reducing risks to cultural heritage - Iccrom
reducing risks to cultural heritage - Iccrom
reducing risks to cultural heritage - Iccrom
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REDUCING RISKS TO CULTURAL HERITAGE<br />
International Course – 23 May – 28 November 2011<br />
LIST OF PARTICIPANTS & CASE STUDIES<br />
ALTINORS ÇIRAK Aysegül, Research Assistant, Dokuz Eylül<br />
University, Faculty of Architecture, Department of City and<br />
Regional Planning, Izmir, TURKEY<br />
BALRAM Nirmala, Conserva<strong>to</strong>r, Museum of New Zealand,<br />
Tepapa Tongarewa, Welling<strong>to</strong>, NEW ZEALAND<br />
BERNATH Andrea, Conserva<strong>to</strong>r, CePCoR, CNM "ASTRA",<br />
Sibiu, ROMANIA<br />
DICKS Stephen, Program Officer, Mackenzie King Estate,<br />
National Capital Commission of Canada, Environemental,<br />
Capital Lands and Parks Branch, Ottawa, CANADA<br />
FARIAS Juçara Quinteros, Senior Conserva<strong>to</strong>r,<br />
Preservation Services of the House of Representatives,<br />
Brasilia, BRAZIL<br />
GOLFOMITSOU Stavroula, Researcher, Initiative for<br />
Heritage Conservancy (Inherity), Eleusina, GREECE<br />
HACKLIN Davina, Manager, Conservation, Museum Vic<strong>to</strong>ria,<br />
Melbourne, AUSTRALIA<br />
HASELEY Annegret, Regional Cura<strong>to</strong>r of Monuments, State<br />
Agency for the Preservation of His<strong>to</strong>rical Monuments and<br />
Archaeology Saxony-Anhalt, Halle Saale, GERMANY<br />
HUTCHINGS Jeremy, Associate Professor of Objects<br />
Conservation, Institute of Archaeology, Conservation and<br />
His<strong>to</strong>ry, University of Oslo, NORWAY<br />
JAUREGUI ARREOLA Karla Alicia, Lecturer/Researcher,<br />
Escuela de Conservación y Restauración de Occidente (ECRO),<br />
Guadalajara, MEXICO<br />
JURCIC Kristina Vera, Senior Conserva<strong>to</strong>r, Department for<br />
wall paintings and mosaics, Croatian Conservation Institute,<br />
CROATIA<br />
LAVOIE Myriam, Conserva<strong>to</strong>r, Atelier de sculptures, Centre<br />
de Conservation du Québec, Québec, CANADA<br />
MACIEL LAUAR Caroline, Architect, IPHAN-National<br />
Institute for the His<strong>to</strong>ric and Artistic Heritage, Vitória, BRAZIL<br />
Ancient Smyrna Agora and its close<br />
vicinity<br />
Taonga Maori collection in <strong>to</strong>uring<br />
exhibitions<br />
S<strong>to</strong>rage conditions of a new facility<br />
at the Astra National Museum<br />
Complex<br />
Red Bay National His<strong>to</strong>ric Site of<br />
Canada<br />
S<strong>to</strong>rage a the House of<br />
Representatives<br />
Eleusis archaeological museum and<br />
site<br />
Museum Vic<strong>to</strong>ria Australian<br />
Indigenous Archaeology Collection<br />
Border crossing point Marienborn at<br />
the former inner-German Border<br />
The Norwegian Armed Forces<br />
Museum (Akershus)<br />
Santa Mónica de Guadalajara<br />
Convent in Jalisco<br />
The Parish Church of St.George in<br />
Lovran and its frescoes<br />
Centre de conservation du Québec<br />
Nossa Senhora de Ajuda Church
REDUCING RISKS TO CULTURAL HERITAGE<br />
International Course – 23 May – 28 November 2011<br />
