no child left on his or her behind - Indiana Music Education ...
no child left on his or her behind - Indiana Music Education ... no child left on his or her behind - Indiana Music Education ...
Highlife/Pandoga, page 2 4 BASIC STEPS moving out a bit 4 SMALL DRUM: 3 steps + lift in place, "beating" drum with hands in front 4 LARGE DRUM: 3 steps + kick to R, then L, "beating" big drum to L side 4 SMALL DRUM: as above 4 BASIC STEPS in place 4 BIG CHICKEN: knees spread, hands on thighs, elbows flap, moving in, ½ turns 4 FLYING CHICKEN: same position, elbows to side, palms to floor, in 2 + out 2 4 BIG CHICKEN: same as above, moving out 4 BASIC STEPS in place 4 SWIMMING IN PLACE: exaggerated "crawl stroke," feet together, knees bent 4 SWIMMING TO CENTER: same movements and position, hitch forward 4 SWIMMING IN PLACE: same as above 4 BASIC STEPS moving backward out of center 4 WAVING CHICKEN: BIG CHICKEN position, waving 1 hand, then other, moving in toward center. 3 BASIC STEPS moving backward out of center POSE in WAVING CHICKEN position while stamping foot _____________________________________ PRESENTED BY SANNA LONGDEN. Notes by Sanna Longden © 2006, based on those of Dick Oakes and Tony Shay.
HOE ANA (Rarotonga Islands/Tahiti) "Hoe Ana" is originally a Rarotongan folk song, from the islands west of Tahiti, also called Cook Islands. According to Paul Tavai Latta (www.PaulLatta.com), the Tahitians have claimed and performed it, thus a bit of confusion about origin. The dance is of the Kaparima style or "Action Dance," with hand gestures descriptive of the text. It tells of the days when Polynesian people migrated from island to island, paddling on and on to reach a legendary place just over the horizon. There are several versions. This was taught by Yves Moreau to the international folk dance community. Formation: Standing, kneeling, or sitting in columns as though in ca
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- Page 3 and 4: ALOHA KAKAHIAKA (Hawai'i) "Good mor
- Page 5 and 6: DEBKY (Arabic) The debky is one of
- Page 7 and 8: GOOD OLD DAYS (U.S.A) This type of
- Page 9 and 10: THE GRAND MARCH (Processional from
- Page 11 and 12: Or finish it as a PARTNER DANCE (If
- Page 13: HIGHLIFE or PANDOGA (Ghana, West Af
- Page 17 and 18: HOW DO YOU DOO-TEE (Australia) This
- Page 19 and 20: I LOVE A RAINY NIGHT (Double-line U
- Page 21 and 22: THE PADDY O’FURNITURE JIG (sort o
- Page 23 and 24: SASHA (Russia—Germany) ―Sasha
- Page 25 and 26: Swing dancing, page 2 (b) Do <stron
- Page 27 and 28: Tokyo Dontaku, page 2 PART III. Mak
- Page 29 and 30: YAN or JEAN PETIT (Southern France)
- Page 31 and 32: Grade 3 Introduction TT5sON AT A GT
- Page 33 and 34: ,) ' E'##:Ji [: i:, ;:::1,:: 3 t#;:
Highlife/Pandoga, page 2<br />
4 BASIC STEPS moving out a bit<br />
4 SMALL DRUM: 3 steps + lift in place, "beating" drum with hands in fr<strong>on</strong>t<br />
4 LARGE DRUM: 3 steps + kick to R, then L, "beating" big drum to L side<br />
4 SMALL DRUM: as above<br />
4 BASIC STEPS in place<br />
4 BIG CHICKEN: knees spread, hands <strong>on</strong> thighs, elbows flap, moving in, ½ turns<br />
4 FLYING CHICKEN: same positi<strong>on</strong>, elbows to side, palms to flo<strong>or</strong>, in 2 + out 2<br />
4 BIG CHICKEN: same as above, moving out<br />
4 BASIC STEPS in place<br />
4 SWIMMING IN PLACE: exaggerated "crawl stroke," feet toget<strong>her</strong>, knees bent<br />
4 SWIMMING TO CENTER: same movements and positi<strong>on</strong>, hitch f<strong>or</strong>ward<br />
4 SWIMMING IN PLACE: same as above<br />
4 BASIC STEPS moving backward out of center<br />
4 WAVING CHICKEN: BIG CHICKEN positi<strong>on</strong>, waving 1 hand, then ot<strong>her</strong>, moving<br />
in toward center.<br />
3 BASIC STEPS moving backward out of center<br />
POSE in WAVING CHICKEN positi<strong>on</strong> while stamping foot<br />
_____________________________________<br />
PRESENTED BY SANNA LONGDEN.<br />
Notes by Sanna L<strong>on</strong>gden © 2006, based <strong>on</strong> those of Dick Oakes and T<strong>on</strong>y Shay.
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