>ren and adults alike.<br />

<strong>Music</strong>: On Sanna’s CD-1-1/2 as well as John C. Campbell Folk School (1-800-FOLK-SCH),<br />

and Marian Rose’s CD-book package, ―Step Lively #1 (marian@istar.ca).<br />

Meter: 4/4<br />

F<strong>or</strong>mati<strong>on</strong>: Pairs standing anyw<strong>her</strong>e in the dance space. Start by partners facing.<br />

Dance Pattern<br />

I. “Sasha!”<br />

Partners shake index fingers at each ot<strong>her</strong> while saying, ―Sasha! Sasha! One-two-three!‖<br />

It’s even better to count in Russian: ―Rahss-dvah-tree‖ (roll those ―r’s‖).<br />

II. Clapping sequence<br />

Partners clap: Right hands three times—right-right-right<br />

Left hands three times—<str<strong>on</strong>g>left</str<strong>on</strong>g>-<str<strong>on</strong>g>left</str<strong>on</strong>g>-<str<strong>on</strong>g>left</str<strong>on</strong>g><br />

Both hands—both-both-both<br />

Pat knees—knees-knees-knees<br />

III. Elbow turns<br />

Partners hook right elbows and walk/swing in a clockwise circle 8 steps. On 8 th , give a<br />

sharp ―hey!‖ and switch to <str<strong>on</strong>g>left</str<strong>on</strong>g> elbows. Walk/swing counterclockwise with 8 steps and a<br />

―hey!‖<br />

IV. Promenade al<strong>on</strong>e<br />

Walk around the dance space al<strong>on</strong>e, in any directi<strong>on</strong>, until it’s time to start the pattern<br />

again with a new partner. Face some<strong>on</strong>e nearby (<str<strong>on</strong>g>no</str<strong>on</strong>g> fair reserving partners ahead of time)<br />

and begin again with ―Sasha! Sasha!‖<br />

PRESENTED BY SANNA LONGDEN. Notes by Sanna L<strong>on</strong>gden © 2006, based <strong>on</strong> those of<br />

Bob Dalsemer, Marian Rose, and first observance at a c<strong>on</strong>tra dance party in 1997.

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