MARTELLI CASTALDI Monica, Senior Conserva<strong>to</strong>r,<br />
Herculaneum Conservation Project, ITALY<br />
MEERT Caroline, Conserva<strong>to</strong>r, Royal Institute for Cultural<br />
Heritage (IRPA-KIK), Brussels, BELGIUM<br />
NYAMANGA Philemon Ochieng', Research Scientist,<br />
National Museums of Kenya, Nairobi, KENYA<br />
OKPALANOZIE Ogechukwu, Conserva<strong>to</strong>r, National<br />
Museum, Lagos, NIGERIA<br />
OSSA Carolina, Manager, Painting labora<strong>to</strong>ri, Centro<br />
Nacional de Consevación y Restauración, Santiago, CHILI<br />
OTHMAN Firas, Architect, Head of GIS department,<br />
Direc<strong>to</strong>rate General of Antiquities and Museums, Damascus,<br />
SYRIA<br />
PASCUAL CÁCERES Daniela, Conserva<strong>to</strong>r and Res<strong>to</strong>rer,<br />
Museo de El Carmen, Institu<strong>to</strong> Nacional de Antropología e<br />
His<strong>to</strong>ria, Mexico City, MEXICO<br />
PASTOR PÉREZ Ana, Archaeological conserva<strong>to</strong>r, Insitu S.L.,<br />
Madrid, SPAIN<br />
RØSKAR Tanja, Conserva<strong>to</strong>r/Head of preservation, Aust-<br />
Agder Kulturhis<strong>to</strong>riske Senter, NORWAY<br />
SALEM ALHAJ Gamal, Project Officer, Cultural Heritage<br />
Unit, Social fund for development, Aden, YEMEN<br />
SUBIC PRISLAN Jana, Head of Archaeological Conservation<br />
Department, Goriski muzej, Restavra<strong>to</strong>rska delavnica Solkan,<br />
Novo Gorica, SLOVENIA<br />
TELIKICHERLA Lakshmi Priya, Conservation Architect,<br />
Archaeological Survey of India, New Delhi, INDIA<br />
THOMSON Catherine Rita, Senior Conserva<strong>to</strong>r, State<br />
Library of New South Wales, Sydney, AUSTRALIA<br />
TSHERING Dechen, Conservation engineer, Division for<br />
conservation of <strong>heritage</strong> sites, Department of Culture, Ministry<br />
of Home and Cultural Affairs, Thimpu, BHUTAN<br />
VINCE Andor, Preventive conserva<strong>to</strong>r, The Fitzwilliam<br />
Museum, Cambridge, UK<br />
Decorative features in the<br />
Herculaneum archaeological site<br />
The collection of negatives from the<br />
Royal Institute for Cultural Heritage,<br />
KIK-IRPA<br />
The NMK ethnographic collections<br />
Collections of the National Museum,<br />
Onikan<br />
His<strong>to</strong>ria de Concepción fresco in the<br />
train station hall in Concepción<br />
Tell Al-Hariri archaeological site<br />
Museo del Carmen<br />
The Cerralbo house-museum in<br />
Madrid<br />
The buildings of Merdøgaard<br />
Al Taweelah tanks in Crater, Aden<br />
Collections of the Goriški muzej<br />
Red Fort, New Delhi<br />
The State Library of New South<br />
Wales<br />
Punakha Dzong fortress<br />
Prints Collections at the Fitzwilliam<br />
Museum
REDUCING RISKS TO CULTURAL HERITAGE<br />
International Course – 23 May – 28 November 2011<br />
YOUNSI DAHMANI Nawel, Sous directrice de la<br />
sécurisation des biens culturels, Ministère de la culture, Alger,<br />
ALGERIA<br />
ZOU Yi Qing, Project Manager (Engineer), Cultural Heritage<br />
Conservation Center, Tsinghua Urban Planning and Design<br />
Institute, Beijing, CHINA<br />
Tipaza archaeological site<br />
The city wall of Taizhou, Linhai city